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Stonehenge
Landmark
Burial Mounds
Farmers were still buried into burial mounds into the 18th century, when the Great Plague felled many residents of Kurzeme (1710) and Vidzeme withstood the Russian pillaging during the Northern War, turning the land on both sides of the Daugava River into a huge cemetery field. It took two to three generations for people to recover somewhat. Only in 1773, when Vidzeme was under Russian rule, the Governor ordered the cemeteries to be marked off by a fence or surrounding rampart. Burials in the churches or churchyards was prohibited, which explains why Vidzeme developed vast cemeteries.
Officium for the dead
In Latgale, especially in the countryside, people still tend to die at home instead of the hospital or old people’s home. The dead person remains in the house until the funeral, the body being kept in some clean, cool place like the veranda or the granary. The funeral often being a few days off, the living are preparing for the mourning ceremony, including performing the Officium in the evenings. The members of the household, relatives and friends of the deceased come together and conduct the Officium prayer. The table, usually an ordinary rectangular table in the living room, aroung which the singers sit, is covered by a white linen table cloth. The performance takes place at the house also a year after the person’s death or if it is an annual memorial service for all the dead members of the family. Since, in common prayer, the images of the dead are recalled in the consciousness of the living, it also serves as a meeting between the living and the dead.
The cemetery ritual is similar. In its essence, the Officium is one of the most powerful prayers for the dead in the pyres of Purgatory. The people of Latgale are well aware of the dogmatic context of the Officium and consider its performance a valuable opportunity to express their love and support for their loved ones even after their death.
In Soviet times, the practice of the Officium for the Dead was not particularly suppressed. However, the fate of the tradition was affected because the cycle of inheritance was interrupted: children and young people no longer participated. Nowadays, the performers are usually old people, which means that the existence of the tradition is on the brink of extinction.
Dzīduošona pi krusta
The May open air services by the roadside or village crosses is a new tradition, but the possibility that it may be indirectly related to the old outdoor singing traditions cannot be excluded. They are held without the presence and guidance of priests. The leader of the service comes from the midst of the participants. Usually it is an older woman who knew the structure of the ritual and the melodies and could start every one at a suitable pitch. Songs devoted to Mary are at the center of the May service. They tell the story of Mary’s life, suffering, and her sacrifice for humanity.
CREMATION RITUAL
Cremation is a process that uses intense heat to turn the remains of a person who has died into ashes. The cremation process takes place in a specially-designed cremation chamber which holds one deceased person and exposes them to intense heat for a period of around two hours.
When the cremation process has finished, small amounts of bone will remain, these are taken from the cremator, cooled and placed in a machine which reduces the bone to ashes. These are the ashes which are put into a container. After the cremation, the family may choose to receive the ashes of their loved one.
Mourners arrive at crematorium
At the crematorium mourners may assemble outside awaiting the arrival of the hearse, or they may take a seat in the chapel before the coffin is brought in. The coffin may also be brought to the venue before mourners arrive. It’s then placed on a platform called a catafalque which is usually raised, decorated and near the front for all to see.
Mourners are seated shortly before the service begins
A cremation funeral service normally lasts about 30 to 45 minutes before the actual cremation process takes place away from the service. It’s therefore important that guests are on time.
The service is held
A cremation order of service can include a number of hymns or musical pieces and eulogies. Extra time can be booked if the family would like a longer service, which might also include prayers or poems.
The committal begins
As the service ends the coffin is typically obscured from view for mourners to pay their final respects before the cremation. Options include the coffin being moved behind curtains, glass, a gate or removed from the building entirely.
Mourners leave the service
This is time for guests to give their condolences to the deceased’s family, see the flowers and wreaths which have been given by friends and family, and make their way to the wake.
The wake begins
This is an optional arrangement which brings people together to celebrate the life of the loved one. This can include food, drinks and music plus displays of photographs of the deceased to encourage everyone to share memories in a more relaxed atmosphere.
Cambridge Core - Classical Archaeology - Columbarium Tombs and Collective Identity in Augustan Rome
BOOK ABOUT COLUMBARIUM TOMBS
Building Typologies
Cemetery chapel/ Mourning hall
1925, Sweden, Skogskyrkogården, Chapel of Resurrection, Sigurd Lewerentz
Crematorium
1909, Crématoire de La Chaux-de-Fonds, Robert Belli et Henri Robert, Switzerland
Ossuarium
Columbarium
Roman columbaria were often built partly or completely underground. The Columbarium of Pomponius Hylas is an ancient Roman example, rich in frescoes, decorations and precious mosaics.
