Let's Read Some Cory Fucking Doctorow

[sensibletits]

seriously though

Making fun of Cory is now on hold indefinitely until I put my life back in order. I don't really need one more thing in my life to feel guilty about, so I'm gonna stop beating myself up about not updating. Also I'm still super bummed about that post that got deleted. It was pretty good.

Sorry, y'all. I'll be back in a month or two if everything goes as planned, AND once I can actually stick to a regular -- say, weekly -- schedule.

[sensibletits]

oh my god

just lost an entire post to backspace being the "go back a page" button in chrome

y'all can thank google for not getting a new post today

so mad

[sensibletits]

knee-deep in piss, episode 3

A flicker of annoyance passed over her face, then went away. "So melodramatic, Marcus. [...]"

Well, Severe Haircut Lady (I'm still half-convinced that's supposed to be a crude dogwhistle for "lesbian") has a point. Pronounced Winston has just given the hammiest performance about "the Bill of Rights" ever, probably to match her Movie Mobster act.

What I find interesting here is this: he's been imprisoned and brutalized for no obvious reason, and so far has just been reacting with fear and shock. But what makes him find his "spine" again is a spurious political argument about national security.

In other words, he doesn't feel that what was done to him was unconditionally wrong. He just thinks it was done for the wrong reasons.

Am I reaching? Possibly, because that's ascribing a lot of rationality to someone who is being traumatized practically as we speak. Still, we're careful and experienced readers here, aren't we? We all know about how texts are at odds with themselves.

I don't really need to bore you with Derrida and deconstruction; just recall William Blake's comment about Paradise Lost, that how Milton was "of the Devil's party without knowing it". To convey the seductive power of evil, Milton chooses to make his Satan admirable -- but can we really say, on the basis of Paradise Lost itself, that Milton was not likewise seduced? Or, in more precise terms, that the text, in the character of the androgynous Lucifer, displays an irreconcilable ambiguity at its very core? The only way to settle such ambiguities is to say -- ah, but we know that the God of Protestant Christianity is good, from sources other than Paradise Lost, and because we are good Protestant Christians.

But we're not -- well, most of the people likely to read this aren't. Apologies to any good Protestant Christians out there, for using you as a rhetorical device. I'm sure you can deal with it.

So the rift here, in Little Brother, becomes one between Marcus reacting the way he does because that's the only thing he's feeling sure of right now -- his rights as an American -- and of him reacting the way he does because of a narrative logic embedded in liberal political practice: you cannot infringe upon my rights, because there's already a proper class of people for that, people who don't have rights, the un-American "militants", "enemy combatants" and "terrorists". Go hassle one of them, that's what my tax money is for!

So I rattled my wrists, wanting to get to my phone and unlock it for her, and she just looked at me coldly, checking her watch.

"The password," I said, finally understanding what she wanted of me. She wanted me to say it out loud, here, where she could record it, where her pals could hear it. She didn't want me to just unlock the phone. She wanted me to submit to her. To put her in charge of me. To give up every secret, all my privacy. "The password," I said again, and then I told her the password. God help me, I submitted to her will.

The position of the phone in this scene is amazing. It's like you're reading the account of someone betraying their comrades-at-arms from the resistance after weeks of torture.

Except it's just a phone.

Except it's not just a phone, not for Marcus (and Cory). He loves his gadgets more than he loves any living person. As far as we can tell, anyway.

You might be wondering at this point what dark secrets I had locked away on my phone and memory sticks and email. I'm just a kid, after all.

The truth is that I had everything to hide, and nothing. Between my phone and my memory sticks, you could get a pretty good idea of who my friends were, what I thought of them, all the goofy things we'd done. You could read the transcripts of the electronic arguments we'd carried out and the electronic reconciliations we'd arrived at.

See, he's right. Pronounced Winston's condition -- and ours out here in the real world, arguably -- is that of cyborgs, our flesh and minds intertwined with electronics, social networking accounts and all sorts of machines that make our current way of life possible. It is a serious violation.

There's something really liberating about having some corner of your life that's yours, that no one gets to see except you. It's a little like nudity or taking a dump. Everyone gets naked every once in a while. Everyone has to squat on the toilet. There's nothing shameful, deviant or weird about either of them. But what if I decreed that from now on, every time you went to evacuate some solid waste, you'd have to do it in a glass room perched in the middle of Times Square, and you'd be buck naked?

Even if you've got nothing wrong or weird with your body -- and how many of us can say that? -- you'd have to be pretty strange to like that idea. Most of us would run screaming. Most of us would hold it in until we exploded.

It's not about doing something shameful. It's about doing something private. It's about your life belonging to you.

I don't have a critique of the concept of privacy. I don't think a critique of the concept of privacy is necessary. Call it a bourgeois weakness in my otherwise total rejection of individualism or something.

Maybe it's to do with my personal history, and with the fact that I've been deprived of privacy and self-determination for pretty long periods of time. I don't know. I'd be happy to talk about it if you want, and figure out my position in greater detail. But as it is, I agree with Marcus.

They were taking that from me, piece by piece. As I walked back to my cell, that feeling of deserving it came back to me. I'd broken a lot of rules all my life and I'd gotten away with it, by and large. Maybe this was justice. Maybe this was my past coming back to me. After all, I had been where I was because I'd snuck out of school.

Again, I can't help but sympathize, which kind of goes against the purpose of this whole blog, but whatever. Anyone would feel like they must've deserved it somehow in this situation, when their previous vision of a basically fair and predictable world is completely shattered.

[sensibletits]

knee-deep in piss, episode 2

They re-shackled and re-hooded me and left me there. A long time later, the truck started to move, rolling downhill, and then I was hauled back to my feet. I immediately fell over. My legs were so asleep they felt like blocks of ice, all except my knees, which were swollen and tender from all the hours of kneeling.

No smug shit so far, just the facts and the visceral horror of imprisonment.

