SYLVIANE AMAURY
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@sylvianeamaury
SYLVIANE AMAURY
34 - they/them - non-binary - portrayed by golshifteh farahani
skeleton - about - wanted connections - pinterest
ofmichel:
He says it plain: “I think it’s beautiful.”
It does neither of them any good to step around his admiration for their work, not when over the years he has dedicated a decent chunk of his pay to purchasing paintings they have painstakingly crafted and sold. He doesn’t know that he’d call himself a collector, necessarily, but an admirant is almost certainty. Speaking to them now, in a more in-depth manner, feels odd. They haven’t ever really conversed, in the past, he realizes, and he tries not to let this realization turn his ears red. He’s never been a grand man when it came to conversation, nor is he a poet with grand designs. Better just to look, to observe, to see something for what it is: the bigger picture. Only then can the smaller details be taken apart.
Michel is aware of the irony of these thoughts. He’s done as much – big picture, smaller details, piecing it all together – at the site of the explosion earlier in the month. His tongue sticks briefly to the roof of his mouth. “Have you ever done anything on this scale before? It’s impressive.” Impressive, beautiful, a memory, a testament.
Calandre’s need for commemoration of one thing or another irks him, only because he does not understand it, but Val Faim is made of memories that are cradled close to the Empress’ chest. He’s well aware of her father’s image, crumbling into a strange state of decay, and when you put that up against the iconoclast of what Calandre has become… it’s easy to see what she and her people think is worth remembering. “You’ve been gone from the city for some time, and I think I speak for many when I say it’s good to have you back.”
Sylviane flushes deeply at his words - in gratitude, with pleasure, at the frankness with which he delivers the compliment, like it’s another simple fact of reality. “Thank you, Ser Fortin,” they say warmly. “That means a great deal, coming from you.”
They have critics, they have collectors. They have regular commissions, those that favor their work, those that have traced their career through years. In all, there are likely many people in Val Faim that could speak of their prowess, their style and mastery of the brush. None could come close to the opinion of the man stood now beside them, with his quiet admiration. Where others flaunt their support as signs of their status and taste, Michel Fortin has kept his collection so intimate that had Sylviane not done their own books they might not have even known he had collected all of the works he keeps squirreled away in some private room. It is a joy to finally connect with him - and over such a piece! So public a testament to the country and to their own work - from all others it would be empty flattery, but there is something about Michel that gives them faith in his honesty, his bluntness. He is not one to mince words, and for that they are grateful.
“Nothing quite so large - I once did a wall painting in a home, but that was a far less grand space and quite some time ago, now.” The mural reaches to the edges of their vision, filling the hall with color and form. Already they have sketches for another, a series of walls to further cement Calandre in legend. “It’s exhausting, is what it is,” they say, smile taking on a wry and joking twist, “but I will admit it’s far less daunting a task than most everyone else in the palace, so I take comfort in that. Though there are still occupational hazards - getting dried plaster out of your hair is never a pleasant experience.”
It’s easy to joke to him like they do with most others, but once again his candor knocks them slightly off-balance. A complicated tangle of emotions flares in their chest, and they smother it down. “It is good to be back,” they accede. “Much better ambiance, here. I’d almost forgotten how colorful the city is.”
“Has anything changed much, since I’ve been gone? The city feels just about the same as ever, but one can never be too sure.” Michel has to have a macro view on the city that they’ll never have, looped into the confidences of the Empress and controller to barracks upon barracks of soldiers. “Forgive me, but I’ve never quite understood exactly your position - Her Majesty’s army is - not something I have spent much time contemplating.” It is a delicate subject, and truly difficult to a lign their brother and their memories of a childhood under threat of war with the peacetime they’ve settled into, and most of all with Michel standing here with them. “It does seem that you might know the pulse of the city better than most. I am glad to be something of import, in your eyes.”
ofregis:
It has been a long time - but now that they are standing in the same places they once used to, closer to the space where they once were, Régis wouldn’t mind having a taste of what once was. While the anger is quick to Sylviane’s words, he thinks they wouldn’t mind a little reminiscing either.
He catches the delicate way in which they lean into the hand that cups their cheek - a yearning perhaps? While his snicker clearly stirs something less fond within them, as if they suddenly remember that absolution is an afterthought for Régis while permission is expected. Even now, years after they’ve shared a bed, he expects it. Régis is bad at giving things back is what it comes down to it, his access to Sylviane included. And how hard would it be to snatch it back? After all, a frustrated blush kisses their cheek in an appealing way and it tempts him in the same way it once did. He could bring his lips to it, cool the heat of it or spur it on depending on his whim, and indeed Régis considers action as his long fingers continue to work at the ribbon of the mask to unravel the knot keeping that pretty face from his unobstructed gaze.
They stop him, before the ribbon is undone, and with the way they hold him, wrists in their hands, they must feel the way that small, quick spark of anger that shoots through him at their denial. Very bad at giving things back. Still, he douses the ember before it grows and merely lets out another laugh at their clearly heated suggestion to ‘get checked.’
“Perhaps I should.” He says and then allows his voice to grow wistful. “I seem to only remember afternoons spent there…” his eyes move to a patch of dragon’s breath clustered near their feet. He doesn’t free himself from their grip, nor lose his own grip on the paintbrush. He moves towards them, allowing the weight and strength of his body to push them backwards. It’s easy to romanticize this into a waltz of sorts. They’ve danced before, they can find the steps again. The past comes easy to him as Régis moves through the space. “And there” he says, tilting his head to the right, towards the crowned heads of irises. “-and there.” To the left, further down the lane towards the colorful bulbs of tulips. “- And, of course, here,” till the arch of Sylviane’s back hits the leaves of the hedge and they are haloed by the wisteria, bells of flowers colored like a cloudy dusky sky. “I’ll admit,” Regis says with a wave of his words, a smile a touch too assured. “I find my memory comes quicker to me as I go through the motions.”
