I didn't write this but I found it on the Reefer Madness liveblog and agree with everything OP said
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I didn't write this but I found it on the Reefer Madness liveblog and agree with everything OP said
a parody musical about weed was not on my hyperfixation bingo card but here we go
TURNING ALL OUR CHILDREN INTO HOOLIGANS AND WHORES . . .
Marceline <3
First round of CT wallpapers
rex, cody, wolffe, howzer, gregor
i have a few more of this series in process, but PLEASE message me if i haven’t done a clone you would like :)
like and reblog to save a graphic designers life! <3
THE SILLY DRINKY SAGA
in fics where luke gets plopped into the prequels i want every jedi within ten metres of him to think hes the weirdest jedi theyve ever seen. he has negative lightsaber form. he doesnt know what a kata is. he handstands when he meditates. his solution to sith is to try and have a chat. hes a political radical who keeps suggesting revolution. you ask him what the jedi code is and he says "kindness and compassion and helping those in need :) ". you ask how he used the force like that and he says some shit about how you are a luminous being limited only by your mind. the councils authority is just a suggestion. he is somehow the new favourite of both qui gon and yoda
Now I'm imagining a situation like in Terry Pratchett's Night Watch where Luke admits to Mace Windu, "I came here from another time."
And Mace looks at Luke's completely unrefined lightsaber style, his profoundly philosophical insights about the Force, his disdain for authority, and his lack of knowledge of Jedi doctrine, and asks, "From how far back?"
TRICKY RICK MIGHT NOT HAVE DONE IT????
Ok, because this is really interesting and there’s a paywall, article text below the cut:
The Princes in the Tower were not murdered by Richard III but spirited to Europe and later tried to retake the crown, according to new research.
Philippa Langley, the amateur historian credited with finding Richard’s remains under a Leicester car park, has presented a series of “extraordinary discoveries” to back-up her theory.
She believes that a duo dismissed by history as pretenders to the throne – Lambert Simnel and Perkin Warbeck, who each launched failed bids to depose Henry VII in the late 15th century – were the real princes.
The two boys, sons of Edward IV and nephews to Richard, disappeared from the record in 1483 after being taken to the Tower of London.
A common theory, dramatised by Shakespeare, is that they were murdered on the orders of their uncle.
Skeletons discovered under a staircase at the Tower in the 17th century were identified as the princes and moved to Westminster Abbey but have never been DNA-tested.
However, Ms Langley claimed that documents unearthed in European archives point to their escape and subsequent attempts to invade England.
One is an account that is purportedly a witness statement from Richard, the youngest prince, who was nine at the time of his disappearance.
Written a decade later, the author describes being smuggled out of the Tower by Henry and Thomas Percy.
“They shaved my hair and put a poor and drab shirt on me and we went to St Katharine’s [dock],” the account reads, going on to say that they took a boat and came “ashore in the dunes” at Boulogne-sur-Mer, before travelling on to Portugal.
The document was “absolutely mind-blowing”, said Ms Langley, stating her belief that the level of detail made it unlikely to be a fake.
Independent experts have authenticated it as being written during that period, although there is no other evidence that Richard was the author.
A second document from 1483, which appears to bear a royal seal and the signature of “Richard, Duke of York”, pledges that Richard will pay 30,000 florins to Duke Albert of Saxony within three months of gaining the English throne.
In 1495, a man claiming to be Richard landed in England with a small army. After fleeing to Scotland, he launched a second invasion in 1497, which resulted in his capture.
He signed a confession declaring that he was really a boatman’s son named Perkin Warbeck but, according to Ms Langley, it is likely that he really was Richard.
Another document claims that King Maximilian, leader of the Holy Roman Empire, had identified a man as the prince in 1493 by three distinguishing birthmarks.
Ms Langley also presented two documents that she claimed as evidence that Edward, the elder prince who disappeared aged 12, also survived and attempted to reclaim his birthright.
A 1487 French receipt for weapons for a Yorkist invasion of England states that they were to arm troops acting for Margaret of Burgundy, the princes’ aunt.
The receipt states that the invasion would be led by her nephew, son of Edward IV, who had been “expelled from his dominion”.
The invasion was led by the young Lambert Simnel, who was captured at the Battle of Stoke Field and later pardoned.
History has it that Simnel claimed – or really was – Edward, Earl of Warwick, but the Ms Langley suggests that Simnel was really Edward, the elder prince.
The evidence – collected by some of the 300 volunteers recruited for Ms Langley’s Missing Princes Project – is laid out in a Channel 4 documentary, The Princes in the Tower: The New Evidence, to be broadcast this Saturday.
Ms Langley, who led the successful search to locate the grave of Richard III in 2012 and is a passionate Ricardian, said she expected some historians to disagree with her theories.
However, she said that history should challenge the established narrative.
