artfight revenge on @vinqou >:3
The Bowery Presents
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Game Changer & Make Some Noise
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@sir-ramic
artfight revenge on @vinqou >:3
painted heights artfight for @houndedgrave !!
a few new wc hum arts
‼️ UPDATED BRUSH POST ‼️
this is very overdue but making these is suchh a chore LMAO so here are my most widely used brushes with random examples of where I've used them!! these are all for clip studio paint :))
Lineart Brushes!! ->
This is actually only my second favorite lineart brush but my favorite ones was deleted from the material catalog </3.. but I use this one all the time anyway lol. For this one (and just about any lineart brush really) I turn any stabilization to 0 and set it to no anti aliasing (the crunchier the better). I also turn the brush density pretty far down for this one, I just like it being more sketchy looking.
I'm kind of shocked this drawing was the only example I could find where I used this one for lines, ig I usually use it for rendering on top of the color and lineart layer. That or just for sketches. I'm just a huge fan of the texture of this I love how jank and wriggly it looks LOL. That's about all I have to say, I think I leave all settings alone on this (aside for stabilization which I always turn off)
Coloring Brushes!! ->
I genuinely cannot possibly stress enough how often I use this brush. I'd die for this brush. It's so good for getting everything to look nice and textured.. The default settings for this one have color jitter on pretty high but in this case I always turn that off completely (i like it for getting down flat colors but then i practically always lock the transparency of the layer and go over it with a more textured/color jittery brush). This is also one of those brushes where the secondary color matters, I usually only use the secondary color for this because it makes it uniform, where if you use the main color there will be streaks in it of whatever is selected as the secondary one. if that makes any sense (in the photo the left example of the brush uses the secondary color, the right uses the first color with teal as the secondary color). I use it like that too, just less so. It also goes down a bit transparent and I usually try to keep it that way, because that transparency is what brings out the texture, it kind of makes everything look papery. I like 2 put down a brighter color underneath the drawing before using this brush because that brighter color peeks through and I like how it looks.
This one I looove for just filling in sections with color. The first one (chunk jitter) is my favorite because it's more sporadic and fun but they are all pretty much interchangeable. I'm pretty sure this has color jitter on by default but just in case it doesn't it is very important so that all the blocks and the texture they make are individually visible, in most cases I only ever change the hue setting in color jitter (and usually fairly low, like only 5 to 10 for these), and maybe a little bit of saturation jitter as well, but I usually neverr change the luminosity, this brush is like.. the only exception.
these are the color jitter settings I have for the first one just for an example, if you download these you should play around with it urself because I'm always changing these lol.
This one I have very little to say about but she is very beloved to me. You can probably find this brush in almost every single drawing I've posted on here LOL I realllyyy love throwing it in for a little bit of fun texture. As per usual I turn the anti aliasing to the lowest option and I turn stabilization off, but this is really just for fun accents so that's not even that important.
And last but not least my best friend in the whole world. Default charcoal brush. In my older drawings I often used this to color everything in general, but nowadays I usually use it on a low opacity to put textured gradients down on already flat colors, or for blushing and whatnot. Anytime you see that super crunchy grainy texture.. that's her.. This is one of those cases where I think color jitter is like essential to making it look the way it does, because if it's just flat you can't really see any of the texture. Here are my current color jitter settings for it, but I change them all the time depending on what I want to use it for.
Yeah that's just about all my main brushes. I don't use these like exclusively or anything, I switch it up a lot and play around a lot. This is kind of why it's hard for me to make rendering tutorials or anything like that because it's usually different every time LOL.. I hope this is helpful anyways. Also if you don't have clip studio and your looking for similar brushes, all the brushes I download are generally ones that look super rough and janky and textured, and ones that try to replicate traditional pencils and paints and whatnot. So look for ones like that! That's the only advice I have on that front because I really only ever use csp. Also from now on when I am asked about brushes I will just link to this post, so I'm going to tag it as an ask for anyone who may be looking.
