I can't stop thinking about this

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Today's Document

@theartofmadeline

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PUT YOUR BEARD IN MY MOUTH
2025 on Tumblr: Trends That Defined the Year
Monterey Bay Aquarium
I'd rather be in outer space 🛸
dirt enthusiast
NASA

JVL
taylor price
AnasAbdin
DEAR READER
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
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Discoholic 🪩
wallacepolsom

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seen from Greece
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@sogusha
I can't stop thinking about this
trinity santos managed to attract every hot woman in the er, uncover a drug diversion scheme, infiltrate princess and perlah's chismis operation, perform a successful reboa that all the senior residents and attendings are now gossiping about, and put a roof over a homeless sopping wet kitten's head, all on her first day on the job
Keeping up w the thunderbolts when????
Someone, trust me, this is how Doomsday starts
Figgin’ love this ♥️♥️♥️
calligraphy dividers requested by @kayleeofcamelot
black:
multi-colored:
please like and credit if you use, reblogs are appreciated! thank you! 💕
↳ SYMBOLS 4 !!
𝟅𝟈𝞋𝞎 𝝑𝝔 𝜗𝜚 𝛝𝛠 ϑϱ ꝯϱ 𝜗𝜚 𝜗𝒞﹒ ˚ 。 ⠀。 ˳ • ◌ ⬭ ⬬ 〇 𓂂 𓈒 𓎟𓎟 ✚ ✛ ✜ ♰ ♱ † ✞ ✟ ☥ ☨ ⸸ ═╪ ═╬ ━━╋━ ☆ ★ ✰ ✮ ✭ ✬ ✫ ✦ ✧ ⟡ ⊹ 𝅄 ⭒ ♡ ‹𝟹 ❥ ♥︎ ♩ ♪ ♫ ♬ 𝄞 ﹐ ꜝ ﹫ ⦂ ﹪ ﹔ ︖ 𓂃 𓏲 ∿ ⊰ ❛ ❜ ⁘ ❝ ❞ © 𐐪ɞ 𝛏 / 𝇂 𐙚 ᶻz 𓈊 ⌓ ⑅ ⏦ ﹏ ✿ ❀ ❁ ✾ ❅ ✐ ⌕ ⸝ 𝇁𝇃 ıllı ﹘ ﹣ =͟͟͞ ⟅ıIIı⟆ “ ” „ ‟ ‘ ’ ‚ ‛ ᴗ ᴖ ⊂ ⊃ ∪ ⋂ ◠◠ ◡◡ ╰ ╮ ╭ ╯ ◞ ◟ ◜ ◝ ︵︵ ﹙ ﹚ ₍ ⁾ ₎ ⠀⌣⌣⠀ ⠀⌢⠀ ︶︶ ᵔ ⏑ ⏖ ˍ ⎯ ‒ ― ─ ─ ━ ┄ ┅ ┈ ┉ ╌ ╍ ➔ ➘ ➙ ➚ ➜ ➝ ➞ ⋆ ✰ ɞ ଘ ﹅ ՙ 𓄼 。 ✰ ⿻ ᕱ ⑅ ⌕ ◜ ◝ ◕ ◔ ⨾ ᕬ ꧔ ࿔ ✧ •᷄ࡇ•᷅ ୭✦ ♡ ˒˒ ، ꒦꒷ ᯽ ⋆ ✰ ɞ ଘ ﹅ ՙ 𓄼 ପ ᨳ 𖧧 ᨦ 𓂅 𓄹 ⍝ ﹆ ≀﹟ ‹𝟹 ៸៸ ✿𝆬 ৎ୭ ﹏ ੭ ໒〝 ҂ ִֶָ ꃋᴖꃋ 𖦹 ∞ ᘏ ᨒ 𖥻 ᠈ ꐑꗃᨵ𓈈 ⬫ 𓍯 ⩩ ♡̶! ʾʾ₍ ᐢ..ᐢ ₎ ՙ ૮(ˊ ᵔ ˋ)ა . 𖣯 ⋆ ˖ ࣪ ! 𓈈𓂃⬫ ׂ ׅ 🎂 𓂃 ૮₍ ៸៸ ᵜ ก ₎ა ֶָ ׁ ❁̶ (●´⌓`●) ᘒ ˖˙‹𝟯 ▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀ ◌ ⊹ 🍸 ◜。 ࣪ ⁺⋆𖧷 ⊹○゚˖ 𓆦 ₊˚ ※ ˖ ࣪ . ˖˙ 𖥦 ⸱៰ ͘ ࣭⸰ 𖥔 ͙ࣳ 𓂃ˑ ֗ ˖⋆⑅˚₊ 📻 🪰 ִ ۫ ⁎ . 𓏲࣪ ּ ֗ ִ ּ ۪ ⊹ 𓄹 ࣪ . ݁ ٬٬ ࣪﹒ʬʬ﹒⪩⪨﹒⟡﹒ᐢ..ᐢ﹒◖﹒⇅﹒○﹒✿﹒⊹﹒∇﹒✸﹒⟢﹒❀﹒ᵔᴗᵔ﹒♡﹒〇﹒ıllı﹒ᶻz﹒⊂⊃﹒␥﹒⿸﹒ꔠ﹒✶﹒◍﹒▿﹒⤸﹒⬚﹒៶៸﹒△﹒→﹒✶﹒()﹒▥﹒⋆𐙚 ₊ ° ⊹ ♡ ₊˚⊹౨ৎ ₊˚⊹ 𐙚⋆˙˚◞♡ ✮⋆˙ ₊˚⊹♡ : ̗̀➛ ׂׂૢ ╰┈➤ ✎ - ,, -‘๑’- ・❥・ ༊*·˚ ˗ˏˋ ´ˎ˗ ☄. *. ⋆ ˚ ༘♡ ⋆。˚ ੈ✩‧₊˚ ✧.* ೃ⁀➷ ⋆·˚ ༘ * ˏˋ°•*⁀➷ ·˚ ༘ *ೃ༄ .ೃ࿐ ੈ✩‧₊˚ ⋆.ೃ࿔:・ ˚₊· ͟͟͞͞➳❥ ┊͙ ˘͈ᵕ˘͈ ⍣ ೋ ‗ ❍ ¡! ❞ ﹌﹌﹌ 彡 ▓ ღ ꕥ ‿‿‿‿ *+:。.。 •·.·''·.·• ·˚ ༘₊· ͟͟͞͞꒰➳ * ˚ ✦ ೄྀ࿐ ˊˎ- . . . . . ╰──╮ ╭──╯ . . . . . ↳ ❝ [] ¡! ❞ - ͙۪۪̥˚┊❛ ❜┊˚ ͙۪۪̥◌ ✧˚ · . ˚ · . ༉‧₊˚. '•.¸♡ ♡¸.•' +:ꔫ:﹤ ﹥:ꔫ:+゚ ⋆ ˚。⋆୨୧˚ ˚୨୧⋆。˚ ⋆ ✧・゚: ✧・゚: :・゚✧:・゚ ୨୧ ⇢ ˗ˏˋ ࿐ྂ ≡;- ꒰ ° ꒱ ≪•◦ ❈ ◦•≫⎙ ⩇ ⩉ ꐑ 𖣯 ⌕ ᨒ ᯤ ᯅ 𖤘 � 𖥦 ⏃ % 𓍯 𔗫 𔖲 𓂃 ﹆ ﹅ 𓄼 𓄹 ᭣ ꧞ 𓏲 𓂅 ꣼ ࿓ ࿔ ༄ ⌗ 𓈒 ⊹ 𖥔 ᨵ ꑘ ᜊ ᦒ ଘ ◖ ◗𖠗 ꗃ ٩ ะ ≛ ߸ 𖡡 𝆺𝅥 ꩜ 𖣠 𖦹 ❤︎ ♥︎ 𔘓 ♡ ᥫ᭡ ✶ 𖤐 ★ 𒀭 𑁍 ꕤ ❑ ❒ !i!?!!﹗⦂ 𓈃 𓄲 𓄴 𓈀 𓊔 ❝ ❞ ❛❜ ୨୧ ‣ › ⌫ ✧ ✦⭒ ✓ ✘ 𓈈 ᚙ ⩨ ▚ ₆⁶₆ ஃ ⿴ ⿻ ꭑ ᧑ 𐐫 𝗈︩︪ ꒰ ꒱ ʚ ɞ “” ⌨︎ ⚠︎ ꒰꒱ ☻ ✰ ❏ ˖* ೃ࿔ 𓆉◡̈ ꒦꒷ ✎ ᝰ ✿ ⚡︎ ☁︎ ⋆ ⋆⑅˚₊ ♡̆̈ 𓍲 𓍱 ꪔ̤̥ 𓍯 ꊞ 𓂃 ꕀ ﹆ ˚ ༘♡ ⋆。˚ ⤾ ・°☆ ✎ ̼ ◡̈ ⑅ ♡̷ 𖦹 ・͛♡̷̷̷・͛ ᐧ༚̮ᐧ =͟͟͞♡ εїз ᙏ̤̫ ˳✧༚ /✿ ˙ᘧ ͜ ˙ ♡ ⊸ ꒰ ❛ ❜ ꒱ ♡⃕ ◡̈ ˚◞♡ ⃗ ʬʬʬ ༊·˚ ꕀ .