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The wrong place
“Life is nothing if you’re not obsessed.” ― John Waters
Your sentimentality softens all the edges, you’re misremembering. Take a moment to recall it as it really was: fucking hell.
Miranda July (via industrialfire)
— James Joyce, Ulysses
It’s kinda like that
Bukowski
For Jane 225 days under grass and you know more than I. they have long taken your blood, you are a dry stick in a basket. is this how it works? in this room the hours of love still make shadows. when you left you took almost everything. I kneel in the nights before tigers that will not let me be. what you were will not happen again. the tigers have found me and I do not care.
“One writes because one has to create a world in which one can live.” ― from the desk of Anaïs Nin
The cure for everything is saltwater:
sweat, tears, or the sea.
I’m not running away. But this is one corner… of one country, in one continent, on one planet that’s a corner of a galaxy that’s a corner of a universe that is forever growing and shrinking and creating and destroying, and never remaining the same for a single millisecond. And there is so much, so much to see, Amy. Because it goes so fast. I’m not running away from things, I am running to them. Before they flare and fade forever. And it’s all right. Our lives won’t run the same. They can’t. One day, soon, maybe…you’ll stop. I’ve known for a while. I’m running to you and Rory before you fade from me.
-The Doctor, “The Power of Three” (via daxxglax)
“What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.” ― Kazuo Ishiguro, Never Let Me Go
David Rakoff, dead at 47
One of my favorite This American Life contributors. The following is a transcript of my favorite poem from the radio show by David Rakoff. He died of cancer at the age of 47 last week.
Act Three. Speak Now Or Forever Hold Your Peace.
Nathan at one of the outlying tables,
his feet tangled up in the disc jockey's cables,
surveyed the room as unseen as a ghost,
while he mulled over what he might say for his toast.
That the couple had asked him for this benediction
seemed at odds with them parking him here by the kitchen.
That he'd shown up at all was still a surprise.
And not just to him, it was there in the eyes
of the guests who had seen a mirage and drew near, a
nd then covered their shock with a, "Nathan, you're here."
And then, silence. They had nothing to say beyond that.
A few of the braver souls lingered to chat.
They all knew it was neither a secret nor a mystery
that he and the couple had quite an odd history.
Their bonds were a tangle of friendship and sex.
Josh, his best pal once, and Patty, his ex.
For a while he could barely go out in the city
without being a punchline or object of pity.
Poor Nathan had virtually become his new name,
and so he showed up just to show he was game.
Though his invite was late, a forgotten addendum.
For Nate there could be no more clear referendum
that he need but endure through this evening.
And then, he would likely not see Josh and Patty again.
Josh's sister was speaking, a princess in peach.
Nathan dug in his pocket to study his speech.
He had poured over Bartlett's for couplets to filch.
He'd stayed up until 3:00, still came up with zilch.
Except for instructions he'd underscored twice.
Just two words in length, and those words were, "be nice."
Too often he thought our emotions betray us
and reason departs once were up on the dais.
He'd witnessed uncomfortable moments where others had lost their way quickly,
where sisters and brothers had gotten too prickly,
and peppered their babbling with stories of benders
or lesbian dabbling, or spot on impressions of mothers-in-law
Which true, Nathan thought, always garnered guffaws.
But the price seemed too high, with the laugh seldom cloaking.
Hostility masquerading as joking.
No, he'd swallow his rage and he'd bank all his fire.
He knew that in his case the bar was set higher.
Folks were just waiting for him to erupt.
They'd be hungry for blood even though they had supped.
They'd want tears, or some other unsightly reaction,
and Nathan would not give them that satisfaction.
Though Patty a harlot and Josh was a lout,
at least Nathan knew what he'd not talk about.
I won't wish them divorce, that they wither and sicken,
or tonight that they choke on their salmon or chicken.
I won't mention that time when the cottage lost power
in that storm on the Cape and they left for an hour.
And they thought it was just the cleverest ruse
to pretend it took that long to switch out the fuse.
Or that time Josh advised me with so much insistence
that I should grant Patty a little more distance.
That the worst I could do was to hamper and crowd her.
That if Patty felt stifled she'd just take a powder.
That a plant needs its space just as much as its water.
And I shouldn't give Patty that ring that I'd bought her.
Which in retrospect, only elicits a, gosh,
I hardly deserved a friend like you, Josh.
No, I won't spill those beans, or make myself foolish,
to satisfy appetites venal and ghoulish.
