Alisa U Zemlji Chuda
Claire Keane
Xuebing Du
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
KIROKAZE

PR's Tumblrdome
occasionally subtle

if i look back, i am lost

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Discoholic 🪩

pixel skylines

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2025 on Tumblr: Trends That Defined the Year
will byers stan first human second

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JVL
hello vonnie
wallacepolsom

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@skartissue
credit
butterfly wings @ anna sui s/s 1997
Suitable for this season. Moonlight-themed Kimono and ‘skull’ obi (sash) . Japan. Image via Pinterest
(girl who is already extremely private) i think i need to Move In More Silence
Tokyo Stock Exchange 1985 . Archeofuturism in action
Igor Shcherbakov - Lovers. Two On The Bridge
“Untitled” from Fata Morgana series (2016) ⌇ Rafael M. Milani aka Strange Old Things
via
the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating
these are the ancient jedi texts
Guardian Angel. Ivan Leonidovich Lubennikov (Minsk, Belarus, May 14, 1951 - Moscow, Russia, October 3, 2021). Date: 2001. Medium: Oil on canvas.
In the upper right corner of the painting, two words written in red ink in Cyrillic script sit: Ангел Хранитель - Guardian Angel.
In Orthodox iconography, a guardian angel is typically depicted standing with wings spread, holding a cross in its right hand and a sword in its left. It’s a powerful, dynamic, and active being.Lubennikov does the exact opposite, portraying the angel seated. Weary and pensive, he sits at a table with empty hands. There’s a thin, circular halo around his head. In Orthodox theology, the halo isn’t merely ornamental; it symbolizes the reflection of God’s uncreated light upon humanity and the saint’s communion with divine radiance. Yet here, despite possessing this light, the angel is just as weighed down as a human.
The painting’s focal point is the golden chalice resting on the table. In Orthodox iconography, the chalice is sacred as the vessel of the Eucharist; it represents both the blood of Christ,as well as sacrifice and salvation. The angel doesn’t touch the chalice.
The right side of the canvas, however, is an entirely different world. A corner of a studio, filled with brushes, tubes, jars, and paint stains, emerges from the darkness. These are a painter’s tools - messy, used, and real. The floor is similarly covered in paint splatters.
Here, Lubennikov has brought the guardian angel into his own studio, perhaps identifying the angel with himself…
bedroom window midnight musings