I love how the creator of Howl literally points out he's unmarryable and a dramatic shithead, she was like "I don't know why everyone wants him but they can try"

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@spellstorhallalikes
I love how the creator of Howl literally points out he's unmarryable and a dramatic shithead, she was like "I don't know why everyone wants him but they can try"
Good morning
TOM OF FINLAND (2017) dir. Dome Karukoski Decorated officer Touko Laaksonen returns home after a harrowing and heroic experience serving his country in World War II, but life in Finland during peacetime proves equally distressing. He finds peace-time Helsinki rampant with persecution of the homosexual men around him, who are even being pressured to marry women and have children. Touko finds refuge in his liberating art, specializing in homoerotic drawings of muscular men, free of inhibitions. His work, made famous by his signature ‘Tom of Finland’, became the emblem of a generation of men and fanned the flames of a gay revolution. (link in title)
The Wall of Thorns - A Spell of Protection
Then round that place there grew a hedge of thorns thicker every year, until at last the whole castle was hidden from view, and nothing of it could be seen but the vane on the roof. […] From time to time many Kings’ sons came and tried to force their way through the hedge; but it was impossible for them to do so, for the thorns held fast together like strong hands, and the young men were caught by them, and not being able to get free, there died a lamentable death.
- The Sleeping Beauty
Intent: To protect one’s home and property.
Ideal Timing: Full Moon, but can be made anytime.
Materials:
Glass Jar with Lid
Black Taper Candle
Planter Pot & Soil
Super Glue
Pins & Thorns
Duct Tape
Herbs: Dill, Basil, Salt, Vinegar, Lemon or Pickle Juice
Load the bottle with the pins, herbs, and just enough of your chosen liquid to fill it about ¾ full. It should be noted that some witches prefer to use urine for their home protection bottles, both for traditional and territorial reasons. This is certainly a viable choice if you are comfortable with it, but if not, then the options listed above will be quite effective.
Seal the top and secure with a strip of duct tape or electrical tape to prevent leaks. Once it is sealed well, begin to attach the flat ends of the thorns to the outside of the bottle using the superglue so that the points face outward. Be very careful not to stick yourself while handling the bottle!
Once all the thorns are in place, light the black candle and drip the wax over the top of the bottle. As the wax falls, hold the image of a thorny protective barrier in your mind and continue to turn the bottle, letting the wax spill down the sides to help hold the thorns in place. Keep dripping the wax until the cap is completely covered and all the thorns have been secured.
Pour some dirt into the planter pot, place the bottle inside, and pour in more dirt until the bottle is covered. Keep the pot somewhere on your property. You can even grow flowers in it, if you like, but it is not recommended that you use it for anything edible.
If you move to a new home, be sure to take the pot with you, or dig up the bottle and take it along; to remove the ward, break the wax seal and empty the contents of the bottle somewhere safe.
-From The Sisters Grimmoire: Spells & Charms For Your Happily Ever After, 2nd ed., © 2017 by Bree NicGarran.
Want more fairy tale spells? Check out the masterpost here and visit my shop for spell kits!
(If you’re enjoying my content, please feel free to drop a little something in the tip jar, tune in to my monthly show Hex Positive on your favorite podcast app, or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊)
your aversion to anything earnest or sincere has affected us in the following ways 1. youre annoyinggggggg
Adventure Contract Spell
What you’ll need: Piece of paper Pen or ink with writing nib Solar / sun water (see notes) Calendula for cheerfulness and energy Rosemary for health, quick thinking, making memories and friends Cinnamon for trade, money, and success Garlic for protection while traveling Pick whichever of these you’ll need: All-spice for determination, Borage for courage, Mugwort to avoid weariness during…
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1.01 | 6.06
ʙᴀɴᴇꜰᴜʟ ꜱᴛᴀʀᴅᴜꜱᴛ ᴘᴏᴡᴅᴇʀ ✧
based on my original recipe for stardust powder, this recipe is meant to be used for baneful acts of magic such as curses and hexes.
ingredients:
sea salt
black glitter (environmentally friendly, of course)
wormwood - to cause strife and misfortune to a target
small jar
instructions:
combine the ingredients and grind together using a mortar and pestle
add the mixture to a small jar and seal
leave in the path of starlight to charge overnight
use in spell jars, poppets, or other magical rituals
warning: handle wormwood with care - do not sprinkle on the ground where pets or small children may have access to it, and if you decide to burn this powder in any way, do so outside where it’s well ventilated.
