Pedantic Impediments

mars attacks wins all the oscars

[snazzy-adam]

[skinny-dippin-sasquatch]

[skinny-dippin-sasquatch]

[nick-nellson]

Matilda (1996) dir. Danny DeVito

[didanagy]

THE DARK CRYSTAL (1982)

dir. jim henson and frank oz

[madsciencepottery]

I know other people have probably already made this joke...and now I'm making it

[vhagar-balerion-meraxes]

ADDAMS FAMILY VALUES (1993)

[bestiolin]

[sulietsexual]

Charmed + Autumn Requested by Anonymous

[katherinehoughtoncastle47]

Addams Family Values (1993) dir Barry Sonnenfeld

[seaslugsapphic]

@professorlehnsherr-almashy your dad wasn’t the only one with that assumption 😂

[mxgicdave]

i reject your reality and substitute my own

[lucy-harker]

BEETLEJUICE (1988) dir. Tim Burton

[femsolid]

Vladimir serov's "the builder" is also a nice "woman just existing" painting

Yes, in fact a lot of soviet artists actually depicted women as people instead of sex objects.

Which is why soviet posters are appreciated:

As opposed to propaganda posters of France during the same period:

I'll translate it for you: "Giving birth creates joy", "A woman makes her home shine" "It's the end the bad days, daddy is earning money in Germany!" "A couple without children is a couple that is drifting away."

Now of course both the russians and the french weren't doing this for women. They were just different versions of nationalism. But the soviets presented women as human beings, strong, intelligent and capable. And they gave women the opportunity to go to universities and become doctors. Whereas the french presented women as small and fragile domestic servants and incubators who had no other purpose than to serve a husband.

[in-love-with-movies]

Thelma & Louise (1991)

[serpexnessie]

Ouija Board

[dropoutdottv]

🥹