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@synchrotiger
soundscape of young green martian playing with pvc pipes
hey man i see ur busy walking on your knees a hundred miles through the desert but if youāre bored with that me and my friends were thinking about getting together and letting the soft animals of our bodies love what they love. lmk
youāre not gonna believe this
Iām like a performer, the dance floor is my stage. Better be ready, hope that you feel the same | Guillermo + Circus by Britney Spears
POV youāve been invited to a very strange house party (Youāre also a virgin)
group shot:) !Ā
favourite character meme: [1/5] relationships ā Arthur MorganĀ andĀ Hosea Matthews
I love Dutch like a father, but in many ways, I love Hosea even more. Heās kind and fair and like a human being.
āYou know, the images, they really are beautiful⦠all thanks to you. Iād be some poor creatureās bad meal by now⦠many times over but for you.ā
āWell, itās my pleasureā¦ā
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āPlease stay for supper, Pike. We havenāt had a real meal together yet.ā
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The Aftermath of Genesis
Listen, Charles. If it goes bad in there⦠you get yourself out. You got⦠more to lose. Ā No. Come on, donāt start talking like that. Ā I didnāt tell you before, but⦠I saw a doctor. Itās pretty bad, and itās gonna get worse. Ā Oh, Arthurā¦
midzel print for Anime Expo, available at table g54! zelda and midnaā¦ā¦ā¦ā¦ā¦ā¦were in love
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In Artist Adrian Brandonās Incomplete Portraits, A Year of Life Equals One Minute of Color
When Adrian Brandon starts to color a portrait, he sets a timer. For his rendering of Breonna Taylor, the clock is set to 26 minutesāfor George Floyd, 46 minutes, for Tony McDade, 38, and for Aiyana Stanley Jones, just seven. āWhen the alarm sounds, I am hit with a wave of emotions ranging from anger, to deep sadness, to hopelessness, to feeling lucky that I am still here,ā he says.
The Brooklyn-based artist is working on Stolen, a series of partially filled-in depictions of Black people murdered by police. Each portrait remains incomplete as Brandon only colors one minute for each year of the subjectās life that was cut short. āAside from being able to give the viewer a visual of the various ages affected by police violence, the timer creates a lot of anxiety for me as the artist,ā he says, wondering, āāWhen is the timer going off?ā āWill I be able to finish this eye?ā āDamn, I havenāt even gotten to the lips yet.āā In a note to Colossal, Brandon expanded on the project:
Although this anxiety may seem minor in that the consequences for me are very low, it does really have an effect on me. Anxiety is a feeling that black people are far too familiar with, and to experience that feeling while illustrating these portraits allows each piece to feel like a performance. A lot of Black people are forced to live with this anxiety and accept it as part of our every day. But these feelings build up and are exhausting. I shouldnāt have to do a prayer every time I see police pursuing a Black person in the streets. I shouldnāt feel anxious when the police are talking to a person of color. I shouldnāt feel so damn anxious that I remove my hat and jewelry when the cops pull me over. I shouldnāt feel so anxious that I would second guess calling the police if I ever needed to. This series is pulling me in, in ways that art has never done.
Brandon has been sharing deeper insights behind the portraits, in addition to timelapse videos, on Instagram.