Hollee @soundlesswind - Tumblr Blog

Mononoke: Karakasa Review

Mononoke - Phantom in the Rain

Now that it's officially out globally, I can finally offer some thoughts and reflections on the long-awaited continuation of the cult-beloved Ayakashi/Mononoke series. My main tagline for this review can be summarized thusly:

I liked it...but it could have been better.

(~ not spoiler free, read at your own discretion ~)

Karakasa: Visually, it's a bang---structurally, it's a bomb. That about sums up how I feel about the movie overall. It's vibrant, beautiful, and full of intricate patterning and details, and is in a way: both a step up and a step down from the original.

...But what do I mean by that really? Well, I think we need to first highlight what makes Karakasa and Mononoke rather different.

Ayakashi/Mononoke has a much slower pacing, with slightly more muted, and washed-aesthetic tone despite its colourful designs. It shifts from being more colourful or more sombre depending on the type of scene it wants to depict. But even at its most saturated, it never gets quite as vibrant in contrast compared to Karakasa. ...However, you could say that may be in part due to the sheer difference in animation techniques developed over the course of nearly a decade between the two (2006/2007 vs 2024).

That isn't to say Karakasa doesn't have moments of dark imagery, but that even at its darkest, it remains distinctly vibrant and high-in-contrast. You could argue for it as a conscientious choice...but personally, at its root: Mononoke is a horror-ghost story; and the gritter, muddled palettes rather add to that charm.

(2007 Mononoke - Noppera-bou, and Nue)

(2024 Karakasa)

To match its mood, Mononoke also has a much slower cadence and story tempo, despite any singular arc being overall shorter than Karakasa. That cadence adds to another difference: which is spookiness. I find Mononoke to be far spookier and more effortlessly imposing than Karakasa. There's a bit of tension and suspense in the way it's presented: both visually and vocally* (a point I'll bring up later). Mononoke is sometimes boldly laid out in seemingly disjointed flashes, but still somehow ends up cohesive and immersive with its themes and motifs; feeding you just enough information to wet your appetite as to where and just how far it wants to take you. And this is of course, done in parts over the span of 2-3 episodes.

Karakasa on the other hand, has a pacing that feels like a marathon. It seems almost lightning fast, despite the first half of the movie being entirely sociopolitical intrigue without much in the way of anything overtly youkai-esque. In fact, our Medicine Seller doesn't even step foot into the Ooku (women's court) until around 40 minutes in...which is nearly half the movie! ...But naturally, since it's a movie, it will be movie-formatted. Everything is going to run as if it were one singular episode long. --- Still, what does that mean for the pacing?

If you don't know what "tea house tales" "is.....it's basically a format of short stories told over several sessions. It's one of the ways people in the historic East used to tell stories. They'd gather around somewhere, drink tea, eat snacks and share a bit of light entertainment. In the same way the episodic nature of Mononoke is somewhat reminiscent of that. Each part feeds you a bit of information, a bit of mystery, a bit of suspense, and a bit of action. It keeps you sufficiently entertained one way or another without stringing you on far too long before any sort of climactic reveal. In this way, Mononoke feels more balanced and evened out than Karakasa. But even the format aside, I found Karakasa a lot less clear and concise with what it's trying to portray. There were parts of the movie I had to re-watch a few times or sit down and think about afterwards just to fully understand what I think it was alluding to, which wasn't an issue with Mononoke whatsoever. The plot, both visually and thematically was always clear as day for the original series, where as Karakasa sort of muddles on and off between mystery and court drama over the course of an hour and a half.

Personally...I think one of the detriments to Karakasa is the sheer size of its cast. There were simply way too many characters (27+), and some of them even have overlapping roles. There were also quite a few without clear rhyme or reason. For example, we get introduced to Tenshi, Mizoragi and the moon twins, and an assortment of other characters who don't really have much of a presence in the movie (other than to to be positional seat warmers) and are shown for a collective total of a few minutes. Karakasa IS a trilogy however, so it's possible that their roles may be elaborated in future movies, but in regards to the current film, they feel like a distraction. I guess they're going grand and all out, but the benefits of a smaller cast is that you get more intimate with each character and their already very limited screentime. It just wasn't possible for me to feel any intimacy or investment into the large cast of Karakasa---Asa and Kame included.

