noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
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will byers stan first human second

Andulka

#extradirty
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Origami Around
macklin celebrini has autism

Love Begins
One Nice Bug Per Day
Cosmic Funnies
we're not kids anymore.
official daine visual archive
The Bowery Presents
let's talk about Bridgerton tea, my ask is open

blake kathryn
I'd rather be in outer space 🛸
Today's Document
seen from United Kingdom
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seen from United States

seen from Bangladesh
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seen from Türkiye

seen from Germany

seen from United Kingdom

seen from Malaysia

seen from Türkiye

seen from Türkiye
seen from Australia

seen from China

seen from Germany

seen from United Kingdom
seen from United Kingdom

seen from India

seen from Malaysia

seen from India
@sunburntashes
terms and conditions applied
love is conditional
is it not?
my mother loves me as long as I'm her doll
her gudiya
as long as i have strings on my hands and a scarf shaped noose around my head that nods whenever she asks if i will do as she says
the strings on my hands don't listen to me, no;
they squeeze the lingering lethargy and grief out and say—work; your mother didn't raise you against all odds so you could be stay up nights wondering what's wrong with you
the blood in my veins is hers and i want to scrape it out
if that means i won't owe her my life
the life in my eyes is hers and she's already squeezing it out
because i owe her my life
i know the burden she carried all her life as a girl
because i carry it like a gift now
i carry it as the weight that won't let me soar to the sun, that keeps me afloat the water but threatens to drown me if i drift too far away from it
but ofcourse, a mother's love is unconditional;
...terms and conditions applied
limerence of despair
letters I write to myself
are the small bouts of silence where I face Despair
Despair, she's a lovely person, always lingering around, keeping me company
she sings lovelorn songs at one a.m. so i can sleep better
she wakes me up alongside my alarm, hand brushing my hair back and lulling me back to sleep, don't leave, this is comfortable
she's too soft on me, she wants me to lie in bed all day and make daydreams of the future and the past and never leave the confines of thought
she tells me to drop everything and fall asleep, beckons me to lie in the deep throes of a well she claims is secret to everyone else
she smiles sweetly and leads me to the bottom, and she sits with me in the darkness
but Despair isn't my mother, and her love feels conditioned for as long as i'm only with her, and friends with no one else
well, lucky for her. . .
we'll sit in this deep, love-less sink for ever
Martha Gellhorn, from a letter featured in The Selected Letters of Marth Gellhorn
will this feeling never go away, ma?
of being told who I'm supposed to be
of being scared to step out of
my role of being the father's daughter,
of being a nice friend, a good girl?
will this feeling be there when I'm older, too?
of being too much and holding back
so after they all have their fills
i'm left with the bloody remains
left to fester, until they decide to visit again?
will this feeling stop only after I'm one
with the thing that crawls under my skin?
the thing that shows it's fangs
when i smile at myself in the mirror,
am i your monster, or are you mine?
does having this feeling make me
a survivor?
or does it make me more your daughter than father's, ma?
does it ever go away?
you regret your childhood
little miss perfect
little miss burnt-out adult
you always wished to have long hair, you even had a wig
why do you keep cutting it all off?
you wanted the freedom;
but now that you've got it, why did you realise
that it wasn't freedom at all, only a different prison
you wanted the body like the girls on TV
why do you have to hide it now?
you regret your childhood
nights asking the ceiling
if they had to make me suffer, why did they have me?
if they have me, why do they want a son?
you had the biggest kitchen set collection
you were so proud of it.
why do you feel forced to play kitchen now?
you regret your childhood
the skeletons in your closet—your wig, your kitchen set, your femininity, they call for you
and ask you: if you had to make me suffer, why did you keep me?
if you kept me, why do you keep dreaming of another life?
Hello, I am Tareq from Gaza Iam trying save my famliy from the genocide happening here. I ask for your help in spreading my story and donating if you can contribute anything, no matter how small.Please don,t forget to sharethe latest post from my page and follow my account to help spread the story to the world. Thank you.
donate if you can!! and please share
intimacy —the kind that can't be produced
a shared song, even over distance
our hands crookedly clasped,
not intertwicining tongues, but silent eyes,
giddy kind of intimacy,
the kind that exists only at sunset,
when we're sitting under the blue-orange sky
the kind they can't show in movies
with dots and scratches and effortless effort
and poking your arm and tongue-tied-but-still-reaching for you,
saying stupid face and my love and ass and darling all in one petty poke of the tongue
the kind that's ours
I love my job, but reblogging employment jelly for someone else I love.
home
home, divine home, sublime home,
"home, huh?" I mumble to myself
as i brush my teeth for the night
the irony of nobody being home. . .
I've always walked alone,
all the roads diverged in woods
and the thin lines of gray
i have an inkling of home,
perhaps home is
words unsaid, hands squeezed a bit tighter
eyes: a window of longing, smile love-bitten
vile, love smitten, bloody
i suppose it seems like a crime scene at times
my home is a crime scene, then
golden skin and golden earth
white muslin behind the blue wheel,
kesari, hari borders, bloody at the edges
i was told to call its name in the dark
that if i find it, i will find home
but all i found were bodies,
bodies drained of tricolour and of dignity
and in the darkness of my empty home
sometimes i see my own emptiness
trickling out like rancid blood
sleeping in until the day melts
all i can do in my divine home, sublime home,
is wonder if i brushed my teeth, "uh. . . ?"
-hope, 15/08/24
take my hand, take my whole life, too
here, my lunae,
my celeste, take my liver
hold it in your palm,
eat it like a pomegranate,
or drop it in the river for the fishes.
i will walk bloody,
trail behind wherever you go,
can i, my lighthouse?
can i follow you, even bruised and bloody,
and in health, too?
my sea, i want to get lost in you
i'll drown, and die happier than I'd live
my garden, my sky, my poetry,
you are stronger than a wave that knocks me off, and prettier than any rain i have seen
you can scoop me up and drink me down,
or leave me for the flies
I'll follow you like a river follows the sea,
like a fallen star wishes to survive
my moon, i'll fly to you, too, if i can
you can have me as your twin or drop me back down,
and I'll shatter into a thousand pieces
all the pieces that would smile up at you everyday
but my love, my kindness, my fever dream,
you give me you, my veiled sunflower,
you hold my hand, you love me, too. . .
lipstick or blood?
no matter, it's dried on your skin now
it's wedged in your nails,
the claw marks on her feathers
are they icarus' burns or telltale scars?
no matter, it's proclaimed as your sin now
her body is limp, yours is villainy incarnate
does the fire singe the skin or burn within?
no matter, the heart is black ash now
home is absent, like her breath
are you to repent now or rejoice?
no matter, the damage is done now
the wall is painted bloody, murder has befell
fate's braids are being strung or unravelled?
no matter, no matter . . . what does matter,
what should be noted, is that you've destroyed the thing you love yet again
time and time again,
my ears ring like a siren
then, and once again,
i'll see spots in my vision and blink it away
rhyme and rhyme again,
this might end up being unremarkable
two sides of a crime again,
me and my fountainhead
ringing in my ears like a chime again,
a tall child again, having her mother dry her hair