a street light in Wroclaw, Poland.
TVSTRANGERTHINGS
almost home
noise dept.
Jules of Nature
hello vonnie

Discoholic 🪩
Lint Roller? I Barely Know Her
Peter Solarz
Today's Document
cherry valley forever
Xuebing Du

shark vs the universe
Not today Justin
tumblr dot com

Andulka

blake kathryn

Love Begins

tannertan36

Product Placement
$LAYYYTER
seen from United States

seen from United States

seen from Canada

seen from T1

seen from China
seen from Italy

seen from Malaysia

seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from Germany

seen from Iraq

seen from United States
seen from Cambodia
seen from United States

seen from T1

seen from United States

seen from Malaysia

seen from United States
@sorrowfulmidwest
a street light in Wroclaw, Poland.
the moon in paintings. x
Up a-head...
drop-kick?
Without The Moon
Watercolor On Black Paper
2022, 11"x 14"
Grass Orchids
I’ve said it before, I’ll say it a thousand more times: No piece of dystopian fiction has ever been a prediction of the future. They are observations and criticisms of the present.
“Wooow! How did Orwell predict the surveillance state so well in 1984??”
He didn’t. He was making an observation of the surveillance state that already existed in his present, and exaggerated it to make the metaphor obvious.
Learning and discussing these works in terms of them being predictions and having test questions like “do you think his prediction came true?” is not only pointless, but actively counterintuitive. When you frame these works as being ‘people from the past knew that the future would be terrible’ you shift the entire perspective to one of some kind of nostalgia for a past that didn’t exist.
These author’s aren’t oracles. They’re satirists. Their predictions ‘come true’ because they were already true when they wrote them.
We could feed the world if we weren’t concerned about profit.
Виктор Пивоваров. “Русалочка”
todays beanie is: smoochy the frog!
c l a s s i c
oops
instagram | prints
From ‘I Spy: Fantasy’ - Walter Wick, 1994
Baby bear catching snowflakes
Bathroom at the Bar - Matthew Bollinger, 2016
American,b.1980-
Flashe and acrylic on linen, 22 x 30 in.