Comparatively; I always felt truly, fully immersed in all the story arcs of the original Ayakashi/Mononoke. I cared about the characters, or was so invested in their sorrowful tale. But I didn't particularly feel that way about Karakasa because whatever message it was trying to convey kind of got lost in-between all the court drama...which, I'm not sure some viewers may even understand or empathize with unless they already have some knowledge of what women in the imperial harem go through or how it functions. (Speaking of which, Asa practically speed ran the exposition towards the end regarding Kitagawa and her own motives.) Just to name a few: there's the rank struggles of Asa and Kame versus the leaders of the Ooku; the political positions of Fuki, Botan and the other consorts, the political household ties of Saburomaru, the grip of Mizoragi's strange cult, and the (lack of) political power that Tenshi (the emperor) holds versus the Shogunate in the Capital (---I'm not entirely sure what timeline we're in right now, but the fact that there IS a Shogunate implies a lot.)

...Anyway, you can see why there are too many distractions in this movie for me to fully feel immersed in whatever it's trying to tell. It's supposed to be a movie of women's suffering (under the weight of men and the social sphere I suppose), but most of the time it felt more like I was just simply suffering watching women cat fight each other until they quickly got picked off by the Karakasa mononoke.

Speaking of the titular "Karakasa", though... it certainly was an interesting choice of youkai. I wonder if it was because traditionally, karakasa aren't violent youkai, they're merely scary tricksters; and it wasn't as if Kitagawa was really out for revenge (though she did pick off a few people).....actually, now that I've written it out that way, Kitagawa's motives are a little unclear. Or maybe it didn't matter anymore as karakasa grew to the point it became uncontrollable. Either way, I think if they had refocused the movie on Kitagawa and actually visually show the parallels between her, her "friend" and Asa/Kame...instead of giving us a verbal speedrun exposition dump towards the end...I might have felt a little more sympathy (...or just simply anything worth feeling towards the story). But alas.

It certainly didn't help that I was a little unsatisfied with some of the voice cast. For the most part, I was okay with the side cast (particularly the males, since the females hardly had lines); but felt it was a waste that Tsuda Kenjiro (Mizoragi) also hardly had any lines (...though I have a feeling he'll play a bigger role in the next movie). He was actually even one of my 3 ideal choices for Kusuriuri's recast (next to Ishida Akira and Toriumi Kousuke). I've said it before and I'll say it again, I love Kamiya Hiroshi, he is one of my favourites...but I think his role as Kusuriuri was a bit lackluster since his vocal range is medium-high and therefore does not go deep or husky enough to carry the same spook factor that Sakurai Takahiro's voice has. Karakasa also lacks the unique staccato often used in the original Mononoke which gave it an overall interesting sound and pace. I loved the odd vocal nuances and pauses in the previous work and was very sad that it's more or less nonexistent in Karakasa.

My second complaint would be with Asa and Kame's cast, which I felt might've benefited more from actresses with more interesting inflections. Kurosawa Tomoyo is an okay actress. She gets the job done but generally does better on long-running series since she takes a long time to fully have a grip on her role. Honestly, she was on auto-pilot and was quite boring throughout Karakasa. Aoi Yuuki on the other hand has a lot of vocal range, but generally suffers from inconsistency and just sounding like nails on a chalkboard. (I won't even mince it; my housemate walked in on me watching Karakasa on the telly and literally flinched at her voice because it severely hurt her eardrums---my condolences).