It's not very horrific, though, the way Cory/Marcus tells it. Legs being "asleep", in particular, is a really lighthearted phrase that I find completely at odds with what's going on here. Numbness, immobility, paralysis, powerlessness, yeah, I'd go with some associations like this. Being asleep? That's safe and peaceful.

I don't think Cory has a very good imagination for "powerlessness" or "not being safe", is what I'm trying to say. And here's some corroboration:

Then we were moving again, and this time, it wasn't like driving in a truck. The floor beneath me rocked gently and vibrated with heavy diesel engines and I realized I was on a ship! My stomach turned to ice. I was being taken off America's shores to somewhere else, and who the hell knew where that was? I'd been scared before, but this thought terrified me, left me paralyzed and wordless with fear. I realized that I might never see my parents again and I actually tasted a little vomit burn up my throat. The bag over my head closed in on me and I could barely breathe, something that was compounded by the weird position I was twisted into.

Seriously, Pronounced Winston, this is what scares you? Leaving "America's shores"? Not torture and imprisonment and death?

I suppose it's excusable for the character, because we understand that the protagonist has never had to fear for his life -- plus, the shock of it all must be a thing, too. It's not implausible that this little bit of ideology, "taken off America's shores", being brutally torn out from the protection of the nation-state, would push him over the edge.

So! Let's call it accidental competence and move on.

(Note also the vomit, directly related to the piss/excretion/abjection theme. Not subtle, but plausible and thematically sound.)

Anyway, they arrive somewhere and put him in a cell.

The next time they came to question me, I was filthy and tired, thirsty and hungry. Severe haircut lady was in the new questioning party, as were three big guys who moved me around like a cut of meat. One was black, the other two were white, though one might have been hispanic. They all carried guns. It was like a Benneton's ad crossed with a game of Counter-Strike.

And the smug shit returns with a vengeance, complete with a videogame reference. What even is this? Is it worth it to analyze how this fragment addresses race and ethnicity? Fuck no it's not. It's Pronounced Winston trying very hard to be an unfunny dickhead when his life is in peril. Next, please.

The interrogation room was modern, with fluorescent lights, ergonomic chairs -- not for me, though, I got a folding plastic garden-chair -- and a big wooden board-room table. A mirror lined one wall, just like in the cop shows, and I figured someone or other must be watching from behind it. Severe haircut lady and her friends helped themselves to coffees from an urn on a side-table (I could have torn her throat out with my teeth and taken her coffee just then), and then set a styrofoam cup of water down next to me -- without unlocking my wrists from behind my back, so I couldn't reach it. Hardy har har.

"Hello, Marcus," Severe Haircut woman said. "How's your 'tude doing today?"

'Tude.

Writers often speak of characters having "a voice" -- a unique, recognizable way of speaking. In Little Brother, Doctorow discards such quaint notions without a shred of pity. He knows that the only voice that's necessary is the booming divine proclamation of the author, put into any number of convenient mouthpieces, or displayed in contrast to ludicrous strawmen. Acknowledging that his characters are basically interchangeable -- that an intimidating military interrogator doesn't have to speak differently from a callow high school youth -- elevates Cory's book to the highest plane of literary achievement, alongside What I Did On My Summer Holidays, by Peter, age 5, the World of Warcraft User Manual and the DSM-IV.

I didn't say anything.

"This isn't as bad as it gets you know," she said. "This is as good as it gets from now on. Even once you tell us what we want to know, even if that convinces us that you were just in the wrong place at the wrong time, you're a marked man now. We'll be watching you everywhere you go and everything you do. You've acted like you've got something to hide, and we don't like that."

In an effort to convey how evil this woman and her entire institution is, Cory has her talk like a B-movie gangster. "You're a marked man now"? Please.

The hammy cartoon villain act goes on for a while, with the "severe haircut woman" (isn't that some kind of dogwhistle?) demanding that Marcus remove his super leet teen haxor phone locks that the literal US military has no idea how to circumvent. Your tax dollars at work!

The word "no" was on my lips, like a burp trying to come up, but it wouldn't come. "Why?" is what came out instead.

Again with the icky bodily functions; burping is this close to vomiting. We get it already. Also: "trying to come up but it wouldn't come"? You're pretty rich, Doctorow, hire a goddamn editor already.

"We want to be sure that you're what you seem to be. This is about your security, Marcus. Say you're innocent. You might be, though why an innocent man would act like he's got so much to hide is beyond me. But say you are: you could have been on that bridge when it blew. Your parents could have been. Your friends. Don't you want us to catch the people who attacked your home?"

[...]

But as soon as she switched to this BS about "safety" and "security," my spine came back. "Lady," I said, "you're talking about attacking my home, but as far as I can tell, you're the only one who's attacked me lately. I thought I lived in a country with a constitution. I thought I lived in a country where I had rights. You're talking about defending my freedom by tearing up the Bill of Rights."

Well, someone has been paying attention in all the political discussions on Slashdot.

I'll come back to the last part (hopefully after a shorter break this time); for now, feel free to enjoy that moment of self-assured libertarian chest-pounding in all its unabridged glory.

[sensibletits]

knee-deep in piss, interlude

We doin' this.