He finally pulls his hand free from where it’s placed on his chest and uses it to push a low hanging branch from their hair, picking at the flowers that threaten to cling to their curls. Régis may be holding Sylviane there with his own weight, but there’s no need for it to be entirely unpleasant. Besides, in his other hand, the paintbrush remains contested territory. “I’m sure wherever you’re being called off to can’t be more important than this.” He means it casually of course; an arrogance that’s meant to be laughed off but ultimately adhered to.
It is too easy to say this is Régis falling prey to his baser instincts. But there is more to it - the unfamiliarity of Sylviane has caught his attention. Close, only a hands distance apart, he can see it now, confirms this is no trick of the light or spellcaster’s illusion. They may not know each other as well as they used to, but it’s clear the Obsidienne has taken them in the same way that it has taken their mask.
“There’s been plenty of talk of what you’ve said since your return. Your words have left the court and found their way to the streets of Val Faim, and they’ve been rather difficult to ignore.” He says, tone light as ever. “Your eyes are different.” Their grip is tight and he continues through the discomfort. His fingers leave the flowers, turn their attention fully to their dark curls, but his gaze stays locked with theirs. “What was out there?”
Again, a memory superimposes itself over the present, hazy like a soap bubble, a shining brief instant of heated touches, clandestine encounters. Régis speaks in soft caresses, and the nostalgia for a simpler time overwhelms Sylviane so strongly for a moment that they move easily with him, body falling easily into half-remembered motions. How many times had they taken this same route, albeit with more intent and fewer clothes? How has that summer remained etched so firmly into their mind, unshaken by all they’d seen and their own desperate desire to unseat Régis from the place he’d so skillfully carved into their life?
Their breath hitches as they hit the hedge, branches catching at their hair, digging into their back. Régis looms over them, unfairly tall as always, and they realize briefly that they may have underestimated how important he finds whatever knowledge he seeks. Their irritation flares again as he moves his hand to their hair, but he seems to have learned better than to try for their mask again - one small victory. “Only the Empress’ counsel,” they say wryly, “though falling from her graces can’t be too devastating, hm? Look how you’ve turned out - thieving and accosting people in the gardens.”
It remains their most coveted point of irony - Régis’ fall from grace in the wake of Frederic’s treason, their own standing only continuing to rise while his precious, in-bred noble title was stripped. To then attempt to ascend on the patronage of the man responsible for the situation in the first place - a delicious drama that the most vindictive parts of themself found captivating as it began to unfold. Though Régis’ ties to Alain Gauthier are no secret, his truest feelings on the matter remain obscured like all his others, another layer to the inscrutable, polished facade he’s maintained the whole decade they’ve known him. Something half clicks over in their brain, but the thought of Régis as Gauthier’s errand boy for all things Obsidienne is almost laughable, especially with how forthcoming they’ve been to the general masses. True, they’ve obscured some of the more horrifying truths, reserving those for Calandre’s disregarding ears - but surely no one could possibly imagine they’d divulge those secrets to Régis, of all people.
“I feel no need to obscure the reality of what I lived amongst for two years,” they begin lightly, trying to match their own disinterested tone to his own. “Surely you’re familiar with the basics of the Obsidienne, or has Ser Gauthier kept that to himself?” They cock their head to the side lightly, hair slipping lightly through his fingers as they do. “Black sands, burning sun, the worst feats of magic you could ever think of, ripped straight from the earth itself and uncontrolled by any mage’s hand. The sky, tearing itself open, pockets of reality open behind. The dead, walking like they’d never been laid to rest.” Their gaze is sharp, driving into his own. “All this, for two years.”
“It is hell on earth, Régis,” they say, leaning into him, “and something is shifting in it.” A strange smile steals across their lips, jagged and awful, and they lower their voice. Their grip on the paintbrush is so tight they fear it might crack. “I killed the same corpse twice over because it refused to stay dead. I have seen things you could not even being to imagine, and it is no fault of mine if your small mind cannot comprehend because everything I’ve said is true.” They are sure he can feel their heart beating against his own chest, feel the heat of the angry flush that has overtaken them. They stand taut as a bowstring, ready to snap at the slightest disparagement. “So I thank you kindly to give me back my fucking paintbrush and leave me be.”
karinenotturna:
sylviane has always been a creature of the limelight, as far as he knew it to be. he’d first met them as a favorite of the empress, resplendent with praise and goodwill, as synonymous with luxury as they are with their craft. one lends itself to the other, he supposes. not that he could ever fault them for it; artists of varying caliber would surely kill to have attained their level of exultation–royal portraits, of all things. their work affixed throughout the palace, their name a household name within celestine.
imagine then, the shock! the awe! renowned painter gives it all up to chase shadows in the obsidienne. perhaps the peculiar charm he’d seen in them first upon meeting so many years ago had been just a strange pull to darkness and grit that took bloom this way, manifesting in abrupt aplomb, walking as close to the void as they could muster and painting what they saw within.
if he was being truthful, he hadn’t expected such persistent nerve. the boldness, he had expected–known them long enough to realize there was something beneath the surface beyond the clean-edged prestige of which most associated with them. perhaps the unflinching resolve endeared him to them; he would not admit it even if he knew.
what matters is that they’re back. it is curiosity, he thinks, that leads him back to their studio after an entire two years, finding a way in through a window that wasn’t sealed just enough; perhaps sylviane will tell vaska. perhaps not.