* ♡̩͙ ✧˖° ꪔ̤̥ ˙ ͜ʟ˙ ♡‧₊˚ ◡̎ ♡̷ ·˚ ₊˚ˑ 𓆸 ꔛ *﹆ =͟͟͞ ♡̩͙ ꙳ ⋆ ⸝⸝ യ *◞ ♡・ ͜ʖ ・ . ˚◞♡ ෆ ・῾ ᵎ ⌇ ⁺◦ *´ސު` ༘⋆ ꙳ ꕀ ꒰ 𖧧 ·͜·♡ ꒱ ღ ⋆ ꕤ ♡ ⊹ ★꒷ ᵎᵎ ₊ ⨾ ⋆ ʚ ɞ ✦ ♥︎ ∞ 𑁍 𓍯 ⸝⸝⸝ 𓅿 𖠋 𓍲 𓍱 𖥧 𖧧 ˒˒ 𖤣𖤥𖠿𖤣𖤥 𓇥 ֒ ☄︎ 𓆱 𓂃𓊝𓄹𓄺 𓌉◯𓇋 𓎩 ⸝⸝ 𓌈˒˒ ⍤ 𓆸 𓊆 𓊇 ꒰ ꒱ ˗ˏˋ ˎˊ˗ ⌇ ꪔ̤̮ ꪔ̤̥ • + . ˙ ✦ ♡ㅤ°. • °. ✿ * · ✮ . • • ⊹ . ✧ ⊹ ˚ * · ✮ . . ★ · ⊹ + * ⊹ °. * ✧ .𓈀 𖦥 ﹅ ンㅤꞋꞌꞋꞌ ㅤィ % 𓂃 ㇁ ◒ ! ンㅤ╮ ⟆ ﹏ ! 𓂃𓈒 ﹑ ζ ㅤ﹏ ⨾ㅤ 𓈈ㅤ❨ ᨓ ⎓ ° ? 𓈒ㅤ▱ 𓂅 𓂃 ⨾ ᘒ ◟ ζ 𓍢 ◖ ᨓ ♡ ■ ꫂ ২ ζ १ 𖥧 𓂃 ♥︎ ᨒ ୫ ૪ ໒ 𐂴 ৎ ຊ ∿ ꔵ ຯ ໒ ೨ 𖧧 Ꮺ 𖧷 𓏲 𖥨 𖦹 ๑ ໑ ࿔ ७ ५ ୭ ᠀ 𑁯 ੭ ⩩﹒ʬʬ﹒⪩⪨﹒⟡﹒ᐢ..ᐢ﹒◖﹒⇅﹒○﹒✿﹒⊹﹒∇﹒✸﹒⟢﹒❀﹒ᵔᴗᵔ﹒♡﹒〇﹒ıllı﹒ᶻz﹒⊂⊃﹒␥﹒⿸﹒ꔠ﹒✶﹒◍﹒▿﹒⤸﹒⬚﹒៶៸﹒△﹒→﹒✶﹒()﹒▥﹒▤﹒▦﹒▧﹒▨﹒▩﹒░﹒▒﹒▓﹒⿴﹒◫﹒⬚﹒▣﹒≧≦﹒ㄑ﹒⎙﹒➜﹒★﹒⨳﹒✿﹒❀﹒✶﹒✸﹕☆﹒◐﹒◉ ﹒◖◗﹒▽﹒ᶻz﹒‹𝟹﹒♡﹒ᐢ..ᐢ﹒﹫﹒⿴﹒→﹒☓﹕ᵔᴗᵔ﹒⺌﹒⪩⪨﹒◎﹒⊹﹒ᶻ﹕→ .(>。☆)﹔⇆﹒ꜛ﹒░﹒❥﹒?﹒!﹒◍﹒﹏﹒✦﹒⟡﹒><﹒◌﹒⿴﹒✧﹒𖥔﹒%﹒﹙﹚﹒◜◡◝﹒ꜝꜝ﹒⟡﹒⪩⪨﹒☓﹒⬦﹒✦﹒◈﹒✶﹒⬙﹒⟡﹒⇆﹒♡﹒﹢﹒ᶻ﹒✹﹒﹢﹒✶﹑〇﹐罒﹢♡﹒⇆﹑⬚﹐ᶻ﹒❀﹐✶﹒▹﹒◖﹒✩﹒∇﹒▨﹐◌﹐❀﹒⿴﹒✿﹢﹐░﹒ᶻz﹐☆﹒⊂⊃﹑ⵌ﹒▦﹒✿﹒⺌﹒◂﹒⿴﹒❰❰﹒♡﹒ᶻz﹒❥﹒⩇﹒⊞﹐ʬʬ﹒♢﹐ᐢ..ᐢ﹐✩﹒ᶻz﹒❥﹒⟡﹒✷﹒✕﹐〇﹐✿﹒Ꜣ﹒⟡﹒˃̵ᴗ˂̵﹒♡﹐≋﹒⊂⊃﹒ᐢᗜᐢ﹒❀﹒﹢﹒⇵﹒⪨﹕↺﹐✿﹒Ꜣ﹒✶﹐≋﹒⇆﹐ʬʬ﹒﹗﹐➜﹒⬦﹕ᶻz﹒✦﹒﹢﹒▢﹒░﹒⭔﹒ʬʬ﹒✿﹒☰﹐◖◗﹒?﹒✶﹒﹏﹒ꕀ﹑ᵔᴗᵔ﹒ᗢ﹒✿﹐⊂⊃﹒ᐢᗜᐢ﹒ꕀ﹐リ﹐口﹐ꕀ﹒(`δ´)﹒口,✿﹐⊂⊃﹒ᐢᗜᐢ﹒░﹒𖦹﹐゛✿﹑(`δ´)﹒イ。ꕀ﹑リ﹐⊂⊃﹒ꔠ﹒口﹐・ᴗ・﹒░﹑リ﹒◐﹐、﹕✧﹒✶﹔?﹐ʬʬ﹒▹﹒❀﹒⭔﹒▿﹒⺡﹒✿﹒﹢﹒░﹑⬦﹒૪ ﹒〹﹒罒﹒ᶻz﹒◎﹐ꕀ﹒◖◗﹒⺌﹒〣﹒ᗢ﹒⺌﹒⿸﹑ꔠ﹒❀﹒➜﹒▦﹒◐﹒✷﹒◉﹒⿴﹒⿻﹒✦﹒★﹒☆﹒ıllı﹢☆﹒❀﹕▧﹒⟡﹒★﹕ıllı﹒▒﹒◎﹐☆﹒ꕀ﹐➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒%﹕▧﹒⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒₊ˎ✧﹒⪩﹒˃ᴗ˂﹕˃ᗜ˂﹕⿴﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹢◒﹒◎﹒✿﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹐✦﹒✶﹐﹢﹒ㄑ﹕ꕀ﹒><﹐ꔠ﹐✿﹐×﹐丶﹐>︿﹒リ﹕﹢﹐﹔★﹒ᶻz﹒⿴﹒⭔﹒✿﹒⊹﹒⭔﹒⨯﹒➜﹒★﹒◞﹒◟◝﹒◜﹒﹪﹒→﹐ıllı﹒★﹒✦﹒⌕﹒⌗﹒✿﹒⊹﹒✸﹒❍﹒⭓﹒◒﹒﹏﹒₊﹒▹﹒ᶻz﹒%﹒◖﹒░﹒ʬʬ﹒⿴﹒⫘﹒◎﹒⨳﹒⌕﹕★﹒☆﹒⌗﹐﹪﹐⌯﹐﹟﹐◐﹒▒﹒◎﹒⇆﹒☆﹒❀﹒☆﹒ıllı﹒↺﹒◍﹒✶﹒ᵔᴗᵔ﹒░﹒⇵﹒▧﹒◍﹒♡﹕❀﹑⿸﹕▞﹒✿﹒╰﹒░﹐◎﹒♡﹒◜ᴗ◝﹒˃ᴗ˂ ♡﹐﹅﹒✿﹒⊞﹒ıllı﹒♡﹒⊞﹕▞﹒✿﹒❀﹒⌕﹒⿸﹒✶﹒❀﹒✷﹒✸﹒▒﹒ᶻz﹒✿﹐♡﹐❀﹒░﹒⇵﹒▨﹕◍﹒♡﹒⌕﹒˃̵ᴗ˂̵﹑♡﹒✿﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒⇆﹒☆﹒@﹒˘ᗜ˘﹒☆﹔⿴﹒⪩﹐ᶻz﹒➜﹒⪩﹔◖﹐❀﹕⿸﹔﹢﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒◎﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹒ꕀ﹒▦﹐⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒ᗢ﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩。ꕀ﹒✿﹒リ﹒⊞﹒⟡﹒⿴﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒・ᴗ・﹒ꕀ﹒ᶻz﹒✿﹒◎﹒☓﹒☆﹔リ﹒˃̵ᴗ˂̵﹒✶﹑ꕀ﹒▦﹒リ﹐⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹒ꕀ﹒✿﹔➜﹐﹏﹐★☆﹒┆︎﹒⩇﹒✿﹔✸﹕♡﹐◌﹒❥﹐%﹑〹.ʬʬ﹕੭﹐♢﹒口﹒⇣⇡﹒☆﹔⌗﹒⪩﹐ᶻ﹒➜﹒⪩﹔◖﹐❀﹕⿸﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒!﹒◎﹒リ﹐ꔠ﹐✿﹑∇﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹑﹒ꕀ﹒▦﹒⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒⩇﹕✿﹒ʬʬ﹕口﹐〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹐ꕀ﹒✿﹒⊞﹒⟡﹒⿸﹑␥﹒♡﹕リ﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒・ᴗ・﹒ꕀ﹒ᶻz﹒✿﹒☓﹒✩﹒⊞﹕❀﹑◌﹒⊞﹒✸﹕⌗﹕★﹒ᶻz﹒✦﹒★☆﹒ıllı﹢☆﹕❀﹒▧﹒⟡﹒★﹕ıllı﹐▒﹒◎﹐☆﹒ꕀ﹔➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒%﹐⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒✧﹒˃̵ᴗ˂̵﹕˃ᗜ˂﹒ꕀ﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹐﹢﹐◒﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹒✦﹒✶﹐ㄑ﹕ꕀ﹒><﹐ꔠ﹑ꕤ﹒░﹒◖﹒⟡﹒❀﹒→﹒⿴﹒⿻﹒⊞﹒♡﹒ᵔᴗᵔ﹒︴﹒✶﹒⭔﹐𓆩♡𓆪﹒リ﹒Ꮺ﹒キ﹒ꗃ﹒⿶﹒⌓﹒〹﹒⧅﹒◆﹒▽﹒ᐢ..ᐢ﹒⬙﹒⎙﹒◈﹒▣﹒ᶻz﹒⟢﹒ʬʬ﹒⊹﹒✷﹒◉﹒⿸﹒✶﹒❀﹒✷﹒⿻﹒⌇﹒ᵔᴗᵔ﹒◍﹒▿﹒⤸﹒○﹒░﹒⇵﹒☆﹒@﹒˘ᗜ˘﹒⬚﹒✸﹒▧﹒◎﹒♡﹒◜ᴗ◝﹒✸﹒ᵔᴗᵔ﹒✿﹑⟡﹒❀﹒★﹒➔﹒%﹒ᗜ﹔﹒⌗﹒﹪﹒﹒⟢﹒ᵔᴗᵔ﹒✮﹒^..^﹒✵﹒⊹₊⋆.˚୨୧⋆.˚₊ ⊹ ₊˚ʚ ᗢ₊˚✧ ゚. ✩ ✼ 。゚・ ☆ ° 。ㅤ→ ༄ ‧₊˚ 「 」 ⇢ ๑ ◞♡° ⸙͎ ˀˀ ♡⃕ ◡̈ ꒰ ⌦ ✗ ⌜ ⌝ ⌞ ⌟ ↳ ❝ ❞ ➤ ↲ ۪۫❁ཻུ۪۪ ⎧ ୧ ⋅┊ೃ ╰► ꒱ ➛ ↴ ❱ ✿•˖* ℘ ﹋﹋ ❛ ╯ ❲ ❳ ∞ ୧ ‧₊˚ ⋅ ☆ ﹒︵ ﹕𖹭 ࣪ 𓈒 ⊹🎧₊ ◌ ۪ ࣪₍ ᐢ.ˬ.ᐢ₎˚୨୧ 𓇼 ⋆.˚ 𓆝⋆.˚ 𓇼 𓍯 ⸝⸝⸝ 𓅿 𖠋 𓍲 𓍱 𖥧 𖧧 ˒˒ 𖤣𖤥𖠿𖤣𖤥 𓇥 ֒ ☄︎ 𓆱 𓂃𓊝𓄹𓄺 𓌉◯𓇋
