Crescents bloom on Sunisa’s palms, and for a second, Zoya finds herself curled on the floor of her first apartment, scabs piled thick under her nails and three years younger. Here and in a bedroom choked by the reek of mildewed rice, wounds reopened at her back, surrounded by sake bottles. Here and back in the apartment and slashed by jeers at a whipping post. Buried by ash in her village, scorned in fire. Here, and pressed to walls so thin an urchin’s breath could dissolve them, mouth fixated on “sorry, I’m sorry, I’m so so sorry, I’m so sorry,” until the phrase sheds all meaning, molts into a blackbird in her mouth. She wrenches her hand from the flames and brushes Sunisa’s. The world unforms, undoes, refocuses. The Sapphire. Away from danger. Here she is. Here they are.
“Sunisa—” Zoya mutters, but the other has already stood. Always a breath past connection, a footstep out of reach. To want. To fight. Such fruitless and tiresome endeavors on the body, with no hard gains and causes too slim to pursue. Why get up if the soldier leaves? What reason is there to chase after her? Better for Sunisa to pull out now than let shadows mar their tomfoolery, than risk a stint without armor, than admit mortality.
“Right, fuck off, then,” Zoya says, just as Sunisa says “I’m sorry for your loss.” The phrase is customary. Disciplined and polite. Perhaps this is what soldiers are required to say, or maybe Sunisa just pities her. Still, there’s a tightness in the other’s jaw that seems almost real, a tremor to her breath that wounds her. All this show for a pair of potential insurgents — scum under the toe of the Court’s boot. All this pain for a criminal she barely knows. Zoya shifts her gaze to the other’s hands and re-contextualizes the half-moons embedded in them — guilt, not anger. A stupid, too-soft creature after all.
An odd sensation unfurls through the smugger’s chest. Beetroot soup in the dead of winter, warm, spreading through the ice of her veins and reddening her cheeks. “So godsdamned noble,” she murmurs, sliding herself off the bed, sheets crinkling as she meets the floor, her hand raised to tuck Sunisa’s hair behind her ear. A drop of blood falls from the other’s palm, and Zoya looks down towards it. Hesitates. She takes the hand gently, turns it over, not quite sure what to do with it. But she holds it delicately as a baby bird in hers, because she’s been here too.
“I used to think it would help, you know,” Zoya says. “Hating myself for what I was forced to do. Replaying every terrible thing I had to do to survive so I could define myself by it.” She searches for Sunisa’s gaze but it’s fixed elsewhere, unable to rise. Saturn and her village. The tens of girls who’d died to her cowardice in his fire. “I think it’s right to mourn every person you’ve ki— hurt. Necessary, even, to reflect. But the logic of inflicting pain on yourself because you’ve caused pain is a flawed one. It’s not an atonement or repentance, it doesn’t help anyone. Besides, if everything else is out to hurt you, why add one more?” She smiles, a crooked thing, before settling into impassivity again. “For what it’s worth, what might have happened to my parents isn’t your fault. None of this is. You can’t blame a game piece for the hand that plays it, yeah? And that’s all we are. Pieces. Little things to be toyed with by fates and gods. Bodies. Gentle casualties of war.”
There’s a hand brushing the back of hers, the whisper of her name, but there’s too much, too much guilt heaping soot into her lungs, too much frustration ringing in her bones. There’s an echo in her brain (it’s been sounding for five and more years) calling flee - flee - flee
(To flee from your problems, to ride into the sunset with nothing but the stars and the cry of the land, to shake off responsibility, it cries out to the marrow of her. But responsibility is a yoke around her shoulders, and she will pull the future into fruition. But what type of fruit will bear? )
Sunisa doesn’t hear the insult, doesn’t hear so doesn’t feel pain slid down her back, doesn’t hear a cry for and a fear of abandonment, doesn’t hear and so doesn’t recognise that equal ache.
Doesn’t hear, because she’s too busy trying to remember what words to speak, too busy trying to formulate a language to express the flutter in her ribs and the stone in her stomach, too busy and so her brain short circuits and spews what it thinks is the correct answer, a phrase so distant she scrambles after it, trying to scoop the syllables back into the smear of red she has for a mouth, but it’s flown into the world and she can’t move her muscles and Zoya is standing infront of her, hand so close to cheek.
The words fit there, and she lets them find a home in the something in Zoya’s eyes, in the tender touch as her hair is tucked behind her ear. There’s an equal longing to push the hand away and to rest her head against it, but it’s a push and pull that she’s used to, her body torn in two directions, so she stays where she is and watches as Zoya takes her hand.
Like an outsider in her own body, grounding herself in the center of opposite desires, she watches Zoya curl her fingers open, blood smearing across the center.
(Her own blood this time, not dripping down the hilt of a sword, her own.)
(There’s no pleasure to be found in this)
She wonders at Zoya’s gentle touch, at the way she feels delicate, wonders at the histories that lie across Zoya’s skin, wonders at the memories haunting her eyes. She watches and wonders and marvels and slowly settles back into her skin, the guilt slinking back into its cage.
(Why does Zoya, someone who doesn’t even know her, someone who knows how cruel the world can be, why does she hold a executioner, a solider, a puppet, with such a tender touch? Why is it not hate, or anger, or passivity, or tiredness, why do they not fill her hands instead? Sunisa stands still only because the two extremes battle under her skin, and she cannot bear to succumb to either.)
Sunisa nods at the words, and the wisdom they hold, and she lets her shoulders relax, lets the guilt hide behind her spine again.
“Pieces.” She mutters, vinegar sounding and refusal coated, but she lifts her eyes from her hands to Zoya’s eyes, meets them with an ocean’s calm in her own. “Can our bodies ever be gentle?” There’s no crook in her mouth as she speaks, more a child’s desperation, more an urgent plea to know that her body was not only formed to be for killing. Something unspoken in the tone, some cry - Can I?