“i do, but it’s hardly as fun for neither you or i, hm?” karine offers a crooked smirk, and as he leaves the shadow and approaches the light, approaches them, his gaze is sharp, roving, perhaps searching for sure signs of transformation, indelible marks of the terror they’d certainly seen. when he sees none, he looks into their eyes instead; watching, as what he finds there softens. he’s long forgotten how to be soft, in the unabashed way that is more reflex, at least, and so he brushes the back of his fingers against the round of their cheek. as if to sure they’re real–as if to make sure they’ve not returned as vapors and dark. is he disappointed they aren’t? “it’s been some time, lamb. i was starting to think you’d made a home there.”
“Yes, well,” they say stupidly, end of the thought chased away by the nearness of him, sudden and overwhelming. He does have a point - half the reason they first found themself attracted to him was his cloak and dagger ways, the ease with which he went about his bloody business. It certainly had been why Vaska had endeavored to keep them apart - and look how that had turned out. They’d given their life over to the pursuit of dangerous things. Why should their heart be separate from their mind in that regard?
They lean into his touch, just barely, faint blush coloring their cheeks as if even the blood there yearns to be closer to him. The vice in their chest loosens, eased by the simple act of contact, and they sway into him, dropping their paint in favor of getting their hands on him - his arm, his chest, fingers twining loosely into his shirt. He is solid beneath their hands, familiar. “It’s not so hospitable to life,” they demur, though in truth they probably could have stayed out there for as long as the wilderness would allow them, entranced and endangered in equal measure. “But it is the kind of space that requires time, to really see it.”
“Did you know,” they continue idly, “that was the longest I’ve spent out of Val Faim? A real palette cleanser, if you ask me.” They turn their face up to him, slight sardonic smile pulling at their lips. “I envy you that, mon fantôme - that you are not so tied to one place.” They all have ties that bind, though Karine’s bonds had always been far looser than Sylviane’s own. In truth, they had not even considered their own leash until very recently, let alone the tangled web of Karine’s connections to Alain Gauthier and beyond, but for the first time since they ascended to the court in full over ten years ago they realize what a blessing anonymity can be. Mutability, they suppose, in equal measure, shifting as needs must.
They have sat too long as themself, untethered - unencumbered by mask, unhindered by societal games. They only hope they will bend before they must break to fit the space they’ve returned to.
“I hear you were overseas?” At least this is easy enough to fall back into - the light teasing press for information a gossamer cover for their deep fascination. Their smile widens, turns more true. Their hand traces softly over his collar bone. “How is the good land of Widrowem?”
“I am a dream swallower, and I poison myself. I have a palate for rare, erratic impulses.”
— Anaïs Nin, from a diary entry featured in Linotte: The Early Diary Of Anaïs Nin (1914-1920)
date: 17 maccius 936, late night location: le palais d'été / the summer palace, the mural wall status: closed to @sylvianeamaury
Sidonie treads through the palace with the comfort of a woman who’s lived here for nearly a decade–barefooted, curls pulled into a ponytail, donning a robe, comfortably–with a tray topped with hot water, tea, and small snack cookies. It doesn’t take long for her to find the place destined for beauty; it’s a spot on the wall that Her Imperial Majesty had been eyeing for awhile now, pondering what to put there–and Sidonie is glad it is Sylviane’s art she’s decided to place there. Rounding the corner, she’s blessed with the sight of the artist working on their mural.
“It’s lovely,” she says, forgetting herself. For a moment, she’s not an Advisor to the Empress, she’s merely Sidonie Dupont: a woman entranced with stories of the Obsidienne. And Sylviane, paintbrush in hand, is not the renowned Imperial Artist commissioned by the Empress, they’re merely Sylviane Amaury: a person with stories from the Obsidienne. What a lovely pair the two could make: the storyteller and the avid listener. Moments pass, and she blinks, clearing her throat. “Sorry. I didn’t mean to disrupt you. My name is Sidonie Dupont. Your work, artiste, is lovely.”
She lifts her arms, proffering the tray in hand before placing it on the tabletop. “I’m not sure how much longer you’ll be up, so I brought two kinds of tea, if you want them. The little bags on the left are more of a soothing blend; the ones on the right are more energizing. There are little cookies, as well.”
They try to leave the palace at a reasonable time most nights, get back home for dinner and a good night’s rest, but they started laying on the plaster only a few days prior and it’s been rose than they remember, finicky in ways that their familiar oil paint and charcoal is not. Too much lime, or too little. Too ambitious an area to cover in a day, or else not enough plaster for the energy they have. It’s the former today, a wide swath of wall they’d hoped to cover with the blue pigment of sky, but it’s proved more frustrating and time-consuming than Sylviane had expected, and so they linger before the wall deep into the evening, losing track in their frustration of time and their surroundings.
Sylviane starts at the sound of a voice behind them, fumbling their palette knife. It clatters too loudly to the ground in the strange silence that stretches between them and the woman before them - moments in which they struggle to come back to reality, to say something, anything at all - but the woman forges forward as if Sylviane hadn’t been standing there like a fool, and that’s enough to drag them back fully. “It’s no trouble,” they say quickly, divesting themself of their palette and wiping their hands on their smock, more at ease with their disarray when they fully take in the casual state that Sidonie has chosen for this meeting. They take the compliment with a demure smile. “Sylviane Amaury, though it seems you already know that.” And Sylviane, too, knows Sidonie Dupont, despite this being their first tête-à-tête - they’ve run in the same circles for close to a decade, Dupont with a seemingly tighter leash than Sylviane’s own, arcane master that she is, though they’ve both been called to heel from the desert, so who could really say?
