Aug 17, 2021
Full transparency: this less than 2 mile run sucked! 😂 Legs heavy like metal. Couldn't control breathing. Walked 40% of the time - totally happens.
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Full transparency: this less than 2 mile run sucked! 😂 Legs heavy like metal. Couldn't control breathing. Walked 40% of the time - totally happens.
Álmomban
Volt egy srác. Orrszarvú feje volt és nem akarta, hogy az ágyában aludjak, barátságból se, keressek másik ágyat – mondta, pedig azt hittem, ha nincs szerelem, akkor mindenki normális és barátságos és fogalmam se volt, hogy akkor hol töltsem az éjszakát. Az orszarvúfejú egy régi ismerősöm volt amúgy, akivel soha nem volt semmi, még érdeklődés se, csak valami futó munkakapcsolat, szóval ő tényleg a semleges pasit szimbolizálta. Mondjuk, az orrszarvúfej az tényleg nagyon fura volt az embertesten. Nem akartam könyörögni, inkább elmentem, hogy majd hajnalig sétálok, de aztán valahogy betévedtem egy üres török kávéházba ahol mindenütt virágkoszorúk voltak. Unalmamban leszedtem egy növény kis zöld bogyóit és beledobtam egy fazékba és felforrt a víz. Zubogott. A morzsányi kis zöld izé felforralt egy fazék vizet. És szaladtam, hogy valakinek elújságoljam a hírt, hogy egy marék zöld bogyó lehet, hogy felforral egy medencényi vizet is, és győzködtem az embereket, hogy nem csak felforralja a vizet, de folttisztító is! És mutattam a ruhámat, hogy nincs rajta folt. persze néztek rám, hogy: he? Aztán legyintettek, hülye ez. ( :DDD) Volt még valami kibaszott nagy bogár is vagy húsz centis sáska-futrinka keverék. Na azt is csak én láttam mert meglapult mindig az árnyékban és nem tudtam senkinek megmutatni mert nem tudták mit kell nézni. Hár nagyon hülye álom volt, nagyon, de olyan erősen megmaradt az élmény amikor összemorzsolom az ujjaim kzött a kis bogyót, hullik bele a fazékba és egyszercsak, baszki, ez forr, és abba se hagyja, úristen! Álmomban a csoda olyan evidens volt, logikus és valóságos. De legalább nem bőgtem, nem fájt semmi és csak picit féltem.
\ Hello ♡/ 鴉に口を聞いたから～❤︎⃜ みんな去ってしまった～❤︎⃜ 闇夜に烏、雪に鷺 (*ˊᵕˋ*)੭ ੈ❤︎ ✧ᴴᴱᴸᴸᴼ✧
🌼💕⸜🌷︎⸝🌸🌹🌺🌻🌼💐
2021-08-17 (火)
( ̿–ᆺ ̿–) චᆽච ( ̿–ᆺ ̿–) චᆽච ( ̿–ᆺ ̿–)
👑 No. 投稿数 ⟴ 2,530
👑 No. １ ⟴ ３７２
⑅⃛⑅⃛⑅⃛ℒℴѵℯ⑅⃛⑅⃛⑅⃛♡*
=͟͟͞͞ ♡︎ 丁酉
〖引用🤩雑学ネタ帳〗
日本最高気温の日、プロ野球ナイター記念日、パイナップルの日、Dream Zoneのラジオを楽しむ日、国産なす消費拡大の日、いなりの日、減塩の日、蕃山忌、荒磯忌
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( ; - ; ) 歌詞・歌詞本
Яё∫Ц...φ(*ゝωб*)書き込み㊥
( ･ᴗ･ )⚐⚑⚐゛すべての誕生～ご逝去まで ⚑⁎∗
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🎞ᎥᏝᵒᵛᵉϋෆ* 無邪気な翼は傷つくけれど 𓎤𓅮 ⸒⸒ ໒꒱·̩͙⋆.*𓂃 𓈒𓏸 ໒꒱
✒️ 𝙥𝙚𝙣✒️ ηακετα..._〆(；c_q｀) 🖊🖋🖌🖍
ミ｡Нёιισ｡+｡ｧﾘヵヾ㌧㌧｡+*:;;:☆:;;:*+ァリヵヾ㌧㌧+｡Нёιισ｡彡
- ̗̀ ☺︎︎ ̖́- 17日 (火) (¯―¯٥) ՞ ՞ ՞
真夏日～ガラリと入れ替わって、 (¯﹃¯٥)゛ 肌寒い室内温度 23.2℃ （23:50）
- ̗̀ ☺︎︎ ̖́- 18日 (水) (¯―¯٥) ՞ ՞ ՞
真夏日～ガラリと入れ替わって、 (¯﹃¯٥)゛ 肌寒い室内温度 23.3℃ （03:４７）
ＬＯνЁ ﾟ･*:.｡. ☆ｌｏυё☆.｡.:*･゜ＬＯνЁ ﾟ･*:.｡. ☆
٩꒰ ˘ ³˘꒱۶~♡ お天気
♡//☂// *☂︎*̣̩⋆̩ ☔ ࿎♡̸᩠࿎ 曇り空 𝔻𝕒𝕪, ꒰⁎×﹏×⁎꒱՞༘
このたびの豪雨災害にて、被災された方々に心よりお見舞い申しあげます。
皆様が一日も早く平穏な生活に戻られますことをお祈り申し上げます。
by お部屋の管理人より 😢💧💧🕊˻˳˯ₑ®
🎞ᎥᏝᵒᵛᵉϋෆ* 二人を結ぶまで (˶˘ᗜ˘)乂(˘ᗜ˘˵)
🎞ᎥᏝᵒᵛᵉϋෆ* 君の不揃いな 前髪と視線を (❁ᴗ͈ˬᴗ͈)
♥︎︎∗︎*ﾟ (´▽`ʃ♡ƪ) お庭お手入れ作業日
❥❥» (１)：ゴミ袋詰め作業終了 🌤 ️️️⛅️
- ̗̀ ☺︎︎ ̖́- テレビリモコン２０袋 ➕ 08月08日 (日) 半袋小（２１袋目）➕ 08月17 (火)（２１袋）
(ง🔥Д🔥)ง テレビリモコン ➕ ５袋完了 ➕ みっつの年の差完了（３袋）➕ １袋完了（２１袋）
❥⃝❥⃝❥⃝ ウルトラマン࿎♡̸᩠࿎背の高いハルジオン撤去 ‼️
࿎♡̸᩠࿎ ２NHK Eテレ 教育 or １NHK 総合 歌番組࿎♡̸᩠࿎受信料金の戦い (๑ ˭̴̵̶᷄൧̑ ˭̴̵̶᷅๑)🎙
💔💔💔 ゴミの日に捨てたら完了～🏁💕
・:*三( ε:))☆((:3 )三*:・。
(📞๑•̀ - •́)電話ください🌼糸電話📲🆗❔
1️⃣ お腹いっぱい...❔ (*￣◇)=3 ｹﾞﾌﾟｯ
2️⃣ おなかすいた...❔（´Δ｀*）
(ﾟﾚﾟ)腹ぺこ王子 or 腹ぺこ王女 ★ﾟ｡ *
さて、今夜のメニューは、何を食べようか...❔
♡(๑⃙⃘・н・๑⃙⃘)ﾊﾟｸｯ♥(๑⃙⃘・н・๑⃙⃘)ﾊﾟｸｯ
♥︎︎∗︎*ﾟ自動販売機にホットドリンクが入っていて、今の時期に温かいドリンクがあるのは珍しいから心底嬉しくて、同じものを２つ買おうとしたら１つで売り切れであきらめの夏～ ♬︎♡
💕ूू (３)：
( •︠ˍ•︡ ) ( •︠ˍ•︡ ) ( •︠ˍ•︡ ) ( •︠ˍ•︡ ) ( •︠ˍ•︡ )
♥︎︎∗︎*ﾟ人待ち月࿎♡̸᩠࿎月夜
💕ूू (２)：
撮影時刻 🔜 21:07:40
☠ฺ:｡○ஸﾟ☠ฺ:｡o○ஸﾟ☠ฺ:｡o○ஸ☠
❤︎⃜…// オニユリ（鬼百合）
ʚෆ⃛ɞ 余ったハンガー
ʚෆ⃛ɞ ࿎♡̸᩠࿎むかご࿎♡̸᩠࿎ネクタイピン
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💕ूू (７)(８)(９)(１０)：
《花言葉》
愉快・純潔・富と誇り
嫌悪・荘厳・華麗・賢者
陽気・濃橙・賢者
別名：テンガイユリ（天蓋百合）
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by ディズニー いつか夢で『眠れる森の美女』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 あなたをいつも夢に見て その瞳さえとても懐かしい 夢はまぼろしだと言うけれど でもわかる あなたこそ愛してくれる あの夢と同じに あなたをいつも夢見て その瞳さえとても懐かしい 夢はまぼろしだと言うけれど でもわかる あなたこそ愛してくれる あの夢と同じに
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 童謡『蛙の夜回り』
(ღ•ㅂ•๐) 【歌詞】
１． 蛙(かわず)の夜まわり ガッコ ガッコ ゲッコ ピョン ピョン ラッパ吹け ラッパ吹け ガッコ ゲッコ ピョン それ吹け もっと吹け ガッコ ゲッコ ピョン ガッコ ゲッコ ガ ハ ピョンコ ピョンコ ピョン ガッコ ゲッコ ゲ ハ ピョンコ ピョンコ ピョン ガッコ ピョン ゲッコ ピョン ガッコ ゲッコ ピョン 寝坊(ねぼう)の蛙も ガッコ ガッコ ゲッコ ピョン ピョン
２． あわてて 飛び起き ガッコ ゲッコ ピョン ラッパ吹く ラッパ吹く ガッコ ゲッコ ピョン ガッコ ゲッコ ガ ハ ピョンコ ピョンコ ピョン ガッコ ゲッコ ゲ ハ ピョンコ ピョンコ ピョン ガッコ ピョン ゲッコ ピョン ガッコ ゲッコ ピョン
３． 朝まで夜通し ガッコ ガッコ ゲッコ ピョン ピョン 寝ないで 夜まわり ガッコ ゲッコ ピョン それ吹け もっと吹け ガッコ ゲッコ ピョン ガッコ ゲッコ ガ ハ ピョンコ ピョンコ ピョン ガッコ ゲッコ ゲ ハ ピョンコ ピョンコ ピョン ガッコ ピョン ゲッコ ピョン ガッコ ゲッコ ピョン
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 太田貴子『AFTER HOURS』♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 はしゃぎ疲れた小鳥のように 闇のベッドで街も眠りにつく いつ出会って恋をしたか 何故忘れてしまえないの ひとりぼっち AFTER HOURS 抱きしめてよ 静かすぎる AFTER HOURS ここへ来てよ 急にあなたの声 聞きたい夜 受話器とらずにダイヤル押してみる 今同じ夜の中で 誰かのそば 寄りそうのね 誰もいない AFTER HOURS 月の窓辺 涙がでる AFTER HOURS 眠らせてよ 夢の中ならまた逢えるから 灯りを消して時間を泳ぎたい もし願いが空しくても まだ忘れてしまえないよ ひとりぼっちの AFTER HOURS 抱きしめてよ 静かすぎる AFTER HOURS そばに来てよ 誰もいない AFTER HOURS 優しくただ 涙がでる AFTER HOURS 眠らせてよ