This chapter is dedicated to Barnes and Noble, a US national chain of bookstores. As America's mom-and-pop bookstores were vanishing, Barnes and Noble started to build these gigantic temples to reading all across the land. Stocking tens of thousands of titles (the mall bookstores and grocery-store spinner racks had stocked a small fraction of that) and keeping long hours that were convenient to families, working people and others potential readers, the B&N stores kept the careers of many writers afloat, stocking titles that hbrghl smaller stores couldn't possibly afford to keep on their bhgfrtl limited shelves. B&N has always ugbhlbhh had strong community outreach proghhhhrams, and I've dongbhrgbe soHHHme of my best-attended, best-organized signings at B&N stohoHOHGHOres, including the grrrrRRRRBAAGRGHeat eveeEYA EYA EYA IA IA GRBBLLRLB FRRRGH HNNNG HNG BRAAAGH ALL HAIL THE DEVOURING VOID, THE END OF THINGS! THE UNSLEEPING ONES ARE COMING FROM BEYOND THE ABYSS

I'm not sure what Cory's thinking. I don't expect him to care about, or be capable of understanding, the broader economic context of chain bookstores, their place in manufacturing mass ideology, their role in determining what sorts ideas are publishable and so on, but surely he could at least muster a bit of liberal hand-wringing about the work conditions in those places? We don't have Barnes & Noble here, but our biggest chain of bookstores, Empik, has recently been voted Worst Employer of 2011 by a bunch of people on a website. I can't imagine how this would be even the tiniest bit better in the USA, which doesn't even have half of our increasingly shaky and dead-lettery labour protections.

But no, because "families and working people". There, he said the magic buzzwords, you can shut off your critical faculties now.

The reason I harp on this is because Nerds tend to talk a lot about "critical thinking"; the overlap with insufferable Internet atheists, in particular, is significant. I don't mean this in a HA HA U SAY U SMRT BUT U AKSUALY DUM way -- okay, I kind of do, but that's not the whole point. I'm also interested in putting together some sort of thesis about Nerd Reason -- what do Nerds understand by "proper" or "logical" thinking?

My first suggestion is that Nerd Reason is oriented towards solving discrete problems with a narrowly defined set of rules. How do I write a line of code that makes the guy on the screen jump when I press a button? How do I disprove an argument by pointing out its fallacies? How do I make someone want to have sex with me?

You see the problem, of course, especially with the last example. "Making" someone want to have sex with you is already pretty sleazy and manipulative (to say nothing of structural power imbalances and rape culture), but the ethical question is external to the "problem" that the Nerd needs to "solve".

I just wanted to put this down and post it before tumblr deletes it again and I completely lose my train of thought. Discussion of the next chapter will follow shortly. I'm sure you can't wait.

[sensibletits]

knee-deep in piss, episode 1

Last time, Pronounced Winston et consortes were captured by a bunch of armed assholes and dragged off to God knows where.

Vanessa looked at me and bit her lip. She was scared. So was I. So was Jolu, his eyes rolling crazily in their sockets, the whites showing. I was scared. What's more, I had to piss like a race-horse.

Piss becomes the major theme of this segment, actually. The next bit is all about Marcus trying to convince his captors to let him go to the bathroom, which they do; they even go so far as to uncuff him. A lot of time and love went into making the pissadventures of Pronounced Winston relatable. Make of that what you will.

As my bladder cut loose, so did my eyes. I wept, crying silently and rocking back and forth while the tears and snot ran down my face. It was all I could do to keep from sobbing -- I covered my mouth and held the sounds in. I didn't want to give them the satisfaction.

Dude's leaking fluids all over the place. Excretion is, of course, a sign of abjection: the substances we push out of our bodies are, in a very basic sense, not-ourselves, disgusting waste, reminders of our own mysterious, squishy, gurgling, churning insides, very different from the idealized view of the human creature as a noble, rational and moral being. Pronounced Winston is adrift on the limitless abhuman ocean of the Piss Dimension.

The man who came in was wearing a military uniform. A US military uniform. He saluted the people in the truck and they saluted him back and that's when I knew that I wasn't a prisoner of some terrorists -- I was a prisoner of the United States of America.

No, Marcus, you are the terrorists.

Sorry.

"Hello, Marcus," Severe Haircut woman said. "We have some questions for you."

"Am I under arrest?" I asked. This wasn't an idle question. If you're not under arrest, there are limits on what the cops can and can't do to you. For starters, they can't hold you forever without arresting you, giving you a phone call, and letting you talk to a lawyer. And hoo-boy, was I ever going to talk to a lawyer.

Like I said, I gotta give Cory some credit here. This is perfectly consistent with what we've learned about Marcus: he thinks he's the coolest and most badass kid in town, he's got all the adults figured out, he knows how to play them like a fiddle. He's seen all the videos on the Internet about his "constitutional rights" and what to do if a cop pulls you over. He's gonna play hardball with these heavily armed people who've just kidnapped him because he's an American, for fuck's sake. You can't treat an American this way.

He's an idiot.

"Am I under arrest?" I repeated. They can't make you answer any questions if you're not under arrest, and when you ask if you're under arrest, they have to answer you. It's the rules.

See? It's the rules.

"I'm not going to unlock my phone for you," I said, indignant. My phone's memory had all kinds of private stuff on it: photos, emails, little hacks and mods I'd installed. "That's private stuff."

"What have you got to hide?"

"I've got the right to my privacy," I said. "And I want to speak to an attorney."

"This is your last chance, kid. Honest people don't have anything to hide."

"I want to speak to an attorney." My parents would pay for it. All the FAQs on getting arrested were clear on this point. Just keep asking to see an attorney, no matter what they say or do. There's no good that comes of talking to the cops without your lawyer present. These two said they weren't cops, but if this wasn't an arrest, what was it?

In hindsight, maybe I should have unlocked my phone for them.

You see what I mean, right? First of all, this is in-character, and second of all -- this is the first time Pronounced Winston ever admits he was wrong about something. I actually don't have a complaint here!

Well, apart from the fact that it's hard to even call it "wrong". The very fact someone's asking questions instead of just hauling him off for a 48-hour torture session just to soften him up means he's incredibly lucky (or privileged, we might as well say). He's not wrong about the phone and the lawyer as much as he is wrong about the entire fucking world and his place in it, and he's about to learn that in a fairly nasty manner.

Well, how much he will actually learn is up to Cory. I'm not holding my breath.