“I fear I’ve hit the end of my rope for today. Some tea would be the perfect balm for the - evening?” They hazard a guess at the time, realizing for the first time their own hunger and exhaustion. It takes everything in them to not dive for the cookies, which sit tantalizingly on the tray and mock their plaster and paint-heavy hands. “Sometimes it’s easy to get lost in all of it,” they say, gesturing vaguely to the wall behind them, “especially at this scale. It’s a good challenge.” They smile more broadly now, tinged with a slight self-deprecating edge. “But you didn’t come to hear me complain about plaster and paint, did you? Far be it for me to curtail your intrigue, if you have, but you don’t seem the type to sit pretty while I demonstrate exactly how complex a simple patch of sky can be.”
vaskaofcalais:
tease, but suffused with warmth, and even his previous sarcasm had been overlaid by sunlight-rich honey, a fondness built into the foundation. vi smiles at him, and perhaps all the journey has been worth it to end up at this moment, for their smile and the way their mouth wraps around the word home, gaze pulling vaska into that creation, as though their hands were responsible or capable of building this moment and this place.
at the suggestion, they shake their head, knows that neither had suggested it as a course of action for a reason, turning instead to close and lock the door, ears tuned to listen to sylviane walk into the main room, senses attuned in the way they have been for near a decade, body angled towards them, an eye, an ear, a red thread linked.
so they hear as vi sneezes, and again, and vaska cannot help the smile that blossoms, teeth and laughter, bites down on their lower lip as he chuckles. ‘ sure, sure, i’ll cut every mote in half. knight in shining armour, fighting off the dust! ‘ with the exclamation, they tug off the scarf wrapped around the lower half of his face, before using it to fan the air harder, snapping it into the fabric to send more dust rising, scattering and catching the setting light that peeks through the edges of the curtains.
‘ oh no, they’ve doubled in number! don’t worry, my love, i’m here! ‘ she jumps forwards, scoops her arms beneath their legs and back, resting their weight in her arms, before carrying them back out of the sitting room and back by the bags. ‘ nah, we can clean the rest of the house tomorrow. finish off the last of the provisions and set up camp in one of the bedrooms? i’m fairly certain that two years distance won’t make your kitchen like me any more than it used to. ‘
They mock-swoon as Vaska nears them, only to catch another face full of dust that he kicks up. They sneeze again, only just managing to not sneeze directly onto her, groaning theatrically as they burrow into Vaska’s strong arms. “My hero,” they tease, wrapping their arms around her neck and planting a kiss on her cheek. There is a familiar comfort to this - a decade of jokes and trials, binding them to each other and their shared home. Vaska and safety are linked thoughts, have been from the start, but over time it came to be Vaska and warmth, Vaska and comfort. Vaska and home, inextricable, intertwined.
They could pause time in this moment, stay here in Vaska’s arms, bathed in sunlight and bursting with love. But the world plows forward around them, so they too must move. “You’ve gotten better,” they muse, remembering early attempts to teach Vaska to cook and the horrible charred remains of some of those early meals. “Who knows, maybe having a predictable stove could be to your benefit. Stranger things have happened.”
“I’m too tired to try to cook,” they continue, laying their head against his shoulder. “We can pretend we’re - not here.” They stumble slightly on their words, throat sticking around their anxiety at being back in Val Faim, at having to face society and Calandre again after so long. “A night just for us, before we have to see people and pretend we’re still civilized.” They try to joke, but it falls flat. “Lucky that I’m an eccentric and you can just stand in a corner and look brooding, or else we’d be be really sunk.”
ofagrippine:
Rubble and ruin, ashes and litter; this isn’t how they remember the Tomb, either. A small smile tugs at their mouth with the thought — to remember anything at all is their own secret pleasure, their private glimpse of the dawn. The tomb, then, is not so different from Agrippine themself. The wreckage of a forgotten life, the debris that they cannot decipher, the scraps of whoever they might have been once… but still, the tomb stands, just as Agrippine lives.
“I remember as well,” they offer, relishing the very words in their mouth. I remember, a declaration that they are not lost to the void. I remember, a song of hope for Agrippine and not a confessional for Savatier.
Agrippine recognizes them from the times they’ve lingered behind crowds, ears perked for their stories. Sylviane, they think. An artist, they recall. Their expression falls to one of reverence, as if in the presence of another prophet like Odeline. For isn’t anyone with a story of forbidden and sacred things a prophet, preaching what should not exist yet still inspires some dark almost-memory, cutting through you the way only truth does —
“You went to the Obsidienne.” Their voice quiets to a near-whisper at the mention of the desert. “Is there… is there a Tomb there?” It’s a bold question, especially for the stablehand with a reputation for soft-spokenness, the jockey known to disappear as soon as the race is done. It’s eaten away at them nonetheless, wondering if a holy place can ever withstand the nightmares Sylviane has spoken of.
It is unnerving, this easy recognition in the other’s eyes, something they’d forgotten in the last two years. Their name in people’s mouths, their image - mutable as it had been, back then - easy to place. Still, they smile, a true thing, as their words turn to the Obsidienne, to ground more familiar and commonly tread in Sylviane’s own stories than their years of artistic exploits.
“There is a tomb,” they say, envisioning the black desert once again. “It is the tomb, if you believe the stories - where Odeline died, where her body lies. It’s not unlike this, though much more weatherbeaten.” It’s an attempt at a joke to lighten their own mood, but nonetheless it falls a bit flat. Is their yearning for that worn but well-loved structure palpable in their words? It seems that with every story they tell, they project more of their longing into the world, words painting mental imagery of the bastard landscape that had hooked its way into their heart.
“Behind it,” they continue, voice almost wistful, “the black sands stretch out for miles. At night, you lose the horizon - the darkness of the earth blurs into the darkness of the sky. There is a light that burns at all times at the tomb, like a beacon... I still am not sure how it’s maintained. I never once saw someone approach it to keep it lit, but I never saw it die.” They smile faintly and shrug. “Magic, most likely. I never wanted to ask - it didn’t feel like my place.”
