Jules of Nature
祝日 / Permanent Vacation
Show & Tell
Sweet Seals For You, Always
YOU ARE THE REASON
Lint Roller? I Barely Know Her
occasionally subtle
trying on a metaphor
Andulka
❣ Chile in a Photography ❣
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todays bird
NASA
Stranger Things
Cosimo Galluzzi
if i look back, i am lost
AnasAbdin
styofa doing anything
Keni
seen from United States
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seen from Canada
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@stochasticartworks
So thrilled to have such cool people, like Jacob the protectionist, and seen just dynamic experimental films by such thoughtful artists @chrispetersart @hopestrickland @prapat_jiwa and outstanding live cinema by @charline_dally (at Michigan Theater) https://www.instagram.com/p/CqQh_7ku5z3ACn9pjM4aDzMfoya4sC99C0G1jM0/?igshid=NGJjMDIxMWI=
“My sun shall rise in the east/ So shall my heart be at peace/ And if you’re asking me when/ I’ll say it starts at the end/ You know your will to be free…” -Jon Anderson and Vangelis (Evangelos Odysseas Papathanassiou) Song: I’ll Find My Way Home (1982)… Earworm while shooting sunrise & sunset for my thesis, complete with all the rising yet anticlimactic falsetto & dreamy synthwave chords of electronic pop. #bolex #16mm #womenmakemovies #cinematography #mfathesis (at Wrightsville Beach, North Carolina) https://www.instagram.com/p/Cp8R6EGOWJV89B7hAcXGcf_7aDl0Cu7hnRBFag0/?igshid=NGJjMDIxMWI=
Seriously, delirious with the community @mononoawarefilm Steve has created! Pics of @peachesgoodrich @themushroomarchive @bradleyeros Lary7, Scott Kieran, @richard_sylvarnes Rachael Guma, Gabriel Guma, Masami Tomihisa, Lele Dai, @avawitonsky @linh.pj Benji Santos and Lily Sarosi (at 718 Studios) https://www.instagram.com/p/ClxGEjMODa-i_Vs9j5fRdCXkLAuKBXMbBFjdA40/?igshid=NGJjMDIxMWI=
Love #audiofiles They gathered to listen! Just to listen. #audiounderthestars @audiounderthestars (at Durham Central Park) https://www.instagram.com/p/CjtlsOuOoSwlIL5YAnsMsIEAAeeo5VLixxj1fI0/?igshid=NGJjMDIxMWI=
Restore Cleveland Hope: Station Hope, 2021 from Simone Barros on Vimeo.
Memories from Freedom Festival, 2017 from Simone Barros on Vimeo.
Let us not only vote today or in these past weeks of early voting. Let us vote with our feet, vote with our dollars, vote with our service to each other. Let us make civic action apart of our daily lives. Only then do we actualize democracy.
As my grandmother told me she voted last week, she said, “Now, we pray.” A friend said, “Well, I voted. Fingers crossed.” Our language betrays our myth. Voting should not be a prayer or a gabble but a firm and real factor, not weighted by the Electoral College or denied by voter suppression. May today not be the end of political furor to slumber for the next four years but an ignition.
Image Sources: Martino Bassi, “Dispareri in materia d’architettvra, et perspettiva”, 1572 / Fritz Lang’s “Dr. Mabuse the Gambler”, 1922. The autumn and its conte…
The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. “A Sonospheric Corpse” derives inspiration from the surrealist technique, “exquisite corpse” in which each participant adds a contribution in a sequence. What follows is a phantasmagorical soundscape composed under similar conditions; collectively produced by way of differing forms of sound media with each contributor unaware of the other contributions made.
Featuring contributions from; Alexandra Heller-Nicholas, John Cussans, Erik Davis, Gabriele de Seta, Lindsay Hallam, Nuzo Onoh, Richard Gavin, Brian Evenson, Vesperalia, Vincent Le and many more…
Image Sources: Martino Bassi, “Dispareri in materia d’architettvra, et perspettiva”, 1572 / Fritz Lang’s “Dr. Mabuse the Gambler”, 1922. “A Sonospheric Cor…
The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. “A Sonospheric Corpse” derives inspiration from the surrealist technique, “exquisite corpse” in which each participant adds a contribution in a sequence. What follows is a phantasmagorical soundscape composed under similar conditions; collectively produced by way of differing forms of sound media with each contributor unaware of the other contributions made.
Featuring contributions from; John Cussans, Erik Davis, John Mark Sherlock, KHLOARIS, Olivia Curry, Noelle Richard, Ronald Walter and many more…
So excited to join today’s panel of such innovative artists who use technology to create dynamic explorations of music, sound and moving image! Link to event in bio. Thx @iceensemble @letsbespoken #soundart #soundartist #technology #technicalart #technicalartist #directedbywomen #womanartists (at Clinton Hill) https://www.instagram.com/p/CC1GSZ1JpX6/?igshid=1umza7tjeosxy
Don't Dream (audio drama excerpt) from Simone Barros on Vimeo.
Don't Dream, an excerpt from the American Slavery Project audio drama Black Women and the Ballot captures a single day in the life of an undocumented worker, a single rather important - Vote Day.
ASP: Black Women & The Ballot from Simone Barros on Vimeo.
Join us here, on June 19th at 7:30 PM EST for the premiere of Black Woman and the Ballot.
“Kum [kunka] yali, kum buba tambe.” The People Could Fly by Virginia Hamilton from Gullah (Angolan) folklore
Took a break from working to find that these lovely buds opened this afternoon. #flowers (at Clinton Hill, Brooklyn) https://www.instagram.com/p/CAvRUcDpkXw/?igshid=1cy1pcdl0b8ms
The Film Jive podcast is currently seeking audio submissions to be included in its upcoming “Tutorials in Self-Isolation” episode. The COVID-19 pandemic is the most significant global crisis in recent years. All the countries of our planet have been affected and the consequences have been devastating. The intention of the episode is to collectively produce vacillating soundscapes composed of field recordings, original music, diaristic recitations, and found audio materials (from cinema, television, etc.) which convey the temporality of quarantine, the individual experiences of self-isolation, and / or imagine cinema’s new social orientation in the coronavirus landscape.
The call for audio submissions will close on June 14, 2020 with the episode publishing on June 28, 2020. All submissions will be accepted and should be delivered in .wav audio format with an audio ID which includes mention of the contributor’s affiliated project(s) (i.e. podcast, website, blog, organization, etc.). All works will be cited.
While we cannot afford to compensate each contributor, with each submission received, Film Jive will donate relief funds to the Official Rosebud Sioux Tribe COVID-19 Disaster Relief Fund and the COVID Bail Out NYC fund. Each contributor will receive documentation of the donation transaction(s) upon publication of the episode.
To submit an audio piece or inquire further, please write to [email protected].
The Film Jive podcast is currently seeking audio submissions to be included in its upcoming “Tutorials In Self-Isolation” episode. The COVID
Seeking sound collage, original music, readings, found audio materials (cinema, television, etc.) on the individual experiences of COVID19 self-isolation.
“A Wind Blows from the South” moves through the ambient sounds in and around the 184 year old St. John’s Episcopal Church back to the church’s days hiding people escaping American slavery in it’s bell tower reverbating with vocal incantations. Code chants warn of slave catchers, clandestine whispers of departing ships for Canada and cryptograms form the chorus and percussion of this piece. I set out to create an auditory encounter with one of the nation’s few authenticated Underground Railroad stations. 4/4