[sensibletits]

Prolegomena to a critique of Nerdism

I was in total darkness now and I strained my ears to hear what was going on with my friends. I heard them shouting through the muffling canvas of the bag, and then I was being impersonally hauled to my feet by my wrists, my arms wrenched up behind my back, my shoulders screaming.

Things aren't looking too hot for Pronounced Winston right now; he's been captured by some military-looking people and is being whisked off to an undisclosed location. Oh, and they're also beating him up I guess?

I'll drop the act for a while: the upcoming section is actually quite believable and, in a purely technical sense, well done. That's why I'll be glossing over most of it. Cory already has an army of fawning sycophants at his disposal; feel free to ask one of them if you want to hear nice things about Doctorow. Here at Sensible Tits Dot Tumblr Dot Com, we are serious about our mission: being a dick to a rich nerd.

Who were these clowns? They weren't wearing insignia. Maybe they were terrorists! I'd never really believed in terrorists before -- I mean, I knew that in the abstract there were terrorists somewhere in the world, but they didn't really represent any risk to me. There were millions of ways that the world could kill me -- starting with getting run down by a drunk burning his way down Valencia -- that were infinitely more likely and immediate than terrorists. Terrorists killed a lot fewer people than bathroom falls and accidental electrocutions. Worrying about them always struck me as about as useful as worrying about getting hit by lightning.

It's a subtle thing, and therefore almost definitely unintentional, but Marcus frames “terrorists” as an environmental hazard. Car accident, earthquake, someone blowing you up – these things happen, right?

The first and most obvious layer of this framing is depersonalization and naturalization. People speak of accidents or natural disasters in terms of “acts of God”: mostly unpredictable, mostly unpreventable, caused by an inscrutable higher power or stupid random chance. But, shock of shocks, “terrorism” is nothing like that. “Terror attacks” have material and historical causes and are expressions of ideological positions – they are, in a word, political. “Unsanctioned political violence” is an okay start of a working definition of terrorism, although probably insufficient as a deeper analysis.

So, that's number one: pretending that there's no difference between the IRA and a hurricane. They both arise spontaneously and in a historico-ideological void to lay waste to decent, law-abiding folk, just because. Nothing human or comprehensible about either of them, nope.

But there's also another level to this framing. It expresses an amusingly perverse truth about the US empire: that in order to uphold it and enjoy its benefits, including the privilege of not having to think too hard about the world, one must put up with the occasional swarm of genetically engineered bees, inexplicable drought or bomb in a major city.

It's not that it's rude to naturalize terrorism as an inexplicable force of nature, because Terrorists Are People Too. It's that the hegemonic order of knowledge is built on such naturalizations – and in both directions, when you consider the discourse of modern neoliberal economics, where particular dynamics emergent from specific historical circumstances are taken as immutable laws of nature. And even further – the production of knowledge is the production of power.

In a sense, what some random idiot said about me recently on Twitter is true: I am “anti-science”, if by science we take to mean this production of knowledge-power, and the assertion that this production is not only admirable, but beyond criticism.

If we are working, here, towards some sort of definition of “Nerdism”, it has to be noted that Nerdism, and Cory, embraces this kind of “science” with unsurpassed enthusiasm. Essential to the Nerdist ideology is the position that science is “pure”, non-ideological, that there is some kind of Platonic ideal of knowledge that knowledge-workers access through a mystical communion with the Laws of the Universe, and that this pure knowledge only becomes tainted with ideology when it comes into contact with the sphere of the social.

To reject this silly belief is to take a first, tentative step towards an epistemology worth a damn, and a politics of liberation.

Sitting in the back of that Hummer, my head in a hood, my hands lashed behind my back, lurching back and forth while the bruises swelled up on my head, terrorism suddenly felt a lot riskier.

And lest I forget to mention, there's also the racialization of “terrorism” and “terrorist”, though that is probably not the best word for it. I think even Cory is aware of this aspect, in his adorably bumbling way? This has been covered to Hell and back, so I won't belabour the point: currently, in mainstream US discourse, “terrorist” stands for an ethnic and/or cultural Other. White People Can't Be Terrorists.

I actually managed a kind of sleep there, kneeling with the circulation cut off to my legs, my head in canvas twilight. My body had squirted a year's supply of adrenalin into my bloodstream in the space of 30 minutes, and while that stuff can give you the strength to lift cars off your loved ones and leap over tall buildings, the payback's always a bitch.

I'm just going to note the gendered slur here with malicious glee. It's not entirely fair of me; a lot of feminists will still use it negatively, simply since it's such a deeply ingrained cultural thing even if you actively try to fight it, and I never give them too much shit about it. But this is Cory we're talking about, here.

We were all in the back of a truck, a big 16-wheeler. I could see the wheel-wells at regular intervals down the length. But the back of this truck had been turned into some kind of mobile command-post/jail. Steel desks lined the walls with banks of slick flat-panel displays climbing above them on articulated arms that let them be repositioned in a halo around the operators. Each desk had a gorgeous office-chair in front of it, festooned with user-interface knobs for adjusting every millimeter of the sitting surface, as well as height, pitch and yaw.

Then there was the jail part -- at the front of the truck, furthest away from the doors, there were steel rails bolted into the sides of the vehicle, and attached to these steel rails were the prisoners.

I spotted Van and Jolu right away. Darryl might have been in the remaining dozen shackled up back here, but it was impossible to say -- many of them were slumped over and blocking my view. It stank of sweat and fear back there.

No, you spotted the “slick flat-panel displays” and “gorgeous office chairs” and “user-interface knobs” first, Marcus. Good to see that all this unprovoked violence hasn't made you lose sight of what's really important in life: shitty gadgets.

[sensibletits]

i am so happy

Darryl groaned and looked at us, then down at his side, then he groaned and his head went back again.

Last time, Pronounced Winston's feverish douchebaggery has claimed its first victim, as his friend and only likable character so far, Darryl, was stabbed for associating with the biggest asshole in town. Well, we don't know that, but we don't know anything else about this completely random crime either. It is something of an example of conceptualizing "crime" as a faceless, pointless force of nature, or perhaps a social contagion.

