Reveries of the Solitary Walker by Andrey Surnov

if i look back, i am lost
NASA

tannertan36
Cosimo Galluzzi
Lint Roller? I Barely Know Her
sheepfilms
todays bird

blake kathryn
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"I'm Dorothy Gale from Kansas"
he wasn't even looking at me and he found me

shark vs the universe
YOU ARE THE REASON

Discoholic 🪩
official daine visual archive
Mike Driver
Claire Keane
KIROKAZE
ojovivo
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@spectrum--flow
Reveries of the Solitary Walker by Andrey Surnov
Art by Liza C
Art by YuCong Tang
Artist: Steven Vincent Johnson Ringworld (Larry Niven) From Future Life magazine 1979
Killian Prevost
artstation illustrateur-designer-graphique.fr
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Artem Chebokha
Freelance artist. Open to work
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Art by Killian Prevost
Daikon world by Sin jong hun
The amazing concept art of Jonathan Bach for Guardians of the Galaxy Vol. 2
Marvel’s Guardians of the Galaxy Vol. 2: The Art of the Movie
Granville Redmond(American, 1871-1935)
Poppies and Lupine via
A Field of California Poppies 1911 via
Patch of Poppies 1912 via
oil on canvas
Summer garden by Grafit Studio
“Black Powder” Photography by Damion Berger
Gunpowder, also known as black powder, is the earliest known chemical explosive. Following its invention in ancient China, the earliest documentation of fireworks can be traced back to the 9th century when they were first used by the Chinese to frighten away evil spirits and pray for happiness and prosperity.
Damion Berger (b. London 1978) is a photographer who’s artwork makes the viewer question the possibilities of photography and its relationship to time and movement. Operating between abstraction and conceptualism, his unorthadox approach to traditional photographic process typically employs long exposure and in-camera techniques to make photographic ‘recordings’ that probe the nature and convention of photography. At the heart of his practice are experiments in mark-making, quite literally painting with light – exploring the relationship between time, movement and light, his work flips the concept of the photographic moment on its head, rendering the invisible…visible. Often printed in the negative, his photographs resemble layered line drawings and reference the historical evolution of photography whilst engaging in dialogue across broader artistic mediums.
He currently lives and works between New York and France.
Thanks Ricardo Pinto and Wired
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