© 2025 space-queen
2025 November 30
The Surface of Titan from Huygens Image Credit: ESA, NASA, JPL, U. Arizona, Huygens Lander
Explanation: If you could stand on Titan – what would you see? The featured color view from Titan gazes across an unfamiliar and distant landscape on Saturn’s largest moon. The scene was recorded by ESA’s Huygens probe in 2005 after a 2.5-hour descent through a thick atmosphere of nitrogen laced with methane. Bathed in an eerie orange light at ground level, rocks strewn about the scene could well be composed of water and hydrocarbons frozen solid at an inhospitable temperature of negative 179 degrees C. The large light-toned rock below and left of center is only about 15 centimeters across and lies 85 centimeters away. The saucer-shaped spacecraft is believed to have penetrated about 15 centimeters into a place on Titan’s surface that had the consistency of wet sand or clay. Huygen’s batteries enabled the probe to take and transmit data for more than 90 minutes after landing. Titan’s bizarre chemical environment may bear similarities to planet Earth’s before life evolved.
∞ Source: apod.nasa.gov/apod/ap251130.html
ʙᴀɴᴇꜰᴜʟ ꜱᴛᴀʀᴅᴜꜱᴛ ᴘᴏᴡᴅᴇʀ ✧
based on my original recipe for stardust powder, this recipe is meant to be used for baneful acts of magic such as curses and hexes.
ingredients:
sea salt
black glitter (environmentally friendly, of course)
wormwood - to cause strife and misfortune to a target
small jar
instructions:
combine the ingredients and grind together using a mortar and pestle
add the mixture to a small jar and seal
leave in the path of starlight to charge overnight
use in spell jars, poppets, or other magical rituals
warning: handle wormwood with care - do not sprinkle on the ground where pets or small children may have access to it, and if you decide to burn this powder in any way, do so outside where it’s well ventilated.
© 2025 space-queen
ʙᴀɴᴇꜰᴜʟ ꜱᴛᴀʀᴅᴜꜱᴛ ᴘᴏᴡᴅᴇʀ ✧
based on my original recipe for stardust powder, this recipe is meant to be used for baneful acts of magic such as curses and hexes.
ingredients:
sea salt
black glitter (environmentally friendly, of course)
wormwood - to cause strife and misfortune to a target
small jar
instructions:
combine the ingredients and grind together using a mortar and pestle
add the mixture to a small jar and seal
leave in the path of starlight to charge overnight
use in spell jars, poppets, or other magical rituals
warning: handle wormwood with care - do not sprinkle on the ground where pets or small children may have access to it, and if you decide to burn this powder in any way, do so outside where it’s well ventilated.
© 2025 space-queen
Taking Notes for Witchcraft
You'll see the advice of "write everything down" everywhere, and for good reason. It's a fundamental skill when studying anything, in my opinion. You can be a great reader and know all the right ways to spot a bad source, but none of that matters if you aren't keeping notes. A student is only as good as their note-taking skills, and all witches are students.
But how do you take notes?
Well, first of all, take note of this: I'm not talking about a grimoire. This isn't about writing proven spells in a pretty notebook. This is about writing down everything in a non-judgmental, kind of messy, comprehensive log. It should have a standard layout or template to make it easier to use and look back on, but otherwise, it's a working document for your eyes only.
There are countless ways to keep notes on anything. If the school system failed you (as it did many of us), chances are, you weren't ever taught how to take notes. You were just told to "write that down" and never looked at it again. You're not alone! You, too, can learn how to take not just notes but good notes.
Fundamentals of Note-Taking
The important thing to remember here is that notes are for you. There is no test to pass, no professor to impress, no essay to write. These notes are meant to help you in your magical and/or spiritual practice. But what's the purpose of taking notes, if there's no one and nothing forcing you to take them? In my mind, there are a few:
Absorbing new information by associating a physical movement with the topic (as in, remembering writing something down and using that to recall the information)
Being able to go back and reread information you've already gone over, creating a reference document for future use
Making note of thoughts, opinions, and ideas in the moment so you remember them later
With these basic purposes in mind, you might think to yourself, "Oh, that's easy! Just write everything down. Easy peasy." But to make notes not only effective in the moment for absorption and having the information in one place, they also have to be organized. Writing things down willy-nilly is fine right up until the moment you're spending 20 minutes looking for one specific note buried in a pile of loose, unlabeled papers.