The monument or columbarium of the freedmen and slaves of Livia Augusta and Caesars
Today's columbaria can be either free standing units, or part of a mausoleum or another building. Some manufacturers produce columbaria that are built entirely off-site and brought to the cemetery by a large truck. Many modern crematoria have columbaria. Examples of these are the columbaria in Père Lachaise Cemetery in Paris and Golders Green Crematorium in London.
In other cases, columbaria are built into church structures. One example is the Cathedral of Our Lady of the Angels (Los Angeles, California), which houses a number of columbarium niches in the mausoleum built into the lower levels of the Cathedral. The construction of columbaria within churches is particularly widespread in the Czechoslovak Hussite Church. An example can be seen at the Church of St Nicolas in Old Town Square (Prague). In the Roman Catholic Church, although traditional burial is still preferred, cremation is permitted provided that the cremated remains are buried or entombed. As a result, columbaria can be found within some Catholic cemeteries.
Typologies
ROCK-CUT TOMB
A rock-cut tomb is a burial chamber that is cut into an existing, naturally occurring rock formation, so a type of rock-cut architecture. They are usually cut into a cliff or sloping rock face, but may go downward in fairly flat ground. It was a common form of burial for the wealthy in ancient times in several parts of the world.
4th century BC, Demre, Turkey
NECROPOLIS
Forerunner of the cemetery. After settling down, permanent family burial sites were built; in Egypt and ancient Greece the burial sites were mostly outside the settlements and were also venerated early on; rock tombs and caves were preferred in Israel; in Athens and Rome there were private family graves as well as community graves at the gates of the cities on the arteries.
In most cultures, Necropolis appeared outside of settlements without typical forms having emerged. Their location depended on the nature of the terrain, sacred concepts and representational intentions. Some necropolises have areas for groups, such as honorary citizens or freedmen. Following religious ideas, the individual grave structures often have a western orientation. When polis communities (8th century BC) and sacred thoughts of purity emerged in Greece, the dead were given separate areas outside and often west of the city. Since these necropolises were mostly on arterial roads and processional roads, they were integrated into public life and self-portrayal of the poleis (Athens, Kerameikos).
4th century BC, Kerameikos, Athens, Greece
Temple, Necropolis and Agora embodied the three types of common rooms assigned to the gods, the dead and the zoon politikon. In Etruria from the 6th century onwards, due to the increase in population, necropolises often formed a ring around the settlements. In the south, the isolated Tumuli, cubic row grave structures on orthogonal grave roads of equal rank gave way (Orvieto, Crocifisso-N.).
Crocifisso del Tufo, Etruscan necropolis in Orvieto, Umbria, Italy
In this way, a type of urban development (Hippodamos) that was already documented in Greece was transferred to the necropolises. Roman necropolises were also located extramurally on busy arterial roads (Via Triumphalis and Via Appia, Rome). Temples and services for travelers and funerals often stood between the graves. During the power struggles of the civil war in the 1st century BC The type of grave road matured: the buildings now stood facing the street and in a line of alignment directly on its edge. A grave at a gate or at a heavily frequented fork in the road was considered particularly prestigious; The aim was at least a place on the main street. This resulted in long grave roads (Via Appia).
The representation gave way to a retreat into the private sphere, and the image of the N. changed: the addition of competing solitaires now became urban ensembles of simple grave structures. So the number of buildings that condensed into closed street fronts increased - partly on standardized plots (Necropolis on Via Laurentina, Ostia).
Via Laurentina, Ostia, Rome, Italy
Further rows, also oriented on the main street, were built in the depths near the city. Since there were only a few paths through the necropolis, usually parallel to the main street, the rear graves were often only accessible via paths and were so closely spaced that the facades were no longer visible. The development finally led back to a loose arrangement of the buildings, which moved away from the street and were on dead ends or quasi private paths.
ARCOSOLIUM and CATACOMBS
The Christians buried their dead first in the open field or in niches, then in Arcosoliums in the underground catacombs in Rome (Domitilla, Flaviergalerie, Marcellino e Pietro, Priscilla), as well as in Naples, Syracuse, Malta or Alexandria.
2nd century AC, Catacombs of Priscilla with Arcosoliums, Rome, Italy
CEMETARY
In connection with the cults of martyrs, the Christians increasingly buried their dead near churches (ad sanctos), which gave rise to the type and name of the cemetery: a protected, mostly walled courtyard a church in whose earth the dead are arranged in a grid, often from Stone covered graves are buried. The cemetery should give protection to the living and peace to the dead. With the lifting of the ban on the burial of the dead within the cities under Emperor Leo I (457-474), the peripheral location of the cemeteries shifted to the settlement centers, where they have a central position with the church, as can still be seen in villages today.