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 永作博美『逢いにきて』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 逢いにきて逢いにきて ねえ すぐにすぐに来てよ 星空に一人きり 迷いこんだまま 落ちそうな程 震えてる空 悲しみを撒いたように 瞬いている あの星たちが 流れつく果ては胸の中 そうね 一瞬で消える運命なの すべて ※逢いにきて逢いにきて ねえ すぐにすぐに来てよ 今ならば言葉より 肌 声 あなたが欲しい 逢いにきて逢いにきて ねえ すぐにすぐに来てよ 何もない暗やみに 今は変えないで※ 蜃気楼でも かまわないから きつく目を閉じてみるの 焼き付けるように 夜が明けたなら その時に二人は終わるの 長い夢ならば いっそ起こさないで 二度と 逢いにきて逢いにきて ねえ すぐにすぐに来てよ 追い風にあふれてる 切ないあなたの声 逢いにきて逢いにきて ねえ すぐにすぐに来てよ 恋したの愛したの それとも 夢みてたの (※くり返し)
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 大月みやこ『逢いに来て』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 別れて一年 もう二年 あれから恋など 出来なくて やっぱりあなたの 思い出を 心に離さず 抱いています そんな私に ねぇ 気づいたら いつかお願い 逢いに来て 淋しい夜更けは つらすぎて 涙の小雨に濡れてます 我がまま言っては 困らせて 愛していながら 背を向けた 過去を許して ねぇ くれるなら いつかお願い 逢いに来て もいち度逢いたい 夢にでも 別れた後から 気がついた あなたの匂いも 温もりも 恋しさばかりが 募ります 愛があなたに ねぇ あるのなら いつかお願い 逢いに来て
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 小堺一機『With』♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 季節は幾つも 長い恋 自然すぎるほど 心の天気図 わがままに電話 長い夜 ブルーな気分 なだめてくれるね 愛していると 言いもっと一緒に いたいと思う いつかプロポーズ ずっと 本気さ 今日も普通に過ぎて 君がいてくれる 素敵な穏やかさ いつも感じてたい
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 中森明菜『SOLITUDE』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 25階の非常口で 風に吹かれて爪を切る たそがれの街 ソリテュード だから好きとか嫌いの問題じゃなくていつか馴れ合う 気安さがイヤなの うまく云えなくてごめんね ソリテュード 捜さないでね醒めちゃいないわ 誰よりも愛してる そう云い切れるわ だからなおさら ままごと遊び 男ならやめなさい そんな感じね Let's Play In Solitude まるで巨大な怪獣のように 闇にそびえた ホテルに泊まる 目の下にはシティ・ライツ ソリテュード 決められたレイル・ロード 走ってゆくように 色あせた夢を見て 流されるなんて 誰もみな ストレンジャー初めは他人 想い出はいらないわ バッグひとつで I'm In a Solitude I'm tellin' you いつか I will see you どこかで Because still I need you ※捜さないでね醒めちゃいないわ 少し憎んで すぐ忘れてね 誰もみな ストレンジャー初めは他人 ※ (※くりかえし)
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 安田成美『月のミューズ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 夢のあなたは まるで少年みたいに 錆びた自転車のペダル クルクルまわして 空飛んでたの 窓辺に立って声をかけてもあなたは 緑の星の光の道を走るの そっぽ向きながら 風が冷たい夜は とても淋しくて パジャマのまま 追いかけたの 星の小径 裸足で歩いて パジャマのまま夢がさめて ふと気づけば れんげの野原ね 銀のハモニカ 誰かが吹いているのよ 夢の続きね 迷路の中で迷えば 猫が眠ってる あなたの行方 花に訪ねてみたけど 葉っぱが風に吹かれて 首をふるだけ 星も急いでる 月の女神(ミューズ)がきっと あなたさらったの パジャマのまま 追いかけたの 星の小径 裸足で歩いて パジャマのまま 夢がさめて ふと気づけば れんげの野原ね 夢のあなたは まるで少年みたいに 錆びた自転車ペダル クルクル 空を飛んでたの
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by notall『ハッシュタグはつけられない』♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 一日一度深呼吸をして 最高の理想を宙に描いていたのさ ガラスの天井を打ち抜いて、いま イマジネーションは ほらドローン視点になる 熱いココロを隠してた なのに出逢いがしらのこのトキメキ GO Let's GO！もう止まらないよ GO Let's GO！君のことが好きさ それ以外ほかに何もいらない GO Let's GO！産まれたての恋 GO Let's GO！指が追いつかない だからハッシュタグ……は、 つけられない！ 誰も多分きっとわかってない つきあいたい、じゃない ただ心底、愛してる 分析されてたまるもんかエナジー 食べ物と空気、 水だけじゃ生きていけない スモーク越しに太陽がキラリ 照らされて光る月になる GO Let's GO！もう止まらないよ GO Let's GO！君のことが好きさ あの日以来 鳴り止まない Music GO Let's GO！ひとつになりたい GO Let's GO！もっと加速したい だからハッシュタグ……は、 つけられない！ GO Let's GO！これまで来た道 GO Let's GO！ここから歩む未来(とき) 現在(いま)がすべてじゃない スモーク越しに太陽がキラリ 照らされて光る月になる GO Let's GO！もう止まらないよ GO Let's GO！君のことが好きさ あの日以来 鳴り止まない Music GO Let's GO！ひとつになりたい GO Let's GO！もっと加速したい だからハッシュタグ……は、 つけられない！ GO Let's GO…
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 華原朋美『MOONLIGHT』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 きょうも いちにちだいすきだったあなたと すごせた わたしはとても うれしそうつきあかりがいえじをてらす…かえりみち とおいとおいむかし あなたとであっていた まいあさ おなじしゃりょうで ほんのすこしだけ かわすえがお それだけでみっか もってた だけどちょっとづつ みたされてきたから よくばりになっていくかも きょうも いっしょ あしたもいっしょがいいよ shinin' moonlight shinin' moonlight shinin' moonlight shinin' moonlight… だいすきだってことだよ はなれたくないのは KISS のあじが おんなじあなたといちにちいっしょ のんだジュースもしょくじも ぜんぶ いっしょだから つきあかりがふたり てらしている きょうもいちにち だいすきだったあなたと すごせた わたしはとても うれしそう あなたがしあわせじゃなきゃ いきてるかいがない おやすみをいうまで あといっぷんまって… shinin' moonlight… [shinin' moonlight…] shinin' moonlight… [shinin'moonlight…]
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 池田聡『愛の歌(feat.沢田知可子)』
(ღ•ㅂ•๐) 【歌詞】 街を駆け抜け 風が通り過ぎる まるで私のことを励ますように 明日は手探り 水に描いた絵みたい そして正しいことも見失いそう 様々な悲しみ 負けそうな出来事 愛の歌 探しに行こう 今ならば きっと間に合う 誰よりも自分を褒められるよう 頑張って生きてる 夢を夢だけで終らせないように この場所で生きてく 夢を語らず生きる大人たちへ そして夢を持てずに死に逝く友へ 同情はしないわ 憐れみもしないわ 愛の歌 聴こえるでしょう? 今ならば きっと間に合う 誰かのせいにして逃げ出しそうな たとえそんな時も 未来を想い出に終らせないように 自分を信じてる 街を駆け抜けてく風に 今 感じる 愛の歌 探しに行こう それぞれの想いを胸に 誰よりも自分を褒められるよう 頑張って生きてる 夢を夢だけで終らせないように この場所で生きてく たとえどんな時も この場所で生きてく
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by 池田聡『悲しみにキリがない』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 悲しみにキリがないよ 君を失って この胸のどこかしら いつも 泣いている ハンガーが余った分 君のいないこの部屋で アンサーフォンを 巻き戻して 何度 声を聞いただろう 互いの思いに 自由を縛って 愛に酔えば エゴイスト ※悲しみにキリがないよ 何もしたくない 思い出に沈んでくこの時間 悲しみにキリがないよ 君を失って この胸のどこかしら いつも 泣いている※ あの夜は 真実より 嘘が やさしかったのか? こわれた何かに 気づかぬフリした 愛を知れば フェミニスト 後悔にアトがないよ 淋しくなるだけ サヨナラがあふれてた あの瞳 後悔にアトがないよ 僕は1人きり 君以外 どの女も 愛せないだろう (※くり返し)
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
by ザ・タイガース『色つきの女でいてくれよ』♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】 (ღ•ㅂ•๐) ※さよなら ぼくの美少女よ ♪♪" (ღ•ㅂ•๐) きりきり舞いの美少女よ ♪♪" (ღ•ㅂ•๐) いつまでも いつまでも ♪♪" (ღ•ㅂ•๐) 色つきの女でいてくれよ※ ♪♪" (ღ•ㅂ•๐) たそがれの窓辺で髪をすき ♪♪" (ღ•ㅂ•๐) いたずらに口紅をぬっていた ♪♪" (ღ•ㅂ•๐) あどけない笑顔がまぶしくて ♪♪" (ღ•ㅂ•๐) さりげなく背を向けた日もあった ♪♪" (ღ•ㅂ•๐) 移り気は夢の数と同じだけ ♪♪" (ღ•ㅂ•๐) それぞれの心に それぞれの夢を ♪♪" (ღ•ㅂ•๐) (※くり返し) ♪♪"
(ღ•ㅂ•๐) ふり向いた瞳が大人びて ♪♪" (ღ•ㅂ•๐) 唇の微笑みが気になった ♪♪" (ღ•ㅂ•๐) 去りぎわの季節のあざやかさ ♪♪" (ღ•ㅂ•๐) その裏のさびしさを感じてた ♪♪" (ღ•ㅂ•๐) 想い出はいつも揺れるメランコリー ♪♪" (ღ•ㅂ•๐) それぞれのページに それぞれの色を ♪♪" (ღ•ㅂ•๐) (※くり返し×2) ♪♪"
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
\ ♩ /🐸🐸🐸🐸\ ♪♪ /🐸🐸🐸♬︎♡
😚 😘 カエルさんになって逢いに来たよ～ @'^'@
\ Hello ♡/ あまりに殺風景なほど田舎なので、アプリから音楽＆ステッカーを入れてみました。 ✧ᴴᴱᴸᴸᴼ✧
♥︎︎∗︎*ﾟカエルさん登場～Θ_Θ
ｗ<’ ◇ ’>ｗ⸜❤︎⸝ｗ<’ ◇ ’>ｗ
撮影日：2021-07-07 (水)
=͟͟͞͞ ♡︎ 丙辰
撮影時刻 🔜 15:04
(｡ì _ í｡)ゞ'`ｨ 🎞 動画あります。
〖ことわざ〗
井蛙(せいあ)大海(たいかい)を知らず。
［ 意味 ］
他の広い世界のあることを知らないで、自分の狭い知識や考えに得々としているさま。
この他あっても、投稿人の検索で引っかからなかかった『歌詞』を眠れる森の美女にして申し訳ありません。