So here are my (very opinion-driven) guidelines for taking notes on anything:
Notes must be kept in a dedicated, bound notebook or dedicated digital file system. Not a binder, not in loose-leaf pages, not on scraps of paper. In a notebook. Spiral notebooks are fine, but I prefer something I can't rip pages out of. I have both a digital system and a notebook system; the notebook is for raw notes and unfiltered thoughts, whereas the digital system is more polished (my actual grimoire).
Notes must be kept in date order. Chronologically! Not by subject. No jumping around the notebook, either. It doesn't matter if one page has a list of recipes to test and the next is detailing an odd dream. If they happen on the same day, they exist together.
All pages must follow a template. I have several templates for various subjects -- one for test recipes, one for completed recipes, one for spells, one for research topics... Some are more rigid than others (recipes in particular). You can use any template or method that you want, so long as it works for you. What matters is that they're all the same every time.
The template must include the date, a title, and the purpose or a summary of what the notes are about. This makes it easier to remember when I did something, what it was, what the contents of the notes are, and why I was taking the notes later on.
Number your pages. A pre-numbered notebook is ideal, but you can always add the numbers yourself.
Notes have to be legible. It just has to be legible to you. If your handwriting sucks (like mine), that's fine so long as you can read it later. But this also means making an effort to use language you'll understand. Don't use fancy script you can't read or big words you don't actually understand.
Write in pen! Controversial, maybe! But you should take notes in pen, never pencil. For one, pen won't smudge and fade like pencil will. For another, writing in pen prevents you from erasing your thoughts in the moment. You shouldn't be afraid of making mistakes or crossing things out. Plus, erasing destroys paper. Just don't do it.
Write in two or even three colors. The third reason to use pen! When I write notes, I usually write my template out in black. Then, I'll fill in the basic information in the same black pen. The "actual notes" are taken using a colored pen (blue, often). As I take notes, I usually have thoughts and ideas outside of the information I'm trying to take down. To make these more clear and easier to find later on, I write them down in a third color (red or another fun color).
Let yourself be a little disorganized and "ridiculous." Look. I know I'm saying to use templates and write neatly. But these notes are for your eyes only. You can write things down that you don't think will be actually useful later. Jot down that this detail made you think of that person. Scribble doodles in the margins. Whatever. If it's not going to impede your note-taking, it doesn't matter. But also, if you start reading a book today and don't come back to it until next week, don't pick up the notes on the prior page. Start a new page. The title should reflect that it's a continuation, but don't skip pages to make room for more notes. Fill in every page as you get to them. This is why we number our pages -- note down where the last set of notes are and then keep moving.
An Example - Book Notes
Let's say I'm reading a book and want to take notes from it. The first thing I want to consider is my goal in taking these notes and what I'm hoping to get from the book. My notes will look very different if I'm trying to review a book's quality versus learning a particular type of magic. For the purposes of this example, we'll say I'm taking general notes to glean as much information as I can from the book.
And let's say I'm using... *casts about looking for the nearest book*... The Bountiful Container, by Rose Marie Nichols McGee and Maggie Stuckey. A book I genuinely do recommend for anyone looking to learn how to keep an edible container garden, by the way.
My ideal template for a book includes:
The date in the upper left-hand corner
The page number in the lower outer corner (for left pages, bottom left; for right pages, bottom right)
The title of the book as the title of the page, followed by the author
The topic of the book
What the book contains (spells, instructions, philosophy, guides, lists, etc.)
My goal in reading it and taking these notes
A heading to delineate where the actual notes begin
Dividing parts or chapters in my chosen note-taking pen color
Here's an example of what that might look like:
Note how I'm using bullet points to keep my thoughts organized and separated. You can also see the purple writing that denotes my less organized, in the moment thoughts and feelings on what's being said in the book. Here, the black pen is the template, the teal is the facts presented by the book, and purple is my personal commentary.
You don't have to divide your commentary and factual notes, by the way. I do it because I want to easily delineate between what's actually being said by the authors and what I'm thinking in the moment about what's being said. Sometimes, I'll write them as I have in the above example, in the margins or next to the factual stuff. Other times, I'll write them in line as a dedicated bullet point. It all depends on when I have the thought.
