Thembo @spacehispanic - Tumblr Blog

i think one of the best parts about being a teenager in the early to mid 2010s was that cigarettes were definitely not cool anymore and vapes hadn’t popularized yet so my lungs made it out of my peak impressionable years relatively unscathed

kaiyves-backup

mikufanclub

notice how its littlest pet shop and not littlest pet shelter, littlest pet adoption center, littlest pet rehabilitation. really twisted

sapphling

are you enough of a BADASS MOTHERFUCKER to take me to the zoo to look at the animals

morethanus-life

A herd of wild Przhevalski horses in the Chernobyl exclusion zone.

Photograph: Tatyana Deryabina/University of Porthmouth

wisedreamdelusion

every thing change even you

kaijuno

I mean

luetta

abortion clicker early game : you click the belly 50 times in order to perform one abortion. this lets you buy a doctor who performs 0.1 abortions a second.

abortion clicker mid game: you own hundreds of clinics as well as think-tanks which dismantle sex ed courses as well as politicians which strengthen pro choice institutions

abortion clicker late game: the solar system’s resources have been stripped to build a dyson sphere which incubates trillions of humans for the sole purpose of performing abortions on them. once we achieve hyperspace travel, other stars will power superintelligent machines which will simulate octillions of abortion a second

spel16

thedeliaishere

DnD 5e is actually so good though you can change anything you want. My friends and I have a fun homebrew rule where we don't actually use maps or dice or minis or pen and paper at all, we go out on the sidewalk and use chalk to draw squares with numbers in them and we take turns hopping through them one foot at a time

critical-objects-deactivated202

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.

Laura Aguilar, Grounded #111, 1992