@flavoracleĀ @slimefoot-the-goawayĀ @evgamingĀ @r0b0ts-d0nt-have-feel1ngsĀ @realmwrightĀ @cuddlesorviolenceĀ @colcaineĀ @rosebuncatĀ @griselbrand-tmĀ @genevievegeeksĀ @istartedonheroinĀ @czmlmagicĀ @another-writers-mindĀ
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noise dept.
PUT YOUR BEARD IN MY MOUTH
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Cosimo Galluzzi
Jules of Nature
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Noah Kahan

@theartofmadeline

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RMH

Discoholic šŖ©
occasionally subtle

romaā
Claire Keane
Show & Tell

Love Begins
$LAYYYTER
taylor price
we're not kids anymore.

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@swmystery27
@flavoracleĀ @slimefoot-the-goawayĀ @evgamingĀ @r0b0ts-d0nt-have-feel1ngsĀ @realmwrightĀ @cuddlesorviolenceĀ @colcaineĀ @rosebuncatĀ @griselbrand-tmĀ @genevievegeeksĀ @istartedonheroinĀ @czmlmagicĀ @another-writers-mindĀ
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HIM (Source)
THIS BEAUTIFUL SON OF A EWE WONāT STAY DOWN
Remember folks: knocking a zombie down does not mean theyāre re-dead.
cue the Chumbawamba, etc
This is why you always double-tap the zombie, Samut!
Emma Handy and two other friends I donāt know sprinting into the feature match area to hug Autumn and everybody openly crying in joy is the best moment in Magic history forget literally everything that came before it
What a fucking moment.
(Image source)
Take a fucking bow.Ā
Dog snaps
Floofs!
I looked up to you for years, I looked up to you for so long that I thought I wanted to work at a job like yours. But now, I see all I really wanted was to be happy like you. Thank you for being a beacon when I felt at my lowest.
A lot of people get to a bad place because they donāt prioritize making choices that will allow them to be happy.
@genevieve-sharp Profound.Ā
I just read Good Omens and its now my favorite book. It turns out many of my friends have also read it and never told me about it. I feel betrayed, itās literally everything I have ever wanted in a book.
There is a moral to this: Friends donāt let friends not read Good Omens.
@genevieve-sharp- Truth?
I have no real opinion on the matter but I would like to know your thoughts on what you meant by MtG isn't addressing diversity well
Itās been three years and the Gatewatch only just got itās first nonwhite member.
Itās been three years and there are no explicitly LGBT+ recurring characters.
Itās been three years and there are no recurring characters with nonidealized body types.
There is no representation, there is representation that is largely relegated to the fringes of an IP, and there is representation that is visible and present in the ongoing state of an IP. Magic has talked a big game, but theyāre still stuck in the second stage. Thereās a lot of good work being done in card art and a lot of good work setting a foundation for improvement, but Magic as a franchise still has a long way to go.
Ehr, Both Chandra and Gideon are non white. Gideon is what we in real life call āMiddle-easternā, and Chandra is at least half-Indian (on her mothers side). Sarkhan and Narset are both Central Asian (Sarkhan being Mongol and Narset Tibetan), and Tamiyo despite being non-human is clearly east asian. Samut is Egyptian, Huatli is Mayan, And of course, Teferi is Central African. And we just got another ethnically African planeswalker about a month ago in the form of Aminatou (A.k.a the best planeswalker ever). Kiora, although a merfolk, is clearly Polynesian.
Both Lily and Chandra are at the least Bisexual (Both have shown attraction to both males and females in story). Karn is Asexual and doesnāt really have a gender identity, and neither does Ashiok. And since prior to the Tarkir storyline we have had multiple characters in story (and on cards) who have been gay, lesbian, and trans.
Sure WotC still has a way to go, but saying that they donāt have representation when they clearly do, including several main characters, is not just wrong but disingenuous.
