I WANNA BE FORGOTTEN AND I DON'T WANNA BE REMINDED

carla / 23 / virgo / chamber of reflection :))))

[sorrrymsjackson]

Christo, Wrapped Monument to Vittorio Emanuele, Project for Piazza del Duomo, Milano (1975), From Il Ponte

[sorrrymsjackson]

Agnes Martin, Untitled II (1991)

[juliaknz]

OLAFUR ELIASSON THE MEDITATED MOTION, 2001 Kunsthaus Bregenz, Austria Image © Markus Tretter

[artspirationdaily]

Up the Neck, Cecily Brown, 2020

[thunderstruck9]

Helen Frankenthaler (American, 1928-2011), Moonrise, 1981. Acrylic on canvas, 134.6 x 229.2 cm.

[savagedefectives]

an interview with kazu makino

[dionyssos]

Ruth Asawa , crocheted metal sculptur

[thunderstruck9]

Ruth Asawa (American, 1926-2013), Watermelon, 1968. Watercolor and Conté crayon on paper, 45.4 x 45.4 cm.

[scarecrowbox]

Wire Sculptures by Ruth Asawa

[memoryslandscape-deactivated202]

“Yes, this heart rushes toward you– harder and harder, farther and farther.”

— Joseph Brodsky, from section XI of “New Stanzas to Augusta,” Joseph Brodsky: Selected Poems, trans. George L. Kline (Harper & Row, 1973)

[sorrrymsjackson]

M, 1977

Acrylic on canvas

78 x 114 inches (198.1 x 289.6 cm)

[thunderstruck9]

Helen Frankenthaler (American, 1928-2011), Fallen Angel, 1982. Acrylic on canvas, 175.3 x 247 cm.

[thunderstruck9]

Helen Frankenthaler (American, 1928-2011), Persia, 1978. Acrylic on canvas, 82.5 x 60 in.

[thunderstruck9]

Agnes Martin (American, 1912-2004), Untitled, c.1995. Acrylic and graphite on canvas, 12 x 12 in.

[smoke-stungeyes]

“Nobody ever teaches you how to be a person torn-between. How to shape your breaths so as to accommodate both the solitude and the stampede.”

— Durga Chew-Bose, Too Much and Not the Mood

[sorrrymsjackson]

Cerith Wyn Evans, The Curves of the Needle (2005), From Taka Ishii Gallery

[maybethereissomething]

Wolfgang Tillmans, Silver 151, 2013