Another Example - Spell Notes
"But what about spells?" I hear you hypothetically asking. I'm glad you've hypothetically asked, dear reader! A very similar approach can be applied to writing notes on spells.
For the purposes of this example, I'll actually show off an updated version of the notes for my Pickled Pickle Hex. Note that this isn't my actual notebook or grimoire, since those are for my eyes only.
For spells, my ideal layout includes:
The name of the spell as the title
The date in the upper left corner
The page number as described previously
The source of the spell
Type of spell (hex, protection, edible, jar, candle)
Purpose of the spell
Ideal timing, if applicable
Ingredients
Instructions
Space for notes before, during, and after the spell (during/after notes may be recorded separately)
And here's the visual example:
Note again how the template and basic information is all in black. This color is all business, detailing the actual, physical steps taken for the spell. The teal pen describes the magical parts -- ingredient correspondences, magical acts, incantation locations, etc. In the actual version, I include the incantation itself here. Then, the purple pen is my thoughts while recording it. It's mostly me talking to myself, but note under number 5 in the second image where I ask, "Include time frame here?" It's a note to self to consider where to add an expiration or expected end date during the casting process.
Again, you can include whatever you want. My original notes have doodles and copious notes in the margins... plus ingredients I needed to pick up for the spell. You can include whatever notes you need to. If it's relevant in the moment, write it down.
Recording Spell Results
A big part of note-taking for me is writing down how things work and how it all went. After all, why would I want to cast a spell again if I didn't enjoy it and it didn't work?
It's important to keep notes during your casting. I would suggest tracking the following:
Thoughts and feelings you have (nervous, tired, happy, angry, "I'm hungry," "I should've brought water with me," etc.)
Messages you receive from spirits or other entities
Odd things you notice (wax dripping strangely, shapes in the incense smoke, sounds nearby, increased pet activity, tarot cards jumping)
Alterations to prescribed steps, ingredient substitutions, added or removed steps or actions
Questions you have during the casting and answers if you look them up immediately
Concerns that come up regarding efficiency, energy levels, whether you're "doing it right," missing ingredients, and so forth
How the final result turns out (how it looks, how you feel about it, etc.)
What your next steps are (hiding it, burying it, setting it on your altar, eating it, etc.)
During this stage, particularly for that last bullet point, decide when you'll come back to this spell to check how it went. Sometimes, it isn't possible to test your results (hexes on someone you don't see consistently, for example). Even so, you should still return to the spell to record how you feel, what you think with hindsight on your side, and so forth. If you can tell how the spell worked, write down what happened and why you believe it's connected to the magical working.
If you like, you can make additional notes on the spell and steps themselves. What I do is I put a note under the post-casting section that says, "Additional notes written [date] in this pen color." And, true to form, it'll be a different pen color to everything else I've written with so far.
Again, remember that these notes aren't final. They're experiments and study notes, not grimoire pages. These notes are what your grimoire will be based on. Once you feel confident with a spell, write it into your official grimoire using your layout and medium of choice. In my case, this means typing up the final, expanded version of my notes and spells.
Conclusion
Look, in the end, it doesn't matter how you're writing stuff down. All that matters is that you're writing it down. Keeping it organized makes it easier to use later. Do what works for you.
Here are a few suggestions for note-taking methods and applications that have fed into my philosophies:
Bullet journaling - This ended up not really being for me, but a lot of the ideals are really appealing. This is where the templates idea came from.
Lab notebooks - By far the biggest influence. I highly suggest all magical practitioners give the lab notebook method a try, especially for testing spells and recording results.
Writing prompts - No, really. Using writing and spell prompts to build out and test my note templates was critical when I was trying to figure out how best to set things up. It's a low-effort way to bang out a bunch of ideas and refine layouts.
Spell books - Obviously. Take a look at how authors lay out their spells. It's organized, easy to parse, and includes details about the working. That's ideally what your notes should mimic.
Obsidian - This is an application for taking notes. It completely replaced my massive, disorganized folder of Word documents. Link between pages, tag documents for easy sorting, embed content from reference websites, draw brain maps, organize folders, use add-ons to create templates... Obsidian has literally been life changing. I use it for everything, including my grimoire. You have to pay for it, but it's very worth it. A second brain, indeed.
