stephie

sj step-anne stevie baby etc

[microtear-deactivated20181213]

[holythefirm-deactivated20210220]

[goregirlsdungeon]

VAMPYRES (1974) directed by José Ramón Larraz

[catchymemes]

Via @iamdylancurran (Twitter)

[quiet--batpeople]

fuck..

What..the..fuck, Google???

[leonkennedv-deactivated20200827]

I’m surprised that this post doesn’t contain a link to turn off all of these settings (maybe another version of this post does, who knows)

Go to https://myaccount.google.com/activitycontrols and this will take you to a page which states what information Google is currently tracking. Each section has a blue slider next to it. Click it and it will come up with a confirmation box, scroll through it and select “pause” and you should be good to go.

[wowpoliticsareannoying]

I would go to this link regularly to make sure the sliders haven’t reset, too.

[earthdad]

i will not stop doing peace signs in photos until there is world peace

[masongooning]

MICHELE MORRONE 365 Days (2020)

[ymutate]

Solar Eclipse from the ISS

[marypickfords]

Saya: Perspective in Love (Seiji Izumi, 1986)

[marypickfords]

“As Roscoe and Hight have argued, documentary has traditionally been valued for its truthful relationship to and accurate representation of the world as it actually is. This is reliant upon an assumed indexical bond between photography as a scientific record and the real-life phenomena it seeks to document. The representation of these events or moments is therefore assumed to be identical. The very thing that these films seek to mock is “the belief in science (and scientific experts) and the essential integrity of the referential image.” In the case of the first Paranormal Activity film, Sébastien Lefait has observed that director Oren Peli “chose to exploit the intrinsic supernatural aspect of the camera rather than the spectacular quality of what comes into its field. He drew from the entrenched belief that the camera is endowed with a revelatory power to stage a paranormal appearance that never comes.” Put simply, in Paranormal Activity “the nature of the footage as surveillance draws on the revelatory power of the camera to make this nothing exist.” The pleasure of found footage horror in part stems from spectatorial knowledge that something we rationally know not to be true (the supernatural) can momentarily be reimagined (consciously or otherwise) as “real” because the vehicle in which that information is delivered is one we otherwise trust to provide reliable information.”

Alexandra Heller-Nicholas, from “Found Footage Horror Films: Fear and the Appearance of Reality”, 2013.

[planetafiyu]

001 - 151

Artist: Pixiv, Twitter

[increasedenthalpy-deactivated20]

do you guys remember when azealia banks posted this... because I remember at least once a week

[marypickfords]

Fiancée of Dracula (Jean Rollin, 2002)

[vampireapologist-archive-deacti]

remember when jane eyre is like “I cant live here anymore” so she just leaves and like. walks into the moors or whatever and almost dies of exposure? bc I really feel that

[marypickfords]

Fiancée of Dracula (Jean Rollin, 2002)

[angelstills]

Charlie’s Angels: Full Throttle (2003)

[lifeinpoetry]

Once when I was eight years old my grandmother asked me, what will you do when you grow up? And I answered, I want to die. I want to die when I grow up. I want to die soon.

Fleur Jaeggy, from “I Am the Brother of XX,” I Am the Brother of XX (via lifeinpoetry)

[kittyn]

Vanessa Stockard – Kevin series.

[boneriver]

literally portraits of me in 2019