director james wan with cast members tobin bell and michael emerson on the set of “saw” (2004)
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director james wan with cast members tobin bell and michael emerson on the set of “saw” (2004)
The Final 15 - Aziraphale’s Perspective
I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?
But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:
“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”
Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.
Can Crowley love?
Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.
But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.
If Crowley can feel love, does he love Aziraphale?
Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”
Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:
Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?
How Would It Even Work?
Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”
While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?
The Final 15
With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.
Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.
If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.
Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.
The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.
Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.
The Results
In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.
Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.
Wow this was like, a perfect explaination of THE episode. Plus the way it was written gets you hooked like I did not get bored at all reading that long essay
On another note, ontop of that I believe that Aziraphale didn't know if they were safe on Earth. The second coming was inevitable and he wanted to save the world he and Crowley loved so much. If they just ran to another galaxy there would be no more queen, no more bentley, no more bookshop. Not only does Aziraphale want to save Crowley, but also the world and everyone living in it.
If they stayed on earth, it would just get destroyed by the war between Heaven and Hell which they've been trying to stop for years. Here, he's given a chance and the authority to make changes. Perhaps he thinks that he could convince Heaven of the value of the Earth, and work out another solution. Perhaps he thinks he could finally have a word with God and convince her not to have a war, or perhaps if the great plan was in fact the ineffable plan
That's why I was so surprised to see everyone immediately flame Aziraphale when all of this was going on 😭
I noticed something while rewatching bits of S2E5 -- Nina physically erases the board, and when Lindsay texts her, the messages appear on the board, and she physically erases them again.
Also on the board, a heart with "C+A" can be seen.
Now, I didn't think anything of it, nothing more than a showy method of relaying the messages coming through, but it doesn't actually MEAN anything.
But this is Good Omens! EVERYTHING is meant. Even the witch finder movie in the cafe S1, that was a fun reference but ALSO a way to show how Crowley subtly influences the world around him without even realizing it.
And this comes on the heel of other very weird and unique things about Maggie and Nina that the show goes out of their way to PURPOSELY point out to us, like Aziraphale being unable to miracle Maggie or the misspelled note.
So why is Nina physically influencing the world around her, seemingly totally unaware of it? Who ARE Maggie and Nina?!
Also, who reads those messages out loud? 'cause it's a man's voice over them and I would like to know who to credit for them.
It is January 1, 2024, and Good Omens is trending again on Tumblr. Congratulations, everyone, once again, for your continued obsession.
A Dash of Nutmeg
I'm in the middle of preparing my next meta, and while mulling over a problem a had a wtf! moment. More like a "lead balloon" moment, really, where you realize you're looking at one of those glaring anachronisms that the Good Omens AU has plenty of but never makes a big deal of.
Nutmeg. And lemongrass. You know, they get mentioned together in this little passage in the book:
"Come off it. Your lot get ineffable mercy," said Crowley sourly. "Yes? Did you ever visit Gomorrah?" "Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-" "I meant afterwards." "Oh."
Nutmeg then turns up in the S2 as part of Aziraphale's magic sleight of hand performance.
The reason it jumped out to me is that nutmeg has played a significant role in the history of the world - it was the center of deal between two countries that you could say became a "sliding door" moment about 500 years ago. And because of that, I knew its origin put it at unlikely odds of being in the right place at the right time in the GO story (but when has that ever stopped anything getting in the way of the story!)
Although we don't know if Sodom and Gomorrah were actually real cities, we know they are supposed to predate the Roman Empire, and that is what matters here. And the matter I'm trying to get to is that the natural origins of nutmeg are from small cluster of islands in the Indonesian archipelago that were a closely guarded secret for centuries. The first nutmeg reached Rome in the first century AD, long after Sodom and Gomorrah would have been razed to oblivion by Sandalphon's smiting efforts. And there was never very much of it. It was always in short supply, and considered precious.
Oh, and its a well known hallucinogenic, if you consume too much of it. Even just a generous amount sprinkled on your Christmas pud can give you a lovely relaxed, floaty feeling...mmmm, or was Aunty Jill a bit heavy-handed with the brandy, I'm not sure...