Without getting into the issues around most of these, the statement was Gatewatch. TheĀ āPocahontasā representation, as itās been called, doesnāt count for much until theyāre actually recurring members of the story. Adding background characters of color isnāt quite the same thing as having them represented in the story. And the two you mention are problematic. I think theyāve been making comparably great strides, but thereās a long way to go and retconning your characters to be POC isnāt the way to do it.
Gideon is Mediterranean, which isnāt the same thing as Middle Eastern. Heās a Greek analogue, and itās taken almost a decade for his artwork to ārealizeā that. That hardly counts for much, either.
Chandra is gaelic-looking woman from a time when Wizards of the Coast used Indian names on white people or fantasy creatures to make them sound exotic. This was back when WotC talked about Liliana being Middle Eastern until they realized that they gave the Middle Eastern woman a Veilā¦
Adding in an obviously Indian mother a decade later doesnāt change the fact that they dropped the ball from the start, and there was zero indication Chandra was anything but snow white until Kaladesh. I wished they had just owned it, honestly, because Kaladesh is diverse and her parents could have been white Kaladeshi while simultaneously introducing the first actual South Asian representation in Saheeli.
But no. Instead, we get Chandra OāNalaar, who, despite biracial children having a wide array of features, looks more like my very, very white niece and nothing like my half-white/half-indian son or any of my friends or relatives, down to the ¼th or 1/8th Indians. Red hair and freckles are certainly possible for her, in as much as theyāre possible for anyone, but it would be exceedingly rare in such a way that itās obvious Chandra was never intended to be South Asian representation.
^ This.Ā Basically all of this.Ā Couple of points I would add: Liliana being an essentially white woman with a veil as her signature weapon seems kind of worse to me than playing into what I recognise is a bad stereotype of āMiddle Eastern woman with a veil.ā Itās a smaller case of the same thing as Chandra where it might have been better to just own it.Ā Also, if youāre going to tell a story that has a (reasonably) fixed set of main characters, as Magic has done since Origins, what matters isnāt that the representation existsĀ in the Magic universe somewhere but whether it isĀ āon-cameraā, so to speak.Ā For the difference between the two and why it matters, see everything about the Nissa/Chandra queerbaiting. One cannot expect people to be happy knowing these characters exist if we never see them or stories are never told about them, perhaps because (like in Aleshaās case), theyāre dead.
"You can only play the cards when you can legally play them. For example, you can only cast a sorcery during your main phase." You are aware, I assume, that the UN-FAQ and X's text seem to contradict this ruling? Could you clarify which takes precedence for us, and update the FAQ if your ruling overrides the previous?
I messed up. I should have checked the FAQ. The FAQ is correct and my last answer on the topic is incorrect.
Bookmarking for future questions about X.Ā
Boris Groh is one of my favorite artists, mostly because of his works that feature LARGE skeletons just doing their thing
This is by far my most successful post on tumblr and I am really fucking glad because my main man Boris deserves to be recognized for his work. Even if its mostly getting passed around in the form of memes about cheese.
So cool!
Why did the C18 Jund commander deck two non-windgrace commanders had nothing to do with land-matters? (I don't think the ability to pay a lot of mana with Gyrus is land-matters)
The deck was about more than just ālands matterā.
Nothing against the asker, but this particular complaint has been really overblown. Ever since the very first Commander product, there have been decks where the two alternate Commanders have little to nothing to do with the stated theme.
The politics deck in C11 had Chaos and Land Destruction alternates.
The C13 grixis spellslinger deck had group slug and sacrifice matters alternates.
C14 elves had lands matter
C15 enchantment deck had Lifegain.
Many of C16ā²s partners had little to do with the main 4-color legendās theme.
The C17 dragon tribal deck had a rattlesnake commander and a big mana/storm enabler in Ramos.
Iām not sure why C18 in particular has caused people to latch onto the notion that a deckās alternate commanders have to play into the advertised theme, when historically this hasnāt really been the precedent.
