ojovivo
Xuebing Du
No title available
hello vonnie
YOU ARE THE REASON
Three Goblin Art
🪼
macklin celebrini has autism
tumblr dot com

Kaledo Art

roma★
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
AnasAbdin
d e v o n
Cosmic Funnies
styofa doing anything
noise dept.

Origami Around

shark vs the universe

seen from Singapore

seen from T1
seen from United States

seen from T1
seen from Netherlands

seen from T1

seen from United States

seen from United Kingdom
seen from T1

seen from Netherlands
seen from Brazil

seen from T1

seen from Ukraine
seen from Ukraine
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from France
@survixing
why’d she resign
couldnt handle the truth
Czeslaw Milosz, New and Collected Poems: 1931-2001
Serena Motola for Curios Tokyo by Masayatanaka
mediterranean summer please be good to us 🧿
Lori Gottlieb, Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed
BUKOWSKI// https://www.instagram.com/sunlightafterdark/?hl=en
every instance of love from my newspaper’s community announcements (obituaries, memorials, births, birthdays, anniversaries, congratulations) - saturday, june 27 2020
you know how sometimes it just feels so good to move and twist about in your bed? that’s your wormsona coming out
Cottage garden by Georgianna Lane
Keiji Uematsu, “Wave Motion I” (1) & (2), 1976
“To create a work in which the lack of a single element will cause the entire structure – the invisible existences of things and their relationships – to collapse like a cosmos.”
Keiji Uematsu (b. 1947, Kobe, Japan) is a conceptual artist associated with the post-war Japanese art movement, Mono-ha. Over a nearly five decades-long career, Uematsu has developed a highly cohesive body of work that has consistently sought to make visible the invisible relationships between objects and the spaces they inhabit. In 1972, he wrote: ‘What I want to do is to make visible existence, visible connections and visible relations appear more clearly. And to cause non-visible existence, non-visible connections and non-visible relations to appear. And to cause visible existence, visible connections and visible relations not to appear’. The ideas of ‘de-familiarising’ space and focusing our attention on the natural forces of gravity, tension, and material attraction, whether through photography, drawing or sculptural installation, underpin his entire practice.
https://www.simonleegallery.com/artists/keiji-uematsu/
Mary Oliver
-Nikita Gill
Margaret Atwood, Selected Poems: 1965-1975