୨୧⸝⸝﹕﹐⊂✦⊃ ‹𝟹 ˚⋆𓇼˚⊹ 𖦹 ⁺。° ᐢ..ᐢ ᘒ ∞ ⌗ ≀ ⁺ ˒ ७ ٫ ᨒ જ ◞ ७っ ٫٫ › ‹ ִֶָ ٫ ໋ ᘏ ، ‹𝟹 % ՚ : ζ ゜:✿ 。 𖥧 𓂃 ᨒ ୫ ૪ ໒ 𐂴 ৎ ຊ ∿ ꔵ 𓄼 ⨾ ⩇ ֶָ֢ ໋֢ 𖥻 ⋆ .˖ ᨳ᭬ ⩇⩇:⩇⩇ ୫꒷ 𖠵 ﹪ ⊹ ୨ ഒ ノ ༝ ⑅ ʚ ɞ ⸝ ੭ ᐢ..ᐢ ᘒ ∞ ⌗ ≀ ⁺ ˒ ७ ٫ ᨒ જ ◞ ᨓ ᭝ ᱺ ᳃ ◯ ◦ ◡ ◠ ⋆ ‹𝟹 ꜝꜝ ʚ ⌕ ׅ ࣪𓏲ּ ֶָ ⌗ ☘︎ 𐑺 ࿁ ܸ ݄ ɞ 𐄂 𐂴 𐋉 𐋃 𐙝 ⩀ ݀ ̫ ̲ ﹕ ﹐ ﹔ ﹆ ⠁ ⠘ ⟲ ⟳ ⟡ ⟄ ⟃ ➜ ᨒ ੭ ໒ ꗃ ᨵ ୧ ` ִֶָ֪֢ ▭ᯅǝ ⁃ ᕱ⠀⑅⠀𓂃⠀ヾ⠀✦⠀𓄼⠀২⠀୨⠀⋆⠀𓂅⠀⬪⠀ꕤ⠀ՙ⠀╰╮⠀♡̶⠀৲⠀ৎ⠀⬪˙ 𓈒⠀⌕⠀⊹⟆ ﹏ ! 𝅓 𓂃𓈒 ﹑ 𖣯 。 ꞝ ⩇ ᰍ ≀ ໑ ゙ ઉ ᨦ ദ ꒷꒦ ꣹ 𔓐 𒀭 ♡︎ ♥︎ 𖡩 ˀ ᵎ ✦ 𔒌 ʾ ໑ ▸ ִֶָ 𖥔 ࣪ ˖ . 𓄹 𓈒 𓍢 𐇵 ﹆ ✿ ˖ 𖥻 𓎆 ⏉ ੭ ꒳ 。 ❤︎ 𖦹 ଘ ⤹ ꩜ ៹ ִֶָ ᨳ ⊹ 𖧵 ⩩ ៹ 𖤣 ꕀ 𝅦 ꔪ 𖡎 𖦆 𖤛 𔓕 𓆠 ꔛ 𝄰 ⁛ ˳ 𓈈 ✧ 𖠇 ⋕ 𓆦 ✶ ⭓ ⭔ ﹫ 𖠣 𝅏 ٠ ꐑ ! 𖣠 ⿻ 𓆤 › 𐀔 જ ، 𝄿 𝆞 𝅘 ⌗ ꒰ ꒱ ﹏ ⁝ ⊹ ୨ ഒ ノ ༝ ⑅ ʚ ɞ ⸝ ੭ ↷ ⋯ 𑊩 𝆺𝅥 𓈒 ﹕ 𐫱 𓂅 ⋆ 𔖲 𓁹 𐇲 𔕱 𔒱 𓐩 𓆝 ▬ ▭ ❛ ❜ ❟ ✿ 𖠲 ꒷ ꒥ ꉂ ❩ ๑ Ꮺ ◌ ˖ ࣪ 𖠵 ٬ ⌕ 𔗫 ᥐ ʾ ֛ ៵ ◗ 𓇬︎︎ ᨦ ദ ꜝ ꜞ ◖ ┼ ▀ ▄ ▚ 𔗨 𓍲 ˖ 𓊿 ‣ ପ ﹏ ャ 𖥧 ▹ 𖡼 𖥨 𖠌 ୧ ⌇ 𖤣 ᐢ ¸ _ ◂ ๋ ა এ ঌ ໒. ᘛ ᘚ . .⃗ . ⁽ ⁾ ౿ ヾ ᘡ ९ ₆⁶₆ ๑ ᥀ ᖗ ଓ ৴. ৩ ↯ ᤩ ८ १ ഽ ˘ ˇ ৩ ও °. ୭ ꜜ ೨ ⃞ ৡ ২ ᘘ ﹢ ᖘ ﹙ ﹚ ₍ ₎ ণ ั ر ⃕ ١⠀ﻬ ७ ۫ ૬ ᝰ ⋆ ⌒ ✶ ঌ ᔉ ۵ ५ ✷ ༄ ˓ 𖥸 𓄻 𓏧 ⌁ ꗃ ꈍ. ᨒ 𖥻 爱 ᠈ ꐑ ꗃ ᨵ 𓈈 ⬫ 𓍯 ⩩ ♡̶ ! ʾʾ ₍ ᐢ..ᐢ ₎ ՙ 𖥨 › ⤛ ⤜ ๋ ֢ ָ֪֢ ໑ ୧ ⬪ ʚ ୫ ៹ ᥫ᭡ .̑ 𖠵 𝅄 ˓˓ ⌯ 𓍼 ⸼ ☓ ﹫ ー ꣹ ⋄ 𓍢 𐄂 ⍈ 𐇵 ⎙⩇⠀⠀⠀𓄹ִִִִִִ⠀⠀ ⠀⠀⠀⠀⠀⠀⠀˓⠀⠀˓⠀⠀ ✿⠀⠀⠀⠀՟ ⠀ ─ ⠀⠀·⠀·⠀·⠀⠀⠀⠀⠀𝆞⠀⠀⠀⠀“⠀⠀. ⠀⠀⠀ ⠀⠀▸ ⠀◃ ⠀༉‧₊˚. : ̗̀➛ ׂׂૢ ╰┈➤ ✎ - ,, -‘๑’- ・❥・ ༊*·˚ ˗ˏˋ ´ˎ˗ ☄. *. ⋆ ˚ ༘♡ ⋆。˚ ੈ✩‧₊˚ ✧.* ೃ⁀➷ ⋆·˚ ༘ * ˏˋ°•*⁀➷ ·˚ ༘ *ೃ༄ .ೃ࿐ ੈ✩‧₊˚ ⋆.ೃ࿔:・ ˚₊· ͟͟͞͞➳❥ ┊͙ ˘͈ᵕ˘͈ ⍣ ೋ ‗ ❍ ¡! ❞ ﹌﹌﹌ 彡 ▓ ღ ꕥ ‿‿‿‿ *+:。.。 •·.·''·.·• ·˚ ༘₊· ͟͟͞͞꒰➳ * ˚ ✦ ೄྀ࿐ ˊˎ- . . . . . ╰──╮ ╭──╯ . . . . . ↳ ❝ [] ¡! ❞ - ͙۪۪̥˚┊❛ ❜┊˚ ͙۪۪̥◌ ✧˚ · . ˚ · . ༉‧₊˚. '•.¸♡ ♡¸.•' +:ꔫ:﹤ ﹥:ꔫ:+゚ ⋆ ˚。⋆୨୧˚ ˚୨୧⋆。˚ ⋆ ✧・゚: ✧・゚: :・゚✧:・゚ ୨୧ ⇢ ˗ˏˋ ࿐ྂ ≡;- ꒰ ° ꒱ ≪•◦ ❈ ◦•≫ ⋆౨ৎ˚⟡˖ ࣪✩₊˚.⋆☾⋆⁺₊✧ જ⁀➴ ₍⑅ᐢ..ᐢ₎ ♡.°₊ˎˊ˗ ₍⑅ᐢ..ᐢ₎ ♡.