Generally speaking, I do prefer older seiyuus, they just have qualities I enjoy more, but I do also think the movie would've benefitted more from either a liveaction casting or a Showa casting. Most of the characters (in both Mononoke and Karakasa) kind of...oddly use modern speech instead of feudal Japanese (minus Utayama), and given that the Ooku IS a court drama, doesn't use court language or any regional dialects whatsoever (granted I'm not even sure if this is Kyoto, Edo, or wherever). Awashima and Mugitani do use formal language, but only Utayama uses slightly older diction. With the exception of a few notable names, most of the cast for Karakasa are from a generation of newer/younger voice actors, whereas Mononoke consists of an older one. You probably won't care unless you're a seiyuu buff, but there is actually a clear vocal distinction between those of different acting generations. For example: Sakurai, Kamiya, Ishida, Tsuda, Ogata, Hayashibara, etc...all have particular qualities to their voice that give it a layer of interest (ie. whispiness, huskiness, nasalness, etc). I don't know if it's caused by the difference in learned language or some other factor, but newer generations of voice actors tend to have more clear-toned voices with more modern inflections. Kurosawa and Aoi both have notably modern inflections when they act. You could say it's a battle of old versus new if we're going by story theme...but in which case, the rest of the cast could've been of an older generation to portray that. (But well, I'm glad they chose an older actress for Utayama, at least). The few exceptions to this are a small handful of modern actresses that are so astoundingly skilled they break that barrier. I kind of wished they had casted Hanazawa for Kame instead but she's already Kitagawa...but in which case, toss Sawashiro Miyuki in that role, I think she would've been a bit spookier. Hanazawa as Kame might've made her more endearing to me, but maybe they were going for the double-double: irritable voice and character combo, since Kame wasn't particularly written to be likeable. --- Kame does somewhat feel like a second generation Kayo (MAO), but I think MAO was still more serviceable to my ears. Anyway. I don't think I should hold up this review post any longer with my derailed rant on voice acting. It is what it is, and at the very least: we found out some lore bombshell that there are possibly at most 64 medicine sellers, and that Sakurai (Ri) Kusuriuri and Kamiya (Kon) Kusuriuri are different characters altogether (---a lot of fans rejoiced about that), making the possibility of two or more existing at one time. Wouldn't that be exciting to see?

Moving on to the music. In contrast to the trailers, the soundtrack in the movie sometimes feel like background white noise. It almost seems like a trend with newer anime, but nowadays, I hardly hear the tracks compared to older shows. Well, in Karakasa in particular, the movie is moving at such a jilted pace: most of the sounds you will hear is either dialogue or the occasional clinks and clangs. They don't really blast OSTs like they used to (...unlike Hollywood movies where I hear too much BGM). --- But following the odd quirks of Ayakashi: some of the vocal themes for Karakasa still are that weird mash of modern and traditional sounds with the occasional rapping. Particularly during the fight scene, there were some hardcore bass rap on cue. I'm not sure if I like or dislike it, but it is different. My favourite track is the Okami-esque flute theme used during the Birth Celebration Ceremony towards the end. But whether it's Mononoke or Karakasa, what stands out in both is not the score, but the sound effects which have always been the distinctive noise of the series.

The teased title for the next installment is "Ashes of Rage". I wonder what that could mean? We're left on a bunch of cliffhangers, such as why did Kusuriuri smile while looking at the clouds, what's the deal with the seal in the well, and what was Mizoragi doing in the cellar pouring water over what looked like an enclosed basin? Moreover, why on earth did they lore drop so much on the background of the medicine sellers...not in the movie but during the side interviews! The fact that they have a home base, or that the Shingi (alters) are different people... So do you mean to tell me, I still can dream of an Ishida Akira Kusuriuri!? There are at most 8 trigram Taima swords, and 2 of which are Sakurai and Kamiya's. Does that mean there's still room for another 6 Kusuriuris? That's so fruity!

If you made it this far, thank you for reading. I also I hope you watched the movie before perusing this given that it's so spoiler heavy. While it does seem like I had a lot of complaints, make no mistake: the movie was gorgeous. It was made with painstaking visual efforts and intricate architecture. Every stroke and splash is a work of art, making it one of the most visually interesting movie in a long time.

While it doesn't replace the old Mononoke in my heart, the Karakasa trilogy is a nice addition; something different and its own thing. A lot more action and a lot more abstract if you dig that sort of presentation.

Given that the trilogy isn't over, I have no doubt the rest of it will continue on with Kamiya's (Kon) Kusuriuri...but I do hope the series continues to keep receiving love so I can eventually have a whole Sentai Kamen rider group of Kusuriuris.

Until next time...~!

Trending Blogs

Recently Viewed Blogs

Hollee