tags: nmp- not my post / mp- my post sports / queer / gender / politics / body / religion > uni
Alisa U Zemlji Chuda

Janaina Medeiros

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Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
let's talk about Bridgerton tea, my ask is open

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Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

Kiana Khansmith
i don't do bad sauce passes
Show & Tell
Jules of Nature
"I'm Dorothy Gale from Kansas"
Sade Olutola

JBB: An Artblog!
h

❣ Chile in a Photography ❣
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seen from United States
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@sunlitgame
tags: nmp- not my post / mp- my post sports / queer / gender / politics / body / religion > uni
all sports is rpf on some level so sports rpf is the only logical next step
the games are real, the stakes are real, the players themselves are unknowable except for what they carefully want you to know. the narratives are real, but the league knows you care about them, so they amplify them. the graphics next to the player's heads to tell you this is how their season is going, the camera lingering on them as they lean down to tie their shoes or their skates, looking solemn, the commentators tell you this is important, the marketing tells you this is important, in case you didnt know. the stories are already there but theyre also well-crafted. you care about these players. you care about how they perform. not just because you want to see your team win but because you want to see the conclusion of the narrative being built around them.
not everyone is doing sports rpf the way you might be familiar with it in fandom spaces, but sports is always, on some level, rpf. the people are real, but the reason you care about them is because a story is being told about them, through numbers, satistics, win/loss ratios, championships. there is an interest in amplifying the drama and centering the narrative so you care more about what you're seeing while watching the game. and is that not simply rpf...........
Hans Ulrich Gumbrecht, Epiphany of Form: On the Beauty of Team Sports.
If psychoanalysis teaches us to take contradiction seriously, sport offers a domain in which contradiction is not only present but constitutive. It is simultaneously high-stakes and trivial, governed by rules but saturated with unpredictability, a site of peak physical control and of bodily breakdown. The athlete is both master and servant of their body, while the fan is both distanced observer and emotionally over-invested participant. Victory requires loss, joy requires pain. Psychoanalytic approaches do not resolve these contradictions but rather dwell within them. As in the phenomenon of ‘the twisties’ in gymnastics, where a gymnast suddenly loses their bodily orientation mid-air, we see a striking metaphor for the disintegration of conscious control under psychic strain. To psychoanalyse sport, then, is not to impose coherence but to work with what repeats, what refuses sense, and what breaks down. It is to recognise that contradiction is not failure, but structure.
Jack Black, Joseph S. Reynoso, Ben Bernstein, David Cushman, Rayyan Dabbous, Zane Dodd, Robert Geal, et al., What does it mean to psychoanalyse sport? Reflections from the field
IN DEFENCE OF SKIPPING SCHOOL, Cherki, Guardiola and the tactical logic of the rabona, Jamie Hamilton
carolina bianchi en lobo, teatro oficina de são paulo, brasil, agosto 2018
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
From Communion to Cannibalism, Maggie Kilgour
Manifesto Antropófago, Oswald de Andrade, 1928
Michael A Davenport, 3,090 Degrees Fahrenheit (Oil on canvas, 2025)
30in x 48in
From the artist’s Inprnt:
“3,090 degrees Fahrenheit is the temperature at which sand becomes glass, in a process known as the Pilkington Process. This is not the temperature of burning; this is the temperature of becoming something.”