°₊ˎˊ˗ ⎙ ⩇ ⩉ ꐑ 𖣯 ⌕ ᨒ ᯤ ᯅ 𖤘 � 𖥦 ⏃ % 𓍯 𔗫 𔖲 𓂃 ﹆ ﹅ 𓄼 𓄹 ᭣ ꧞ 𓏲 𓂅 ꣼ ࿓ ࿔ ༄ ⌗ 𓈒 ⊹ 𖥔 ᨵ ꑘ ᜊ ᦒ ଘ ◖ ◗𖠗 ꗃ ٩ ะ ≛ ߸ 𖡡 𝆺𝅥 ꩜ 𖣠 𖦹 ❤︎ ♥︎ 𔘓 ♡ ᥫ᭡ ✶ 𖤐 ★ 𒀭 𑁍 ꕤ ❑ ❒ !i!?!!﹗⦂ 𓈃 𓄲 𓄴 𓈀 𓊔 ❝ ❞ ❛❜ ୨୧ ‣ › ⌫ ✧ ✦⭒ ✓ ✘ 𓈈 ᚙ ⩨ ▚ ₆⁶₆ ஃ ⿴ ⿻ ꭑ ᧑ 𐐫 𝗈︩︪ ꒰ ꒱ ʚ ɞ “” ⌨︎ ⚠︎ ꒰꒱ ☻ ✰ ❏ ˖* ೃ࿔ 𓆉◡̈ ꒦꒷ ✎ ᝰ ✿ ⚡︎ ☁︎ ⋆ ⋆⑅˚₊ ♡̆̈ 𓍲 𓍱 ꪔ̤̥ 𓍯 ꊞ 𓂃 ꕀ ﹆ ˚ ༘♡ ⋆。˚ ⤾ ・°☆ ✎ ̼ ◡̈ ⑅ ♡̷ 𖦹 ・͛♡̷̷̷・͛ ᐧ༚̮ᐧ =͟͟͞♡ εїз ᙏ̤̫ ˳✧༚ /✿ ˙ᘧ ͜ ˙ ♡ ⊸ ꒰ ❛ ❜ ꒱ ♡⃕ ◡̈ ˚◞♡ ⃗ ʬʬʬ ༊·˚ ꕀ .* ♡̩͙ ✧˖° ꪔ̤̥ ˙ ͜ʟ˙ ♡‧₊˚ ◡̎ ♡̷ ·˚ ₊˚ˑ 𓆸 ꔛ *﹆ =͟͟͞ ♡̩͙ ꙳ ⋆ ⸝⸝ യ *◞ ♡・ ͜ʖ ・ . ˚◞♡ ෆ ・῾ ᵎ ⌇ ⁺◦ *´ސު` ༘⋆ ꙳ ꕀ ꒰ 𖧧 ·͜·♡ ꒱ ღ ⋆ ꕤ ♡ ⊹ ★꒷ ᵎᵎ ₊ ⨾ ⋆ ʚ ɞ ✦ ♥︎ ∞ 𑁍 𖢷 ۪ ࣪ ﹙☆﹚ ࣪ ִ ‹3 𖧧.𖥔 ݁ ˖⚘₊ ⊹𓏲 (。>﹏< ? ♡ !! 𓂃 . ට . . . ˓˓ ૮₍ ˃ ⤙ ˂ ₎ა ▯ ◠ ﹟𓈈 ᓚᘏᗢ ◠︰ ⨯ // ╰﹒(੭ ´͈꒳'͈)੭ ╰ ╯╭ ╮ᕱ‧ᕱ (๑•ᴗ•๑) ୨୧ • ·➤ ☆◞ ៸៸ 人 : ★⌒꒷꒦ ⊞ 𐅰 ⎗ 𖣯 ▦ 𐄹 ⋕ # ꖛ 𖥻 ୭ꪆ ᥫ ᘏ Ꮼ ᘓ ୬ ෧ ᘡ 𖥨 𓈈 𓈀 𓈃 𓏔 ୨୧ • : :┊ ʚ︰ ₊˚✿ ꒱ ◠ ꒷꒦ ⌗ .?!、"'()@/&_#%;:+<=>〜… ˁ˙˟˙ˀ ꒷꒦ ๑ ♡ ﹕₊ ・ 〜 ꒷꒦꒰・ ˁ˙˟˙ˀ ୨୧ • : ୧ ₊˚ ⌗ ˁ˙˟˙ˀ ꒷꒦ ๑ ♡ ﹕₊˚ ✦・୨୧・ ˎˊ- 〜 ꒷꒦ ╭・꒷꒦꒰ ︵︵﹆ . ⁺ . ✦ ﹒₊˚𓂃 ★﹒₊‧ ★・⸝⸝﹒₊˚﹕﹒₊‧ ﹒₊˚𓂃・﹕★﹒₊‧ ╰╮﹔﹒⧣₊˚ ˚₊﹒﹒╭╯ ✦ . ⁺ . ╭╯ ╰╮l﹒⧣ 𓆩 𓆪 𓄴 𓄵 𓄶 𓄷 ❀ ꈍᴗꈍ ꃋᴖꃋ ⚞ ⚟ ◜◝◞◟(\ /) ˶ᵔ ᵕ ᵔ˶ # ᵎ ୧ ⬪ ʚ ୫ ៹ ꐑꐑ ᕬ ⎙ ৎ୭ ‹𝟹 ‹𝟥 ❨ ╲ ╱ ❩ ∀ ≧◡≦ ╰╮‹ゞˀˀᗢ__﹞﹝𑁯⌗。▭⋯⏝ — ୨୧ 𓂃 ꩜! . ૮ ╰・손 𓂅 ╭╯: 𖣠︶꒦꒷ ᗢ . ⌗𓂃 ২・◞ ・ ⸝⸝ ҂ 𓂃 ֙⋆ +.★☆ ᕱ⑅ᕱ ᰔ ⺌⺌ ︿︿ જ⁀➴ ᄋ﹟⩇⩇:⩇⩇ ★˖✦ › # ᵎᵎ モンスタ `·. :¨·.·¨: ⬫ 𓍯 ‹𝟹 ৎ୭ ⪧☆ 𖤐╰►✦₊×・ɞ﹕﹕୨ʚĭɞ୧﹕ ╰ʚ・ ୨୧ ˖ ˚ × ๑ ꈍᴗꈍ Ꮺ ᘏ ⁾ ୨୧・┈・-ଘ੭ˊᵕˋ੭~✧ʚ︰ ︶︶꒦︶꒷꒦︶︶꒷︶✧₊˚୨୧ 。゚゚・。・゚゚。 ゚。 . ゚・。・゚ ✧ . ˖˳ ₊ * * ✦ . * ✦˳ ── ˖˚˳:: ๑✦୨୧・ ╰──・──・──・ 。゚゚・。・゚゚。 ゚ — ⸝⸝ ゚・。