“I’ve never been particularly religious,” they explain, preempting the obvious question, “and I didn’t go to the Obsidienne to commune with Odeline, like some of the pilgrims - but it was a comfort, nonetheless, the light.” They pull themself from from the memory, turning their focus back to the stranger before them, their wide eyes and rapturous look. “Are you a... devotee? I know many gain great fulfillment from visiting the tomb at the desert’s edge, and I fear my stories will not do it the justice it deserves.”
ofmichel:
status: closed for @sylvianeamaury date: 20th of maccius, 936. location: sylviane’s mural
He passes by the place Calandre has designated the location of the mural almost every day, en route to some meeting or another. It’s been an interesting process, watching the outline grow and build upon itself. It also takes him an embarrassingly long amount of time to work up the courage to say something to Sylviane, whose pieces he has bought and collected and decorated his office with for several years.
When he sees the first splash of color, however, and Sylviane unattended by Vaska for once, Michel manages. The halls of the Palace here are near silent, as if all other traffic has simply redirected itself in an effort to keep from disturbing the painter. He can’t say he doesn’t enjoy it, because quiet is not in his company very often. Even the steps of his boots on the floor seem too loud for a place like this, which in the midst of the chaos is much-needed reprieve.
He clears his throat to avoid startling them, arms folded behind his back, admiring the projected scale of the piece. If the Palace was beautiful before, now it will be incredible. Another feat added to its centuries-old walls. “How long do you think it will take you to finish?” It’s said with a hint of curiosity, rather than concern. As if to say how long will you be staying, instead of how long until you’re out of here?
They tend not to keep track of the comings and goings of others in the palace, too consumed with their work and too easily lulled into the semi-complacency of being an object of interest again to keep note of those who simply pass as part of their day and those who stop to gawk or make it a point to seek them out. That’s what they’ve always relied on Vaska for - their eyes and ears outside of themself, tracking patterns and staying alert when Sylviane dips too deeply into concentration, blind to the world. Still, they mark the notable faces that pass them by - familiar members of the court and Calandre’s favored cabinet, guardsmen and mages new in the last few years. They mark Michel Fortin’s passage, both for the way Vaska stiffens when she first sees him and, more importantly, for the way they remember the man, enigma to the last, quietly collecting their work with as little interaction as possible.
It is a pleasant surprise when he finally stops, some weeks into their process, just the two of them and the mural, base layers set and ready for color. They are happy with it, as much as they can be - happy with the work, if not the commission proper. Happy with the appreciation in Michel’s eyes as they rove the mural, however quick a glimpse before his gaze cuts back to them.
“At least several more weeks, if I keep up this pace,” they say with an easy smile, stepping away from the section of sky they’d been laying on and wiping their hands down the front of their smock. “Though it’s always hard to tell, when you’re working on something this large. Never know how the paint will hold, if you’ll need to repaint a section. It’s been a while since I’ve worked with plaster.”
They move up beside him, wild disarray to his crisp and neat appearance, and try to take in the mural with fresh eyes - the shaded sketches giving way to disjointed pops of color, fine detail still waiting to be revealed. “What do you think of it?”
date: the fourteenth of maccius location: the lion’s mane open to: all
Impatience, thy name is Medraut Galant.
Espionage is so mundane, all work and no play, and Medraut hasn’t the faintest idea why Roth would send him to gather intel and sniff out Amelie’s whereabouts when the veteran Chevalier’s well of patience runs thrice deeper than his own. If he thinks too long on it, he’ll no doubt connect the dots of Roth’s design, and will see with clarity the blueprints of his intentions: mercy culminated in a sly attempt to keep Medraut occupied while also keeping him far, far away from the eye of the storm that nearly swallowed him whole all those years ago. For this reason, he doesn’t think too long on it.
Cloaks and daggers have never become him, and though he sits at a lone table in a dark corner of the Mane, and though shadows limn his person, and though he’s dressed in shades of black and gray, there’s a kind of restlessness that rolls from him in waves, one that conspicuously marks him as unbelonging to this place, these people, this city. He’s ill at ease, too unfocused to convincingly break bread with the Mane’s patrons and ply their tongues loose. With a quiet huff of frustration, he surveys the room for what must be the thousandth time, searching for clues hidden in plain sight. He knows he’ll find none, not here, not anywhere in Val Faim. In the marrow of his bones pulses a truth that he’s loath to swallow: there’s only one place in Celestine where secrets grow like weeds, and his stomach turns at the thought of returning to his motherland.
Impatiently, he drums his fingers against the tabletop, eyes tracking the sea of faces before him, trying in vain to find the devil in the details. His gaze drifts to the right and snags on the two bruisers circling each other in the Mane’s makeshift ring, knuckles bloody, teeth bared. Longing colors Medraut’s eyes a brighter shade of blue, and without meaning to, he leans closer to the ring. An itch that he can’t scratch pulls the skin of his arms and hands taut, and he clenches his fists to ward off the restlessness of them, the draw to violence, the hunger for it.
“Amelie!” he hears a girl shout, and his head snaps to the left, eyes scanning the crowd. The Amelie in question embraces her summoner, and when she turns to greet her other companions, Medraut can see that she bears no resemblance to his Amelie, not by any stretch of the imagination. It’s a dead end, as he knew it would be: another fruitless lead. This is useless, he thinks. There’s nothing to be found here. Only in the Underworld will he find fruit ripe for harvest.