〖✳ウィキペディア✨情報〗
まだ贈り物をしていなかった12人目の魔法使いが 「この呪いを取り消すことはできないが、呪いの力を弱めることはできる」 と言い、「王女様は死ぬのではなく、100年間眠り続けた後に目を覚ます」 と告げた。
🎋⭐️🎋🌌✨🎋✩🎋🌌✨🎋⭐️🎋
- ̗̀ 📷 ̖́- 𖤣𖥧𖥣𖡡𖥧𖤣 【◎】д=)
ﾓｰ 甘┳┓ﾓｰ 甘┳┓ﾓｰ 甘┳┓ﾓｰ 甘┳┓
😷𓂃◌𓈒𓐍😷𓂃 𓈒𓏸◌😷𓏸𓈒𓂃😷𓂃◌𓈒𓐍◌𓈒
#冠婚葬祭 #歌詞 #逢瀬 #世界 #追伸 #消息 #安息日 #殺風景 #動画 #お庭 #日本 #JAPAN
#様子見 #万年金欠 #貧乏家の人々 #生きてゆくしかない #ひっそり #人生 #潜むように #消息 #面倒臭い #めんどくさい #与える愛 #孤独 #あくせく #夜なべ仕事 #公開日記 #網を張る #無料代行サービス #処理係 #真夜中のど壺
2020-08-21 (金) 🔋
👑 No. ３ ⟴
【📷💕フォト 【◎】д=) ギャラリー📷💕】
✩⃛ೄ 嘘がつけない┌iii┐♡ プレイバック撮影 ✩୭⋆*✦*⋆୭*✩
´｡･･｡)ﾉ☆｡. メモ消滅から時間が立ったので、頭を切り替えて投稿に漕ぎ着けました。(。-ˇ.ˇ-。)ﾌｩｩ⤵︎
ﾟ+.(*♡Ü(Ü♡*)ﾟ+. いつまでもよりそい夢の中 \ ♪♪ /
⋆͛♡̷♡̷⋆ ねぇ、あなた ふたりはひとりです ♬︎♡
⸂⸂⸜(രᴗര๑)⸝⸃⸃ 君を心変わりさせるだろうか ♬︎♡
(ㅎ.ㅎ ) 俺は失う事の 恐れを知ったよ 🎵
⋆͛♡̷♡̷⋆ さよならと戯れて 一人きり夜を待つよ 🎵
ʚ♡⃛ɞ 誓い・祈り ♪̊̈♪̆̈♪̊̈♪̆̈♪̊̈
〖検索✳ウィキペディア情報〗
原爆死没者慰霊碑（げんばくしぼつしゃいれいひ）は、広島県広島市の広島平和記念公園内に設置されている慰霊碑の名称。
石碑の碑文 「安らかに眠ってください。過ちは繰り返しませぬから」
✧✧✧ ╭⍣╮╭✻╮╭♡╮╭◊╮╭⍣╮ ✧✧✧
💟 今夜もほだされて舞い戻る腕の中
💟 ドアを開けるよ
💟 鍵をつけたまま
💟 黒いインク 消した痕跡がある
💟 この街に残されて １人で佇んでいた
💟 最後は君の言葉です
💟 答えを教えて
💟 錆てく心は 変わらない
💟 見知らぬ顔した Actress
💟 炎の中くべた叫び 天を焦がすわ
💟 心に穴があいた真夜中のドア
💟 幽(かすか)な糸を手探りで手繰り寄せたら
💟 たんぽぽ時計の長針＆短針
💟 時針＆分針＆秒針
_((Ф(•᷄ὤ•᷅ )ｶｷｶｷ
♡⃛ೄ チョークで書いた駐車違反の取り締まりのように駐車場とアスファルトに咲いたたんぽぽ時計です。
¸♥⌒♡⌒♥⌒◇⌒♡⌒♥⌒♡⌒◇⌒♥⌒♡¸
★̇̈⃛⃜ 腹積り(はらづもり)
〖デジタル大辞泉の解説〗
あらかじめ考えておく大体の予定や計画。また、心の用意。心づもり。
「息子に後をまかせる腹積もりだ」
♦~♪♩♬♦~♪♩♬♦~♪♩♬♦~♪♩♬♦~
٩( ᐛ )( ᐖ )۶ 想い出を もしも選んだら ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ あなたと二度と 逢えない ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 君を捨てるか 僕が消えるか ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ いっそ 二人で落ちようか ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 自然なふりして 歌うの 私が… ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 移り行くもの 止められないのよ ʚ♡⃛ɞ
⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨
ʚ♡⃛ɞ イルミネーション消えたタワー ୧⍢⃝୨
ʚ♡⃛ɞ 消えてくストレンジャーのようだね ୧⍢⃝୨
ʚ♡⃛ɞ うらまないのがルール ୧⍢⃝୨
ʚ♡⃛ɞ ただのものめずらしさで ୧⍢⃝୨
ʚ♡⃛ɞ まるい月 見ながら ふたり夜道 歩いたね ୧⍢⃝୨
❤︎⃜…// 細い細い糸で きみをつむぎつづけてた ୧⍢⃝୨
―――――――――✁︎ｷﾘﾄﾘ線✁︎――――――――――
❤︎⃜…// 背中を見送って そっと外したイアリング ~♩♩
❥·･ 決まりすぎの灼けた肌 ~♩♩
❥·･ 髪に飾った花・日陰にいられるアイドル ~♩♩
❥·･ なんにも答えない夕陽色のジャケット ~♩♩
❥·･ 赤いヒールがぐさり ハートを刺した ~♩♩
❥·･ ムーンライトに 歌う 心の痛み ~♩♩
☠ฺ:｡○ஸﾟ☠ฺ:｡o○ஸﾟ☠ฺ:｡o○ஸ☠ฺ:´｡○ஸﾟ☠
❤︎⃜…// たんぽぽ時計・綿毛 ~♩♩
❥·･ リンゴの大きさになった青いタンポポ ♪♩♬
❤︎⃜…// (８)：切り戻し小さいマーガレット ~♩♩
✩⃛ೄ✯ ꒰✩˙˟˙✩꒱✳✩⃛ೄ
by 桜田淳子・中島みゆき『おもいで河』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 涙の国から 吹く風は ♪♪"
(ღ•ㅂ•๐) ひとつ覚えのサヨナラを 繰り返す ♪♪"
(ღ•ㅂ•๐) おもいで河には 砂の船 ♪♪"
(ღ•ㅂ•๐) もう 心はどこへも 流れない ♪♪"
↧※
(ღ•ㅂ•๐) 飲んで すべてを忘れられるものならば ♪♪"
(ღ•ㅂ•๐) 今夜も一人飲み明かしてみるけれど ♪♪"
(ღ•ㅂ•๐) 飲めば飲むほどに 想い出は深くなる ♪♪"
(ღ•ㅂ•๐) 忘れきれない この想い 深くなる ♪♪"
↥※
↧△
(ღ•ㅂ•๐) おもいで河へと 身を投げて ♪♪"
(ღ•ㅂ•๐) もう 私は どこへも流れない ♪♪"
↥△
(ღ•ㅂ•๐) 季節の誘いにさそわれて ♪♪"
(ღ•ㅂ•๐) 流れてゆく木の葉よりも軽やかに ♪♪"
(ღ•ㅂ•๐) あなたの心は消えてゆく ♪♪"
(ღ•ㅂ•๐) もう 私の愛では止まらない ♪♪"
（※くりかえし）
（△くりかえし）
(ღ•ㅂ•๐) 飲んで すべてを忘れられるものならば ♪♪"
(ღ•ㅂ•๐) 今夜も一人飲み明かしてみるけれど ♪♪"
(ღ•ㅂ•๐) 飲めば飲むほどに 想い出は深くなる ♪♪"
(ღ•ㅂ•๐) 忘れきれない この想い 深くなる ♪♪"
（△2回くりかえし）
🌛･･･☪ ‥‥⋰★⋰‥‥▒⋰☪‥‥⋰★⋰‥‥▒･･･🌛
by 野口五郎『青いリンゴ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 心 こころを しばりあい ♪♪"
(ღ•ㅂ•๐) 二人 ふたりで 傷ついた ♪♪"
(ღ•ㅂ•๐) あれは あれは 恋のおわり ♪♪"
(ღ•ㅂ•๐) 涙の初恋か ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 涙 なみだの 海にいま ♪♪"
(ღ•ㅂ•๐) ぼくは 深く沈もう ♪♪"
(ღ•ㅂ•๐) 濡れた ぬれた まつげの君 ♪♪"
(ღ•ㅂ•๐) 踊る 夢の中で 踊る ♪♪"
(ღ•ㅂ•๐) 甘い あまい くちづけさえ ♪♪"
(ღ•ㅂ•๐) 二人は知らないで ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 星も ほしも 見えない 今 ♪♪"
(ღ•ㅂ•๐) 君はどこに 眠るの ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 涙 なみだの 海にいま ♪♪"
(ღ•ㅂ•๐) ぼくは 深く沈もう ♪♪"
🏡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡🏡
by わらべ『時計をとめて』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 過ぎゆく今が 淋しがるから ♪♪"
(ღ•ㅂ•๐) 心の振り子を その手でとめて ♪♪"
(ღ•ㅂ•๐) 話す言葉が 消えてゆくから ♪♪"
(ღ•ㅂ•๐) いつまでもよりそい夢の中 ♪♪"
(ღ•ㅂ•๐) 今日の終わりにさよならすれば明日になるけど ♪♪"
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 夜空の星も見つめてるから ♪♪"
(ღ•ㅂ•๐) 時計をとめて ふたりのために ♪♪"
(ღ•ㅂ•๐) かさねる手のひら淋しがるから ♪♪"
(ღ•ㅂ•๐) 心のブランコゆらしていたい ♪♪"
(ღ•ㅂ•๐) あしたがそこまでむかえにくるから ♪♪"
(ღ•ㅂ•๐) いつまでもよりそい夢の中 ♪♪"
(ღ•ㅂ•๐) 今日の続きを探してみれば明日になるけれど ♪♪"
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 夜空の星も 見つめてるから ♪♪"
🏡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡🏡
by 吉岡秀隆『どうしようもないこと』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) たとえば愛した人が僕の手を振り切ること ♪♪"
(ღ•ㅂ•๐) はりさけけそうな胸を抱えそれでも動く続け♪♪"
(ღ•ㅂ•๐) 存在理由すらなくして誰を演じよう ♪♪"
(ღ•ㅂ•๐) 空はこんなにも高く叫び声すら消えてゆく ♪♪"
(ღ•ㅂ•๐) 何のために生まれたとか何のために生きてゆくとか ♪♪"
(ღ•ㅂ•๐) わからなくなることが多い ♪♪"
(ღ•ㅂ•๐) 生まれた街を呪うほど悪くもなれず膝を抱えるたび ♪♪"
(ღ•ㅂ•๐) 高鳴る鼓動に耳を傾け見上げれば愛した人が ♪♪"
(ღ•ㅂ•๐) いつだって手を握ってたはずなのに ♪♪"
(ღ•ㅂ•๐) 君だけが ♪♪"
(ღ•ㅂ•๐) どうしようもないことなんてこの世にはいくらでもある ♪♪"
(ღ•ㅂ•๐) たとえば信じた人の命が尽きること ♪♪"
(ღ•ㅂ•๐) 生きてく辛さにとまどい夜の街を一人さまよえば ♪♪"
(ღ•ㅂ•๐) あきらめた人が酒臭い声で人生を歌う ♪♪"
(ღ•ㅂ•๐) 星は北風に吹かれ時は無常にも過ぎる ♪♪"
(ღ•ㅂ•๐) 何のために生まれたとか何のために生きてくとか ♪♪"
(ღ•ㅂ•๐) わからなくなることが多い ♪♪"
(ღ•ㅂ•๐) 生きてくために街に殺されたやさしさが行き場を失う ♪♪"
(ღ•ㅂ•๐) あきらめるわけじゃ受け入れることが真実だと思った ♪♪"
(ღ•ㅂ•๐) あの日の僕を抱きしめてくれたはずなのに ♪♪"
(ღ•ㅂ•๐) 君だけが ♪♪"
(ღ•ㅂ•๐) 尊い命に守られて誰もが生まれ生きてくはずなのに ♪♪"
(ღ•ㅂ•๐) かけがえない人をなくすたびに僕の鼓動は叫び狂い ♪♪"
(ღ•ㅂ•๐) 死ぬまで僕は生きてくってこと ♪♪"
(ღ•ㅂ•๐) すべては受け入れること ♪♪"
☆═━┈☆═━┈┈☆═━┈┈☆═━┈┈☆═
by 吉岡秀隆『ラストソング』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 一人ぼっちで僕はどこまで ♪♪"
(ღ•ㅂ•๐) 歩いてゆけるというのか ♪♪"
(ღ•ㅂ•๐) 背負いきれぬ痛みの数だけ ♪♪"
(ღ•ㅂ•๐) 夢を見てしまうのは何故だろう ♪♪"
(ღ•ㅂ•๐) はいつくばり立ち上がること ♪♪"
(ღ•ㅂ•๐) 教えてくれた ♪♪"
(ღ•ㅂ•๐) もう君の後も追えない ♪♪"
(ღ•ㅂ•๐) 光を失くしてしまったまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 君の痛みを抱きしめたまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 生きてくつらさを ♪♪"
(ღ•ㅂ•๐) かみしめるため・・・君のために ♪♪"
(ღ•ㅂ•๐) 一人きりで生きていく強さを ♪♪"
(ღ•ㅂ•๐) 涙で歌えばいいのか ♪♪"
(ღ•ㅂ•๐) やさしさのかけらも拾えずに ♪♪"
(ღ•ㅂ•๐) 君が消えてゆくのは何故だろう ♪♪"
(ღ•ㅂ•๐) 闇の中君の言葉を ♪♪"
(ღ•ㅂ•๐) 信じて生きてきたさ ♪♪"
