Reblog if your art project has not, does not, and never will make use of generative ai at any point in your creative process.
Fuck AI. The same goes for writing.
Ugh, NEVER. no AI, down with AI. Fuck it.
cherry valley forever
ojovivo

No title available
Not today Justin

blake kathryn
🪼

oozey mess

⁂
Keni
$LAYYYTER
Today's Document
Cosmic Funnies

tannertan36

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KIROKAZE
Claire Keane

Kaledo Art
Monterey Bay Aquarium

祝日 / Permanent Vacation
i don't do bad sauce passes
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@spideratu
Reblog if your art project has not, does not, and never will make use of generative ai at any point in your creative process.
Fuck AI. The same goes for writing.
Ugh, NEVER. no AI, down with AI. Fuck it.
yeah actually we removed the big bad wolf from the little red riding hood story because portraying violence against minors is really messed up. yeah. yeah also the wolf narrative was really predatory and had had some icky grooming vibes and a fable meant for literal children shouldn’t have implied p*do shit and grape so now little red riding hood goes into the woods and nothing happens and she goes to grandma’s house. don’t worry our kids will still stick to the path and know not to follow to wolves implicitly because we told them to and children should always do as their told. just like little red riding hood does now.
i’m just saying aragorn son of arathorn oh im sorry STRIDER (one of them rangers what his right name is i never heard etc etc) didn’t need to be that sexy at the prancing pony. like ostensibly he’s trying to lay low but even dipshit little [relatively] eighteen y/o frodo is like hey what’s the deal with that extremely ostentatiously sexy man in the corner
“you draw far too much attention to yourself ‘mister underhill’” if i were frodo i wouldve snapped. jesus christ. i can’t help that i’m two feet shorter than everyone else in this definitely definitely 100% a gay bar but at least i didn’t lurk in a sexy corner making eyes at everybody from under my cloak at least im TRYING to pretend i’m not a protagonist you fine ass idiot. i KNOW i’m being pursued by the black riders which is why i didn’t SERVE CUNT from the SHADOWS. the fellowship of the nerve of this bitch
“Well you wouldn’t be discriminated against if you just hid everything about who you are from everyone”
Hey. Hey. Listen. Come close. Closer. Yeah. Listen.
*blows an air horn in your ear*
YOUR ART ON TUMBLR IS BEING USED TO TRAIN AI!
The setting that prevents your work being used to train AI models is turned off by default! I had no idea about this until now! Artists, go to your settings, click “visibility”, and turn on this setting! Protect your work!
《Made a visual guide of how to get there, because it's under a weird tab.
Go to your blog (you have to do this for each individual blog) and the visibility tab
It's this last option here
Hate this shit, but turn it off babey》
And here, we see a wild writer. As you can tell, it is currently the season where new ideas are running around like five year olds. The writer is failing to hold onto any of them.
An Archive of Our Own, a project of the Organization for Transformative Works
AO3 being down actually made me write again, oh the irony. Newest chapter up!
I feel like one aspect of Viktor that often gets overlooked is his relationship with movement. Especially in post-canon explorations, where his leg and spine pain have vastly improved, Jayce is almost always framed as the “athletic” one, while Viktor is imagined as the one who would rather lounge and read. And as always: you’re free to picture them however you like. This is just me sharing my perspective on what canon might suggest.
From my very first watch of the show, what stood out to me was how elegant Viktor’s movements are. The animators did a wonderful job of making everything he does feel deliberate - partly, I think, because his disability forces him to move with care, but also because that thoughtfulness is simply part of who he is.
The first glimpse we get of what Viktor would be like if he were fully able-bodied is his run at the docks. That scene made me cry the first time I saw it, and it still does. You can see him pouring his whole heart into every step — this is Viktor being free, if only for a fleeting moment.
The other, and most telling, example is during the council room fight, when Viktor moves through one of his dolls. It’s less a fight and more like a choreographed dance. And because it’s literally his mind guiding the doll, we see his own natural sense of grace, creativity, and — dare I say — sensuality, when unrestrained.
That’s why I think: if there is a post-finale Viktor who lives with less pain, then once he makes it past all the gestures vaguely trauma, he would absolutely revel in his freedom to move. Maybe he goes for runs, maybe for swims, or maybe he just dances around the kitchen in their cottage. It’s hard to picture fully, because we only ever got glimpses of a Viktor without pain — but I’m convinced that within him lives someone who genuinely loves to move.
Gorgeous gorgeous GORGEOUS read on Viktor’s relationship with his body and movement
The poster I made for Mye’r Leeng all those years ago
PLEASE PLEASE THIS SONG WITH JAYVIK AHHH
It writes itself yet the keyboard siren-calls to my fingers…
Breaking my nails trying to drag the hyperfixation back to me
Applies equally to my ballet AUs
Accidentally stumbled upon a pride celebration trying to cruise in a gay bar
Not to brag but my downwards saunter has been so striking that several exes have reached out to offer shoulders
Theyre stuck in my head your honour