slowmoss

[dubeton]

http://marcwilson.co.uk/albums

[slowmoss]

No Audible Dialogue

[rivka-kopelman]

<how to databend>

[slowmoss]

Spoken

[slowmoss]

For Piano and Viola

Demanding for both the performers and their audience, For Piano and Viola is sometimes unpredictable and directionless, and sometimes interrupted by strands of melody.  Its musical material acquires a fuzzy edge, slipping out of focus, just out of reach.  Daniels' 2020 work gradually draws listeners to hang on to each change of inflection, demanding that every note matters.   Pianist and composer Con Daniels is joined by violist, Maddi Rolinson-Lord.

[lemmycat]

We see things

Beautiful unexplained things

Nonexistent things

Abstracts

[slowmoss]

Bark

[slowmoss]

Surveillance

[slowmoss]

Quiver

[slowmoss]

Eclipse. 1 hour 04. Total eclipse at 00:30:15.

[slowmoss]

1. Phone app edit. 2. Audacity image databend.

3. Audacity video databend.

[bk-poetry]

Defrag rescan by freetacorrective

[glitchartbyjoriswegner]

Stalker A

[glitchartistscollective]

Blue\x80 FEATURED ARTIST Rosa Menkman // is a Dutch artist, curator and researcher. In 2011 Menkman wrote the Glitch Moment/um, a little book on the exploitation and popularization of glitch artifacts (published by the Institute of Network Cultures), co-facilitated the GLI.TC/H festivals in both Chicago and Amsterdam and curated the Aesthetics symposium of Transmediale 2012. Since 2012 Menkman has been curating exhibitions that intend to illuminate the different ecologies of glitch (filtering failure, glitch genealogies, glitch moment/ums and Tactical ᴳlitches - the latter one together w/ Nick Briz). In 2015 Menkman started the institutions for Resolution Disputes [iRD], during her solo show at Transfer Gallery New York. The iRD are institutions dedicated to researching the interests of anti-utopic, lost and unseen or simply “too good to be implemented” resolutions. website

[slowmoss]

Eclipse. Sped up, this happens over 6 minutes in the original version.

[slowmoss]

Oldie revisited, Trip Hazard

[slowmoss]

Pixels. These were designed to be used as sounds in an installation, intentionally made small to get a more discenrable tone from the images when sonified using audacity. And had audio effects applied.