cetus, a multi - media lover . . . 25+, they / he, MX - AMER. you may see some art.
$LAYYYTER
styofa doing anything
AnasAbdin

⁂

Discoholic 🪩
RMH

ellievsbear

No title available
Lint Roller? I Barely Know Her
Mike Driver

PR's Tumblrdome
No title available
Sweet Seals For You, Always

JBB: An Artblog!
he wasn't even looking at me and he found me
h
i don't do bad sauce passes
tumblr dot com
One Nice Bug Per Day

pixel skylines

seen from Malaysia
seen from Peru

seen from Malaysia
seen from Nicaragua

seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United Kingdom
seen from Kenya

seen from Germany
@stonewoods
cetus, a multi - media lover . . . 25+, they / he, MX - AMER. you may see some art.
The TOBS maxxing continues
brown bear, black bear
backrooms riso
I fucked up my theme yesterday bcs that new installment thing makes it SO easy to make a mistake on the wrong blog BUT— its okay bcs this new theme isnt that bad
twitter really is putting that 50 likes / tweets limit to WORK ... now i gotta officially start moving here
reclaiming character designs from an old project ☕
i know it's been years since tumblr started pushing all the mobile-first stuff and javascript ban that resulted in the death of customisation, and i know it's only a part of the reason why theme making isn't as big as it once was, but it still makes me so sad to think about. i've been on tumblr since 2011 and i remember how active the theme/page coding community was for a whole decade or more, and how the majority of tumblr users truly enjoyed setting up their custom themes on desktop. even all these years later i still remember old theme makers i followed and i love going back to look at the themes that were so revolutionary 10 years ago, even though almost all of the people who made them left in 2020-2022. i'm still mad that tumblr chose the lazy route of (mostly) squashing such a creative ecosystem that was a major part of the platform's charm in favour of looking more like a typical social media feed. i miss seeing literal dozens of examples of experimental web design every day done by teenagers and college students as their hobby outside school!! i miss watching their skills evolve from simple two-column layouts to full-on interactive designs with fun scripts and pages to explore. i miss the personality you would see immediately upon visiting someone's blog - now like 80% of users i check out don't have a custom theme at all.
all that to say it gives me an even greater appreciation for the people who do still create themes despite less engagement than before, and especially despite tumblr always screwing over creators. when i made this blog in january of this year i immediately took on one of @phantomcodes's themes, and then recently changed it to their newest theme, and i always get giddy to see new things from them. same with @glenthemes - in fact i just recently made a playlist page using one of their codes that i had on a blog 10 YEARS AGO LOL. there are still several theme makers out there trying their best and i think all of you are the coolest. it almost feels like finding a relic, like, oh, this still exists! someone's still doing this and there are others who still enjoy it! and i'm so glad for that.
That iconic Lara Raj photo but with Katara 💙
“why does someone MATURE like katara fall in love with a CHILD like aang?” fundamental misunderstanding of katara’s character and her dynamic with aang. she was forced to mature because she lost her mom but she is still, at the end of the day, a fourteen year old child.
she falls in love with aang because he doesn’t just represent hope for the world but he also gives her back her lost childhood with his whimsy. she gets to be silly and childish with him and that’s so important for her.
this fandom tends to adultify katara too much. she’s literally a kid. and it’s okay for her to be.
super random atla doodles
The New American Gothic (2017) by Criselda Vasquez
From Criselda Vasquez's Instagram (3 April 2026):
Hi everyone, Thank you for taking the time to read this. On Tuesday, March 31,… Jorge V needs your support for Help Bring My Father Home
“can you draw this one?“
people say “i love you,”. and in my native language, we say “men sizni yaxshi ko’raman,” which means “i see you clearly.” it’s about seeing all sides of someone—their joys and struggles, their strengths and flaws—and loving them just as they are. it’s about accepting them completely, as they are, without conditions. to say that is basically to say, “I see your soul, and I choose to love you entirely.”
farlyn for winter exchange event
“If Latin America had not been pillaged by the U.S. capital since its independence, millions of desperate workers would not now be coming here in such numbers to reclaim a share of that wealth; and if the United States is today the world’s richest nation, it is in part because of the sweat and blood of the copper workers of Chile, the tin miners of Bolivia, the fruit pickers of Guatemala and Honduras, the cane cutters of Cuba, the oil workers of Venezuela and Mexico, the pharmaceutical workers of Puerto Rico, the ranch hands of Costa Rica and Argentina, the West Indians who died building the Panama Canal, and the Panamanians who maintained it.”
— Juan Gonzalez, Harvest of Empire: A History of Latinos in America (via katelouisepowell)