Lemongrass is also of south-east Asian origin. It likes a hot, damp environment to grow well. I'm not sure that's the kind of place Sodom or Gomorrah was!
So for Crowley to describe a cocktail, of all things, with two exotic, rare ingredients from thousands of miles away in a "time" when the trade routes hadn't quite spread that far...
ugh. My head hurts just thinking about this one.
Did I mention I found a thing that many cultures believed nutmeg could protect you against evil? Right, right...whatever. Go for it, Crowley. You've obviously been into the mind-altering chemicals for millennia anyway.
My research indicates that Sodom and Gomorrah are supposed to have been in a part of the Jordan Plain which has since flooded and is now under the Dead Sea, near Israel. During the time that those cities were presumed to have existed, Israel was a fertile valley (ergo the Promised Land of the Chosen People), so its feasible that the climate could have supported foodstuffs that require a wetter environment than Israel is today, but at that point I'm just speculating.
Michael Emerson / Harold Finch / Screencaps Season 5
The puns are never ending : Aziraphale's miraculous "visable" bullet.
Aside from this closeup diagram of how to perform the bullet catch being objectively hilarious, it's also got a pretty fascinating *spelling mistake*.
If you look closely at the part of the pamphlet in red, you'll see that the bullet should be hidden in the mouth where it won't be visable. Not "not visible". Not visable. Seems innocuous enough right? But of course, the layers are never ending.
"Visable" is actually a Middle English word, *not* a modern English one. The last time it was used was before the printing press was invented, so pretty old. Here's a little background :
I'm screaming!
I hope we all realise just how special this time between Good Omens season 2 and season 3 is. We are all here together, creating fanfics, suggesting theories both big and small, spotting “Clues”, and supporting each other through it all. I am looking forward to season 3 immensely, but am enjoying this gap in the story - watching all the creative minds produce stunning artwork and stories, and the detectives brilliantly breaking down every morsel of what we have already seen. It is a wonderful time to be in this fandom. It is such an unique story, written and created by very talented authors, and performed by some of the best actors of our time, who are perfect for the roles. It will probably never come again, so enjoy it whilst it lasts!
The whole New Year's Wishes sequence in one place...
A decade ago, I wrote:
May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you’re wonderful, and don’t forget to make some art – write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.
And almost half a decade ago I said,
...I hope you will have a wonderful year, that you’ll dream dangerously and outrageously, that you’ll make something that didn’t exist before you made it, that you will be loved and that you will be liked, and that you will have people to love and to like in return. And, most importantly (because I think there should be more kindness and more wisdom in the world right now), that you will, when you need to be, be wise, and that you will always be kind.
In 2011, my wish for each of us is small and very simple.
And it’s this.
I hope that in this year to come, you make mistakes.
Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re Doing Something.
So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before. Don’t freeze, don’t stop, don’t worry that it isn’t good enough, or it isn’t perfect, whatever it is: art, or love, or work or family or life.
Whatever it is you’re scared of doing, Do it.
Make your mistakes, next year and forever.
And last year, I wrote:
It’s a New Year and with it comes a fresh opportunity to shape our world.
So this is my wish, a wish for me as much as it is a wish for you: in the world to come, let us be brave – let us walk into the dark without fear, and step into the unknown with smiles on our faces, even if we’re faking them.
And whatever happens to us, whatever we make, whatever we learn, let us take joy in it. We can find joy in the world if it’s joy we’re looking for, we can take joy in the act of creation.
So that is my wish for you, and for me. Bravery and joy.
My weekly growing list of reasons why I love Good Omens
Week 13
Neil has managed to take the level of making sequels at least three steps further by bravely putting aside known characters and bringing in new ones. One hell of a risk that pays off so beautifully.
Feel free to add yours and share.