Try different layouts, formats, methods, mediums, everything. Hell, write notes on what works and what doesn't for your note-taking. You gotta start somewhere.
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🧩 How to Outline Without Feeling Like You’re Dying
(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)
Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.
If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.
So. Here’s how to outline your book without losing your soul (or all your serotonin).
—
🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.
Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.
—
🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.
If all else fails, try this dirt-simple one I use when my brain is mush:
Act I: What’s the problem?
Act II: Why can’t we fix it?
Act III: What finally makes us change?
Ending: What does that change cost?
You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.
—
🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.
These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.
Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.
—
🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:
Opening (what sucks about their world?)
Catalyst (what throws them off course?)
Midpoint (what makes them confront themselves?)
Climax (what breaks or remakes them?)
Ending (what’s changed?)
Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.
You’re not “doing it wrong” if you start messy. A messy start is a start.
—
🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.
Instead of: — “Chapter 5: Sarah finds a journal.”
Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”
This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.
—
🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.
Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.
You’re not building a museum exhibit. You’re making a prototype.
—
🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.
You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.
—
🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.
Try using “signposts,” not full scenes:
Here’s a secret someone’s hiding.
Here’s the emotional breakdown scene.
Here’s a betrayal. Maybe not sure by who yet.
Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.
—
🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.
Outlines should support you, not suffocate you.
Let yourself try. Let it be imperfect. That’s where the good stuff lives.
Go forth and outline like a gently chaotic legend 🧃
— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️
Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:
✦ A free (and actually helpful) guide to leveling up your first 10 pages ✦If you're unsure whether your opening is ✨doing enough✨ to hook re
Paper Tiger Powder
Intent: To neutralize a threat and remove their power.
Ingredients:
1 pt Cedar
1 pt Dried Onion
1 pt Tea Leaf
1⁄2 pt Bloodroot**
1⁄2 pt Ash of Roses
** - Exercise extreme caution if pregnant or nursing, recommended that such persons do not use or handle.
Note: Powdered versions of most herbs are available online. I recommend such sites as Starwest Botanicals and Penn Herbs for the quality products at reasonable prices.
Also, if you can get your hands on a good spice grinder, you can make your own powder from dried herb products. If making from scratch, grind each ingredient separately to produce fine powder. Sieve the material through a mesh strainer into a collection dish; this removes the larger unground pieces and gives you cleaner powdered herb. (Pro-Tip: Putting a funnel under the mesh strainer reduces lost material and makes collection much easier.)
Combine the component powders in the collection dish in the appropriate proportions, mix well, and bottle immediately.
For those not familiar with the phrase, a paper tiger is someone or something which appears to be powerful or dangerous, but is actually weak and ineffectual.
Use in magics intended to reduce a person's power to harm you or interfere with your life, or to reveal a puffed-up braggart for the blustering coward that they are.
This powder works best in sympathetic magic worked at a distance, with a poppet or paper charm. I suggest starting with your favorite binding spell and going from there. It is also effective as a strew when placed where you know the target will walk.
Should the reader require supplies, I recommend the following:
Penn Herb Company
Starwest Botanicals
Bulk Apothecary
Mountain Rose Herbs
Specialty Bottle
All recipes are © 2017 Bree NicGarran, published in Pestlework: A Book of Magical Powders & Oils. Please check out the book or the masterpost if you would like more recipes.
If you’re enjoying my content, please feel free to drop a little something in the tip jar, tune in to my podcast Hex Positive, or check out my published works on Amazon or in the Willow Wings Witch Shop.