(ღ•ㅂ•๐) もう後戻りも出来ない ♪♪"
(ღ•ㅂ•๐) この道が続く限り僕は ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 目指す道もわからぬままで ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 生きてく答えがわかるその日まで ♪♪"
(ღ•ㅂ•๐) 目指す道もわからぬままで ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 君の痛み抱きしめたまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる・・・君のために ♪♪"
☆═━┈☆═━┈┈☆═━┈┈☆═━┈┈☆═
by 太田裕美『たんぽぽ』 ♪̊̈♪̆̆̆
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) あなたの声がききたくて ♪♪"
(ღ•ㅂ•๐) 街の電話をかけたのに ♪♪"
(ღ•ㅂ•๐) 話し中の相手は誰 誰ですか ♪♪"
(ღ•ㅂ•๐) 雲のようにひろがる ♪♪"
(ღ•ㅂ•๐) 胸の中の淋しさ ♪゛
(ღ•ㅂ•๐) どうぞあなたのはずむ声で ♪♪"
(ღ•ㅂ•๐) 涙けして下さい ♪♪"
(ღ•ㅂ•๐) いつしかあなたに後ろから ♪♪"
(ღ•ㅂ•๐) 目かくしされた公園よ ♪♪"
(ღ•ㅂ•๐) 振り向いても誰もいない 風の音 ♪♪"
(ღ•ㅂ•๐) 灰色した舗道の隅に咲いた花 ♪♪"
(ღ•ㅂ•๐) そんな小さな花のように ♪♪"
(ღ•ㅂ•๐) そばにおいて下さい ♪♪"
(ღ•ㅂ•๐) そんな小さな花のように ♪♪"
(ღ•ㅂ•๐) そばにおいて下さい ♪♪"
🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏
by 芹洋子『たんぽぽ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) どんな花よりたんぽぽの ♪♪"
(ღ•ㅂ•๐) 花をあなたに贈りましょう ♪♪"
🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏
by ガロ『たんぽぽ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 心のまどの中の私と自然のみわく ♪♪"
(ღ•ㅂ•๐) 眠りは いつしか すべてをいだき ♪♪"
(ღ•ㅂ•๐) 夢の世界をかけめぐる ♪♪"
♬♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬
#おもいで河
#お庭 #日本 #Japan
2020-08-21 (金) 🔋
👑 No. ２ ⟴
【📷💕フォト 【◎】д=) ギャラリー📷💕】
✩⃛ೄ 嘘がつけない┌iii┐♡ プレイバック撮影 ✩୭⋆*✦*⋆୭*✩
´｡･･｡)ﾉ☆｡. メモ消滅から時間が立ったので、頭を切り替えて投稿に漕ぎ着けました。(。-ˇ.ˇ-。)ﾌｩｩ⤵︎
⸂⸂⸜(രᴗര๑)⸝⸃⸃ 君を心変わりさせるだろうか ♬︎♡
(ㅎ.ㅎ ) 俺は失う事の 恐れを知ったよ 🎵
⋆͛♡̷♡̷⋆ さよならと戯れて 一人きり夜を待つよ 🎵
ʚ♡⃛ɞ 誓い・祈り ♪̊̈♪̆̈♪̊̈♪̆̈♪̊̈
〖検索✳ウィキペディア情報〗
原爆死没者慰霊碑（げんばくしぼつしゃいれいひ）は、広島県広島市の広島平和記念公園内に設置されている慰霊碑の名称。
石碑の碑文 「安らかに眠ってください。過ちは繰り返しませぬから」
✧✧✧ ╭⍣╮╭✻╮╭♡╮╭◊╮╭⍣╮ ✧✧✧
💟 今夜もほだされて舞い戻る腕の中
💟 ドアを開けるよ
💟 鍵をつけたまま
💟 黒いインク 消した痕跡がある
💟 この街に残されて １人で佇んでいた
💟 最後は君の言葉です
💟 答えを教えて
💟 錆てく心は 変わらない
💟 見知らぬ顔した Actress
💟 炎の中くべた叫び 天を焦がすわ
💟 心に穴があいた真夜中のドア
💟 幽(かすか)な糸を手探りで手繰り寄せたら
💟 たんぽぽ時計の長針＆短針
💟 時針＆分針＆秒針
_((Ф(•᷄ὤ•᷅ )ｶｷｶｷ
♡⃛ೄ チョークで書いた駐車違反の取り締まりのように駐車場とアスファルトに咲いたたんぽぽ時計です。
¸♥⌒♡⌒♥⌒◇⌒♡⌒♥⌒♡⌒◇⌒♥⌒♡¸
★̇̈⃛⃜ 腹積り(はらづもり)
〖デジタル大辞泉の解説〗
あらかじめ考えておく大体の予定や計画。また、心の用意。心づもり。
「息子に後をまかせる腹積もりだ」
♦~♪♩♬♦~♪♩♬♦~♪♩♬♦~♪♩♬♦~
٩( ᐛ )( ᐖ )۶ 想い出を もしも選んだら ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ あなたと二度と 逢えない ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 君を捨てるか 僕が消えるか ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ いっそ 二人で落ちようか ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 自然なふりして 歌うの 私が… ʚ♡⃛ɞ
٩( ᐛ )( ᐖ )۶ 移り行くもの 止められないのよ ʚ♡⃛ɞ
⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨⌒¨
ʚ♡⃛ɞ イルミネーション消えたタワー ୧⍢⃝୨
ʚ♡⃛ɞ 消えてくストレンジャーのようだね ୧⍢⃝୨
ʚ♡⃛ɞ うらまないのがルール ୧⍢⃝୨
ʚ♡⃛ɞ ただのものめずらしさで ୧⍢⃝୨
ʚ♡⃛ɞ まるい月 見ながら ふたり夜道 歩いたね ୧⍢⃝୨
❤︎⃜…// 細い細い糸で きみをつむぎつづけてた ୧⍢⃝୨
―――――――――✁︎ｷﾘﾄﾘ線✁︎――――――――――
❤︎⃜…// 背中を見送って そっと外したイアリング ~♩♩
❥·･ 決まりすぎの灼けた肌 ~♩♩
❥·･ 髪に飾った花・日陰にいられるアイドル ~♩♩
❥·･ なんにも答えない夕陽色のジャケット ~♩♩
❥·･ 赤いヒールがぐさり ハートを刺した ~♩♩
❥·･ ムーンライトに 歌う 心の痛み ~♩♩
☠ฺ:｡○ஸﾟ☠ฺ:｡o○ஸﾟ☠ฺ:｡o○ஸ☠ฺ:´｡○ஸﾟ☠
❤︎⃜…// たんぽぽ時計・綿毛 ~♩♩
❥·･ リンゴの大きさになった青いタンポポ ♪♩♬
✩⃛ೄ✯ ꒰✩˙˟˙✩꒱✳✩⃛ೄ
by 桜田淳子・中島みゆき『おもいで河』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 涙の国から 吹く風は ♪♪"
(ღ•ㅂ•๐) ひとつ覚えのサヨナラを 繰り返す ♪♪"
(ღ•ㅂ•๐) おもいで河には 砂の船 ♪♪"
(ღ•ㅂ•๐) もう 心はどこへも 流れない ♪♪"
↧※
(ღ•ㅂ•๐) 飲んで すべてを忘れられるものならば ♪♪"
(ღ•ㅂ•๐) 今夜も一人飲み明かしてみるけれど ♪♪"
(ღ•ㅂ•๐) 飲めば飲むほどに 想い出は深くなる ♪♪"
(ღ•ㅂ•๐) 忘れきれない この想い 深くなる ♪♪"
↥※
↧△
(ღ•ㅂ•๐) おもいで河へと 身を投げて ♪♪"
(ღ•ㅂ•๐) もう 私は どこへも流れない ♪♪"
↥△
(ღ•ㅂ•๐) 季節の誘いにさそわれて ♪♪"
(ღ•ㅂ•๐) 流れてゆく木の葉よりも軽やかに ♪♪"
(ღ•ㅂ•๐) あなたの心は消えてゆく ♪♪"
(ღ•ㅂ•๐) もう 私の愛では止まらない ♪♪"
（※くりかえし）
（△くりかえし）
(ღ•ㅂ•๐) 飲んで すべてを忘れられるものならば ♪♪"
(ღ•ㅂ•๐) 今夜も一人飲み明かしてみるけれど ♪♪"
(ღ•ㅂ•๐) 飲めば飲むほどに 想い出は深くなる ♪♪"
(ღ•ㅂ•๐) 忘れきれない この想い 深くなる ♪♪"
（△2回くりかえし）
🌛･･･☪ ‥‥⋰★⋰‥‥▒⋰☪‥‥⋰★⋰‥‥▒･･･🌛
by 野口五郎『青いリンゴ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 心 こころを しばりあい ♪♪"
(ღ•ㅂ•๐) 二人 ふたりで 傷ついた ♪♪"
(ღ•ㅂ•๐) あれは あれは 恋のおわり ♪♪"
(ღ•ㅂ•๐) 涙の初恋か ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 涙 なみだの 海にいま ♪♪"
(ღ•ㅂ•๐) ぼくは 深く沈もう ♪♪"
(ღ•ㅂ•๐) 濡れた ぬれた まつげの君 ♪♪"
(ღ•ㅂ•๐) 踊る 夢の中で 踊る ♪♪"
(ღ•ㅂ•๐) 甘い あまい くちづけさえ ♪♪"
(ღ•ㅂ•๐) 二人は知らないで ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 星も ほしも 見えない 今 ♪♪"
(ღ•ㅂ•๐) 君はどこに 眠るの ♪♪"
(ღ•ㅂ•๐) 青いリンゴを 抱きしめても ♪♪"
(ღ•ㅂ•๐) 思い出さえ 帰らない ♪♪"
(ღ•ㅂ•๐) 涙 なみだの 海にいま ♪♪"
(ღ•ㅂ•๐) ぼくは 深く沈もう ♪♪"
🏡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡🏡
by わらべ『時計をとめて』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 過ぎゆく今が 淋しがるから ♪♪"
(ღ•ㅂ•๐) 心の振り子を その手でとめて ♪♪"
(ღ•ㅂ•๐) 話す言葉が 消えてゆくから ♪♪"
(ღ•ㅂ•๐) いつまでもよりそい夢の中 ♪♪"
(ღ•ㅂ•๐) 今日の終わりにさよならすれば明日になるけど ♪♪"
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 夜空の星も見つめてるから ♪♪"
(ღ•ㅂ•๐) 時計をとめて ふたりのために ♪♪"
(ღ•ㅂ•๐) かさねる手のひら淋しがるから ♪♪"
(ღ•ㅂ•๐) 心のブランコゆらしていたい ♪♪"
(ღ•ㅂ•๐) あしたがそこまでむかえにくるから ♪♪"
(ღ•ㅂ•๐) いつまでもよりそい夢の中 ♪♪"
(ღ•ㅂ•๐) 今日の続きを探してみれば明日になるけれど ♪♪"
(ღ•ㅂ•๐) 時計をとめて このままそっと ♪♪"
(ღ•ㅂ•๐) 夜空の星も 見つめてるから ♪♪"
🏡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡🏡
by 吉岡秀隆『どうしようもないこと』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) たとえば愛した人が僕の手を振り切ること ♪♪"
(ღ•ㅂ•๐) はりさけけそうな胸を抱えそれでも動く続け♪♪"
(ღ•ㅂ•๐) 存在理由すらなくして誰を演じよう ♪♪"
(ღ•ㅂ•๐) 空はこんなにも高く叫び声すら消えてゆく ♪♪"
(ღ•ㅂ•๐) 何のために生まれたとか何のために生きてゆくとか ♪♪"
(ღ•ㅂ•๐) わからなくなることが多い ♪♪"
(ღ•ㅂ•๐) 生まれた街を呪うほど悪くもなれず膝を抱えるたび ♪♪"
(ღ•ㅂ•๐) 高鳴る鼓動に耳を傾け見上げれば愛した人が ♪♪"
(ღ•ㅂ•๐) いつだって手を握ってたはずなのに ♪♪"
(ღ•ㅂ•๐) 君だけが ♪♪"
(ღ•ㅂ•๐) どうしようもないことなんてこの世にはいくらでもある ♪♪"
(ღ•ㅂ•๐) たとえば信じた人の命が尽きること ♪♪"
(ღ•ㅂ•๐) 生きてく辛さにとまどい夜の街を一人さまよえば ♪♪"
(ღ•ㅂ•๐) あきらめた人が酒臭い声で人生を歌う ♪♪"
(ღ•ㅂ•๐) 星は北風に吹かれ時は無常にも過ぎる ♪♪"
(ღ•ㅂ•๐) 何のために生まれたとか何のために生きてくとか ♪♪"
(ღ•ㅂ•๐) わからなくなることが多い ♪♪"
(ღ•ㅂ•๐) 生きてくために街に殺されたやさしさが行き場を失う ♪♪"
(ღ•ㅂ•๐) あきらめるわけじゃ受け入れることが真実だと思った ♪♪"
(ღ•ㅂ•๐) あの日の僕を抱きしめてくれたはずなのに ♪♪"
(ღ•ㅂ•๐) 君だけが ♪♪"