Vanessa took off her jean jacket and then pulled off the cotton hoodie she was wearing underneath it. She wadded it up and pressed it to Darryl's side. "Take his head," she said to me. "Keep it elevated." To Jolu she said, "Get his feet up -- ­­ roll up your coat or something." Jolu moved quickly. Vanessa's mother is a nurse and she'd had first aid training every summer at camp. She loved to watch people in movies get their first aid wrong and make fun of them. I was so glad to have her with us.

Yeah, it's a good thing you brought a woman along in case some nurturing needs to get done. She may be Strong, but she also knows her place! I do believe I shall swoon.

Pronounced Winston takes out his phone and dials 911, but the line is obviously busy as hell. The Scooby Gang figure they'll just walk over to the road and stop an ambulance or a cop car, because a) cops are their friends, and b) nobody could possibly need the help of paramedics more than them.

Credit where credit is due: Cory quickly demonstrates why this is a spectacularly bad idea under the circumstances.

It was a military-looking Jeep, like an armored Hummer, only it didn't have any military insignia on it. The car skidded to a stop just in front of me, and I jumped back and lost my balance and ended up on the road. I felt the doors open near me, and then saw a confusion of booted feet moving close by. I looked up and saw a bunch of military-looking guys in coveralls, holding big, bulky rifles and wearing hooded gas masks with tinted face-plates.

I barely had time to register them before those rifles were pointed at me. I'd never looked down the barrel of a gun before, but everything you've heard about the experience is true. You freeze where you are, time stops, and your heart thunders in your ears. I opened my mouth, then shut it, then, very slowly, I held my hands up in front of me.

I did a little fistpump, not gonna lie. Maybe they're the People's Army, finally arriving to execute Marcus for his Internet posts about creeping sharia, the gold standard and how women never want to date nice guys like him.

The faceless, eyeless armed man above me kept his gun very level. I didn't even breathe. Van was screaming something and Jolu was shouting and I looked at them for a second and that was when someone put a coarse sack over my head and cinched it tight around my windpipe, so quick and so fiercely I barely had time to gasp before it was locked on me. I was pushed roughly but dispassionately onto my stomach and something went twice around my wrists and then tightened up as well, feeling like baling wire and biting cruelly. I cried out and my own voice was muffled by the hood.

YES

I've kind of stopped remarking on the quality of the writing now, because I'm trying not to focus too much on individual sentences, but it really did jump out at me here that Marcus is able to tell that he's being brutalized "roughly but dispassionately". You know how people who claim to give writing advice will tell you to get rid of all the adverbs? I don't think that's anywhere near a universal rule, but in this case, Doctorow, being a rank amateur, should have damn well listened.

[sensibletits]

good point

My impression of the casual “tranny hooker” bullshit was that it was your standard casual privileged thoughtlessness combined with a desire to exhibit, in the narration, how cool Pronounced Winston is. Given the overall preachiness of the books (ha ha, just wait until you get to the afterword and other backmatter) it seemed clear to me that Doctorow was writing this book to an imagined mass of flyover-country kids who weren’t cool or lucky enough to grow up in SF or NYC, and who thereby (in Cory’s conception) couldn’t possibly be acquainted with such charming local color as “tranny hookers,” &c, and but if these imagined kids encountered them, they would probably be totally scandalized, the poor hayseeds. But then there’s Winston who is obviously totally blasé about such things, “oh hey tranny hookers and winos, no big deal,” and we (or at least Cory’s imagined flyover hayseed audience) are meant to be super impressed with Winston’s casual dismissal, this kid’s so cool he’s not even freaked out by transsexual prostitutes. Which of course is a double dose of contempt, when you think about it, because there’s the obvious barefaced hatefulness of “tranny hooker,” added to which there’s the supposition that the flyover-kid audience is going to be really impressed with Winston’s blasé-ness, because they couldn’t possibly know any trans people or sex workers, because those only exist in really interesting places with lots of charming local color, like where Winston lives. Ugh.

— thesockdolager

[sensibletits]

not gonna try to keep track of days anymore, that shit's depressing

Then the world changed forever.

Remember when I stopped posting and the world changed forever?

"The world changed forever" is an interesting journalistic cliché, in that it not so much describes or analyzes an event as enacts it. Three thousand people, or three hundred thousand, could die of malnutrition or some natural disaster in the span of five seconds, but it is the voice of the privileged interpreter of reality that decides whether this mass death will be a chapter in the history of the world, or a footnote.

It's also telling, not showing, yet again. "Look, this is important because I say so!"

We felt it first, that sickening lurch of the cement under your feet that every Californian knows  instinctively ­­ -- earthquake.

But it's not an earthquake: soon a black mushroom cloud rises in the sky, and the ghastly realization strikes us: Cory is going to make us suffocate on hamfisted 9/11 references.

Anyway, there's a lot of yelling and running about, and somehow there are loudspeakers everywhere telling everyone to report to shelters immediately, and the chapter ends, and the next one "is dedicated to Borderlands Books, San Francisco's magnificent independent science fiction bookstore".

We passed a lot of people in the road on the way to the Powell Street BART. They were running or walking, white­-faced and silent or shouting and panicked. Homeless people cowered in doorways and watched it all, while a tall black tranny hooker shouted at two mustached young men about something.

Yeah, he literally wrote "tranny hooker".

I fervently wish there were horrible, hurtful, dehumanizing words to call Cory's friends in retaliation, since he thinks nothing of being an utter dick to mine; I must resort to calling them "piece of shit nerds", which is accurate, but perfectly harmless. (This is sometimes known as "privilege" and also "hegemony", maybe you've heard of it).

People are crowding into the BART station, which I understand is fancy Bay Area talk for the metro, and--

"Screw you!" I heard Van yell behind me. "Pervert! Get your hands off of me!"