5) Draw - 2023 Nanowrimo Spells
The Burning Coffin Spell The Burning Coffin Spell is especially good when you are coming to the end of a major event in your life and need to let go of emotional baggage that the cycle or trauma has left you. While this spell can provide you with closure, it will not work if you are not absolutely certain that you are ready to let go of the negative "stuff" you are carrying. Instructions for blending the oils are here. […in a different part of the book…] You will need: 1 large sheet of white paper 1 rule 1 black marker 1 red pen 1 heat-proof container, stainless steel or ceramic Excalibur oil scratch paper matches Using the rule, draw the shape of a coffin onto the large sheet of white paper. Set it aside. Now on the scratch paper, list those things in your life that you want to get rid of - those traits or qualities you don't like in yourself; those energies that aren't good for you anymore; relationships that you are ready to let go of. Think carefully as you decide what energies to dismiss, you don't want to let go of something before its time. Once you have completed your list, use the red pen to write each thing to be released in the middle of the outline. When you've finished, take the black marker and color in the coffin, so you can't see your words. Visualize closing the lid on these things in your life. Now anoint the coffin with the oil and let dry. Destroy your scratch paper list. You can tear it up and throw it away. When the coffin is dry, place it in the heat proof bowl (which should be large enough to contain the flames of the burning paper). Say: You have been part of my life. I now release you back into the Universe To be changed and transformed, Forever separate from me. I bid you go, leave my life and don't Come Back. You are dead to me. So mote it be. Now light the paper on fire and watch the coffin containing all the unwanted energies burn away into ashes. Either flush the ashes away using running water or take them, once they are cold, away from your home and bury them deep in the ground. You can also sprinkle them in the ocean when the tide is going out. If you are on a septic system, do not flush these ashes into it. It will be difficult to remove the negativity if it is still lingering in your water system. Excalibur Oil 1/4 ounce almond oil 15 drops lemon oil 9 drops orange oil 4 drop thyme oil 2 drops ginger oil 5 drops rose geranium oil 1 drop cinnamon oil 14 drops oil Flower: thyme Gem: clear quartz (p. 219-220, Embracing the Moon, Yasmine Galenorn)
The best part of this spell is honestly the drawing in of the coffin after you've marked everything that you want to let go out of your life. A hundred percent, I can hear the coffin closing. I would actually add to that simulation where you include basically hitting the outline of the coffin with “nails” - as in your finger nails / finger tips. Drumming around the image to seal the coffin closed permanently before you do anything else to the image.
The second best part of this spell is the flushing of the ashes – I know you can sprinkle them in the ocean ( questionable if a river will do, or some other body of moving water. I personally think this is difficult to get to for those who cannot make it there ). And I know that you can bury them. I personally think the burying is probably the best thing to do beyond flushing them. And I agree with the sentiment that you should not have the ashes be anywhere near your home (such as in a septic tank, buried near your place / on your property, etc).
This is very similar a spell to the buried bad luck spell that I talked about several years ago. Because I love a coffin spell – you know I do. I feel like this particular spell is just so extra spicy for the fact that we're closing the fucking coffin image. Literally blacking out the red pen. I would have to test to see if there's any bleed through in the materials that I'm using. Sometimes that can happen. I might even be so tempted as to flip the paper over and seal the back as well.
I'm not as personally inclined about the oil. To me, this seems like an unnecessary part to make the paper “burn faster” rather than as a kind of quality giver. I'm sure that in the other section of the book it explains more of what the patterns of the oil is really for, and how to build the oil and what each oil type means. But honestly, I'm just not here for it. Paper burns just as well as other things. There's no need to really worry about that.
Potentially there's an entire option here of shredding the paper, building a new piece of paper from the old paper, and then creating things that you want to invite into your life. Like things that are coming into your life via a gift, or through a “door frame” that would be similar to your house doors. It would be interesting to see if there would be any impact from that level of destruction, taking the paper down to it's minimum qualities and restoring it – to basically give a kind of symmetry of “closing the door” on one thing and then opening other things for opportunity to come in. But I digress that's probably not really useful in this particular spell.
I also do not enjoy – as usually the spell chant component. There's no need to talk to the coffined unless you absolutely want to. I also do not like the phrase “So mote it be” - personally. It does not spark joy – I mean most, most things which have a word or a phrase or some kind of chat that I'm supposed to read off in the middle of my spell does not spark joy. But in particular that phrase is so ubiquitously used as ritual language that I really fucking hate it.
Anyway, I think this particular spell is chef kis when it comes to the idea of basically marking out the thing that you're drawing as part of the spell. It's use of ink to transform things is really just perfect if you think about it. There's always things you can put into something else. Or into a new shape. So in this case, we're burying and cremating those things? And what's in the ashes still has the potential to leak which is why we are using running water or burial to permanently quiet those things.
So that means this technique of drawing and then sealing in ink (and oil) could then be used for other purposes to enchant or transform particular things that then get changes into ash to be used for other spellwork. For instance if there was a particular shape that you wanted to influence a particular situations to getting into – then you could start to build your shape in place, seal it, burn it, and then carry those ashes to maintain or retain the things that you stored into the shape without having that shape or that object be exactly as it was.