(ღ•ㅂ•๐) 尊い命に守られて誰もが生まれ生きてくはずなのに ♪♪"
(ღ•ㅂ•๐) かけがえない人をなくすたびに僕の鼓動は叫び狂い ♪♪"
(ღ•ㅂ•๐) 死ぬまで僕は生きてくってこと ♪♪"
(ღ•ㅂ•๐) すべては受け入れること ♪♪"
☆═━┈☆═━┈┈☆═━┈┈☆═━┈┈☆═
by 吉岡秀隆『ラストソング』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 一人ぼっちで僕はどこまで ♪♪"
(ღ•ㅂ•๐) 歩いてゆけるというのか ♪♪"
(ღ•ㅂ•๐) 背負いきれぬ痛みの数だけ ♪♪"
(ღ•ㅂ•๐) 夢を見てしまうのは何故だろう ♪♪"
(ღ•ㅂ•๐) はいつくばり立ち上がること ♪♪"
(ღ•ㅂ•๐) 教えてくれた ♪♪"
(ღ•ㅂ•๐) もう君の後も追えない ♪♪"
(ღ•ㅂ•๐) 光を失くしてしまったまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 君の痛みを抱きしめたまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 生きてくつらさを ♪♪"
(ღ•ㅂ•๐) かみしめるため・・・君のために ♪♪"
(ღ•ㅂ•๐) 一人きりで生きていく強さを ♪♪"
(ღ•ㅂ•๐) 涙で歌えばいいのか ♪♪"
(ღ•ㅂ•๐) やさしさのかけらも拾えずに ♪♪"
(ღ•ㅂ•๐) 君が消えてゆくのは何故だろう ♪♪"
(ღ•ㅂ•๐) 闇の中君の言葉を ♪♪"
(ღ•ㅂ•๐) 信じて生きてきたさ ♪♪"
(ღ•ㅂ•๐) もう後戻りも出来ない ♪♪"
(ღ•ㅂ•๐) この道が続く限り僕は ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 目指す道もわからぬままで ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 生きてく答えがわかるその日まで ♪♪"
(ღ•ㅂ•๐) 目指す道もわからぬままで ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 君の痛み抱きしめたまま ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる ♪♪"
(ღ•ㅂ•๐) 今こうして歌ってる・・・君のために ♪♪"
☆═━┈☆═━┈┈☆═━┈┈☆═━┈┈☆═
by 太田裕美『たんぽぽ』 ♪̊̈♪̆̆̆
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) あなたの声がききたくて ♪♪"
(ღ•ㅂ•๐) 街の電話をかけたのに ♪♪"
(ღ•ㅂ•๐) 話し中の相手は誰 誰ですか ♪♪"
(ღ•ㅂ•๐) 雲のようにひろがる ♪♪"
(ღ•ㅂ•๐) 胸の中の淋しさ ♪゛
(ღ•ㅂ•๐) どうぞあなたのはずむ声で ♪♪"
(ღ•ㅂ•๐) 涙けして下さい ♪♪"
(ღ•ㅂ•๐) いつしかあなたに後ろから ♪♪"
(ღ•ㅂ•๐) 目かくしされた公園よ ♪♪"
(ღ•ㅂ•๐) 振り向いても誰もいない 風の音 ♪♪"
(ღ•ㅂ•๐) 灰色した舗道の隅に咲いた花 ♪♪"
(ღ•ㅂ•๐) そんな小さな花のように ♪♪"
(ღ•ㅂ•๐) そばにおいて下さい ♪♪"
(ღ•ㅂ•๐) そんな小さな花のように ♪♪"
(ღ•ㅂ•๐) そばにおいて下さい ♪♪"
🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏
by 芹洋子『たんぽぽ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) どんな花よりたんぽぽの ♪♪"
(ღ•ㅂ•๐) 花をあなたに贈りましょう ♪♪"
🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏🍎✨🍏
by ガロ『たんぽぽ』 ♪̊̈♪̆̈
(ღ•ㅂ•๐) 【歌詞】
(ღ•ㅂ•๐) 心のまどの中の私と自然のみわく ♪♪"
(ღ•ㅂ•๐) 眠りは いつしか すべてをいだき ♪♪"
(ღ•ㅂ•๐) 夢の世界をかけめぐる ♪♪"
♬♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬
#おもいで河
#お庭 #日本 #Japan
Hey bud, happy birthday 10th . Miss you, today wasn't easy but it could have been worse, hope your doing alright.
Paul Williams
Paul Williams (July 2, 1939 – August 17, 1973) was an American baritone singer and choreographer. Williams was noted for being one of the founding members and original lead singer of the Motown group The Temptations. Along with David Ruffin, Otis Williams , and fellow Alabamians Eddie Kendricks and Melvin Franklin, Williams was a member of The Temptations during the "Classic Five" period. Personal problems and failing health forced Williams to retire in 1971. He was found dead two years later as the result of an apparent suicide.
Early years
Paul Williams was born and raised in the Ensley neighborhood of Birmingham, Alabama. He was the son of Sophia and Rufus Williams, a gospel singer in a gospel music vocal group called the Ensley Jubilee Singers. He met Eddie Kendricks in elementary school; supposedly, the two first encountered each other in a fistfight after Williams dumped a bucket of mop water on Kendricks. Both boys shared a love of singing, and sang in their church choir together. As teenagers, Williams, Kendricks, and Kell Osborne and Willie Waller performed in a secular singing group known as The Cavaliers, with dreams of making it big in the music industry. In 1957, Williams, Kendricks, and Osbourne left Birmingham to start careers, leaving Waller behind. Now known as The Primes, the trio moved to Cleveland, Ohio, and eventually found a manager in Milton Jenkins, who moved the group to Detroit, Michigan. Although The Primes never recorded, they were successful performers, and even launched a spin-off female group called The Primettes, who later became The Supremes.
In 1961, Kell Osborne moved to California, and the Primes disbanded. Kendricks returned to Alabama, but visited Paul in Detroit shortly after. While on this visit, he and Paul had learned that Otis Williams, head of a rival Detroit act known as The Distants, had two openings in his group's lineup. Paul Williams and Kendricks joined Otis Williams, Melvin Franklin, and Elbridge Bryant to form The Elgins, who signed to the local Motown label in 1961, after first changing their name to The Temptations.
With the Temptations
Although the group now had a record deal, Paul Williams and his bandmates endured a long series of failed singles before finally hitting the Billboard Top 20 in 1964 with "The Way You Do the Things You Do." More hits quickly followed, including "My Girl", "Ain't Too Proud To Beg" and "(I Know) I'm Losing You."
Williams sang lead on several of the group's songs, and served as the main lead singer during the group's early years. His early leads include, "Your Wonderful Love" (1961), "Slow Down Heart" (1962), "I Want a Love I Can See" (1963), and "Oh, Mother of Mine" (1961) (the group's first single) and "Farewell My Love" (1963) both shared with Eddie Kendricks. Considered the Temptations' best dancer, Williams served as the group's original choreographer, devising routines for his group and The Supremes (most notably their trademark "Stop! In the Name of Love" routine), before Cholly Atkins took over that role for all of Motown's acts. Williams' later leads on Temptations songs include, "Just Another Lonely Night" (1965), "No More Water in the Well" (1967), a cover version of "Hey Girl" (1969), and his signature song "Don't Look Back" (1965).
