Pandora’s Box by Susan Meiselas
photographs taken in the 90s/2000s of Dommes (+ their subs) at the NYC-based commercial dungeon, Pandora’s Box

izzy's playlists!

❣ Chile in a Photography ❣

Jar Jar Binks Fan Club
No title available

Andulka
Sweet Seals For You, Always
noise dept.

oozey mess
occasionally subtle

ellievsbear
Noah Kahan
Mike Driver
Not today Justin

bliss lane
Stranger Things
Cosimo Galluzzi
Keni
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
Xuebing Du
seen from United States

seen from Malaysia

seen from United States

seen from South Africa

seen from United States
seen from United States
seen from Romania
seen from United States
seen from United States
seen from Argentina
seen from United States
seen from United States

seen from United States
seen from Colombia
seen from Lithuania
seen from United States
seen from United States
seen from United States
seen from United States

seen from United Kingdom
@swamptacular
Pandora’s Box by Susan Meiselas
photographs taken in the 90s/2000s of Dommes (+ their subs) at the NYC-based commercial dungeon, Pandora’s Box
🧜♀️ mermaid 🐠 parade 🎡
brooklyn 2026
positive image: a portrait of gay america (1985) by stephen stewart
Would he make a good wife, Helen Gorrill, ink 80 x 120 cm
Elizabeth Ravn Downtime Deborah Schamoni, Munich April 21 – June 10, 2023
© Kerry Griechen, of Lafayette, Louisiana. Egret in a Louisiana cypress and tupelo forest, 2021.
bluebells on film
canon ae-1 program / fujifilm 400
Transparent pins taken from the Arquives' button collection!
mexico on film
from the Lavender and Red Union, a group of communists who wrote this in 1975.
"GAY LIBERATION IS IMPOSSIBLE WITHOUT SOCIALIST REVOLUTION. SOCIALISM IS INCOMPLETE WITHOUT GAY LIBERATION."
Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.
Laura Aguilar, Grounded #111, 1992
lowkey one of the most affecting sentences i have ever read. I have never been able to get it out of my head and i dont understand what it is trying to convey at all.
Daybreak - Antonio Peticov (1982)
Butch Revival, April 2025
📸 by @butchorder
marsha p. johnson with a stuffed snoopy doll, december 5, 1987.