I can only speak for myself, but:Ā When the decision was made to design the decks around themes rather than colours (tribes, last year), I expected that all of the potential commanders of the decks would be at least related to the theme of the deck in question. This could be as simple asĀ ābeing of the correct tribeā last year, orĀ ābeing an artefactā orĀ ācaring about enchantmentsā in some way this year (see below).Ā That is what changed. If, say, Nazahn had been a Kor instead of a Cat whilst the rest of the decks got 3 on-tribe Commanders, there would have been an uproar. The same principle applies here- Windgrace is awesome, but the spider commander has zero relevance to the theme whatsoever and Gyrus cares far more about your graveyard than your land count.* I donāt expect you to share my disappointment- Iām merely offering an answer to the question ofĀ āwhatās different this time.ā If youāre going to design the decks around themes, I expect themed Commanders (plural). C17 met this expectation, C18- in this case- did not.Ā *to pre-empt the reply: No, having X in the cost does not make Gyrus a lands-matter commander. He is just as effective if you ramp him out early using Sol Ring and Mana Vault as he is with a bunch of lands-in play. A commander has to reference or involve lands, specifically, in some way to count as aĀ ālands-matterā legend for me, just as Brudiclad counts as anĀ āartefacts-matterā legend because he makes them. Life from the Loam or Creeping Renaissance are lands-matter spells- Lavalanche is not.Ā
@astralarchivist that was an edited passage created to troll people. Aminatou has never appeared prior to this release
I will hold my hand up and also admit to being trolled by this. Well played, whoever you are!
Aminatou and Estrid are completely new, or have been mentioned somewhere before? At least Aminatou seems to be an oldwalker due to her powers.
Theyāre new. They did not exist prior to this product (and believe me, weāve scoured the lore for planeswalkers).
@vorthosjay: I saw a reference to Aminatou somewhere in one of the Time Spiral novels- Teferi and Freyalise are talking about Karona? Sorry I canāt be more specific.Ā
EDIT: Time Spiral, Chapter 5:Ā āI was travelling with Aminatou at the timeā?
Is the multiverse infinite or just immense? If it is infinite, that would mean there are also infinite planeswalkers.
The Multiverse is not infinite, but it is unfashionably large.
I always liked Uginās explanation of this:Ā āThe Multiverse is boundless, but its contents are finite.ā Infinite space, finite number of objects and things.Ā Ā
Mr. Gaiman, do you have any advice to spare for a 21 year old who is absolutely terrified of screwing up her twenties so irreversibly that she won't amount to much of anything? I keep reading that your twenties are "the formative period," and that so much of our lives end up defined by the choices we made in that span, and I feel like I'm already royally fucking it up.
Thatās why the twenties are formative. You do things, fuck up, deal with the consequences. Thatās what forms you. Itās also how you learn and how you grow and how you change. You arenāt meant to go through your twenties (or indeed through any of your life) with it all figured out. Get out there, do stuff, choose the wrong things, fuck up, fix what you can, donāt hurt people if you can avoid it, be kind, and fuck up better and more interestingly next time.
Yep, I really needed this today.Ā
The Good Place is a remarkably moving piece of media, particularly for today, because it takes the inherently nihilistic viewpoint that humans are the ultimate torture for other humans and turns that completely on itās head, showing growth and character change in every character with brilliant and subtle writing while at the same time completely reversing what it first posits and suggesting that humans are what drive other humans to become better, and our attitudes are a direct result of our situations in life that we can consciously effect and change. It suggests that growth is a decision, not that we happen upon it. This is important, philosophically and optimistically, especially because it does all this while telling No Exit it is inherently flawed in how it sees humans and is entertaining, staying relevant and popular in todayās fast paced and constantly changing media. In this essay I willā
@swmystery27
Accept no substitutes.Ā
Hi Jay! Has it ever been explained why Liliana was hit with sudden old age after the mending, but Nahiri wasn't? Thanks for all you do for the community.