I will not be the blot on this hellish affair.
And with that, Nathan pushed out and rose from his chair.
And just by the tapping of knife against crystal,
all eyes turned his way, like he'd fired off a pistol.
Joshua, Patricia, dear family and friends,
a few words, if you will, before everything ends.
You've promised to honor, to love and obey.
We've quaffed our champagne and been cleansed by sorbet,
all in endorsement of your hers-and-his-dom.
So now let me add my two cents' worth of wisdom.
I was racking my brain sitting here at this table
until I remembered this suitable fable
that gets at a truth, though it may well distort us.
So here with the tale of the scorpion and tortoise.
The scorpion was hamstrung, his tail all aquiver,
just how would he manage to get cross the river?
The water's so deep, he observed with a sigh,
which pricked at the ears of the tortoise nearby.
Well, why don't you swim, asked the slow-moving fellow.
Unless you're afraid, I mean, what are you, yellow?
It isn't a matter of fear or of whim,
said the scorpion, but that I don't know how to swim.
Ah, forgive me, I didn't mean to be glib when I said that. I figured you were an amphibian.
No offense taken, the scorpion replied.
But how bout you help me to reach the far side?
You swim like a dream and you have what I lack.
Let's say you take me across on your back.
I'm really not sure that's the best thing to do,
said the tortoise, now that I see that it's you.
You've a less than ideal reputation preceding.
There's talk of your victims all poisoned and bleeding.
You're the scorpion, and how can I say this, but well,
I just don't feel safe with you riding my shell.
The scorpion replied, what would killing you prove?
We'd both drown. So tell me, how would that behoove
me to basically die at my very own hand,
when all I desire is to be on dry land?
The tortoise considered the scorpion's defense.
When he gave it some thought, it made perfect sense.
The niggling voice in his mind he ignored,
and he swam to the bank and called out, climb aboard.
But just a few moments from when they set sail,
he scorpion lashed out with his venomous tail.
The tortoise, too late, understood that he'd blundered
when he felt his flesh stabbed and his carapace sundered.
As he fought for his life he said, tell me why you have done this for now we will surely both die?
I don't know, cried the scorpion.
You never should trust a creature like me because poison I must.
I'd claim some remorse or at least some compunction,
but I just can't help it, my form is my function.
You thought I'd behave like my cousin the crab,
but unlike him it is but my nature to stab.
The tortoise expired with one final quiver,
and then both of them sank, swallowed up by the river.
The tortoise was wrong to ignore all his doubts,
because in the end, friends, our natures will out.
Nathan paused, cleared his throat, took a sip of his drink.
He needed these extra few seconds to think.
The room had gone frosty, the tension was growing.
Folks wondered precisely where Nathan was going.
The prospects of skirting fiasco seemed dim,
but what he said next surprised even him.
So what can we learn from their watery ends?
Is there some lesson on how to be friends?
I think what it means is that central to living,
a life that is good is a life that's forgiving.
We're creatures of contact. Regardless of whether
we kiss or we wound, still we must come together.
Though it may spell destruction, we still ask for more,
since it beats staying dry, but so lonely on shore.
So we make ourselves open, while knowing full well
it's essentially saying, please, come pierce my shell.
Silence doesn't paint the depth of quiet in that room.
There was no clinking stemware toasting to the bride or groom.
You could have heard a petal as it landed on the floor.
And in that stillness Nathan turned and walked right out the door.
fill in the blanks…
illustration by Lisa Currie :: via busybody-lazybones.com
You know nothing, Jon Snow.
Ygritte from A Game of Thrones illustrated Bea Tormo :: via domestika.org
There were phrases of Beethoven's Ninth Symphony that still made Cole cry. He always thought it had to do with the circumstances of the composition itself. He imagined Beethoven, deaf and soul-sick, his heart broken, scribbling furiously while Death stood in the doorway, clipping his nails. Still, Cole thought, it might have been living in the country that was making him cry. It was killing him with its silence and loneliness. Making everything ordinary, too beautiful to bear.
Mad Men, 505 Signal 30
The countryside out the window began to pass faster and faster. For a moment, Myers had the impression of the landscape shooting away from him. He was going somewhere, he knew that. And if it was the wrong direction, sooner or later he'd find it out.
The Compartment by Raymond Carver
SUBMISSION:
Everything looks permanent until its secret is known. — Emerson
Model, Teresa Myers Image, Reverend Bobby Anger