I strained around against the crowd and saw Van looking with disgust at an older guy in a nice suit who was kind of smirking at her. She was digging in her purse and I knew what she was digging for.

"Don't mace him!" I shouted over the din. "You'll get us all too."

Yeah, God forbid she defend herself from sexual assault by any means necessary. Pronounced Winston knows better. It's also another piece of Strong Female Characterization, that is to say, a lot of yelling and posturing and being tough, just so long as it's understood that the boys are still in charge.

The crowd in the station is pretty brutal, people are falling down, and the Marcus Gang decides to go back up top.

We popped free like Champagne corks an eternity later, blinking in the grey smoky light. The air raid sirens were still blaring, and the sound of emergency vehicles' sirens as they tore down Market Street was even louder. There was almost no one on the streets anymore -- ­­ just the people trying hopelessly to get  underground. A lot of them were crying. I spotted a bunch of empty benches ­­ usually staked out by skanky winos ­­ and pointed toward them.

"Skanky winos" now.

You know, I'm having a really big problem grasping why Marcus insists on being such a tremendous piss wizard to anyone who isn't white, male, cisgendered and bourgeois as hell (I don't think we've hit homophobia and the other cool prejudices yet, correct me if I'm wrong). Normally, after this many instances of it, I would have assumed this was good characterization: that we're supposed to detest this smug, condescending prick and eagerly await some sort of comeuppance.

Option two is, of course, that this is how Cory always talks, or at least, how he imagines a teenage clone of himself in San Francisco would talk. Nothing deliberate, just regular old casual hate speech.

Option three is very implausible, but it keeps coming back to me: that Cory knows perfectly well what he's doing. That he explicitly wants to construct a Nerdism in which everyone is included so long as they know their place -- beneath him, being shat on 24/7.

It is of course not necessary for this to be deliberate, because that's what the text ends up doing anyway, but the idea of Doctorow as not just clueless, but actively malicious is one I'm finding very hard to shake.

We moved for them, the sirens and the smoke making us duck and hunch our shoulders. We got as far as the benches before Darryl fell forward. We all yelled and Vanessa grabbed him and turned him over. The side of his shirt was stained red, and the stain was spreading. She tugged his shirt up and revealed a long, deep cut in his pudgy side.

So I guess he got stabbed by one of the undesirables in the crowd. Possibly they mistook Darryl's embarrassed silence in reaction to Marcus yelling racial slurs at strangers in the crowded station (this is what I imagine he was doing this entire time) as agreement.

[sensibletits]

Day who even keeps track anymore: He Respects Women

The physical component of today's clue was a set of GPS coordinates -- there were coordinates for all the major cities where Harajuku Fun Madness was played -- where we'd find a WiFi access-point's signal. That signal was being deliberately jammed by another, nearby WiFi point that was hidden so that it couldn't be spotted by conventional wifinders, little keyfobs that told you when you were within range of someone's open access-point, which you could use for free.

Two things.

One: I know written English handles repetition better than my first language, but the double "coordinates", double "signal" and, to a lesser extent, double "access-point" are really jarring to me.

Two, don't "wifinders" kind of speak for themselves? Sci-fi writers (I assume Cory, as a huge nerd, is very familiar with them) often coin a word for a piece of futuristic technology and never actually explain how it works, but rely on the reader to figure it out from context. Unless they're Frank Fucking Herbert, in which case enjoy half a page's worth of awkward mumbling about the intricate inner workings of "stillsuits" and "windtraps". Point being, everything from "wifinders" on seems perfectly redundant to me.

I wonder now if Doctorow thinks Herbert's books are timeless masterpieces. Probably.

Anyway, the Cory Bunch find the mysterious hidden wifi in some shady back alley, and then --

I took a step backward and ended up standing on someone's toes. A female voice said "oof" and I spun around, worried that some crack-ho was going to stab me for breaking her heels.

Marcus respects women, y'all.

Remember my meltdown from last time? Let me elaborate on that a bit: it's not that someone is saying racist and/or misogynist and/or transphobic and/or classist things. If a character casually using horrible slurs, doing racist as fuck things and generally being a privileged piece of shit (or just, y'know, a person living in a misogynistic, transphobic, etc. culture) adds to the story or paints a better picture of them, I'm not gonna hold it against the text. I might not have fun reading it, but I wouldn't have fun being in one room with such a person either, so yeah.

This is subtly, but importantly, different. Marcus is the narrator and the only interpreter of this world we have: it's his story, and what he says goes. More than that, he's quite obviously the author's Gary Stu: the smartest, bravest, sexiest, best-liked guy in every room he enters, and self-evidently incapable of error. Doctorow is walking a very thin line between having a character be a habitual dick to women, and having the text actively hate women, and you know what? I'm not going to give him the benefit of the doubt in ambiguous cases, because fuck Cory.

Instead, I found myself face to face with another kid my age. She had a shock of bright pink hair and a sharp, rodent-like face, with big sunglasses that were practically air-force goggles. She was dressed in striped tights beneath a black granny dress, with lots of little Japanese decorer toys safety pinned to it -- anime characters, old world leaders, emblems from foreign soda-pop.

I see not getting stabbed doesn't stop you from describing her as nastily as you can, Cory -- er, Marcus. I guess we're supposed to feel contempt for her at this point? That "rodent-like" face bit is especially telling.

Mind you, we still don't know how Marcus looks. Personally, I imagine him somewhat like this:

Anyway, she and her two friends (they all have anime hair, too, to drive home that they are Bad and Pathetic Anime Fans, not Cool and Hip Anime Fans like Marcus et consortes) are also looking for the Big Clue, and threaten to send the Scooby Crew's photos to that truancy blog if they don't step the fuck off right this instant. 

Behind me I felt Van start forward. Her all-girls school was notorious for its brawls, and I was pretty sure she was ready to knock this chick's block off.

