Save Judy pls

Kea, 18 and a fucking dumbass

[altersapphics]

woman: who’s the man in the relationship?

lesbians: hozier.

[human-cliches]

Paintings of oranges by Woodstock/New York based artist, Karen O'Neil

[10i7]

a concept: late night convo’s with someone that likes you as much as you like them.

[hs-dad]

I’m sorry son… tell your mother… I love h

[simon-egg]

ot fuzz (2007)

[tenthfloorghostgirl]

[uni416]

...There I was, veritably myself again.

[uni416]

This life is a F*CKING NIGHTMARE

[ahotknife]

you’re in her dms I slithered here from eden to sit outside her door we are not the same

[auriferis929]

Alphonsine de Challie. Young lady with a pink veil.  

[fruitsaladchewits-deactivated20]

[wingedbelievereagle]

[wingedbelievereagle]

DAVID BOWIE WITH NOEL GALLAGHER BACKSTAGE WEMBLEY ARENA ‘OUTSIDE TOUR’1995

😂

[antoniettabrandeisova]

Pergola with Oranges, c. 1834, Thomas Fearnley (Norwegian, 1802-1842)

[jsmithcameronx]

- I could make you very happy on Valentine’s Day, Clarice Starling. - How, Doctor Lecter? - By sending you a wonderful Valentine. I’ll have to think about it.

The scenes between Lecter and Clarice are basically seduction scenes. With these scenes I think you approach exactly as if you were writing a sort of courtship between two lovers. - Ted Tally, screenwriter of The Silence of the Lambs (February 14th, 1991)

[calyxestra]

Old drawings of Regis and Dettlaff (drawn from cutscene screenshots). I was too embarrassed to post them when they were made, but oh well. I’ve certainly drawn worse!

[memesandlaughs]

[the-memedaddy]

meirl

[nun-of-yo-business]

OH LAWDY *glug glug*

[palmvaults]

[fordarkmornings]

Allégorie de la Nuit, 1874. Charles Chaplin (French, 1825–1891).