I am pretty. I am revolting. I am promiscuous. I am emotionally catholic. Look at me. I can not bare it.
Game of Thrones Daily
One Nice Bug Per Day

Origami Around
hello vonnie
Lint Roller? I Barely Know Her

shark vs the universe
NASA
The Stonewall Inn
Monterey Bay Aquarium
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
Xuebing Du
TMBGareOK. The Official They Might Be Giants tumblr
★
Cosmic Funnies
𓃗
Cosimo Galluzzi

titsay
Show & Tell
KIROKAZE

seen from Brazil
seen from United States
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seen from China
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@spinach17
I am pretty. I am revolting. I am promiscuous. I am emotionally catholic. Look at me. I can not bare it.
Fiona Apple // photo: John Scarisbrick for Spin
Oblique Strategies (subtitled Over One Hundred Worthwhile Dilemmas) - created by Brian Eno and Peter Schmidt and first published in 1975. Each card offers an aphorism intended to help artists (particularly musicians) break creative blocks by encouraging lateral thinking.
These cards evolved from our separate observations of the principles underlying what we are doing. Sometimes they were recognized in retrospect (intellect catching up with intuition), sometimes they were identified as they were happening, sometimes they were formulated. They can be used as a pack (a set of posibilities being continuously reviewed in the mind) or by drawing a single card from a shuffled pack when a dilemma occurs in a working situation. In this case the card is trusted even if it appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident. - Brian Eno
death will not do us part you stupid cunt
Angelina Jolie’s cross tattoo “What nourishes me, also destroys me”
Saddest thing ever is reading an academic paper about a threatened or declining species where you can tell the author is really trying to come up with ways the animal could hypothetically be useful to humans in a desperate attempt to get someone to care. Nobody gives a shit about the animals that “don’t affect” us and it seriously breaks my heart
“No I can’t come out tonight I’m sobbing about this entomologist’s heartfelt plea for someone to care about an endangered moth”
my favorite block on the aids quilt
sofia coppola in the 1993 safe sex campaign series by michel comte x
The C.U.N.T Cheerleaders, at Fresno State College (1971)
I want to shrink to the size of a popcorn kernel and sleep on a pile of embroidery floss
Tesh for Helmut Lang Jeans (1998)
Plucked series by Geir Moseid
[id: screenshots of tiktok captions. the images say, “but the only reason we still love princess diana is because she did not have the time to disappoint us.”]
begging queer kids to read up on princess diana’s involvement with the community. yes, she was a rich, pretty monarch. yes, she died young.
but the reason why queer people love her is because she used her privilege during the aids crisis to advocate for sick queer men, when very few others would - much less someone of her status.
diana spent years advocating for the health and care of queer people with hiv/aids. in 1987, at the height of the epidemic, she opened the first specialist clinic dedicated to treating aids patients (the first clinic of it’s kind in the uk).
she also fought public hysteria by hugging and shaking bare hands with aids patients, at a time when aids was thought to be spread by skin to skin contact. not only that, she visited patients in the clinic regularly and even comforted them through their sickness.
and when queen elizabeth told her to try focusing on “something more pleasant”?
diana ignored her and kept fighting.
and this is only her work towards the aids crisis. she publicly called out the royal family, brought attention to numerous world issues, and was known as an advocate for empathy and kindness. she’s known and loved as the people’s princess for good reason