@bookish-tardigrade you asked about Shakadolin college aus. Here's a couple that I found for you, ranked by rating:
Take Your Own Advice by coinshotmisting
Rated Teen, 5000 words, everyone's at college. It's the first chapter of a coffee shop au set at a college with modern Roshar elements. Fun worldbuilding and fun chemistry!
A Brewing Storm by azurehue22
Rated Mature, 5000 words, Shallan is at college (Adolin is in business and Kaladin is a doctor). The first chapter of a modern Minneapolis au, with a complementary Mistborn fic set in the same setting.
the night i looked at you by SapphicSpren
Rated Explicit, 10K words, they're all college students. Set in a modern Roshar and, I cannot stress this enough, INCREDIBLY SEXY. Also in a fun twist, Adolin and Kaladin are already in an established relationship when this getting-together fic starts.
The Call to Adventure by cosmere_play
Teen/Mature/Explicit depending on choices, 40K words, Shallan and Kaladin are college students (Adolin's in the oil industry). Set in modern Canada. It's a choose your own adventure style fic where Kaladin decides what kind of relationship he wants to have with Shallan and Adolin, ranging from aromantic to romantic and asexual to very sexual.
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If you want to expand the search, I know of other college aus that aren't Shakadolin (Kadolin is most popular obviously but there are some other fun ones too--I wrote a fun modern Roshar Rlainarin, for example, and I can think of at least one Kaladin/Renarin, one Cord/Rysn, and one Shallan/Renarin). There are also other Shakadolin fics that are just modern aus.
For the fic recs post - A fic where Kaladin is happy please, because RoW is depressing the shit out of me 🙏🏾
Thanks for the ask! I have two recommendations:
i know a boy and he is mine by SapphicSpren (eve_is_obsessed)
Rated General, 2000 words, Adolin/Kaladin, modern AU. Summary: A domestic college AU which Adolin and Kaladin are boyfriends, and they are very cute together. There's also a part 2 where Adolin plans to propose!
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I'm including this one too even though it has a touch of angst because it is so healing to read, it's like a warm blanket on a cold day:
The Shade of Sunlight by if_one_of_us_falls
Rated General, 6000 words, Shallan/Adolin & Kaladin (though it can also be read with shipping goggles), post-RoW. Summary: It’s a beautiful sunny day in Urithiru. Shallan tries out oil painting for the first time. It doesn’t go as planned, but that’s okay, because she has great company.
Could you recommend some nice hurt/comfort fics w Shakadolin, especially with Kal being the hurt/comfort-ed? Emotional hurt/comfort is fine, so is physical, and sickfics are fine too, but nothing too gory please! Thank you!!!!
Oh my yes! Thanks for the ask! Here are a few of my favourites:
Might As Well Do It With Friends by if_one_of_us_falls
Unrated, 4000 words, Shakadolin friendship, emotional hurt/comfort and fluff, RoW gap year fic. This is part one of a two-part series called Soft Place to Land and it is as soft as it promises! Light angst, Kaladin gets to sleep. Chef's kiss
safe space by Ayyydrian
Unrated, 6000 words, Shakadolin, emotional hurt/comfort, RoW spoilers. Featuring Kaladin's PTSD and a developing romantic OT3. Unfinished but that's never stopped me from recommending it.
To Be Protected by mossytreebby
Rated General, 40,000 words, Shakadolin, physical and mental exhaustion on Kaladin's part, RoW spoilers. Kaladin pushes himself to his absolute limit, and Shallan and Adolin help him recover.
Allergies by charjo
Rated General, 2000 words, established Shakadolin, sick fic, no spoilers. Kaladin gets a stuffy nose, and Adolin and Shallan nurse him with banter and tickles.
Patchwork by BrightlordKaladin
Rated Teen, 2000 words, established Shakadolin, no spoilers. Shallan paints over Adolin and Kaladin's scars, and they find it a healing experience.
The Last Straw by whoreship
Rated Explicit, 4000 words, on-the-brink-of-collapse Shakadolin, modern AU. Kaladin and Shallan have just had a huge argument, and Kaladin is thinking about moving out. Adolin tries to smooth things over. Heavy on hurt and light on comfort, it's a very messy juicy fic!!
Hobie Brown, Emotional Preparation, and the Art of Great Dialogue
Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.
Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.
Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.
Starting with his first line in the scene:
"I don't follow orders. Neither does he."
All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all.
But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.
"Bit much, innit?"
While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.'
However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.
"Gwendy, How much have you told him? About his place in all this? Maybe not enough."
'So what happened about that small elite strike-team?' - 'Most of these are part time.'
This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.'
He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.
"Super humane, and not creepy."
One of my favorites, because it's hard to catch and to the point.
After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it.
However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.
Next comes Hobie's confrontation with Miles.
Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.
And because this conversation is so well layered, I think it's best to go line by line.
______________________________
H: "Bet this doesn't even do anything."
M: "Maybe it did before you ripped it out of a wall!"
Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.
"Propaganda, bro! It's to distract you from the truth!"
HOLY SHIT I missed this one.
Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.'
Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle.
In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose.
Hobie tells him directly:
'Everything you just saw was propaganda.'
M: And what's that?
"I ain't got a Scooby Doo, mate. Cause that's what they want."
One of the most iconic and notable of his quotes.
Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before.
They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'
The next line is:
H: Why do you want to be part of this lot?
M: To get a watch.
H: Make your own watch.
Miles sucks his teeth at Hobie.
Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.
Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.
"Bet you got a nice setup, huh? Nice parents?"
This line is a very well done one, with two things of notice.
First, I find it interesting that the screenplay phrases this line as a question, not a sentence.
Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so.
He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.
M: They're fine.
H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.]
M: But we got into a fight. They just want what's best for me, so...
[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]
"That's a bloody shame. Because you're not ready for everyone else."
As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him.
When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him.
At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path.
The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind.
Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this."
And he physically tries to block Miles from continuing, one last time.
Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.
His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.
"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"
I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from.
While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom.
Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.
M: Then why are you here?
"Looking out for my drummer, is all."
As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this.
Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.
M: I want to be in a band. I want to see my friends, and I need a watch to do that.
G: Guys, come on.
"Alright, Squashed. Just don't enlist until you know about who you're fighting."
I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line.
And honestly, I think it's a perfect segway.
Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'.
The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name.
That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel.
The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said.
ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.)
In the alternative he says 'Don't enlist unless you know what war you're fighting.'
And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!
With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.
We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.
And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says
"Oh boy, Humbling Reality Spider-man has arrived."
All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk
Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.
But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.
The moment begins with Miles' line 'My Dad is about to be captain.'
The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen.
It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.
Then, this happens
From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider.
Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.
Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.
"Here we go." - "Hobie, You're not helping." - "Good."
GUYS IM GONNA CRY OKAY IM GONNA CRY
This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.
Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.
Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.
IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.
It seemed fitting for the grand finale of the series to be an umbrella pride dragon to represent the community as a whole. If you identify as part of the LGBT+ community in any way at all, this one’s for you :)
The rest of the series can be seen here, or just click on one of the links below:
discoholicmusic
stormborns
areudirty
dailybridgerton
blakekathryn
kianamaiart
jbbartram-illu