He teeters on the tightrope of his emotions, legs wobbling, one misstep away from falling right into the waiting maw of his anger. Only in the Underworld. Only in the Underworld. Only in the Underworld. Prone to intense emotion, and cursed to always be moved by it, his frustration reaches its boiling point, and he finds himself caught too deep in the quicksand of his anger to tread it. With an angry swipe of his arm, he swears colorfully and hurls his tankard of ale at the wall to his left. The wood of the tankard splinters, clattering to the floor in pieces, and a spray of ale rains on the table adjacent to the wall. The patrons nearest to him huff and puff in equal parts surprise and outrage, and he earns some sidelong glances from others across the room, but none are brave enough (or stupid enough) to approach Calandre’s wardog, who everyone knows is keen to bite any hand, even those that try to feed him. Only one person, it seems, has the gall to step forward: a looming figure that he can sense more than see, for his eyes remain shut tight, the bridge of his nose pinched between his thumb and forefinger as he tries to recollect the reins of his temper. “If it’s the mess that troubles you,” he bites out, voice scathing, “thank Odeline it’s only spilt ale, and not spilt blood.” And not your spilt blood, he doesn’t say.
The Lion’s Mane is just as they remember - busy, noisy, grimy, and exactly the right space they need to disappear into the crowd and simply not think for an hour or two. Always a haunt with a few familiar faces, though more often than not they never knew the name for the face, simply lingered in corners with their sketchbook taking down likenesses of whatever barfly or bruiser happened to catch their eye. They’ve always preferred things rough around the edges. There are less familiar faces now, lost to two years of absence and changing fortunes, but their eyes roam the crowd nonetheless, waiting to snag on something like fabric on a bramble. Snag they do on a dark corner, figure within it all coiled tension and sharp lines. A wicked smile hooks across their face and they push forward to the bar, procuring two tankards of ale despite the one that graces the far table’s surface.
They wend their way over to the table just as Medraut snaps, and it’s a damn good thing they bought him a drink as his previous takes up residence on the wall and the passers-by instead of in his cup. It’s such a fitting setup for a reunion that they have to laugh - no matter what structure the Order gave him, he never quite seemed to outgrow that feral scrappiness that had captivated them in the first place.
“How tragic,” they drawl as they approach. “I’ve seen you covered in worse, Medraut Galant, and it’ll take a far lot more to scare me off than a hissy fit.” They place the tankards down on the table, settling easily in to the chair opposite him. They grimace at the wetness that seeps up into their clothes, but it is a fleeting discomfort in the face of their exuberance. “Careful that Lambert doesn’t gouge you for the price of the tankard, though, or the emotional distress of his patrons,” they quip with a wry smile. The Mane has seen far worse things than one angry man and a bit of spilt ale. They doubted anyone would even recall the incident after another cup.
“Chin up,” they say as they nudge one of the tankards closer to him. “Have another drink, for old time’s sake.”
when: 16th day of Maccius where: the summer palace who: closed for @chevalicr
Some would call it a blessing, having the Empress’ ear, the privilege of a private audience. The ultimate symbol of status. They thought as much once, a decade ago or longer, ravenous for recognition, for something lasting of their own making. Early on in their career, their meetings with Calandre were revelatory, a chance to peel back the layers of the Empress until Sylviane had gotten what they wanted - time for another sitting, a fleeting genuine smile that they hoarded in their sketchbooks for months. Even when they grew weary of Calandre’s gilded profile, they gloried in the freedom her patronage allowed them.
There are some days now when the Summer Palace feels more oppressive than the heat of the desert sun; every evasive word, every scrutinizing glance from Calandre flaying them wide. They’ve learned to hold their tongue, to keep the horrors they’d seen held close to their chest, doled out in mixed company but never again where Calandre could fix them with her shuttered gaze, her exasperated mein. That she does not want to consider the horrors is something Sylviane can accept. That she denies their own memory’s truth is something they cannot.
They bite their tongue. They play their part. They showcase elaborate designs of Calandre’s good works, translate them from story to page to wall, new sketchbook purpose-made for this project, crisp cream pages waiting for Calandre’s word to take shape. They remember what it is to be a gilded puppet, strings plucked by a higher power, but they grit their teeth and bear it.
Today Calandre is in top form, praising their new sketches and the progress they’ve made on the first section of mural. Sylviane simpers and receives the praise demurely, keeping their smile bright and laugh ready through the long minutes until Calandre dismisses them.
They’ve bitten their cheek until it bleeds, salt-iron tang grounding as they take their leave.
Striding through the halls back to their work, they cling tightly to their sketchbook, resisting the urge to fling it down the corridor before them. Frustration simmers just beneath their skin and they know they must tamp it down before Vaska sees them, else they be subject to his scrutiny as well. They take a corner with altogether too much speed only to skitter to a halt at the presence of another coming down the hall towards them. They recognize the set of the shoulders, the clip of the gait - all the things they’d studied in Matthieu those many years ago, when the man was only a pretty face and shrouded legacy. Unmasked, as always - a fact that made it easy for them to catalogue the planes of his face, translate them to idle sketches when they wanted something sharper than Calandre’s regal form - and a rather jarring reminder of the years in which they’d foregone a mask, so far from the structure of court. They crush their book even tighter in their grip.
“Chevalier Samuel,” they say politely, giving a perfunctory curtsy as though he hasn’t just seen them charging like a bat out of hell. Their smile is tight at the corners, mostly false. “A pleasure to see you, as always.”
when: 24th day of maccius where: sylviane’s studio who: closed for @karinenotturna
It has been a long day by the time Sylviane returns to their studio, smock and sketchbook in hand, Vaska off at the market getting them something for dinner. They’d begged off the crowd, citing a need to replenish some of their paints for the next day, but in reality they needed a moment to breathe, to simply exist on their own. With much of their time spent at the Summer Palace, their studio has lain somewhat neglected.