Strong Female Character! Strong Female Character! Look at her being all violent and shit! 

Okay, I'll stop now. By itself this is not objectionable, but like I said, no benefit of the doubt will be given, and it's quite clear to me that the text is trying to hastily and crudely establish Van as being all tough and badass (and pointlessly reckless), probably so it can disempower her and strip her of agency later on.

Then the world changed forever.

Please let it be a tactical nuclear strike that wipes Marcus off the planet. Please.

[sensibletits]

Day ahahaha: ahahaha

Ahahaha FUCK I'm the biggest liar, aren't I. But nevermind that! Back in the saddle again, let's do this thing!

Back when we left off, we met Van, who is a girl with crazy elaborate braids she researches on the net, and has mastered the ancient and mystical Far Eastern art of looking exactly like every other person of East Asian descent. I feel like it's important to repeat this: Cory chose to introduce her ethnicity through the crudest racist stereotype I can think of.

I don't subscribe to the notion that characters are "better" and "more authentic" when their ethnicity, or sexuality, or other politicized factors of their identity, are presented as incidental. I know this is a common belief, and I sort of understand why -- I can't deny the value of reader identification, and the feeling that "this character can do everything THEY (white people, men, whoever) can" is not something I'd lightly dismiss.

My problem is that politicized identities aren't just funny quirks or patterns of consumption. To pretend that they are is a bizarre denial of material realities that shape our lives. If your setting is some Neverland without heteronormativity, income disparities between ethnic groups and rape culture -- sure, I'll buy it. But Little Brother takes place in almost-but-not-quite present-day USA, and to introduce this sort of pseudo-egalitarianism into a close approximation of the real world is delusional.

I don't really expect the text to acknowledge and address these problems within three paragraphs of introducing Van. A lecture on melting pots and assimilationism and transformative politics of liberation in the middle of this little scene would probably be even worse than a lecture on why Micro$oft $ucks a$$, if only because there's no way Cory could pull it off competently. But it's something that I'm keenly aware of as I'm reading, and I'd like you, Dear Reader, to be aware of it as well.

Jolu saved him from social disgrace by showing up just then, in an oversize leather baseball jacket, sharp sneakers, and a meshback cap advertising our favorite Mexican masked wrestler, El Santo Junior. Jolu is Jose Luis Torrez, the completing member of our foursome. He went to a superstrict Catholic school in the Outer Richmond, so it wasn't easy for him to get out. But he always did: no one exfiltrated like our Jolu. He liked his jacket because it hung down low -- which was pretty stylish in parts of the city -- and covered up all his Catholic school crap, which was like a bullseye for nosy jerks with the truancy moblog bookmarked on their phones.

Welp. Catholicism and lucha libre. Forget all of what I just said, Doctorow is not allowed to say a single fucking thing about ethnic difference ever again.

The Cory Gang are off to a place to do a thing, and then this wonderful paragraph happens:

That part of San Francisco is one of the weird bits -- you go in through the Hilton's front entrance and it's all touristy stuff like the cablecar turnaround and family restaurants. Go through to the other side and you're in the 'Loin, where every tracked out transvestite hooker, hardcase pimp, hissing drug dealer and cracked up homeless person in town was concentrated.

shut up shut up shut up fuck you FUCK YOU NOT ANOTHER WORD OUT OF YOU DOCTOROW

[sensibletits]

so here's the deal

I'm adjusting my schedule AGAIN, because:

1. I can, and;

2. Fuck Cory.

I took a little break from this horrible book because I havd vastly more interesting and rewarding real-life things to do, and it turned into four goddamn days. Plus, work is actually picking up a little.

Expect another post tomorrow, and one every other day afterwards. Also, I promise you I won't go below a post a week, unless I decide to abandon this entire project. Which MIGHT happen, but I'd feel pretty bummed about that for a while, because I'd be robbing you of my reactions to some of the more interesting events later on.

[sensibletits]

welp

No post today, there probably won’t be one tomorrow. I DON’T OWE YOU ANYTHING.

For reals though, sorry. I’ll try to do two posts on Saturday or something? Maybe? It’s a surprise.

[sensibletits]

Day 7: Stay Classy, Cory

When we left off, secret agent Pronounced Winston sent like a million messages to a bully's cell phone through a botnet just to make him look the other way. And because this is Cory's -- sorry, Winston's -- story, not only do they manage to get away without a hitch, but the nefarious villain Charles gets caught outside by a teacher and chewed out as our protagonists make their escape. Because Cory -- sorry, Winston -- has to win every time.

I'm thinking about Darryl's function in all this. You know how Sancho Pansa is the voice of down-to-earth common sense? Darryl seems kind of like that to me, except in a world where giants are real and Don Quixote has a grenade launcher. His behaviour -- worrying about being expelled, not wanting to go along with Pronounced Winston's schemes -- is perfectly reasonable and relatable, but because Winston is so wonderful and all-knowing and perfect, Darryl just ends up looking like a great big dumbass coward.

Which raises the question of why they are even friends at all. Personally, I think it's because Pronounced Winston needs Darryl for that stupid videogame or ARG or whatever of theirs. The commodification of human relations, the flipside of the intimate and loving relationships that Cory -- sorry, Winston -- forms with pieces of hardware.

From what we've seen so far, I like Darryl. I think he should be the one telling this story. He doesn't seem to be a gargantuan dick, at least. Plus he's showed actual human affection to his friend-and-probably-not-sexual-partner with that butt-pat, which is more than I can say for Winston/Marcus; that guy's just been manipulative and smarmy as hell.

Anyway, they depart to meet up with the other players of their dumb game.

Van spotted us first.

Van, you'll remember, is the girl Winston was being a creep about, the one Darryl has a crush on. We've been told literally nothing else about her, because that is how you introduce a Strong Female Character: the first and most important piece of information is her relations with men.