・ ⨯ ʚ┊ ⨯ — ⊹ — ✦ ₊˚⌇ ₊˚๑ ゛ × ⌑・ ₊˚๑ ✦ ₊˚⌇ ₊˚๑ ︶꒷꒦ ‧₊ ︶꒷꒦︶꒦ ︶x꒦ • ๑‧˚₊4︶︶୨୧︶︶✦‧₊˚⊹ ˖˚₊ ✎ ( ˶ᵔᴗᵔ˶ ) ✧ ⌒⌒ ˚⊹ 「 」︰╮ ₊˚๑ ˖˚₊ ୨୧. ・୨୧ ︶︶︶꒷꒦꒷︶꒦꒷︶ ✦ ♡ ✧ ︶︶꒦︶︶꒷꒦꒷꒦︶ ୨୧. ⌒ ⌒ ⌒ ⌒ ‧₊˚๑ ── ♡ ⊹ ᵎᵎ ──・๑ ₊˚ ꒷꒦ ꒰꒱┇✧. ꒰꒱┇✦. ꒰꒱┇✧. ꒰꒱┇✦. ⁺ ˖˚ ໑ ₊˚ ──・──・・✧ ・・──・── ꒰꒰ ✎ :: ⊹ ── . . ┄┄ ₊˚๑ ・ ‧ ✎ ₊ ๑ ⋆˚. ⌒⌒ ₊ ๑ ⌒⌒ ₊ ๑ ⌒⌒ ♡₊˚ ❜ ๑ ₊˚ ꒷꒦ ꒰୨୧꒱. ꒰୨୧꒱. ┊ ๑ ˚. ┊ ︰ ┊ ⁀➷ ˖˚₊⠀⠀✧⠀ ♡⠀ ¦⠀✦ ⠀⠀┊ ◞⁺⊹. ⠀⠀꒦ 𖧷 ✦ ┊︰・˚₊ ┊꒰꒰ ꒱꒱ ₊˚๑ ✧ ꒷꒦︶ ︶꒷꒦꒷︶ ︶ ︶꒷꒦︶ ︶꒦︶ ︶ ・꒷꒦‧₊˚ ╭──・───────・ˊ* ╰──・───────・ˊ* ・꒷꒦‧₊˚ ︵ ⋆。˚ ︵ ⋆。˚ ⿻ ˒ 𓂃 ⸝⸝ ︵ ★ ⌒꒷꒦ ﹕⨳ ⁛★☆ 𓈀 : 𓂅 𓄹ㅤ ! ㅤ ৲ ■ ! 𖠳 𓂃 ▦ ! ꯴ : ❛ ㅤ𖥻 ♥︎.ㅤ縙ㅤ𓍼ㅤ ⊹ ୨୧ (๑꧆◡꧆๑) #O1 , ᵎ ・┈・・┈・・┈・・┈・・┈・ ╰╮ ꒰꒰ㅤ﹕★ #O2 , ᵎ #O3 , ᵎ ꒷꒦︶꒷꒦︶꒷꒦︶꒷꒦︶꒷꒷꒦︶ : # ☆★ !! — — — — — — — ੭ 𓂅 ・・♡ ~(ゝ。∂) ⋆ ࣪ ִֶָ . ꩜ ⁘ ︻ 上═ 𓂃 % ¿¿ ˑ ࿏ 𓄹 ࣪ ִֶָ ࣪ ּ ִ ִ ˑ (:̲̅:̲̅:̲̅[̲̅::]̲̅:̲̅::) 𓂃 ִֶָ . ꩜ >﹏★/ ︻デ═ ╭ ﹆ ⁺ ╰╮° ˖ ┊໑ ₊˚ 人 %ᵕ‿‿ᵕ% ꒷꒦% ## 𖧧 𓂃໑#★ ⋆ ˚꒦꒷ ⋆ (ゝ'-')︻デ═一 * ‧ ⨯ . ⁺ ✦ 𓂂 ꙳ ੭ ₍ ₎ — ᠀ 𝟎𝟏 ! — ᵕ̈ 。 — ˓ ⋆ 𝟎𝟐 ꜥꜤ ᐢ..ᐢ ━ 𝟎𝟑 ، ㅤㅤᘏ ﹕ ♥︎೨ 𓏲੭ ˒ 𒊹︎ ╰﹒ ˚ ⸼ ۫ 𓍯﹫ 𓏭 ั ᓚᘏᗢ ↯ . . . . ੭ ╾━╤デ╦︻⁰⁰¹∙ ﹕ ₊ ‧ ╱╳╲ ‧⁰⁰²∙ ,, ‧ ⁰⁰³∙ ﹕ ₊ ‧ ╱╳╲ ‧⁰⁰⁴∙ ,, ‧ ➜ ◠ :ᨓᨓ ៹࣪ ៸៸╭━𖤘・˃ᴗ˂╰━꒰ ᵕ ༝ ᵕ ꒱⋋✦₊꩜﹒𓂅 ˇ ִֶָ ︰꩜?!⋆ ﹒ ⁺ ﹒ ☆ ﹒ ⁺ ﹒⋆ ﹒ ⁺ ﹒ ★ ﹒ ⁺ ﹒×ᄋ ☆ ⨾҂ᵎᵎ⁺˒ᘛᘚ✿೨୧ ₪◊⋐⋑˘˘˘Ɛ ❥ ⊹.˚ 𐔌♫ྀི𓈒 ݁⋆ ఇ ♩ ࿐ ᧔♡᧓ 𓊆ྀི 𓊇ྀི ❣︎ °୭̥ ✩ ໒꒱ ୨ৎ ೀ ⪩⪨ 𓋜 𐬹 ۫ ۪ ᩍ 𐙚 ₊˚⊹ᡣ𐭩 ⑅ 𓇥 .☽༊˚ ₊˚⊹౨ৎ ‧₊˚﹒♡﹗₊˚⊹❀
how it felt to watch john walker HURL himself in front of bucky to shield him from bullets during their fight against sentry
You know what isn't a crime, but definitely should be one? The casual mischaracterization of Sentry in fan content. I'm so done😭
1. I hate how he's often depicted as cruel, he's not, look at him, fucking look? And when Ava asks about the hair dye, what does he do? He looks to Val for an answer, he's constantly fidgeting, trying to find an out for the bunch of misfits who previously helped him in the vault.