They switch on a small lamp as the enter, tossing the smock over a chair and opening their book to the page where they’d marked down the colors they wanted - azure, crimson, umber, each with a swatch next to it, as if they could ever forget the palette that ran constantly through their mind. They’re rifling through their paint cabinet, humming softly to themself, when they feel the whisper of a presence behind them, the smallest creak of a loose floorboard. They freeze for an instant, whirling around with a tube of titanium white clutched in their hand as though it would be any help, ready to yell for Vaska before they remember she isn’t there. Before the light catches on the hard planes of a familiar face. Before their heart stutters, once, in surprise, fear melting away in an instant.
“Karine.”
His name escapes their lips before they can even think, before they process the implications of him having been waiting in what should have been a secure room. Something tightens in their chest - heart and lungs crushed by a yearning so strong it’s almost palpable. They knew he was alive and well, Vaska had said so herself only a few days prior, but that was nothing until they could confirm with their own eyes. Now he stands before them cloaked in shadows, and the nearness of him after two long years makes them feel as though they might burst into flame.
Their brain finally catches up with them, and they furrow their brow. They should likely be concerned by the apparent ease he had in breaking in to their space - and this will be deeply uncomfortable to explain to Vaska, for a whole bevy of reasons, not least their apparent obliviousness to threats - but, frankly, they’re more concerned with when he’d entered, since they’d been puttering around for several minutes before he’d made himself known. They dismiss the thought with a huffed laugh, lips quirking up into a grin. “You do know that I have a front door that you are more than welcome to use, yes? Save me the heart attack and you the trouble of - wherever it is that you came in from.”
They are overwhelmed with a desire to touch, to confirm he’s really there - but they hold themselves back, uncertain. This - thing, between them - whatever it is - they don’t know how the last few years have worn on him, where he stands, so they merely smile, softer, and hope he feels the same. “It’s good to see you.”
It’s all romanticism, nonsense, rottenness, art.
Ivan Turgenev, Fathers and Sons (via mirroir)
ofregis:
Sylviane spills into the labyrinth of hedges side-by-side with the sunlight, just as harsh and just as illuminating. Régis supposes he expects a storm to arrive as they do, a downpour of rain to compliment a swelling sense of emotion that he’s so often experienced when former lovers have fallen out of his sphere of interest. Years have passed between him and Sylviane, but if the several rounds venomous indignation Régis has been subject to in the past from others has proven anything, it is that people grow foolish when it comes to matters of the heart. (It’s why he insisted so vehemently on leaving his heart out of the picture completely.)
But no, no storm. The sunlight stays and so do they - which means this is already working out in Régis’ favor. Most things tend to, and rarely does he go against the flow of his luck.
He’s reacquainted himself with the flowers of the garden while he waits – and he has noticed that the’ve made him wait. If this is purposeful on their part, it is fine and well with Régis. After all, the more they make him wait, the sweeter needs be the honey with which they ask for their beloved paintbrush back. Régis relishes drawing out all manner of things from others: grudging apologizes, clandestine confessions, needy sighs. Sylviane talks of forgetting things in each other’s absence, surely they haven’t forgotten that.
His lazy, amused gaze watches the coy way their fingers walk up his arm and he raises a suggestive eyebrow as their hand curls around the brush. Obtuse, downright overt, phallic imagery if this was some romance novel - but again, that is fine and well with Régis. He has no intentions of letting go. Instead, he uses their grip on the tool reel them in closer, pulling Sylviane towards him with a sharp tug till their bodies are flush - a reintroduction in the fullest sense.
“And would you have come if I had simply asked?” He asks equally pleasantly. His free hand could quite easily slip over to their wrist, pry the brush from their grip, but it’s far more entertaining to take the challenge of their touch and push back. He pulls their chin, their gaze, back towards him, pulling it away from the object to be retrieved. Yes, there are conversations to be had about that damned desert. Questions to be asked and answers to be demanded about the tales Sylviane and Vaska have been spouting. Régis orchestrates this symphony of an interaction with intent. But sun is still high in the sky. It’s just them tucked behind this row of hedges in the shade of their youth. They have a little time to meander.
“You have something I want, it only made sense to have something you want.”
Long fingers drift from chin to mask, dancing nimbly over the dark material draped over their face. It nice enough, a solid display of craftsmanship that even an aesthete like him can enjoy despite the monochromatic palette. A jagged rift cuts a daggers path over one eye. His fingers trace the edge of the cut with a surprising amount of coldness.
“What you saw out there - did it cause this?” He says with a sharp snicker, fingers lingering for only a breath before moving to remove the mask entirely from their face.
It’s difficult to separate the gardens from Régis and Régis from the gardens, no matter how many times they’ve seen both apart from the other - they remain intrinsically linked in Sylviane’s memory, tied up in the honey-gold sunshine of a summer already a decade past. In the Obsidienne, they did not think of him by choice; here again in Val Faim, he has already flooded their senses, shouldered his way back into a position in their world, one they’d neatly excised two years prior. It’s only fitting, they suppose. He’d always taken up more space than he deserved.
Sylviane goes willingly as Régis pulls them in, free hand coming to rest lightly at his hip. They submit demurely to his hand on their jaw, seeking, but their gaze is sharp when they lock eyes. “Perhaps I would have,” they reply, arching a brow. “After all, it has been a terribly long time since we saw each other.” It’s not quite a lie - if he’d inquired like a normal person, they probably would have been intrigued enough by his overture to follow up. A novelty, to be sought after by him again - and a good reminder to the both of them that they hold the high ground above him now, favored as they are in court, while he trails in the wake of Alain Gauthier, titles stripped and standing dependent on the one person perhaps volatile than Régis himself. It’s a delicious irony.