“The young historians who get in touch with me through my website are saying: ‘Look, we’ve had enough of just repeating something because a famous writer has said it, we want to start our own questioning,’” she said.
Seeing the documents, she said, had left her “in seventh heaven”.
Emily Shields, commissioning editor at Channel 4, said: “Philippa represents, with her willingness not to accept the established story, everything that Channel 4 is about.
“Philippa has made an extraordinarily compelling case. I think viewers will watch the film and make up their own minds.”
It is unclear how the latest theories fit with a previous claim from the Missing Princes Project, made in 2021, that the elder prince lived out his days in a Devon village under the name John Evans.
Sorry to piggyback on your post, @tall-wolf-of-tarth but I have to comment.
I watched Langley's documentary last night, and I think there are some serious, serious flaws with the way this evidence has been presented to suit a particular argument. This will be posted in two parts.
Firstly, it is important to say that Langley is a longstanding member of the Richard III Society. The R3 Society is a group has, according to their own website been "working since 1924 to secure a more balanced assessment of the king and support research into his life and times". This is all well and good, and the funding provided by the R3 Society was instrumental in funding the archaeological dig performed by the University of Leicester that found Richard's body in 2012. However, it is important to understand what the R3 Society's motives are. The R3 is – as it says in the "About Us" section on its website – is committed to overturning what it sees as "lies" about Richard III. The most prominent of these is that Richard did not murder his nephews, but instead this was a lie made up by his successor Henry VII and was propagated by a supposed army of propagandists, the most famous being Sir Thomas More. According to the R3 Society, Shakespeare then took this propaganda image of Richard and turned him into the hunchbacked, cackling, "my horse, my horse" king of legend. If you are a professional historian, there are problems with this methodology – ideally, you should let the sources speak for you, and not approach a historical subject intending to find X, Y, or Z or place a narrative on the documents you find. Philippa Langley and the R3 Society do this all the time, and so while the documentary has revealed new and interesting evidence on the reign of Henry VII, it has been presented in such a way that puts the highest analytical burden on sources that "vilify" Richard, while doing little more than taking sources that exonerate him at face value.
Secondly, the R3 Society has form in searching for evidence to fit its own narrative before. The most famous example of this is the quest to find Richard's body. The Ricardians (people who are pro-Richard) had wanted to do this for a long time because they thought in finding the body they would be able to throw off one of the key pieces of "Tudor propaganda" that have dogged Richard – that he had a hunchback. Unfortunately, when his body was discovered in 2012, it was definitively proved that this long standing view of Richard was at least somewhat true, as Richard was shown to have scoliosis/a spinal deformity. It is debated what effect this curvature would have had on his body, but it does show that the Tudor sources that repeated that Richard had one shoulder higher than the other were not just making stuff up to make him look bad – they were in fact stating a truth. Philippa Langley was very upset when they discovered Richard had a spinal deformity, as you can see in the documentary "The King in the Car Park" (which is brilliantly presented by Simon Farnaby), and this is because she was approaching the archaeological evidence wanting to find a Richard with a straight spine. That's a problem when you are working with historical evidence and you are trying to be as dispassionate and objective as possible (while recognising that we all have our own biases, unconscious and conscious).
Now, onto the bones. The bones were discovered during the reign of Charles II (so, some two hundred years after the Princes' disappearance) and were reburied in Westminster Abbey. To disinter a body from the Abbey, permission has to be granted by the reigning monarch. Elizabeth II was always very reluctant to do this, but it is possible Charles will be more open and may allow a test in future (but in truth, I don't know what his opinion is). Like with Richard's body, Langley and the R3 Society are hoping the bones will be proved not to be the princes, because they feel it will vindicate Richard due to the absence of tangible evidence of the princes' deaths. However, most scholars agree it will not actually prove anything at all. If the bones are the princes, it just proves that they died in the Tower, not who murdered them. If the bones are not the princes, it just means these bones belong to someone else. The Tower of London is old, and was built on part of Londinium's Roman wall. Pre-medieval and even Roman human remains have been found on the site before, it wouldn't be a surprise if these bones dated to any point before the 17th century. Nathen Amin, a member of the Royal Historical Society, suspects that the bones are not the Princes because of some evidence he found in 16th century Welsh records that argue Richard (or his lackeys) disposed of the bodies in the nearby River Thames. Whether the bones are or are not the princes can therefore do little to answer the central questions about who killed these little boys.