Iām not sure she was. There was a lot of timeline wonkiness early on, where it seemed like the team had different ideas for how long had passed since the Mending. If she was physically in her 20s when the Mending hit, she could have made the demon deals 10-20 years before the current story and still have aged into an elderly woman.
This is also my interpretation. Going off the post-Scars timeline of it having beenĀ āabout a generationā since the Mending (vaguely), thatās enough time for Lili to have aged naturally from whatever age she was immediately post-Mending to the age she is in The Fourth Pact.
Your "Elders of the Multiverse" piece reminded me of this from Doug: "We have consistently thought of Uginās homeworld as being Tarkir, so he would have had to planeswalk to be involved in a war on Dominaria. Thatās a wrinkle, but doesnāt make it impossible to my mind." Can we now safely assume that this is no longer true, given the most recent Magic Story? I hesitate to say "has been retconned" because it was never explicitly called out as being his plane of origin, but you understand me.
Yeah, Ugin is from Dominaria. Iām fine with blog posts or planeswalkerās guides being overwritten, especially as it makes for a good story.
WARNING- LONG POST OF STORYTELLING THOUGHTS:Ā I think this is quite informative to me, personally, in understanding my problems with the most recent changes to Ugin/Bolasā history (and, to be perfectly honest, with the direction of Magicās story as far back as Origins).
Iām not really fine with what you describe. Like, at all. And I understand this has been happening since Origins, and will continue to happen, and there are principled reasons behind the decision to do that (as in, itās notĀ ālol continuity doesnāt matter cry moreā or whatever flak gets thrown at the creative team). I was not OK with it when Origins happened and Iām not OK with it now. It seriously affects my ability to enjoy the story, which is why Iāve never shut up about the Origins retcons and why the continuity/timeline errors in Dominaria bothered me. And if itās going to continue happening then I seriously have to question whether I should keep following a story that will upset me- if only a little- every time it does so. I really enjoy theĀ little details of worldbuilding and character, and I consider (in any medium) the statements of creators outside of their work to be canon to that work in regard to them. In my eyes, for instance, Dumbledore is canonically gay. So when Doug says, as he did back then,Ā āUgin is from Tarkir. We have consistently thought of Uginās homeworld as being Tarkir.ā I consider that to be canon and for the most recent story to change that is therefore (in my eyes) a retcon. Now, retcons arenāt universally bad- Iāve read Kellyās recent thread on this, and his arguments are reasonable. But they do carry a cost each time they happen, because they send a clear message that the creative team care more about being able to tell the story they want to tell than they do about making that story entirely consistent with whatās been established before it. And Iām realising that Iām not really capable of enjoying an ongoing story in which that is so obviously the case (and I mean no insult by that last part, itās just clearly not new).Ā
Why not? Because when I read a story and invest in characters and the little details of those characters, in any work of fiction in any medium, I have to be able to trust that those events, and the important details of those events (more or less), will still have happened in the long-term, and not be glossed over or changed so that Wizards can tell the story they want to tell at any given time. And I canāt do that with Magicā story right now (and perhaps never could).Ā How am I supposed to care about whateverās currently going on if this isĀ not the case? How can I, say, allow myself to get swept up in bits of Chandra and Nissaās romance or whoever the Raven Man turns out to be if I know that the details of those plots can be rewritten to better suit whatever Wizards wants to do next? I need assurances that these things will stay true in some stronger way than justĀ āyeah, the broad strokes of this happened.āĀ Thatās just not the case right now, and itās a big part- along with the entire Gatewatch plotline, essentially- why Iām no longer enjoying the official story. Iām not saying any of this to rag on anyoneās work or imply itās of inferior quality to how it used to be. If other people do, Iām genuinely glad for them.Ā Iām just getting the distinct sense itās not for me anymore, and honestly thatās pretty hard to take.Ā