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wallacepolsom

★

roma★
Not today Justin
he wasn't even looking at me and he found me
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

JBB: An Artblog!

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Peter Solarz
sheepfilms

Love Begins
let's talk about Bridgerton tea, my ask is open
tumblr dot com
Sweet Seals For You, Always
YOU ARE THE REASON
d e v o n
noise dept.
seen from United Kingdom

seen from United Kingdom
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seen from Italy
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seen from Singapore

seen from Poland
seen from United States
seen from United States

seen from Netherlands
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seen from India
seen from United Kingdom
seen from United States

seen from Hong Kong SAR China
seen from T1
seen from United States

seen from Türkiye

seen from Australia
seen from United Kingdom
@slonte
Jean Cocteau - Testament of Orpheus (1960)
Christine Star / photo by Bunny Yeager, Mexico, 1966.
2.98$ Rocket space ship
Feliciene Rops
Felicien Rops - the little potato peeler
Joos van Craesbeeck
Kiss Me Deadly is an independently made 1955 American film noir, produced and directed by Robert Aldrich, and starring Ralph Meeker, Albert
#robertaldrich #repoman
H.R. Giger
Lauren Bacall brings her look to this 1946 Royal Crown Cola ad made as a tie-in with THE BIG SLEEP.
noooooooooooo
I know
Scratch my back.
Mini-Komix’ (or is it Klassik Komix?) Hollywood Detective is a 100-page trade paperback combining several Dan Turner – Hollywood Detective stories (most of which I already have in other compilations or pulp reprints) with some relative rarities, including genuine ‘stiletto gumshoes’ from the 1940’s – 50’s. Now I’m no vintage crime comics historian, but I think the non-Dan Turner pieces aren’t from Dan Turner – Hollywood Detective magazines, but from the vintage crime pulp Speed Detective, which included (and actively promoted) a comics section in most issues, including Ray McClelland’s “Gail Ford – Girl Friday” and Gene Leslie’s “Queenie Starr – Glamour Girl Of Hollywood” along with Newt Alfred’s “Ray Hale – News Ace”.
This book includes all of those, plus a “Betty Blake” four page shortie. H. L. Parkhurst’s Betty Blake was a contemporary of Alphonse Barreaux’ Sally The Sleuth, both launched in the Spring of 1934, though Betty only managed to survive for a half dozen appearances while Sally The Sleuth continued (in evolving forms) well into the 1950’s. Additionally, Betty, the daughter of a New York police inspector, somehow managed to keep her clothes on while solving crimes. I’d tell you more, but Hollywood Detective includes no introduction, back matter, dates, details…nothing. There’s a write-up on this early female detective pulp/comics character at Kevin Burton Smith at the Thrilling Detective site. Check it out.
For me, the real treats in this slim book are the Gail Ford – Girl Friday story, “Girl Snatchers” (a B&W sample page shown above) and the three Queenie Starr – Glamour Girl Of Hollywood stories (sample color page above). I’d read little snippets here and there about these characters, perhaps seen some random panel art (typically uncredited) at a Tumblr blog or elsewhere. But now I finally got to read a few complete pieces. If you’re into the roots of female detectives, cops, reporters and sundry snoops from the mid-twentieth century, they were a real find.
McClelland’s Gail Ford and Leslie’s Queenie Starr have a bit of that era’s pervy peekaboo Good Girl Art feel to them. Queenie Starr, in particular, seems to spend a lot of time posing for cheesecake photos or sunning poolside in a bathing suit…reasonable enough, perhaps for a ‘Hollywood Glamour Girl’. But not unlike Barreaux’ Sally The Sleuth, she’s frequently depicted getting dressed and undressed, but to be fair, prancing about in lingerie didn’t hinder her ability to solve Tinsel Town’s crimes.
Robert Mapplethorpe in front of his cover for Patti Smith’s Horses [1975]
Fidus
Nico in the apartment of Henri Samuel, 1960. Photo by Mark Shaw
Tomás Sanchez (Cuban, b. 1948)
Search for a Place to the Shore (Buscador de un lugar a la Orilla), 1995
Acrylic on canvas
via hipinuff