Now, onto the primary evidence presented in the documentary. The most interesting discovery was a document from the Gelders Archive purporting to be a description by "Prince Richard" (the younger of the two Princes) about his escape from the Tower and his subsequent journey to the Continent, to the court of Richard's sister, Margaret, Duchess of Burgundy. The documentary is a great pains to emphasise this document is "authentic", but in doing so sets out to confuse the viewer somewhat. It establishes that the document is from the fifteenth century in a cursive gothic script and that it is written on parchment that has an authentic fifteenth century watermark, and uses this to suggest to the viewer that this document is not a forgery and therefore what it says must therefore be "the truth". However, while script and paper marks are things a historian would use to date and place a document, there are problems. Firstly, we don't know where this document comes from. It's a couple of loose sheets that was deposited at the Gelders Archive in the 1950s, and we have no idea where it was before that. This is problematic, as it means the purpose is unclear. What if it fell out of a fifteenth century creative writing project, and is now being treated as a true account of events? Also, the documentary kinda skims over the fact the document was in Dutch, saying it was probably a translation. How do they know it was a translation given we don't know where it comes from? And if it's not a translation but is in fact the original words of the "Prince Richard", either in autograph or dictation, wouldn't that be pretty big evidence that this man really was the pretender Perkin Warbeck, who grew up speaking Dutch, rather than the English Prince Richard? Secondly, Langley takes the fact that there is a lot of detail in this text (ie. "we went to Dover and then Boulogne and then...") as evidence that the text must be true. Again, why would that be the case? If you are making a story up, providing lots of false detail might be a way to convince people. If the documentary is interpreted that way, it perfectly fits in with the scholarly consensus – that a Flemish man named Perkin Warbeck pretended to be Prince Richard in an effort to claim the English throne, was supported by Margaret, Duchess of Burgundy, in doing so. This document might just have been an effort to get the story straight.
The documentary also brought up a lot of documents that mention Margaret of York raising money for "Prince Richard", and this is taken at face value. If Margaret was really involved in getting an imposter to pose as her nephew in order to put him on the English throne, this is not something that would be written down in account books. He would be called "Prince Richard", and the fake Prince Richard would sign himself as "Richard of England", because actually calling him "Perkin Warbeck" would undermine everything they are working towards. These documents really prove nothing.
unbelievable in the original tweet is right. even without watching this doc or reading all paywalled articles, i literally cannot believe it. this lady got lucky once finding dickie's bones and everyone ignores how they also proved her group wrong as she stood there on-camera crying as her fantasy of a straight-backed king dissolved and the "accusation" of a curved spine was shown to have some basis in truth.
lol at
It is unclear how the latest theories fit with a previous claim from the Missing Princes Project, made in 2021, that the elder prince lived out his days in a Devon village under the name John Evans.
"The guy says he's Prince Richard so it must be true" is some pretty hard evidence, fellas, can't see a way around this one
I just watched a video of a medieval historian disagreeing with the Langley conclusions:
Okay wtf the fact that the Winter King looks literally like BDG and he just so happens to be the voice for him is so uncanny I can't comprehend it.
The hair. The sass. The theatre. The singing. The insanity behind his sophisticated eyes. The Winter King is literally just BDG but he's blue.
my main requirement in a partner is someone who's willing to "yes, and" me. if i say something completely insane i need them to just pick that up and run with it and commit to the bit until we wind up with a conversation that's funny to us but completely incoherent to everyone within earshot. actually now that i'm typing this out i've realised my ideal relationship might just be "shitty improv comedy duo"
that quote like “god gave us transness for the same reason he made grapes but not wine; yeast but no loaves — so we may partake in the divine act of creation”
[Artfight 2023] [14]
Corrupted One
for @verdant-succubus
Some people have been interested in how this was made - I am extremely bad at explaining but I’ll try to give a quick rundown!
First I draw the individual parts in a 2d art program, in this case procreate. I put an overlay texture that gives it some grittiness. As you can see I separated out the parts I planned to move a little bit, like the top and bottom jaw, eyes, wings, and body segments.
Each part of the texture is applied to a 2d plane through uv maps with the exception of the halo, which is 3d modeled.
The 2d planes are layered in a way that will create shadow when a light is added and avoid overlaps when rendered. This also really lends to the papercut aspect!
Animation for this particular piece is done through something called “shape keys” where blender will interpolate movement based on me slightly moving the individual parts.
I created several keys for different areas of motion. When all are combined it creates a nice effect. Some parts move smoother than others - this is due to me setting some keys to be “constant” instead of “bezier smoothed”.
(Oh also the halo is just rotated on an axis - 3d go brrrrr)
After rendering all the frames into a gif, I then threw it into a video editor to make the colors more contrasted and to add slight glitching and behold! Final product!
Hopefully that helps out some for people who want to try it. Or for people who are just curious!
Anyone: Hey (asks about a special interest of mine)? Me: Becomes an unskippable cutscene
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I don't know who needs to hear this, but
YOU DO NOT NEED TO START A NEW HOBBY!
STEP AWAY FROM THE TEXTILES!
YOU DON'T NEED MORE YARN!
THAT FABRIC IS NOT CALLING TO YOU! LEAVE IT ALONE!
boy it's me the textiles speaking to you inside your head. you need the yarn. you need thread. your soul hungers to participate in the act of creation. you must feed it. you must buy so many beads.
The Creature (Found Footage)