5 years ago i was a fucking mess & now i’m a fucking mess but at peace with it and with cooler fashion sense

oozey mess
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
we're not kids anymore.
The Bowery Presents
d e v o n
occasionally subtle
YOU ARE THE REASON
Today's Document
No title available
ojovivo
macklin celebrini has autism

No title available
Misplaced Lens Cap
tumblr dot com
RMH
will byers stan first human second
Fai_Ryy
hello vonnie

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@shadowpraise
5 years ago i was a fucking mess & now i’m a fucking mess but at peace with it and with cooler fashion sense
Rick Owens • Brazier, 2007
more on Instagram via @shadowpraise
Pain is temporary, swag is forever-
Maison Martin Margiela - Backstage; autumn/winter 1993
more on Instagram: @shadowpraise
The game of chess is like a swordfight, you must think before you move.
Samsa G. Tuchwaren
Read the full article on Instagram @shadowpraise
Boris Bidjan Saberi - first Womenswear Campaign ; 2015
photographed by Timmo Schreiber
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Boris Bidjan Saberi - Aestethic Consistency
Nasty Magazine; 2014
In the Nasty Magazine interview, Boris Bidjan Saberi reveals his intense commitment to blending high fashion with streetwear, rooted in his multicultural identity. He talks about the importance of creating authentic, functional designs that challenge conventions. Saberi’s collections reflect his personal journey, using avant-garde techniques and symbolic references like numerology, particularly the number 11, to create a deeper connection with his audience. His vision pushes boundaries while maintaining a strong sense of aesthetic consistency.
photographed by Eloi Colom
conversation with: Anca Macavei
More on Instagram via: @shadowpraise
Johanna Reich - Line III, 2009
James Turrell, Soft Cell - Perpetual Cells, 1992
Turrell’s Perceptual Cells Series are enclosed, autonomous spaces built specifically for one person at a time, in which one’s perception of space is challenged by light.
Otto Piene
Rick Owens A/W 2006 'Dustulator' Backstage