1-He Man Masters of the Universe:
I hate to say it but....Jared Leto as Skeletor carried this movie. They really let him queen it up and he's good at it. (Actually i have a hot take about Leto in that if it weren't for his oscar win for Dallas Buyer's club, he actually was previously a decent underrated character actor who works well with weird roles, but that oscar win changed him for the worst). I guess overall it's not a bad film, some of the jokes either go a little too long or sometimes fall flat. Except for Skeletor's jokes which none of the advertising showed so it was a surprise at how funny that character in particular is compared to everything else which was hit or miss joke wise. But yeah overall, decent time, probably way better than the Canon Films 80s movie. Also Travis Knight really has bad luck with his filmography track record. no matter quality (Kubo and the Two strings is really really good, Bumblebee is decent) everything he makes keeps bombing. It's just destiny that his films are mostly on the good end and yet never makes its money back. Here's hoping Wildwood does well.
Y'know those guys who are trad guys for ebverything about the fantasy genre? like everything has to be 80s art demos as the rt of fantasy they have to adhere to all these things and familiar imagery all the time and they'll chastise like some tumblr person's quirky personal friend group Dungeons and Dragons OC art for not that 80s art imagery?
Steven Spielberg is THAT for Aliens. You WILL still find tiny lights flying around in the sky or crop circles or everything we are way to familiar with the most amazing thing and if you somehow beam footage of this stuff from a newstation's feed the whole world will absolutely believe aliens are real 100% and not fake footage or AI and totally trustworthy and also was gonna add the other criticism about villains caring about whether the truth coming out matters but I'm gonna be fair and say that's been an unfortunate real world development of "oh you can just say "yeah whatever" if you're proof you're lying or just absolutely evil? You can just Shrug that and no consequences happen?".
But Yeah this movie I had fun but especially when you get into that last act it's strange given how much lipservice about having less cynical or nihilist media and more Optimistic stories and yet this movie as much as it tries really hard it manages to rub people the wrong way. I think having too much of a tired take on Aliens didn't help, the boomer sensibilities here and there, especially with the thought that people would still believe the news kind of breaks the last act quite a bit. I dunno I think I'm lacking the ability to explain my point here but it's clear Spielberg LOVES alien stuff but like it feels too quaint?
I think say what you will of the X Files Revival but it tried to update it's mythology for the current years, in particular it has an interesting take on the major change the roles conspiracy theorists have on the world and in politics.
Another one I wanted to love but was disappointed HOWEVER not to the extent the internet make it out to be but that's just the side effect of how online OVERHYPES or OVERREACTS to Great/Good/Ok/Bad/AWFUL media that things feel skewered. Like this is one I'd be fine with seeing again, it's not THAT bad but it is also a major step down from James Gunn's Superman. I think despite the different Director, they for some reason tried REALLY REALLY hard to copy James Gunn's style. I also think it's nice we FINALLY got the obvious fancasting of Jason Momoa as Lobo but I think they were too excited and wanted to shove him in here and I think he was misplaced. And I know this movie was stuck with sticking to a particular comic run/story in the comic Woman of Tomorrow so Ruthie is supposed to play an important part but she did feel kinda weak character wise. Honestly there was literally no problem with the characterization of or anything with Millie Allcock's Supergirl portrayal, she's the best part but she's also kind of not given too much to shine and any opinion piece trying to portray the film as giving this character some unearned presence is kind of full of shit, the problem is the story she's attached too. Also the scenes where she's interacting with Clark/Kal El are also really good bouncing between their very drastically different worldviews and demeanour.
I dunno, I know the reason but the online discourse for this film I think is kinda annoying but at the same time I can't really say this was entirely a misunderstood gem either but it's not some travesty as people make it out to be. Wish it was better but oh well.
4-Backrooms Everything Goes Edition:
So I was under the impression this was an extended edition version so when I arrived and the movie start, by the time we were getting to the last act I had the dawning realization that I may have been tricked into watching The Backrooms again. But No after the credits, the Extra 20 minutes is referring to a stand alone short film, I think prequel? called Everything Must Go. It concerns a few of these hazmat scientists (and I think one of them is the guy in the beginning that gets got and I think this is taking place right before that intro sequence) and they find a For Sale sign, the titular Everything Must Go signs and things go off from there. It's half narrated presentation documenting what they found, it's also normal found footage stuff. It's basically a film thats more in line with the youtube webseries or most analogue horror or even the arg stuff like marble hornets from years old which was kinda surreal to see in theatres. It's something that if you were watching it at home it's fine but if you're in theatres and you don't know what to expect and half way into this weird short there's like some presentation talking about the weirdness of a sign that you find in this weird world and I'm not sure how well that plays with a general audience of moviegoers vs if your purposefully watching some horror webseries that formats itself as a spooky MS Powerpoint presentation about skinwalkers or something that you'd then watch a wendigoon video afterwards to explain everything to you.
Also V/H/S is doing a sequel that's just about SCP but like I'm sure the producers are kicking themselves that they couldn't get the rights to backrooms because that also has more to do with found footage.
Thematically surprisingly has a ton of similarities with Oppenheimer. Anyways thisone might be more scattered brained, there's so much packed in.
That one scene people described as Brian Yuzna's Society, YUP that is a freaky scene. Yup I more and more am curious about a Christopher Nolan Horror movie (I do at least wish to see him tackle that in combination with him going back to his smaller scale Neo-Noir roots, I do miss Memento era Nolan).
Agamemnon's sole power is aura farming and something about that is the funniest thing to me. Really just everything with him in general when you get to the twist with him make him the funniest character to me. And in some ways an alternate take to Nolan's use of the Idea of the whole Batman as an idea thing he was exploring in the Dark Knight trilogy. Maybe an inverse of it?
Disappointed by the scylla scene, it's not as good as this one that's always stuck with me as a kid:
Like the design for it I don't think I like. I like every other design but was disappointed with the Scylla scene but maybe that's because this one here left a way bigger impression on me at the right age.
Robert Pattinson I do love how much of a weasily piece of shit he is. The bit at the end were he's just yelling at his guys to pick up whatever weapons falling on the floor while he cowardly hides behind a pillar was funny.
I did clock a potentially meta piece of storytelling that I feel like is more of a side theme that adds a flavour to it where there's a sort of meta commentary on a lot of the 2000s post 9/11 adaptations of either the Brad Pitt Troy or 300 and how they felt more pro war or in 300's case it felt more like a movie to gear up US troops to be ok with killing brown people in the middle east in some forever war and I feel like the use of Troy in the Odyssesy has this meta text about the kinda stories we tell ourselves or mythology we attach too to give us a reason for a war campaign that's all nonsense and the rest of the movie is dealing with the regret of participating in that and the consequences of it all. And for Nolan, anything meta-textual is usually about filmmaking of some sort so you can look at the in universe story stuff as the idea of filmmakers indulging in participating in this type of propganada or narrative and what happens if the consequences of that is stuck on you and follows you around.
Overall still mulling it over but its a very packed film with a lot going on. Which I guess in some ways is something to expect of Nolan.
Gonna skip rankings for now. Also lol those vlogs probably aren't happening lmao.