itsmyfanacct: And a fun time was had by all.

Love Begins
NASA
almost home
wallacepolsom

ellievsbear
Lint Roller? I Barely Know Her
cherry valley forever

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
tumblr dot com

pixel skylines
let's talk about Bridgerton tea, my ask is open
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
🪼
Stranger Things
No title available
One Nice Bug Per Day

Kiana Khansmith
No title available

seen from United Kingdom
seen from Brazil
seen from United States

seen from Portugal
seen from United States

seen from United States

seen from Russia
seen from China

seen from United Kingdom

seen from Singapore

seen from Brazil
seen from Zambia

seen from United Kingdom
seen from United Kingdom
seen from Brunei

seen from Indonesia
seen from United States

seen from Australia
seen from Brazil

seen from Malaysia
@sprouse12
itsmyfanacct: And a fun time was had by all.
Elizaveta Tuktamysheva’s Instagram Story (June 1st)
Back in September 2016, Zach and Madi were asked about Scott and Tessa’s relative intensity, and Zach (who trained with them back in Canton and again at Gadbois) has lovely assessments of them both. (Also, his final assessment of Tessa is hysterical.)
Mississauga News: Skaters Tessa Virtue and Scott Moir show off the moves that made them Olympic and World champions. The pair are part of a High Performance Camp running at the Hershey Centre Sept. 6-8.
2016 // GPF SD Practice Part 1
Photos: Hiroko
Video: adeliaspromos
TLS
Focus on P/C but there is also some T&S’s moments and an interview of Scott
Huge zoom on Scott’s face
Stunning footage of latch <3
Photos: fs_evolution
Photos: fs_evolution
Photo: Sirousamyfs
Photos: Reut Golinsky
Photos: zhem_chug
Photos: zhem_chug
Marina Zueva 4/9/1956 Pt. 1
Marina of course was VM’s head coach for 10 years through Sochi. She was an ice dancer herself who competed for Russia from 1975-79 and then became a choreographer, most notably early on for Gordeeva and Grinkov. She left Russia in 1991 to coach and choreograph in Canada and the US. She had teams on the podium at 9 consecutive World Championships from 2005-13, and 4 Winter Olympics in a row from 2006-18 (from 2001-2012 coaching with Igor Shpilband).
Marina has an extremely fiery chart: 6-7 placements in fire signs with only one in earth and 1 or 2 in water. She has Aries Sun and Mercury, Jupiter, Saturn, Pluto, and North Node all in fire signs, with Moon in either Pisces or Aries.
She has Sun conjunct Mercury in Aries: Dynamic and assertive about how she projects herself and her ideas. A hot temperament makes the mind function quickly, even hastily. Tends to speak before thinking; blunt and abrupt without much filter. This placement is good for occupations requiring alertness of mind and body, such as athletes, trainers, military, firemen. Can grant leadership abilities as other people tend to submit to their orders. Has an overabundance of energy and can be a good motivator of others, pushing them to complete goals. Likes winning arguments. An active and pioneering mind. Self-expression is a strong point, conveying concepts with flair.
Mercury square Mars: A unique and possibly controversial person. Independent, gritty, with a fighting spirit. Sharp tongued with fast thought processes. May rush to conclusions. Others may find you confrontational and unsympathetic. Need to use your high energy constructively or will experience frustration and tendency to lose temper.
Mercury trine Pluto: Deep and inquisitive intellect, with focus and determination to allow you to become expert in your field. Can be very competitive and mentally have a ruthless streak. Good at seeing how people tick and knows what to say to have an effect. Good bs detector.
Pallas is a placement about creative intelligence and ability to recognize and work with patterns, among other things. Marina’s Pallas in Aquarius is sextile her Mercury and opposite her Pluto: Can solve the most difficult problems in startling and unusual ways. Ability to create patterns touched by brilliance. Intense concentration on problems to the point of obsession.
She has Sun and Mercury trine Jupiter: Exuberant, enthusiastic, larger than life. Wide and comprehensive knowledge. Flamboyant, forceful in communicating ideas. A lucky aspect where things tend to go your way as long as you’re using your talents and natural gifts positively.
Venus opposite Saturn: Difficulty with social skills and developing relationships, especially when younger. Feelings of unworthiness or inadequacy. May have had a difficult childhood. Need to work hard and take responsibility to overcome.
Balancing out some of the hotheaded fire placements, she has Mars in Capricorn, a sign where it’s exalted and strong, great for achieving goals. It gives endurance and power to withstand difficulties. On the other hand, can make one insensitive and focused on the practical rather than the emotional. Combines drive with groundedness and seriousness to structure how to get what you want.
Mars opposite Uranus: exciting, unpredictable energy. Adventurous with a tendency to take risks. Independent, doesn’t mind starting conflicts or taking up challenges when provoked. Anti-authoritarian with an assertive, even aggressive personality. May burn bridges to leave yourself free to travel forward.
Mars square Neptune: Artistry, powerful imagination and drive to create. Mars is planet of action and sport, Neptune rules fantasy and sensitivity. Mars is direct and about self and ego, Neptune is about hidden things and illusion. With a hard square aspect, can be some confusion or lack of directness in how you use your Mars- how you get what you want. Must make an extra effort to be honest and to appear honest because a certain amount of self-deception can be possible. Fears rejection and criticism and can explode or lash out defensively. For some, there can be passive-aggressiveness and reluctance to take responsibility for how you might have a part in creating difficulties in life. Solving these issues takes maturity and can make you compassionate and empathic.
Mars quincunx Pluto: High energy and drive. Easily provoked, with little patience. Hair trigger temper. Competitive, with physical strength and prowess that makes you good at sports. Defeat makes you rage or depressed. Controlling your compulsions and temper allow you more personal happiness and greater accomplishment.
