‽

Veni. Vidi. Flatui.

[bofransson]

Wolf Kahn, Three Houses Near Woods

[bofransson]

Wolf Kahn - Fall Splendor, 1992

[blastedheath]

Henry Moore (British, 1898-1986), Head of a Cyclops, 1969-70. Etching, 49 x 37 cm. Edition 37/100.

[chimneyfish]

The Rooster In Love, 1947

Marc Chagall

[bruising-violet]

Louis Morris.

[jessiethatcher-deactivated20150]

Louis Morris 

Bottom image: One of his series of “Veils”

[honeybum]

LOUIS MORRIS. POINT DE TRANQUILITE. ACRYLIC. 1959-1960 (via Louis)

[pacegallery]

Thomas Nozkowski, “Untitled (M-28)” (2011), gouache and colored pencil on print ©Thomas Nozkowski, courtesy The Pace Gallery

In his latest review Hyperallergic’s John Yau writes: At the heart of Nozkowski’s practice is improvisation, a willingness to take something (anything) and do something else to it. He seems to have been one of the few of his generation to understand Jasper Johns’s declaration: “Take an object. Do something to it. Do something else to it. Do something else to it, etc.”  You can view works like this for yourself at Senior and Shopmaker Gallery on view til June 16th.  (via A Truly Subversive Artist Is Not Necessarily Someone Who Is Theatrical or Gimmicky)

[xgrayvision]

northern tropics by .navilluS on Flickr.

[danielingroff]

Georgia O’keefe museum, Santa Fe

[chewmark]

hilma af klint

[theories-of]

Shai Yehezkelli - Celebrate good times (come on), 2013, oil on formica, 71X58 cm

[theories-of]

Henri Matisse  Still Life with Purro II, 1904-5, Oil on canvas, 27.9 x 35.6 cm

[blastedheath]

Frank Stella (American, b. 1936), The Butcher Came and Slew the Ox, Plate 8, from Illustrations after El Lissitzky’s Had Gadya,1984  Lithograph, linocut and screenprint in colors with collage and hand-coloring, on wove paper, the full sheet, 57 x 52 in.

[likeafieldmouse-deactivated2015]

[spacegrainelevator-blog]

Gerhard Richter - Untitled (2005)

[theories-of]

Melissa Brown - Fog, Oil and dye on canvas, 2012

[theegregore]

Giacomo Santiago Rogado