The Jabari tribe is known for worshipping the gorilla god Hanuman; in the original comics, M’Baku was actually introduced as “Man-Ape,” a name abandoned by the film adaptation for obvious reasons. But by contextualizing the Jabari religion, Duke found an elegant way to sidestep negative or racist perceptions: “They haven’t been affected by colonialism and all the narratives that are associated with developing a sense of inferiority and people comparing them to animals,” he says. “To them, this is just who they pray to, and they find their strength and agency in this religion. So being a bit gorilla-influenced was a sense of pride for them.”
He also came up with certain ape-inspired characteristics for the film, including a scene in which the Jabari men grunt at an outsider who speaks without permission—a threatening cue for that person to shut up. To find M’Baku’s voice, he researched and imitated Nigerian accents, further separating the character from the South African-inspired T’Challa. It’s just one of many ways the Jabari differ from the city-based Wakandans, who largely worship the panther god Bast.
“The panther is sleek, the panther is sneaky, the panther is covert—meanwhile, the gorilla will show up and bang on his chest and make noises to warn you about what is about to happen if you continue to cross the line,” Duke says. “We don’t hide, we don’t sneak. We come through the front door.” – Winston Duke, Vanity Fair