Count backwards from 100
rest is below (24 pages)
no, i haven't heard back from them. have you?
you make me stronger
isn't she...lovely?
CALLED IT
isn't she...lovely?
The prince has been cursed, forcing him to live the rest of his life as a woman. At least that's the story the royal family is going with, because apparently an "unbreakable genderswap curse" is (sadly) much more acceptable than the princess being trans.
The kingdom mourned for its prince.
Church bells rang for three consecutive mornings after the announcement, not because he had died, but because, according to the Crown, something almost as tragic had befallen him — a curse.
The royal proclamation was read aloud in every village square, copied into newspapers, and nailed to church doors.
It is with profound sorrow that the Royal Family announces His Highness Prince Adrian has fallen victim to an ancient enchantment of irreversible nature. Though his body has been transformed into that of a woman, his soul and station remain unchanged. Court scholars, foreign mages, and the Archbishop himself have confirmed there exists no known means of breaking the curse. We ask the kingdom to pray for our beloved prince as he bears this terrible burden with dignity.
The public reacted exactly as the palace hoped. There were tears, there were prayers, grief gushed through the streets of the kingdom.
Portraits of the prince were draped in black ribbon. Mothers explained to frightened children that magic was cruel. Old women left flowers beneath the palace gates. Even neighbouring kingdoms sent condolences, accompanied by expensive magical artifacts that promised miraculous cures.
None of them worked, of course. Because there had never been a curse.
//////
Princess Adrienne had been alive for exactly six weeks.
Not officially, of course. Officially, Prince Adrian had simply become... difficult to look at.
The palace insisted upon masculine clothing tailored over a body that no longer fit inside it. Tailors quietly widened the hips of ceremonial jackets, and armour had to be entirely redesigned. Portrait artists were instructed to sharpen the jaw, broaden the shoulders, narrow the waist. Some became so practiced at painting the "true prince" that they no longer noticed how little their canvases resembled the woman sitting before them.
Adrienne often wondered if history itself could be gaslit: the answer, apparently, was yes. History simply obeyed whoever owned the printing press.
//////
"You need to deepen your voice."
Her father did not look up from the stack of correspondence on his desk as Adrienne stood in front of him, wearing yet another suffocating military uniform.
"I've been trying."
"Try harder,” he shot back, quill clenched in his hand.
"I don't think that's how voices—"
"Adrian."
The word landed between them like a blade, and the king finally raised his eyes. "You are the Crown Prince."
She did her best to keep her mouth flat, to force down the words that rose so easily to her tongue. "I'm aware."
"You were cursed."
There was silence.
"You understand?"
Adrienne almost laughed. It wasn't funny, not even remotely, but sometimes absurdity became so overwhelming it wrapped all the way back around into comedy, somehow.
"No," she said quietly. "I wasn't."
The king's glare could’ve stripped paint off the wall, and Adrienne suddenly felt the need to apologize.
"Father—”
"You were not born my daughter."
She stopped immediately, sensing admonishment. "No."
"You are not a woman."
Adrienne looked down at herself: the soft hands, the long auburn hair that no barber had successfully hidden beneath powdered wigs, a chest that every armouror politely ignored while designing increasingly elaborate breastplates.
She looked back at him.
"I am."
"No."
"I always have been."
"No."
Adrienne would raise her voice if she had to, even though her heart was hammering, and dread bunched in her stomach at having this conversation for what had to be the millionth time. "You just preferred having a son."
The room went still.
The king rose so abruptly his chair scraped against the stone floor.
"I preferred," he hissed, "having a heir."
Adrienne forced herself to meet his eye. "You still do."
"I have a cursed heir."
"You have a daughter,” she answered evenly.
"I have a prince."
"You have a daughter who has spent twenty-three years pretending to be your son because she thought that was the only way you'd love her."
The words were not unlike the cracking of a whip.
For several moments, the king stared at her: not with anger, but something sadder. Something almost… desperate?