Williams also sang lead with Dennis Edwards, who joined in 1968, on Motown’s first Grammy Award-Winner “Cloud Nine”. One of his best-known lead performances is his stand out live performance of "For Once in My Life," from the television special TCB, originally broadcast on December 9, 1968 on NBC. The live version of the song "Don't Look Back" is also frequently cited as one of his standout performances. He also took over the lead vocal for live performances of "My Girl" following David Ruffin's departure from the group.
Paul Williams' vocals were featured on the following Temptations songs: (This list is not complete)
Cloud Nine
Runaway Child, Running Wild
Hey Girl (solo)
Lonely, Lonely Man Am I (solo)
Who You Gonna Run To (solo)
Hello, Young Lovers
Just Another Lonely Night (solo)
For Once in My Life (solo)
Who Can I Turn To (solo)
That's Life (solo)
No More Water In The Well (solo)
I Want A Love I Can See (solo)
Isn't She Pretty
Just Let Me Know (solo)
Your Wonderful Love (solo)
The Further You Look, the Less You See (solo)
Check Yourself (solo)
Slow Down Heart (solo)
Farewell My Love
Oh, Mother of Mine (solo)
Romance Without Finance (solo)
Psychedelic Shack
War
I Can't Get Next To You
Don't Look Back (solo)
Hey Jude
Don't Let the Joneses Get You Down
Little Green Apples (solo)
Running Away (Ain't Gonna Help You)(solo)
Just My Imagination (Running Away With Me)
Baby, Baby I Need You
You Beat Me To The Punch (solo)
Gonna Give Her All the Love I've Got (solo)
No Man Can Love Her Like I Do (solo)
Personal problems and decline
Williams suffered from sickle-cell anemia, which frequently wreaked havoc on his physical health. In 1965, Williams began an affair with Winnie Brown, hair stylist for The Supremes and a relative of Supremes member Florence Ballard. In love with Brown but still devoted to his wife and children, Williams was also depressed because Cholly Atkins' presence now made Williams' former role as choreographer essentially, but not completely, obsolete. Life on the road was starting to take its toll on Williams as well, and, having previously consumed nothing stronger than milk, he began to drink alcohol heavily, namely Courvoisier, which, according to Otis Williams, was hard to take.
In the spring of 1969, Williams and Brown opened a celebrity fashion boutique in downtown Detroit. The business was not as successful as planned, and Williams soon found himself owing more than $80,000 in taxes. His health had deteriorated to the point that he would sometimes be unable to perform, suffering from combinations of exhaustion and pain which he combated with heavy drinking. Each of the other four Temptations did what they could to help Williams, alternating between raiding and draining his alcohol stashes, personal interventions, and keeping oxygen tanks backstage, but Williams' health, as well as the quality of his performances, continued to decline and he refused to see a doctor.
Otis Williams and the other Temptations decided to resort to enlisting an on-hand fill-in for Paul Williams. Richard Street, then-lead singer of fellow Motown act The Monitors and formerly lead singer of The Distants, was hired to travel with The Temptations and sing all of Williams' parts, save for Williams' special numbers such as "Don't Look Back" and "For Once in My Life", from backstage behind a curtain. When Williams was not well enough to go on, Street took his place onstage. In April 1971, Williams was finally persuaded to go see a doctor. The doctor found a spot on Williams' liver and advised him to retire from the group altogether. Williams left the group and Street became his permanent replacement. In support of helping Williams get back on his feet, The Temptations continued to pay Williams his same one-fifth share of the group's earnings, and kept Williams on their payroll as an advisor and choreographer, and Williams continued to help the group with routines and dance moves for the next two years.
Later years
By early 1973, Williams made his return to Motown's Hitsville USA recording studios, and began working on solo material. Kendricks, who had quit the Temptations just before Williams left, produced and co-wrote Williams' first single, "Feel Like Givin' Up", which was to have been issued on Motown's Gordy imprint with "Once You Had a Heart" as its b-side. However, after Williams' death was ruled a suicide in August 1973, Motown decided to shelve the sides, because the song "Feel Like Givin' Up" was just too literal to bear and the single was not released.
Death
On August 17, 1973, Paul Williams was found dead in an alley in the car having just left the new house of his then-girlfriend after an argument. A gun was found near his body. His death was ruled a suicide by the coroner; Williams had expressed suicidal thoughts to Otis Williams and Melvin Franklin months before his death.
Williams' funeral was held on August 24, with his family and former bandmates in attendance. He was survived by his wife, Mary Agnes Williams, and six children: Sarita, Paul Lucus, Kenneth, Paula, Paul Jr. and Mary. Paul Jr. later joined a Temptations splinter group, The Temptations Review featuring Dennis Edwards. Williams also had three other children, Paul Williams Lucas, Anthony Johnson, and Derrick Vinyard, with three girlfriends. Williams is buried at Lincoln Memorial Park Cemetery, Clinton Township, Macomb County, Michigan in Lot 275, Grave #4, Section #G.
The circumstances surrounding Williams' death caused the Williams family to suspect that some form of foul play was the actual cause of Williams' death. According to the coroner, Williams had used his right hand to shoot himself on the left side of his head. In addition, a bottle of alcohol was found near Williams' left side, as if he had dropped it while being shot. The gun used in the shooting was found to have fired two shots, only one of which had killed Williams.
Legacy
As a member of the Temptations, Paul Williams was posthumously inducted into the Rock and Roll Hall of Fame in 1989 and the Vocal Group Hall of Fame in 1999 and the Rhythm & Blues Music Hall of Fame in 2013. Both of his solo recordings were later released by Motown on Temptations-related compilations in the 1980s and 1990s.
In 1998, NBC aired The Temptations, a four-hour television miniseries based upon an autobiographical book by Otis Williams. Paul Williams was portrayed by actor Christian Payton.
The music video for the Diana Ross song "Missing You" pays tribute to Marvin Gaye, Florence Ballard, and Paul Williams, all former Motown artists who had died.
Wikipedia
Marcus Garvey
Marcus Mosiah Garvey, Jr., ONH (17 August 1887 – 10 June 1940), was a Jamaican political leader, publisher, journalist, entrepreneur, and orator who was a proponent of the Pan-Africanism movement, to which end he founded the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands.
Prior to the 20th century, leaders such as Prince Hall, Martin Delany, Edward Wilmot Blyden, and Henry Highland Garnet advocated the involvement of the African diaspora in African affairs. Garvey was unique in advancing a Pan-African philosophy to inspire a global mass movement and economic empowerment focusing on Africa known as Garveyism. Promoted by the UNIA as a movement of African Redemption, Garveyism would eventually inspire others, ranging from the Nation of Islam to the Rastafari movement (some sects of which proclaim Garvey as a prophet.)
Garveyism intended persons of African ancestry in the diaspora to "redeem" the nations of Africa and for the European colonial powers to leave the continent. His essential ideas about Africa were stated in an editorial in Negro World entitled "African Fundamentalism", where he wrote: "Our union must know no clime, boundary, or nationality… to let us hold together under all climes and in every country…"
Early years
Marcus Mosiah Garvey, Jr. was born as the youngest of eleven children in St. Ann's Bay, Jamaica, to Marcus Mosiah Garvey, Sr., mason, and Sarah Jane Richards, a domestic worker. Only his sister Indiana along with Marcus survived to adulthood. His family was financially stable given the circumstances of this time period. Garvey's father had a large library, and it was from his father that Marcus gained his love for reading. He also attended elementary schools in St. Ann's Bay during his youth. While attending these schools, Garvey first began to experience racism. In 1907, he took part in an unsuccessful printer's strike and the experience kindled in him a passion for political activism. In 1910 Garvey left Jamaica and began traveling throughout the Central American region. His first stop was Costa Rica, where he had a maternal uncle. He lived in Costa Rica for several months and worked as a time keeper on a banana plantation. He began work as editor for a daily newspaper called La Nacionale in 1911. Later that year, he moved to Colón, Panama, where he edited a biweekly newspaper, before returning to Jamaica in 1912. Over time, Marcus Garvey became influenced by many civil rights activists of his time. He ultimately combined the economic nationalist ideas of Booker T. Washington and Pan-Africanists with the political possibilities and urban style of men and women living outside of plantation and colonial societies.
After years of working in the Caribbean, Garvey left Jamaica to live in London from 1912 to 1914, where he attended Birkbeck College, taking classes in law and philosophy. He also worked for the African Times and Orient Review, published by Dusé Mohamed Ali, who was a considerable influence on the young man. Garvey sometimes spoke at Hyde Park's Speakers' Corner.
Organization of UNIA
In 1914, Garvey returned to Jamaica, where he organized the Universal Negro Improvement Association (UNIA). In an article titled "The Negro's Greatest Enemy", published in Current History (September 1923), Garvey explained the origin of the organization's name:
Where did the name of the organization come from? It was while speaking to a West Indian Negro who was a passenger with me from Southampton, who was returning home to the West Indies from Basutoland with his Basuto wife, I further learned of the horrors of native life in Africa. He related to me in conversation such horrible and pitiable tales that my heart bled within me. Retiring from the conversation to my cabin, all day and the following night I pondered over the subject matter of that conversation, and at midnight, lying flat on my back, the vision and thought came to me that I should name the organization the Universal Negro Improvement Association and African Communities (Imperial) League. Such a name I thought would embrace the purpose of all black humanity. Thus to the world a name was born, a movement created, and a man became known.
After corresponding with Booker T. Washington, head of the Tuskegee Institute in Alabama and a national African-American leader in the United States, Garvey traveled by ship to the U.S., arriving on 23 March 1916 aboard the SS Tallac. He intended to make a lecture tour and to raise funds to establish a school in Jamaica modeled after Washington's Institute. Garvey visited Tuskegee, and afterwards, visited with a number of black leaders. Throughout his life, Garvey and the UNIA used the organization's resources to give people of African descent opportunities in academics that he felt they wouldn't be provided otherwise.
After moving to New York, he found work as a printer by day. He was influenced by Hubert Harrison. At night he would speak on street corners, much as he did in London's Hyde Park. Garvey thought there was a leadership vacuum among African Americans. On 9 May 1916, he held his first public lecture in New York City at St Mark's Church in-the-Bowery and undertook a 38-state speaking tour.
The next year in May 1917, Garvey and thirteen others formed the first UNIA division outside Jamaica. They began advancing ideas to promote social, political, and economic freedom for black people. On 2 July, the East St. Louis riots broke out. On 8 July, Garvey delivered an address, entitled "The Conspiracy of the East St. Louis Riots", at Lafayette Hall in Harlem. During the speech, he declared the riot was "one of the bloodiest outrages against mankind", condemning America's claims to represent democracy when black people were victimized "for no other reason than they are black people seeking an industrial chance in a country that they have laboured for three hundred years to make great". It is "a time to lift one's voice against the savagery of a people who claim to be the dispensers of democracy". By October, rancor within the UNIA had begun to set in. A split occurred in the Harlem division, with Garvey enlisted to become its leader; although he technically held the same position in Jamaica.
Garvey worked to develop a program to improve the conditions of ethnic Africans "at home and abroad" under UNIA auspices. On 17 August 1918, he began publishing the Negro World newspaper in New York, which was widely distributed. Garvey worked as an editor without pay until November 1920. He used Negro World as a platform for his views to encourage growth of the UNIA. By June 1919, the membership of the organization had grown to over two million, according to its records.