Marina’s progressed Uranus changed signs from Cancer to Leo in June 2017, which caused a shift towards a more outward self-assertive energy for her. She began heading more towards the spotlight again and looking for a new direction. She made a huge change in training base this year to Estero, Florida after so many years in Canton and began working with a top pairs team in Tarasova/Morozov and with dancers like Gilles/Poirier.
2018 Olympics Ice Dance Event Rewatch
As mentioned before, I spent my current sick leave watching some skating, and specfically I watched the 2018 Olympics SD & FD events (top 10 only) and I was honestly really surprised by how different ice dance look now, and for the most part not for the better. Some of the takeaways were about specific teams and some about the programs and structure of the programs, and just how much ice dance is suffering from the new outline of elements.
The Programs
Breaking down the FD for example:
2018: includes 9 elements - twizzles, 3 lifts (one can be combo), 2 step sequences, spin, 2 choreographic elements.
2025: includes 10 elements - twizzles, 3 lifts (one can be combo), 2 step sequences but one has to be a one-foot, spin, 3 choreographic elements (inc. the intoduction of assisted jumps and choregraphic steps).
On paper, it doesn't sound like a major change, however imo it resulted in FDs that are much less musical and fluid and much more structured and repatative and you can clearly see that start and finish point of each element and the transition between them. You can clearly see when a team is setting up a one-foot sequence or when they are stopping in order to start a character step sequence. There's no real flow anymore and no real way to effectively structure a free dance (even a good one). Watching some of the FDs in 2018, while not all were as well crafted, it did feel like the flow made much more sense, and the choreography and transitions (also something that we see very little of now) felt more cohesive. I also attribute it to not being able to stop during the FD for the most part, in retrospect, adding the ability to stop mid-program also hurts the flow.
In the RD it's overall slightly less noticeable since we still have 5 elements, the midline, lift, and twizzles remain the same, the partial step sequence is mostly the same, and of course, we lost the pattern for the weird character rhythm steps. The last change is the most crucial one, as we went from all teams doing the same element and needing to hit their edges to get the levels and be compared apples to apples, to a level 1 element with massive GOE potential. That part alone is catastrophic and results in the veteran teams scoring big in the RD for no good reason whatsoever.
The Skaters
When it comes to the skaters, things are more complex. Overall, to my surprise, I think that for the most part, the basic skating level of 2025 worlds top 10 is higher than the level of the top 10 at 2018 Olympics, outside of the top 4 at both. It was surprising to watch teams like C/L, B/S, W/P, and G/P back then and realize that they were worse than I remembered. C/L were a team I adored (and still do), but they were running on ice and generating all of their speed with their toepeaks, B/S were given horrible programs from Zhulin, and in general looked worse than a team that finished 12th at this year's worlds. W/P looked sloppy and outdated, their twizzles were messy, and their overall basics weren't even at the level of a young team like current L/L. I truly didn't remember how kind of bad they were? Obviously though, the top 4 were a different story and were, for the most part, much better than the current top 4 in almost every parameter.
The GOATs
Having rewatched the programs, the first thing that stood out for me was how shameful the scoring in the SD was. With all of my sympathy to Gabi's costume malfunction, P/C's last three elements deserved +1 GOE at best, yet some of the judges gave them +2 and even +3. Their twizzles were A MESS, they nearly collided and Gabi was wobbly, yet three judges gave them +3 and the rest +2, they botched the end of their partial step sequence, yet six (!!!) judges gave them +3 and the rest +2 (for reference Tessa and Scott nailed theirs and got only one more +3 compared to P/C), and Gabi nearly feel in the lift yet six judges once again gave them +3. P/C had visible errors that were noticeable even to an untrained eye, and they should have scored 76 at best, them getting almost 82 for the very messy SD they had and outscore Tessa and Scott in PCS remains one of the most shameful political scoring I've seen.
But focusing on the positive, both SD and FD from Tessa and Scott were in a league of their own. Yes, I have a bias for sure, but I'm not talking about their execution of it. The amount of transitions and lack of crossovers is what really stood out for me. When you watch Moulin Rouge, if you are highly familiar with ice dance, you'll be able to break it to its elements, but for a general viewer, it's much harder. They set the tone from the first second, their stationary lift is complex with super difficult entry and exit, and for the most par,t if doesn't even feel like a lift. It's theatrical, and on the music, and by the time they finish their twizzles, perfectly on the correct note in the music, the entire theme of the program has been set. They move from element to element easily and with flow, they don't stop (aside from in the spin), and they have so many transitions you can barely find the elements.
And lastly, it's their close hold for me. In both the SD and the FD they skate so close to each other that I was legit shocked to see it. I got so used to skaters not being able to skate so close to each other that I forgot it's possible. I don't think I've ever seen any team that skates as close to each other as they did. There are many things I'd like to see come back to ice dance, and close hold is right there in the top 3.
To Summarize
The changes that have been made to ice dance are bad for the sport, though the skating level of the young teams only increases (so we can only imagine how good they can be while skating in close hold and with patterns and fewer choreographic elements). Oh, and Tess and Scott are by far the GOATs.
Tessa and Scott MR practice clip