tape my (explicit word) and (explicit word) my (explicit word)
the world's least convincing femme fatale
posting another caption
written like she's God's strongest temptation.
three selfies.
seven recycled buzzwords.
an entire personality
assembled from Pinterest,
other Tumblr girls' screenshots,
and whatever song
is currently romanticizing
being emotionally unavailable.
underneath,
the same congregation arrives.
grown adults pretending,
and discovering object permanence
every time a woman
looks into a mirror
and says
'she ruins lives'.
you'd think
she'd descended from Olympus.
it's performance art
for people
who mistake low self-esteem
for complexity.
because here's the trick.
interesting people
don't have to keep announcing
they're interesting.
dangerous people
don't need captions
explaining
how dangerous they are.
if you have to market
your own mystique,
it's already gone.
and if you're buying it,
i have terrible news.
you're not witnessing seduction.
you're watching branding.
she isn't impossible
to understand.
she's chronically vague
because depth
is harder to fake.
he's just relieved
someone else manufactured
a personality
he can borrow.
because building one himself
would require hobbies.
it's a beautiful little ecosystem.
people with nothing original to say
convincing people
with nothing to become
that this is profound.
they keep calling it
"energy."
what they mean is
predictability.
they keep calling it
"goddess."
what they mean is
good editing.
they keep calling it
"obsession."
what they mean is
having nothing else scheduled.
and isn't that
the funniest part?
none of this
survives daylight.
just two profoundly ordinary people
terrified of being ordinary.
one disguises it
by exaggerating herself
into a fictional character.
the other disguises it
by worshipping the character
instead of meeting
an actual person.
it's a perfect arrangement.
she never has to become real.
he never has to risk rejection.
both get to confuse immaturity
for sophistication.
eventually
the algorithm starts plagiarizing itself.
eventually
the fantasy gets mass-produced.
every caption
sounds like the last one.
every face
starts feeling like a repost.
every "i'll ruin your life"
starts sounding
like a product launch.
because that's all
it ever was.
copy-paste individuality.
and somewhere underneath
all that theatrical longing
is a much smaller,
much sadder truth.
they were never searching
for each other.
they were searching
for something interesting enough
to distract them
from the unbearable realization
that they've built entire online identities
around never becoming
interesting themselves.