Then, suddenly:
"I cannot have a daughter."
She opened her mouth, then closed it.
Adrienne understood then. Not would not — could not.
The thing was, succession laws had never allowed queens regnant. The oldest son inherited. If there was no son, the throne passed sideways — to uncles, cousins, distant male relatives with enough noble blood to satisfy ancient legal texts.
If Adrian ceased to exist, then so did the king’s lineage.
The kingdom would fracture overnight. Civil war was not impossible, it was likely. The lie was not only protecting his pride, but the crown.
//////
"You know," her younger sister said one evening as they escaped another pointless banquet, "I actually prefer the curse story."
Adrienne raised an eyebrow. "Oh?"
The beginnings of a smirk pulled at her lips. "It's ridiculous."
Adrienne scoffed, thinking back to the entire fields’ worth of flowers placed outside the palace. So much money and marketing had gone into this lie. "It is."
"It involves ancient magic."
She nodded once, slowly. "Unfortunately."
"It makes Father look like an idiot."
That earned a laugh: her sister grinned. "No offense, but everyone can tell."
Adrienne turned. "Can tell what?"
"That you're happier."
The words caught Adrienne completely off guard. What?
"You smile now,” said her sister, clearly seeing her disbelieving look.
"I smiled before,” she answered much too quickly.
"No." Her sister shook her head gently. "You just performed before."
She reached over and adjusted one of the jeweled pins holding Adrienne's hair in place. "You've stopped looking like you're disappearing."
For a long while, neither of them spoke.
The gardens had emptied hours ago. Somewhere below, a fountain trickled softly through the dark.
Adrienne watched the moonlight catch on the marble statues — the queens consort, the princes, the kings. Not one daughter who had inherited anything, of course.
The words fell out of her mouth before she could stop them.
"...Mother came to see me yesterday. She brought tea."
She looked over. Her sister waited.
"She asked if the gowns were comfortable. She told me my hair looked beautiful."
Her smile faltered.
"Then she kissed my forehead..."
Her voice caught.
"...and said, ‘Goodnight, my son.’”
She stared out into the darkness. "I don't think she even realizes she does it."
There was a long pause.
"They'll never call me their daughter.”
"I know."
"They'll carve 'Prince Adrian' onto my tomb."
"I know."
"They'll tell stories for centuries about the brave prince who endured the terrible curse."
Her sister squeezed her hand. "Then let them."
Adrienne frowned. "What?"
"History belongs to kings." She gave a small smile. "But memories belong to people."
She leaned her head against Adrienne's shoulder.
"You know, when the servants gossip, they call you 'Her Highness.'"
Adrienne was astonished. "They do?"
"The stable boys do too."
"What?"
"And the cook threatened to hit Father with a frying pan after he corrected someone."
Adrienne blinked. "I... didn't know."
"You weren't supposed to." Her sister smiled into the darkness. "The kingdom believes the curse."
She looked toward the palace windows, glowing gold against the night.
"But the people who actually know you?"
Another squeeze of the hand. "They've never once gotten your name wrong."
Took me a second to realize this tumblr ad wasn't Kinger and Queenie cosplay from TADC
just your average (super religious murderer) girl
- What are you waiting on? ⭐ -
Dungeon Master Marcille... [ref]
[commissions]
We don’t look like that, …do we?
Deep in the woods, away from the path well-traveled, was a little hut that smelled like herbal tea and fresh bread. Anyone that stumbled upon the hut was greeted by an old cat on its front porch, and was eyed critically should they decide to step closer.
Behind the cottage was a small garden overgrown with an abundance of wild flowers. It was said that a hare could sometimes be found there, offering a picnic, biscuits, and tea to anyone allowed through by the cat.
Once one was fed and rested, the hare would lead them to a bird guarding the well. The bird would tell them of the dangers and fortunes that could be found at the bottom of it, of the vicious beast and the piles of gold. Then it would ask the adventurer, "Do you wish to enter?"
caterpillar