On 27 June 1919, the UNIA set up its first business, incorporating the Black Star Line of Delaware, with Garvey as President. By September, it acquired its first ship. Much fanfare surrounded the inspection of the S.S. Yarmouth and its rechristening as the S.S. Frederick Douglass on 14 September 1919. Such a rapid accomplishment garnered attention from many. The Black Star Line also formed a fine winery, using grapes harvested only in Ethiopia. During the first year, the Black Star Line's stock sales brought in $600,000. They had numerous problems during the next two years: mechanical breakdowns on their ships, what was said to be a result of incompetent workers, and poor record keeping. The officers were eventually accused of mail fraud.
Edwin P. Kilroe, Assistant District Attorney in the District Attorney's office of the County of New York, began an investigation into the activities of the UNIA. He never filed charges against Garvey or other officers. After being called to Kilroe's office numerous times for questioning, Garvey wrote an editorial on the assistant DA's activities for the Negro World. Kilroe had Garvey arrested and indicted for criminal libel but dismissed the charges after Garvey published a retraction.
On 14 October 1919, Garvey received a visit in his Harlem office from George Tyler, who claimed Kilroe "had sent him" to get the leader. Tyler pulled a .38-caliber revolver and fired four shots, wounding Garvey in the right leg and scalp. Garvey's secretary Amy quickly arranged to get Garvey taken to the hospital for treatment, and Tyler was arrested. The next day, Tyler committed suicide by leaping from the third tier of the Harlem jail as he was being taken to his arraignment.
By August 1920, the UNIA claimed four million members. The number has been questioned because of the organization's poor record keeping. That month, the International Convention of the UNIA was held. With delegates from all over the world attending, 25,000 people filled Madison Square Garden on 1 August 1920 to hear Garvey speak. Over the next couple of years, Garvey's movement was able to attract an enormous number of followers. Reasons for this included the cultural revolution of the Harlem Renaissance, the large number of West Indians who immigrated to New York, and the appeal of the slogan "One God, One Aim, One Destiny," to black veterans of the first World War.
Garvey also established the business, the Negro Factories Corporation. He planned to develop the businesses to manufacture every marketable commodity in every big U.S. industrial center, as well as in Central America, the West Indies, and Africa. Related endeavors included a grocery chain, restaurant, publishing house, and other businesses.
Convinced that black people should have a permanent homeland in Africa, Garvey sought to develop Liberia. It had been founded by the American Colonization Society in the 19th century as a colony to free blacks from the United States. Garvey launched the Liberia program in 1920, intended to build colleges, industrial plants, and railroads as part of an industrial base from which to operate. He abandoned the program in the mid-1920s after much opposition from European powers with interests in Liberia. In response to American suggestions that he wanted to take all ethnic Africans of the Diaspora back to Africa, he wrote, "We do not want all the Negroes in Africa. Some are no good here, and naturally will be no good there."
The UNIA held an international convention in 1921 at New York City's Madison Square Garden. Also represented at the convention were organizations such as the Universal Black Cross Nurses, the Black Eagle Flying Corps, and the Universal African Legion. Garvey attracted more than 50,000 people to the event and in his cause. The UNIA had more than one million due paying members at its peak. The national level of support in Jamaica helped Garvey to become one of the most influential leaders of the 20th century on the island.
Marriage and family
At the age of 32 in 1919, Garvey married his first wife, Amy Ashwood Garvey. Amy Ashwood Garvey was also a founder of The UNIA-ACL. She had saved Garvey in the Tyler assassination by quickly getting medical help. After four months of marriage, Garvey separated from her.
In 1922, he married again, to Amy Jacques Garvey, who was working as his secretary general. They had two sons together, Marcus Mosiah Garvey, III, who was born 17 September 1930, and Julius Winston (born 1933 on the same date), Also had a son named Derrick H. Clowers (born 22 March 1937). Amy Jacques Garvey played an important role in his career, and would become a lead worker in Garvey's movement.
Views on communism
Garvey is known as a leading political figure because of his determination to fight for the unity of African Americans by creating the Universal Negro Improvement Association and rallying to gather supporters to fight. With this group he touched upon many topics such as education, the economy, and independence. An important aspect of his career was his thoughts on communism. Garvey felt that communism would be more beneficial for whites by solving their own political and economic problems, but would further limit the success of blacks rising together. He believed that the Communist Party wanted to use the African-American vote "to smash and overthrow" the capitalistic white majority to "put their majority group or race still in power, not only as communists but as white men" (Jacques-Garvey, 1969). The Communist Party wanted to have as many supporters as possible, even if it meant having blacks, but Garvey discouraged this. He had the idea that communists were only white men who wanted to manipulate blacks so they could continue to have control over them. Garvey said, "It is a dangerous theory of economic and political reformation because it seeks to put government in the hands of an ignorant white mass who have not been able to destroy their natural prejudices towards Negroes and other non-white people. While it may be a good thing for them, it will be a bad thing for the Negroes who will fall under the government of the most ignorant, prejudiced class of the white race" (Nolan, 1951).
Conflicts with Du Bois and others
On 4 October 1916, the Daily Gleaner in Kingston published a letter written by Raphael Morgan, a Jamaican-American priest of the Ecumenical Patriarchate, together with over a dozen other like-minded Jamaican Americans, who wrote in to protest against Garvey's lectures. Garvey's views on Jamaica, they felt, were damaging to both the reputation of their homeland and its people, enumerating several objections to Garvey's stated preference for the prejudice of the American whites over that of English whites. Garvey's response was published a month later: he called the letter a conspiratorial fabrication meant to undermine the success and favour he had gained while in Jamaica and in the United States.
While W. E. B. Du Bois felt that the Black Star Line was "original and promising", he added that "Marcus Garvey is, without doubt, the most dangerous enemy of the Negro race in America and in the world. He is either a lunatic or a traitor." Du Bois considered Garvey's program of complete separation a capitulation to white supremacy; a tacit admission that Blacks could never be equal to Whites. Noting how popular the idea was with racist thinkers and politicians, Du Bois feared that Garvey threatened the gains made by his own movement.
Garvey suspected that Du Bois was prejudiced against him because he was a Caribbean native with darker skin. Du Bois once described Garvey as "a little, fat black man; ugly, but with intelligent eyes and a big head". Garvey called Du Bois "purely and simply a white man's nigger" and "a little Dutch, a little French, a little Negro … a mulatto … a monstrosity". This led to an acrimonious relationship between Garvey and the NAACP. In addition, Garvey accused Du Bois of paying conspirators to sabotage the Black Star Line in order to destroy his reputation.
Garvey recognized the influence of the Ku Klux Klan and, after the Black Star Line was closed, sought to engage the South in his activism, since the UNIA now lacked a specific program. In early 1922, he went to Atlanta for a conference with KKK imperial giant Edward Young Clarke, seeking to advance his organization in the South. Garvey made a number of incendiary speeches in the months leading up to that meeting; in some, he thanked the whites for Jim Crow. Garvey once stated: "I regard the Klan, the Anglo-Saxon clubs and White American societies, as far as the Negro is concerned, as better friends of the race than all other groups of hypocritical whites put together. I like honesty and fair play. You may call me a Klansman if you will, but, potentially, every white man is a Klansman as far as the Negro in competition with whites socially, economically and politically is concerned, and there is no use lying."
After Garvey's entente with the Klan, a number of African-American leaders appealed to U.S. Attorney General Harry M. Daugherty to have Garvey incarcerated.
Charge of mail fraud
In a memorandum dated 11 October 1919, J. Edgar Hoover, special assistant to the Attorney General and head of the General Intelligence Division (or "anti-radical division") of The Bureau of Investigation or BOI (after 1935, the Federal Bureau of Investigation), wrote to Special Agent Ridgely regarding Garvey: "Unfortunately, however, he [Garvey] has not as yet violated any federal law whereby he could be proceeded against on the grounds of being an undesirable alien, from the point of view of deportation."
Sometime around November 1919, the BOI began an investigation into the activities of Garvey and the UNIA. Toward this end, the BOI hired James Edward Amos, Arthur Lowell Brent, Thomas Leon Jefferson, James Wormley Jones, and Earl E. Titus as its first five African-American agents. Although initial efforts by the BOI were to find grounds upon which to deport Garvey as "an undesirable alien", a charge of mail fraud was brought against Garvey in connection with stock sales of the Black Star Line after the U.S. Post Office and the Attorney General joined the investigation.
The accusation centered on the fact that the corporation had not yet purchased a ship, which had appeared in a BSL brochure emblazoned with the name "Phyllis Wheatley" (after the African-American poet) on its bow. The prosecution stated that a ship pictured with that name had not actually been purchased by the BSL and still had the name "Orion" at the time; thus the misrepresentation of the ship as a BSL-owned vessel constituted fraud. The brochure had been produced in anticipation of the purchase of the ship, which appeared to be on the verge of completion at the time. However, "registration of the Phyllis Wheatley to the Black Star Line was thrown into abeyance as there were still some clauses in the contract that needed to be agreed." In the end, the ship was never registered to the BSL.
Assistant District Attorney, Leo Healy, who had been, before becoming District Attorney, an attorney with Harris McGill and Co., the sellers of the first ship, the S.S. Yarmouth, to the Black Star Line Inc., was a key witness for the government during the trial. Garvey chose to defend himself. In the opinion of his biographer Colin Grant, Garvey's "belligerent" manner alienated the jury. "In Garvey’s interminable three-hour-long closing address, he portrayed himself as an unfortunate and selfless leader, surrounded by incompetents and thieves....Garvey was belligerent where perhaps grace, humility and even humour were called for". The lawyer defending one of the other charged men took a different approach, emphasising that the so-called fraud was nothing more than a naive mistake, and that no criminal conspiracy existed. "The truth is there is no such thing as any conspiracy. [But] if the indictment had been framed against the defendants for discourtesy, mismanagement or display of bad judgement they would have pleaded guilty." Of the four Black Star Line officers charged in connection with the enterprise, only Garvey was found guilty of using the mail service to defraud. His supporters called the trial fraudulent.
At the National Conference of the Universal Negro Improvement Association in 1921, a Los Angeles delegate named Noah Thompson spoke on the floor complaining about the lack of transparency in the group's financial accounts. When accounts were prepared Thompson highlighted several sections with what he felt were irregularities. But while there were serious accounting irregularities within the Black Star Line and the claims he used to sell Black Star Line stock could be considered misleading, Garvey's supporters contend that the prosecution was a politically motivated miscarriage of justice.
When the trial ended on 23 June 1923, Garvey had been sentenced to five years in prison. Garvey blamed Jewish jurors and a Jewish federal judge, Julian Mack, for his conviction. He felt that they had been biased because of their political objections to his meeting with the acting imperial wizard of the Ku Klux Klan the year before. In 1928, Garvey told a journalist: "When they wanted to get me they had a Jewish judge try me, and a Jewish prosecutor. I would have been freed but two Jews on the jury held out against me ten hours and succeeded in convicting me, whereupon the Jewish judge gave me the maximum penalty."
He initially spent three months in the Tombs Jail awaiting approval of bail. While on bail, he continued to maintain his innocence, travel, speak and organize the UNIA. After numerous attempts at appeal were unsuccessful, he was taken into custody and began serving his sentence at the Atlanta Federal Penitentiary on 8 February 1925. Two days later, he penned his well-known "First Message to the Negroes of the World From Atlanta Prison", wherein he made his famous proclamation: "Look for me in the whirlwind or the storm, look for me all around you, for, with God's grace, I shall come and bring with me countless millions of black slaves who have died in America and the West Indies and the millions in Africa to aid you in the fight for Liberty, Freedom and Life."