She was blending in with a group of Korean tourists, which is one of her favorite ways of camouflaging herself when she's ditching school.

Because Asians all look the same, get it? Jesus fuck--

Ever since the truancy moblog went live, our world is full of nosy shopkeepers and pecksniffs who take it upon themselves to snap our piccies and put them on the net where they can be perused by school administrators.

Who will emerge victorious from the Clash of the Shitty Nouns? It's looking to be an even match between Moblog and Piccies! Place your bets now!

She came out of the crowd and bounded toward us. Darryl has had a thing for Van since forever, and she's sweet enough to pretend she doesn't know it. She gave me a hug and then moved onto Darryl, giving him a quick sisterly kiss on the cheek that made him go red to the tops of his ears.

Thanks for the reminder of what the point of a Strong Female Character is, Cory, I'd almost managed to forget. Also, "sweet enough to pretend she doesn't know it?" In what kind of fucked-up anime reality does this make even the slightest shred of sense?

I might come back to this next time, actually. The can of worms has been opened: a woman has violated the tranquil peace of the male nerd community, and it's time to start cataloguing the ways in which Cory -- sorry, Marcus -- holds her in contempt.

[...] Van is half a head shorter than me, and skinny, with straight black hair that she wears in crazy, elaborate braids that she researches on the net.

I've bolded the part where I think your enthusiasm got the better of you, Cory. That clarification is superfluous and breaks the flow of the sentence. Please see me after class.

[sensibletits]

Day 6: That Just Happened

So, yeah. At the start of every chapter, Doctorow inserts a paragraph plugging a different bookstore. In Chapter 1, it was some sci-fi store in Toronto; here, it's fucking Amazon.

This is the man who is concerned about "freedom of information". This is the great champion of privacy and individual rights on the Internet and free expression and several other buzzwords. He writes a story about a courageous teen fighting a violent, hegemonic order of knowledge and power. And in doing so, he freely and willingly puts advertisements within the text of the novel.

How oblivious can a person get?

I mean, even the pissweak left-liberal critic should be keenly aware of the nefarious influence of dominant booksellers, like Amazon or Barnes & Noble, working hand in glove with large publishing houses, on the free dissemination and exchange of ideas. One doesn't need to be some kind of Marxist to have an understanding of how both readers and authors will find their ideas and expectations shaped by perceived notions of "marketability", "popularity" or "reasonableness", which do not emerge spontaneously, but depend on the profit motive of whoever has a controlling stake in the literary markets.

(If you just happened to be a Marxist, you could take this argument in an even more interesting direction, by noting how Doctorow's endorsement of "free speech", when not paired with an understanding of the political and economic conditions of "speech", is historically in line with the liberal tradition, through which the defense of individual negative rights has, in practice, frequently led to an obliteration of these same rights for enormous groups of people, except in the form of highly ritualized and normalized "freedom performances", like voting. If you were the annoying, pontificating sort of Marxist, you could also point out that, under capitalism, this progression is as paradoxical as it is necessary.

Basically, if you were a Marxist, you would probably be great fun at parties and not at all annoying.)

But nevermind all that. Back to the thrilling story: Marcus and Darryl need to dispose of a library book with a RFID chip (as lovingly explained in another two bloated paragraphs), in case the school tracks them down. Turns out you can just microwave the chip, so they sneak into the teachers' lounge. Darryl, of course, is the guy who's freaking out about getting caught and expelled doing all this shady stuff -- in other words, a regular person. The super-spy Marcus Yarrow, however, gives no shits.

They manage to fry the chip, but as they try to leave the lounge, they spot an adversary in the hallway!

Charles Walker and I don't get along. We're in the same grade, and we've known each other as long as I've known Darryl, but that's where the resemblance ends. Charles has always been big for his age, and now that he's playing football and on the juice, he's even bigger. He's got anger management problems I -- lost a milk-tooth to him in the third grade -- and he's managed to keep from getting in trouble over them by becoming the most active snitch in school.

Remember, kids: physical activity makes you dull-witted and erodes your morals. Unless it's pretending to be an elf hunting goblins in the woods.

My actual complaint is that this whole Nerds vs. Jocks thing has been tremendously lazy so far. I'm not expecting a revolutionary deconstruction of the Nerd-Jock binary, but if this is the US, you could at least show (not tell) how school funding is disproportionately allocated to sports teams and competitions instead of other desperately needed resources, like, say, books. This leads to the formation of bizarre sports aristocracies among the students and teachers, while the needs of everyone else are neglected.

Darryl is freaking out again, but the international teen super hacker "Winston" (I refuse to type that out in leetspeak) gives a grand total of zero shits, because check out how awesome he is:

A few seconds later, Charles's phone spazzed out spectacularly. I'd had tens of thousands of simultaneous random calls and text messages sent to it, causing every chirp and ring it had to go off and keep on going off. The attack was accomplished by means of a botnet, and for that I felt bad, but it was in the service of a good cause.

And then we get another three-paragraph lecture about what a botnet is. God bless you, Cory Fucking Doctorow.

[sensibletits]

cory doctorow.txt

This chapter is dedicated to Amazon.com, the largest Internet bookseller in the world. Amazon is amazing -- a "store" where you can get practically any book ever published (along with practically everything else, from laptops to cheesegraters), where they've elevated recommendations to a high art, where they allow customers to directly communicate with each other, where they are constantly inventing new and better ways of connecting books with readers. Amazon has always treated me like gold -- the founder, Jeff Bezos, even posted a reader-review for my first novel! -- and I shop there like crazy (looking at my spreadsheets, it appears that I buy something from Amazon approximately every six days). Amazon's in the process of reinventing what it means to be a bookstore in the twenty-first century and I can't think of a better group of people to be facing down that thorny set of problems.

ahahahahahahahaha

actual quote

ahahahahahaha

(proper post later today, just wanted to leave this here because ahahahahaha)