Burning tends – in my view – destroy not transform. So I would have to probably build or swap into a different paradigm when I'm using this technique where burning is about transforming in so much as to “release” what ever is in the thing that you're burning. Rather than completely consuming and fueling the flame. My relationship with fire is very much that of someone trying to figure out how much they can feed a flame until the thing that I am feeding no longer exist. At least from a more general side. That being said, I have used flame or fire to temper objects, improve the things that I do, or light the way. A flame chases shadows away just as quickly as turning on a light does – and so there's definitely more of a flame has more purpose than just destruction – right?
I feel slightly differently in this spell than I did the first spell with the ash. Partially because there was still something “left” of the wood or the charcoal that was then pulverized and put back into the the ash more purposefully. So here, the ashes are really more the “cost” of destroying partially what was once there.
But maybe that's why I'm having kind of a flash back to the first spell because that spell definitely used the ashes as retaining the magical that was invested in the paper.
I like that the visualization is simple, in that it's “closing the coffin door.” Which is easily mimicked by a hand motion if you want where you hinge your hand on one side and then put your hand down on top of those items “closing” it. If you wanted to there's a whole thing here where you could make this a 3D thing – where you build a paper box, writing on the inside of the box and then seal it. The ones I've made use the t shape model of paper folding. I personally think this may not be /as/ satisfying as coloring the entire box in black to “close the coffin” - but if it's just too hard for you not to feel that the door is “closed” on the coffin – try using some of those paper boxes instead. Or you could use that scrap paper to make strips and close them on the inside of the box.
Ha – there are paper coffin models out there, I just checked. So if it's not working for you on the “seal” - just try to extend it out into something that might be a bit more textured for you, or a bit more something you can interact with directly. Not everyone can visualize so we accommodate by using creative solutioning to act the visualization out. Sometimes, literal and physical is better than symbolic and mental.
Other than that, I just really enjoyed this spell.
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just impulsively bought a cauldron. what do i do with it that is NOT cultural appropriation????
Cauldrons can be used in witchcraft to symbolically "cook" or incubate spellwork and charms. I've used them to incubate thoughtforms and spell vessels to great success.
Conceptually, a lot of magic can be considered to have a germination phase where the seed of power exists, but is not yet viable. Like an embryotic chicken inside of an egg, many spell vessels and various formulas greatly benefit from being given a nutrient-rich safe space within which to develop and grow.
You can accomplish this by taking any object or substance and enchanting it, then putting it in the cauldron for some auspicious period of time - perhaps 3 or 9 days, for an entire moon phase, from twilight to twilight (for example, casting a spell at dusk and working over it until dawn), and so on. It may be best to cover the cauldron, especially if it came with a lid, as many of the campfire cast iron pots do.
While the embryotic magic is within the cauldron, provide it with with metaphysical energy. This comes most easily in the form of physical consumable offerings, especially food. While I believe feeding of physical substances should not be ignored, prayer and energy channeling can also suffuse the cauldron with viable power.
As your magic germinates within the cauldron, consuming the metaphysical energy you give it in order to grow, you can walk away and periodically feed it - or you can actively work over the cauldron by chanting your repeated intent, requesting blessings for the power and strength of the magic within, and so forth.
Before removing the object or substance from the cauldron, intuition may advise you to "seal" or finish this working in some form or another. Perhaps the most popular way to do this is to say "so mote it be" (Wicca), but I prefer "make it so" (Star Trek). It's a good idea to experiment with custom charms and rituals for closing, sealing, and grounding spellwork so that the spell is "finished" and the magic won't, for lack of a better term, leak out.
Alternatively, a cauldron can be used to contain objects or substances of an unwanted magical resonance, especially if it has a lid.
Thirdly, you can use it to make a very purifying salt. Fill it up about 3/4 of the way with salt, and use the cauldron (assuming it's cast iron and not, like, plastic) as an incense burner, taking care to only burn herbs and resins with purifying and cleansing properties therein. If using commercially pressed incense sticks or cones (which likely contain 0 botanical substance of whatever scent they're trying to mimic), first enchant them to have cleansing or purifying properties. Let the ashes mix with the salt and collect it when you like the consistency of the Vibes. It may be stored in any other container for later use.