12th century AC, Mass Grave Holy Innocents' Cemetery, Paris, Framce
The Christian cemeteries of the Middle Ages experienced a variety of architectural forms, such as the destroyed Mass cemetery at the Church of the Innocents in Paris, with its 80 arched arcades, galleries; Funerary chapels, ossuary.
GRAVE SLABS IN CHURCH FLOOR
For privileged Christians from the nobility or clergy, despite the prohibitions, the burial took place, preferably inside the churches or adjacent buildings, so that their floors served as a cemetery and can consist of grave slabs throughout (St. Bavo, Haarlem; Cathedral cloister, Regensburg).
CAMPO SANTO
In ltaly, the special form of the structurally independent cemetery developed as the so-called Campo Santo ("holy field")
The Campo Santo in Pisa by G. di Simone (1278-83) forms an elongated, rectangular courtyard which, strictly enclosed on the outside, is bordered by inwardly open semicircular canals. The inner walls of the corridor covered by a circumferential gable roof with an open roof structure were decorated with frescoes of the triumph of death (around 1400 - a model for P. Cornelius' designs for the painting of the F. project for the Berlin Cathedral, 1845). The shape of the Campo Santo in the form of a freestanding ► cloister also influenced numerous cemeteries in the north (Stadtgottesacker, Halle ad S., 1594, NH Hofmann)
1594, Stadtgottesacker, Halle an der Saale, Sachsen-Anhalt, Germany
STACKED COMPARTMENTS
Today, in the Mediterranean area, large open-air wall passages, in the walls of which there are compartments for coffins or urns on several floors, characterize the cemeteries (cemetery island S. Michele, Venice).
1807, Cemetery island S. Michele, Venice, Italy
1883, Montjuïc Cemetery, Barcelona, Spain
PRIVATE GRAVE MONUMENTS
The relocation of cemeteries from the villages began again in the 15th century, which has increased since the 18th century for hygienic reasons (field burials). These cemeteries have their own, often dedicated to St. Cemetery chapels consecrated to Michael as a »soul guide«. The furnishing of the cemeteries was generally not very distinctive beyond these chapels, the ossuary or the massive surrounding wall, in contrast to this, however, the private grave monuments erected in them could have considerable representative design variants of architectural, sculptural and handcrafted nature, which reached their peak in late historicism (Pere Lachaise, Paris, from 1804, AT Brongniart).
1804, Pere Lachaise, Paris, France
PARK AND FORREST CEMETERIES
Well-known cemeteries are the Johannis cemetery in Nuremberg (from 1518) and the Vienna Central Cemetery (from 1874).
1874, Vienna Central Cemetery, Vienna, Austria
In the 20th century, more and more park-like cemeteries were created, for which the Hamburg-Ohlsdorf cemetery (from 1877) was type-defining (Wald-Friedhof, Munich, from 1907; Hanover-Seelhorst, 1920; Friedhof am Hörnli, Basel, 1932).
1877, Hamburg-Ohlsdorf cemetery, Hamburg, Germany
1907, Wald-Friedhof, Munich, Germany
Kapusvētki: The Latvian Cemetery Festival
People used to bury their dead relatives next to their house, and for sanitary reasons, they built cemeteries. Being around the deceased was important and people would miss church to go to the cemetery, so the church decided to make a festival. But in the 1940s, the state didn’t like this celebration as it was linked to the church, and the festival became also a way to resist the sovietization of Latvia.
Before the festival, the gravestones would be cleaned and flowers would be planted / taken care of to make everything look as beautiful as possible.
During the festival, there is singing and preaching.
After the festival, there is a dinner party.
Things to say when arriving at the festival:
“It is so beautiful here.”
“It is so peaceful here.”
“It is so green here.”
Things to avoid doing at the festival:
Not washing your hands when leaving the cemetery (insult to the gods).
Tās dullās Paulines dēl, 1979
Paulines wanted to make sure that she looked beautiful in her coffin. She believed that there’s no reason why the guests at your own funeral should look better than you. So she pretended to be dead and hired a photographer to take a picture of her in a coffin. When the photographer said “What a beautiful corpse!”, she rose and, flattered, asked him “You really think so ?” This caused the photographer to fall down from his chair and break a leg. He then sued her and she was sentenced to 3 years in prison. But she avoided the sentence by asking the judge: “Do you expect us to be buried wearing a jumpsuit?”
https://www.youtube.com/watch?v=mSK61QRvGhI
Listening to the Dead
Tree from the Dead
Diamond from the Dead
Concrete and the Dead
3D Printing the Dead