They open their mouth to ask what, exactly, he wants from them, but his touch on their mask silences them. It is bold - perhaps too bold, if the lingering gaze of the Empress was anything to go by - to display what they’d seen so blatantly on their face, but the Obsidienne had overtaken every available medium for them, and their mask was no exception.
Yes, they are about to say, and then he laughs, and the remembrance of why they dislike Régis is like a cold shock down their spine. A frustrated blush rises to their cheeks. It was, perhaps, too grand a hope that some of his incurable arrogance had been quashed in the two years they’d been gone, but nonetheless some small part of them had hoped. The casual ease with which he pronounces his judgement on their appearance, their experiences - it is infuriating. Truly, his arrogance knows no bounds, as even as he mocks them he moves to untie the ribbon that holds their mask on - taking, always taking.
Their time in the desert kept their mind sharp and body sharper. Their hand is on his in an instant, crushing it just a shade harder than is necessary. They take a half step back, drawing his arm down between them, pressing his hand back into his chest. “You do not have that privilege anymore, Régis,” they spit, dropping any pretense of warmth. “I thought I’d made that clear, though it appears your memory had a serious lapse while I was gone. Perhaps you should get that checked, it could be something serious.”
Sylviane is tired of playing his games, not when it means denying the truths of themselves now. “What do you want, Régis?” Their gaze is cold, their grip on the paintbrush and his wrist tight. “As nice a trip down memory lane this is, I do have more important places to be, so please. Do enlighten me.”
THE TENTH OF MACCIUS, AT THE PROPHET’S TOMB. OPEN TO ALL.
They don’t know much of Odeline, save for bits and pieces. A few lines in old songs, a prayer they’ve borrowed and tried to make their own. Every orphan needs a God, after all, so Agrippine finds some faith in a prophet who appeared to the world as a girl. It is poetic, Agripine thinks, though they know so little of poetry. It is profound, to Agrippine, though most things seem profound to them, without memory to explain the simplest of things.
The Obsidienne must not be not so beautiful as Agrippine imagines Odeline to be, but it has an appeal of its own. At times, they feel that they are like the Obsidienne; an endless desert where many have entered and no one returned. Is that not the heart of grief? Is that not the loss they carry? They have tried to return to themself again and again in vain, emty air running through their fingers like coal-colored sand when Agrippine grasps for their past.
Among the rubbles by the Prophet’s Tomb, where only a few days prior Agrippine was quite literally blown back, they listen. When another’s presence casts a shadow over Agrippine, their earnest for more stories of Odeline outmatching their habit of taking flight. Without a word, Agrippine shuffles aside to make room for them and bends their head towards the spot. “Here.”
After two years of quiet, Val Faim is deafening. They’ve taken to walking the city, cataloguing what has changed and what has remained the same, overwhelmed by and glad for the throngs of people that wrap themselves around them. They follow whispers - of death, of explosions, of their own stories, passed from mouth to mouth - and find they all end at the same place.
The tomb is familiar, if nothing else, though it feels to them now almost two places at once - the memory of black sands overlaid upon the surrounding streets. The statue of Odeline rises like a monolith and they can almost believe, if they close their eyes and block their ears, that they will open them to find the vast expanse of nothingness.
They do, for a moment. Nothing changes.
As they pick their way closer to the statue, they nearly miss the figure knelt on the ground. Their quiet word startles them, but they settle beside them, grateful in some odd way for the company of a stranger. “This isn’t quite how I remember it looking,” they say, trying to be diplomatic as they take in the rubble still cluttering the street. “A bit more.... rustic, no?”
6th maccius | their home | @sylvianeamaury
a journey, over, sand and dust worn into every crack of their shoes and clothing. still, for all the exhaustion that travel inevitably brings, they had spent the night previous in an inn just outside the city, and the morning finds the pair traveling into the city, walking back into the empty air of thier home.
with a sigh of relief, vaska slides his and sylviane’s saddlebags into the floor by the front door, then unslings his side bags, throwing up some of the thin layer of dust that now coated the untouched house. well, there’d be a while to clean and get the house resorted, groceries and supplies to stock back up on, work to get done before the court appearance later that day, but for now -
‘ home sweet home, huh. ‘ he tosses a grin over to the artist, letting the house and city settle back over him like a second skin, that despite the dust and the smell of stale air, nothing had changed, nothing had been experienced, nothing had been learnt. it’s home, a home, with all it’s meanings.
Their recall to Val Faim is abrupt, enough that they are still mulling it over even when they arrive back in the city. They were on the brink of something, they are certain, and now the city closes around them like a vice, wide open skies and endless sands now confined solely to their mind and their canvases. Still - stepping into their home is like settling into a warm bath at the end of a long day. A balm for their weary mind.
Sylviane trails a finger through the dust on a cabinet top absentmindedly, smile blooming as they walk through the front room. “Yes,” they reply, turning back to where Vaska stands at the front door, sunlight drifting through the kicked-up motes of dust and settling on his shoulders. Their heart swells, as it does every time they think of him this way. “Home.”
“It’s a good thing we’re already dirty,” they continue with a laugh, “since I don’t think I could stand all this dust otherwise. We should have written ahead, had someone in to fix the place up.” Even as they say it, their heart rebels, already set on turning the place inside out themselves, reclaiming the space with Vaska by their side. Remaking it for the person they are now rather than the shell of who they’d left behind two years before.
They drift into their sitting room, collapsing onto a covered divan in a plume of dust. They sneeze, then laugh again, then sneeze again, choking on the dust and mirth. “Vaz,” they gasp, “Vaz, come help me. I’m being attacked. You have to save me from the dust, it’s going to kill me.”