2. I hate how people try to turn it into a Marc Spector, Steven Grant and Jake Lockley situation when it's. Like. Not?? This is such a disservice to both Moon Knight and The Sentry, and real people who relate to the two characters' (very distinct very different) mental health issues. Bob doesn't have DID, if anything, the movie leans towards him being bipolar. Sentry is Bob, the guy literally tells Yelena in the vault that he has high highs and low lows, the high is Sentry, the low is the Void, that's it. Bob is both Sentry and The Void. What's so hard to understand? It's the mania (Sentry), followed by depression (Void) then he forgets. That's how Bob describes it in the first act of the film, that's how it happens in the third act.
people are making edits. everyone is getting shipped with everyone. there was cheering at the post credits scene. avengers tower fan fiction is being written. marvel is SO BACK
this is how I see their current relationship dynamic
he’s asking for more cuddles
this is the funniest scp and yet i've never seen anyone posting about it:
I love them so much!
𝐍𝐀𝐓𝐀𝐒𝐇𝐀* & 𝐘𝐄𝐋𝐄𝐍𝐀*
Twin single muse carrd templates. Espionage / superhero themed.
✧ Features: A carrd design prioritizing information. Comes in two colors, but you can customize however you wish. Add or delete sections as needed and edit to your heart's desire, just don't remove the credit. The loading screen on the front is actually an image; it can be customized via a PSD file, which will be included along with instructions below if needed (or you can delete it entirely if you'd rather not, it's one element). Tested to be mobile friendly but that may vary by device. Contains a page for guidelines, a dossier with tabs, a biography page, a verse page with tabs, a headcanon page, a mains/affiliates page, a page for links and navigation, and a visual gallery for your muse. If you have any issues or questions about editing the carrds, you are more than welcome to ask me here on my tumblr and I will try my best to help you!
✧ Terms of Use: Like / Reblog if you use, please. Do NOT use this for illegal content or to promote hate (this includes "burn books" and callout / vent blogs). Do NOT remove the credits or make them invisible somehow. Edit as you wish, but no matter how much you change it, do NOT claim it as your own!
✧ Price: $6 for early access , these will be FREE / pay what you want on July 21st. If you want to help a girl out with a tip, I'd greatly appreciate it 💗 ( Important Note! This template requires Pro Lite or higher to use due to the number of features included ! )
【 NATASHA DEMO ✧ NATASHA DOWNLOAD 】 ── RED 【 YELENA DEMO ✧ YELENA DOWNLOAD 】 ── BLUE 【 GRAPHICS DOWNLOAD 】
Instructions on how to edit the password graphic below the cut (it's simple, I promise).
MY MAD FAT DIARY or Why is representation important.
The first time I watched My Mad Fat Diary, I was around twelve years old — still growing, still developing, and barely beginning to understand myself. Now, nearly a decade later, I’ve returned to the series at 21, and I was genuinely stunned by how deeply I saw myself in Rae.
It’s hard to explain what it means to see a character like Rae Earl on screen — not just a sidekick or comic relief, but the main character. A fat girl with messy thoughts, deep insecurities, and a desire to be loved, seen, and accepted. For so many of us who never got that kind of representation, Rae feels like a lifeline. Watching her is like being told, you’re not crazy for feeling this way, you’re not alone.
And perhaps what makes it hit even harder is that this isn’t some fictional construct — the show is based on real diaries. Real struggles. Real triumphs and heartbreaks. That authenticity seeps into every scene.
When I first saw it — badly dubbed, airing on a local TV channel — a lot went over my head. At twelve, I didn’t fully grasp the depth of the mental health issues, the nuanced portrayals of trauma, anxiety, or the quiet war that is trying to exist in a body the world deems wrong. But even then, I knew Rae was different.
On rewatch, the brilliance of the writing stands out. Every character is layered, flawed, and human. The show doesn’t give you just Rae’s perspective — it allows you to understand the people she’s in conflict with, too. Her mum, her friends, her therapist. It doesn't excuse their actions, but it gives them depth — which, in turn, helps Rae grow.
And to every fat girl who’s ever questioned why someone could love them — Rae’s relationship with Finn hurts in the most accurate way. Only we will understand the internal chaos of being seen by someone like him — this almost mythical, effortlessly cool guy — and thinking, Why me? When the world sees you as a background character, how do you begin to believe you're worthy of the main storyline?
Rae’s voice-over monologues hit like a punch because they say everything we’ve all felt but were too ashamed to admit. The cruel way insecurities can poison joy. How you can’t relax, can’t accept love, can’t even breathe freely, because you're constantly waiting for the other shoe to drop.
My Mad Fat Diary doesn’t just show a girl struggling. It shows a girl surviving. Laughing. Loving. Screwing up. And slowly — very slowly — learning to forgive herself.
And honestly? That’s the kind of representation that stays with you. That matters. That heals.
My Mad Fat Diary
anxiety will have you thinking things like "will everyone hate me if i order coffee at the coffee shop" and "will people think i'm crazy if i work out at the gym"
I understand logically why the game of thrones show aged up so many characters for practical reasons (child labor laws, canon scenes which would be inappropriate to film w a child without traumatizing them, etc.) but having most of the main characters be adults really takes away from the tragedy of the entire story. Dany is only 13 when she’s sold to Khal Drogo, she is a scared and quivering child with no home and no family when we meet her. Jon is also 13, keenly aware of his branding as an outcast by the rest of his family, longing to simply be accepted alongside his big brother robb. robb himself is 14 and rides off into war, his death, before he can even properly grow himself a beard. his own mother is unsure if he’s ever kissed a girl, yet he commands an army. podrick is 10. bran is 8. brienne is only 19, not in her early 30s. missandei is around 9, a child of the slave trade who has lost absolutely everything and yet clings to her fellow former child slave (Dany) as a mother. They’re all so terribly, horribly, tragically young when the stories begin, and all either already the victims of multiple tragedies or the prey for narrative darkness. In this way, asoiaf is a story not about political savvy and connections, but of a hundred desperate and forsaken children grasping for safety and family and trying to ensure the next generation of children will never suffer as they have (and they fail at that too)