Consolation (2019), photographed by Laura Makabresku.

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@somewheremeantforme
Consolation (2019), photographed by Laura Makabresku.
POKÉMON WORLD TOUR
FANART EDITION
KANTO
2# GYM: MISTY
Finally done!! Let's do the next one
Image description: fanart for Pokémon showing Misty sitting at the side of a pool with one foot hanging in the water, she is yelling down at the water where two Wooper are biting or carrying one of her sandals in their mouths, more Wooper swarm around them. Next to Misty is a Horsea, a Staryu floats in the air nearby, and a Lanturn swims in the pool. Mistys sandals are designed to resemble the Pokémon Sharpedo. end Image description
HOWDY YA’LL
I really wanted to draw up some Pokemon Gijinkas, so I asked folks on twitter to tell me their fav pokes and I pulled from there~
Partially the more popular ones, partially ones I just thought were fun! Can you tell who is who?? (If you can’t, you can always just check the tags, lol))
IN THE MOOD FOR LOVE (2000) dir. Wong Kar-wai
living with birds by len howard, 1963
“IT WILL BE SO. IT WILL BE SO. IT WILL BE SO.”
@wizzard890
-Roger Haus
in the mood for love, 2000 (dir. wong kar-wai) ph. wing shya
#219 Magcargo ferries buckets of water to the onsen!
Consider supporting me on Patreon!
Image description: fanart for Pokémon showing a Magcargo carrying two buckets of water on its back, in the background two people sit in a hot spring, one is waving.
Magcargo is a snail like creature made out of lava with a shell made out of hardened lava, a flame sprouts out of a crack in it, there are drop like extensions at the sides of its face like wattles. end Image description
You notice things if you pay attention.
In the Mood for Love I 花樣年華 (2000), dir. Wong Kar-wai
In The Mood For Love 花樣年華 (2000) dir. Wong Kar-Wai
In The Mood For Love 花樣年華 (2000) dir. Wong Kar-Wai
hate that the conversation around women’s clothing is always modesty vs immodesty, when these are male-created concepts. “oh that shows skin that’s what men want” “oh that hides skin that’s what men want” i don’t care. men want control. is it comfortable and is it practical? thick, dark, heavy fabric is not safe in hot weather, nor does it allow you to get vitamin d. inadequate coverage in the name of fashion is not safe in cold weather. i don’t care if this pleases men or pisses them off. if your mode of transport is foot, bike, or horse, pants are more practical. if your lifestyle asks for none of that, you may find a skirt more comfortable. many types of fashion force you to constantly monitor yourself — never comfortable or practical. clothing or shoes that damage your ribs, ankles, lungs — never comfortable or practical. i do not care what men want, nor do i care what men don’t want. comfortable. practical. we are animals.
This also @virgoanmaenad reminds me of your commentary on how feminist discourse can end up more focused on avoiding pleasing men than actually benefiting women
It’s so true! Less policing ourselves over what men want or don’t want, more thinking about yourself and how you feel!
I don’t care that a man may see me in a tube top and skirt and think ‘that’s hot!’ What I want is to be comfy in the summer and skirts and tube tops are top tier comfy shit for me.
I see lots of radfems talk about dressing practical and comfortable but they seem to think that automatically means dressing butch or just in a tee shirt and shorts, not thinking about looking attractive to men or anyone for that matter, when in reality what comfy and practical for me is dresses and skirts.
Less policing ourselves over what men think and more doing what makes you happy is what I’ve always thought feminism was about.
For @virgoanmaenad and other feminists, I’m sorry to report that OP is a textbook Islamophobe:
Replies in the post make clear that the other person in the conversation is explicitly talking about niqabis.
If you didn’t catch onto these strands at first, that’s fine - we can all use practice at parsing dogwhistles. The dogwhistles that make this Islamophobic, despite no mention of Islam itself in the post or screenshots, are
1) the connection between “thick, dark, heavy” fabric being self-evidently bad for women because it is dangerous in the heat. Wearing dark, loose fabric that covers the full body, including the face, is common practice for both men and women in the Middle East and Northern Africa as protection from the sun.
2) the belief that a woman with her body and face totally covered is inherently dangerous.
3) the contrast between “America” which never sees women in total cover and other places which presumably do.
The combination of these three points makes it clear that it is not simply religious female body covering or female face covering that troubles these posters, such as American nuns in their habits or a woman wearing a cross necklace under her N95 face mask and head scarf, since no one looks at a nun and immediately fears she may be carrying a knife. This is a specific combination of tropes that has been deployed and weaponized repeatedly against Muslim women.
I do agree with OP’s point that framing conversations about clothing around men’s approval/disapproval is not an effective way for feminists to continue the conversation. I also agree with the numerous Muslim feminist writers who have written about their own relationship(s) with hijab and have chosen to stop, start, or continue wearing it in their own lives. The misogynistic abuses of regimes like the Taliban or of individual men secure in patriarchy should be combatted, but as a feminist, I object to using those men’s abuses to erase women’s own intellectual and personal engagement with hijab.
To OP - while you are of course welcome to reply to this post with your own response in turn, I will probably not be responding, as this is a busy time of year for me and I prefer to be focusing on things offline. I did debate whether I wanted to make this addition at all, but as a teacher, respectfully, I thought it important to add this additional context.
Tony Leung Chiu-wai as Chow Mo-wan
In The Mood For Love 花樣年華 (2000) dir. Wong Kar-Wai
Gulpin -- Tomozaku Komiya
Image description: art for a Pokémon traiding card showing a child and a Gulpin next to eachother both balancing a fork on top of their pursed lip. the child sits at a table with its elbows on the table, the Gulpin sits on the table, both have empty plates in front of them. end Image description
Daily pokémon 6: Babysitter incineroar
Image description: fanart for Pokémon showing an Incineroar helping a small child stand or walk. They both are smiling. The Incineroar is drawn in a more realistic and less cartoony style, smoke comes from its tail. end Image description
It must seem odd to ask you out, but I want to ask you something. IN THE MOOD FOR LOVE 花樣年華 2000┃Wong Kar Wai