I feel so bad for Michael Sheen, he's acting Aziraphale being in love with Crowley so hard his face practically fell off, especially in Season 2, he does not miss one single opportunity to show how much in love dude is, he's radiating love for Crowley down to his freaking fingertips in every single frame, and there's still people saying Aziraphale doesn't love Crowley enough/ doesn't love Crowley as much as Crowley loves him / doesn't love Crowley for who he is. That must be unbelievably frustrating.
Michael Sheen: Aziraphale loves Crowley.
Fandom:
Damn right!
heart to heart, soul to soul
two dialogs for Finch and Reese. as the oath on the altar
- Sorry, Mr. Reese. - Finch, what are you doing? - When I hired you, I suspected you were going to be a great employee. What I couldn’t have anticipated was that you would become… such a good friend. - You won’t make it down from that rooftop alone. - Don’t intend to. I’m afraid this is where our partnership ends. Good-bye, John. - Harold. Finch, wait. Wait! Harold! Wait! Harold!
- John. What are you doing? - Me and the Machine have had a long-standing arrangement. A deal. Told you. Pay you back all at once. That’s the way I like it. - No, I told you. It’s supposed to be me alone. - Should get moving, Harold. It’s gonna get a little exciting up here. - All right, you’ve done it. Now let the upload take care of itself. Get out of there, John. Mr. Reese. John. This wasn’t supposed to be the way. - Sure it is. This is what I do, remember? When you came to me, you gave me a job. A purpose. At first, well, I had been trying to save the world for so long, I… saving one life at a time seemed a bit anticlimactic. But then I realized… sometimes one life… If it’s the right life… That’s enough. Good-bye, Harold. - No! Please!
heart to heart, soul to soul
those eyes, memories every single last wonderful moments until they both
Two broken hearts
but they always sound in unison
and somewhere far away from the earth, John will continue to preserve Harold
“Mr. Reese, are you here?” - “Always, Finch!”
I will repeat it again and again: It’s love
So true.
I've seen a number of posts taking Aziraphale to task for hesitating over the word "friends" in 1941 and here's my take.
Neither of them names their relationship before 1941. It's always The Arrangement, and they deny anything else because Heaven and Hell are always listening/watching (many many great metas on their coded language elsewhere so I won't get into it here).
But then this happens in 1941:
"It would take a real miracle for my friend and I to survive it."
Crowley just SAYS it. (Code again, always, but said out loud.) Then the books. The touch. The "oh."
It's not JUST the books. It is that Crowley has NAMED them, named this. Admitted what they had to deny in 1601.
So not a half hour later Aziraphale says this. In public!
He takes the very next possible opportunity to communicate to Crowley - "I heard you. I understood you. I feel the same."
AND JUST TO BE SURE, he says it again, in private, with softness in his look and his voice.
Look at the way he glances away just before the word friends. He wants to use another word, but can't. So he will say it again, in code, but again so Crowley understands.
"I see you. I understood. I understand. I feel the same."
Eye pleasing.
Map of Soho Good Omens Season 2 - Part 4 (Whickber Street [right])
Part 1 | Part 2 | Part 3
Update: Map now identifies Lucky Snake
The right side of Whickber Street doesn't have as many stores. It also ends with a park. On one side: -Dirty Donkey Pub The pub occupies most of the block, in the far side there is a small alleyway that leads to a courtyard and to the pub's backdoor. This courtyard has two large doors facing the street. Since there is an alleyway the courtyard is not isolated, people can come and go. I imagine this courtyard acts as a loading area where the pub receives and unloads supplies. And on the other side:
-Market This structure is more like a small office building or a parking garage with flower and fruit stands at street level. It was already there in Season 1 -Unknown structure There is an alleyway between this mysterious structure at the end of the block and the market, so they are not connected. This structure has a door but no sign that I could see. It doesn't look like a storefront at all, maybe storage? public restroom? something so British that a non-British person is unable to imagine?
Part 1 | Part 2 | Part 3
im going to fling myself into the sun
a) how many expressions do you fit into 0.5 secs
b) look how open and soft. kill me
That's Michael Sheen!