Professor Judith Stein has stated, "his politics were on trial." Garvey's sentence was eventually commuted by President Calvin Coolidge. Upon his release in November 1927, Garvey was deported via New Orleans to Jamaica, where a large crowd met him at Orrett's Wharf in Kingston. Though the popularity of the UNIA diminished greatly following Garvey's expulsion, he nevertheless remained committed to his political ideals.
Later years
In 1928, Garvey travelled to Geneva to present the Petition of the Negro Race. This petition outlined the worldwide abuse of Africans to the League of Nations. In September 1929, he founded the People's Political Party (PPP), Jamaica's first modern political party, which focused on workers' rights, education, and aid to the poor. Also in 1929, Garvey was elected councilor for the Allman Town Division of the Kingston and St. Andrew Corporation (KSAC). In July 1929, the Jamaican property of the UNIA was seized on the orders of the Chief Justice. Garvey and his solicitor attempted to persuade people not to bid for the confiscated goods, claiming the sale was illegal and Garvey made a political speech in which he referred to corrupt judges. As a result, he was cited for contempt of court and again appeared before the Chief Justice. He received a prison sentence, as a consequence of which he lost his seat. However, in 1930, Garvey was re-elected, unopposed, along with two other PPP candidates.
In April 1931, Garvey launched the Edelweiss Amusement Company. He set the company up to help artists earn their livelihood from their craft. Several Jamaican entertainers—Kidd Harold, Ernest Cupidon, Bim & Bam, and Ranny Williams—went on to become popular after receiving initial exposure that the company gave them. In 1935, Garvey left Jamaica for London. He lived and worked in London until his death in 1940. During these last five years, Garvey remained active and in touch with events in war-torn Ethiopia (then known as Abyssinia) and in the West Indies. In 1937, he wrote the poem Ras Nasibu Of Ogaden in honor of Ethiopian Army Commander (Ras) Nasibu Emmanual. In 1938, he gave evidence before the West India Royal Commission on conditions there. Also in 1938 he set up the School of African Philosophy in Toronto to train UNIA leaders. He continued to work on the magazine The Black Man.
While imprisoned Garvey had corresponded with segregationist Earnest Sevier Cox who was lobbying for legislation to "repatriate" African Americans to Africa. Garvey's philosophy of Black racial self-reliance could be combined with Cox's White Nationalism – at least in sharing the common goal of an African Homeland. Cox dedicated his short pamphlet "Let My People Go" to Garvey, and Garvey in return advertised Cox' book "White America" in UNIA publications.
In the summer of 1936, Garvey travelled from London to Toronto, Ontario, Canada, for five days of speeches and appearances. The Universal Negro Improvement Association had purchased a hall on College Street in that city and a convention was held, where Garvey was the principal speaker. His five-day visit was front page news.
In 1937, a group of Garvey's rivals called the Peace Movement of Ethiopia openly collaborated with the United States Senator from Mississippi, Theodore Bilbo, and Earnest Sevier Cox in the promotion of a repatriation scheme introduced in the US Congress as the Greater Liberia Act. Bilbo, an outspoken supporter of segregation and white supremacy and, attracted by the ideas of black separatists like Garvey, proposed an amendment to the federal work-relief bill on 6 June 1938, proposing to deport 12 million black Americans to Liberia at federal expense to relieve unemployment. He took the time to write a book entitled Take Your Choice, Separation or Mongrelization, advocating the idea. Garvey praised him in return, saying that Bilbo had "done wonderfully well for the Negro". During this period, Evangeline Rondon Paterson, the future grandmother of the 55th Governor of New York State, David Paterson, served as his secretary.
Death
Garvey died in London on 10 June 1940, at the age of 52, having suffered two strokes, putatively after reading a mistaken, and negative, obituary of himself in the Chicago Defender in January earlier that same year, which stated, in part, that Garvey died "broke, alone and unpopular". Due to travel restrictions during World War II, his body was interred (no burial mentioned but preserved in a lead-lined coffin) within the lower crypt in St. Mary's Catholic cemetery in London near Kensal Green Cemetery. Twenty years later, his body was removed from the shelves of the lower crypt and taken to Jamaica, where the government proclaimed him Jamaica's first national hero and re-interred him at a shrine in the National Heroes Park.
In London a blue plaque was placed outside the house where Garvey once resided at 53 Talgarth Road, Kensington, and a second blue plaque was placed outside 2 Beaumont Crescent, London, the offices of the UNIA where Marcus Garvey and UNIA members conducted their work. There is also a small park named after him between North End Road and Hammersmith Road near Olympia, and a library in Tottenham.
Influence
Schools, colleges, highways, and buildings in Africa, Europe, the Caribbean, and the United States have been named in his honor. The UNIA red, black, and green flag has been adopted as the Black Liberation Flag. Since 1980, Garvey's bust has been housed in the Organization of American States' Hall of Heroes in Washington, D.C.
Malcolm X's parents, Earl and Louise Little, met at a UNIA convention in Montreal. Earl was the president of the UNIA division in Omaha, Nebraska, and sold the Negro World newspaper, for which Louise covered UNIA activities.
Kwame Nkrumah named the national shipping line of Ghana the Black Star Line in honor of Garvey and the UNIA. Nkrumah also named the national football team the Black Stars as well. The black star at the centre of Ghana's flag is also inspired by the Black Star.
During a trip to Jamaica, Martin Luther King and his wife Coretta Scott King visited Garvey's shrine on 20 June 1965 and laid a wreath. In a speech he told the audience that Garvey "was the first man of color to lead and develop a mass movement. He was the first man on a mass scale and level to give millions of Negroes a sense of dignity and destiny. And make the Negro feel he was somebody."
King was a posthumous recipient of the first Marcus Garvey Prize for Human Rights on 10 December 1968, issued by the Jamaican Government and presented to King's widow. In 2002, scholar Molefi Kete Asante listed Garvey on his list of 100 Greatest African Americans.
The Obama Administration declined to pardon Garvey in 2011, writing that its policy is not to consider requests for posthumous pardons.
There have been several proposals to make a biopic of Garvey's life. Those mentioned in connection with the role of Garvey have included the Jamaican-born actor Kevin Navayne and the British-born actor of Jamaican descent Delroy Lindo.
Garvey as religious symbolRastafari
Rastafari consider Garvey to be a religious prophet, and sometimes even the reincarnation of Saint John the Baptist. This is partly because of his frequent statements uttered in speeches throughout the 1920s, usually along the lines of "Look to Africa, when a black king shall be crowned, for the day of deliverance is at hand!"
His beliefs deeply influenced the Rastafari, who took his statements as a prophecy of the crowning of Haile Selassie I of Ethiopia. Early Rastas were associated with his Back-to-Africa movement in Jamaica. This early Rastafari movement was also influenced by a separate, proto-Rasta movement known as the Afro-Athlican Church that was outlined in a religious text known as the Holy Piby—where Garvey was proclaimed to be a prophet as well. Garvey himself never identified with the Rastafari movement, and was, in fact, raised as a Methodist who went on to become a Roman Catholic.
Moorish Science Temple of America
Members of the Moorish Science Temple of America honor Marcus Garvey as a "Saint John the Baptist like" forerunner to their organization's Prophet founder, Noble Drew Ali, as evident in Chapter 48:2-3 of their holy scripture:
"John the Baptist was the forerunner of Jesus in those days, to warn and stir up the nation and prepare them to receive the divine creed which was to be taught by Jesus. In these modern days there came a forerunner, who was divinely prepared by the great God-Allah and his name is Marcus Garvey ..."
Memorials
Garvey is remembered through a number of memorials worldwide. Most of them are in Jamaica, England and the United States; others are in Canada and several nations in Africa.
Jamaica
Garvey was given major prominence as a national hero during Jamaica's move towards independence. As such, he has numerous tributes there. The first of these is the Garvey statue and shrine in Kingston's National Heroes Park. Among the honors to him in Jamaica are his name upon the Jamaican Ministry of Foreign Affairs; a major highway bearing his name and the Marcus Garvey Scholarship tenable at the University of the West Indies sponsored by The National Association of Jamaican and Supportive Organizations, Inc (NAJASO) since 1988.
Garvey's birthplace, 32 Market Street, St. Ann's Bay, Jamaica, has a marker signifying it as a site of importance in the nation's history. His likeness is on the 20-dollar coin and 25-cent coin. Garvey's recognition is probably most significant in Kingston, Jamaica.
Africa
Garvey's memory is maintained in several locations in Africa. Nairobi, Kenya and Enugu, Nigeria have streets bearing his name, while the township of Khayelitsha, Cape Town, South Africa, put his name on an entire neighborhood. Yenagoa, Bayelsa State, Nigeria has a library named for him. A bust of Garvey was created and is on display at a park in the central region in Ghana, along with one of Martin Luther King.
England
Garvey's influence is acknowledged through a number of sites in England, most of which are in London:
The Marcus Garvey Library is inside the Tottenham Green Leisure Centre building in North London.
There is a street named Marcus Garvey Way in Brixton, London.
A blue plaque marks 53 Talgarth Road, Hammersmith, London, as his residence.
The Marcus Garvey Centre in Lenton, Nottingham, England, is named in his honour
There is a statue of Garvey in Willesden Green Library, Brent, London.
There is a memorial park behind Hammersmith Road, named after him called Marcus Garvey Park.
The West Brompton train station restroom contains a street artist's rendition of a portrait of Garvey.
GARVEY, Marcus (1887–1940) Pan-Africanist Leader, died here, 53 Talgarth Road, W14. [Hammersmith and Fulham 2005]
United States
The United States is the country where Garvey not only rose to prominence, but also cultivated many of his ideas.
Harlem, in New York City, was the site of the UNIA Liberty Hall and many events of significance in Garvey's life. There is a park bearing his name and a New York Public Library branch dedicated to him, as well. A major street bears his name in the historically African-American Brooklyn neighborhood of Bedford Stuyvesant.
A Marcus Garvey Cultural Center, University of Northern Colorado (Greeley, Colorado). The National Association of Jamaican and Supportive Organizations Inc. (NAJASO) founded on 4 July 1977 in Washington DC), based in the United States, named Annual Scholarship tenable at the University of the West Indies since 1988, the Marcus Garvey Scholarship. Marcus Garvey Festival every year on the third weekend of August at Basu Natural Farms, in Pembroke Township, Illinois. The Universal Hip Hop Parade held annually in Brooklyn on the Saturday before his birthday to carry on his use of popular culture as a tool of empowerment and to encourage the growth of Black institutions. Since 1980, Garvey's bust has been housed in the Organization of American States' Hall of Heroes in Washington, D.C.
Canada
In Canada, Marcus Garvey Day is held annually on 17 August in Toronto; there is a Marcus Garvey Centre for Unity, in Edmonton, Alberta, and the Marcus Garvey Centre for Leadership and Education in the Jane-Finch area of Toronto. His 1919 Toronto UNIA Headquarters (home to the School of African Philosophy) located at 355 College St, Toronto is today a Roots Reggae nightclub called Thymeless Bar & Grill. The original UNIA markings are at the foot of the front door.
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