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Shell related trinkets from 1stdibs 🦪
Late Victorian Opal and Diamond Tiara
"A late Victorian opal and diamond tiara/necklace, consisting of seven knife-edge gold bars graduating from the centre, each set with two round cabochon-cut opals and an old-cut diamond in-between, the bars connected with six diamond-set arches each arch with a diamond-trefoil and a round cabochon-cut opal within, terminating on each side with a small diamond and opal trefoil motif, the diamonds estimated to weigh 2.9 carats in total, all mounted in gold and silver, attached to silver-gilt tiara frame and accompanied by gold chain back section to convert to a necklace, circa 1890, measuring 4 x 14.5cm, gross weight 36.4 grams."
- 1st Dibs
Roberto Cavalli: Peach Pink And Gold Hand Embroidered Tulle Sarong (2000)
Bruno Surdo | 1st Dibs
Vintage 1920's Sadie Nemser dress with lace and floral appliqués
A Renaissance Revival carved opal cameo pendant, the cameo attributed to Wilhelm Schmidt depicting Arion riding a dolphin, to elaborate surround of renaissance style incorporating scrolls and two griffins, bearing polychrome enamel decorations and encrusted with two rose-cut diamonds, to a closed back bearing enamel decorations depicting a column surrounded by the Latin word COLUMNAE, terminating to a pearl drop, all suspended by three pearl-set chains with a scrolling upper section set with a faceted emerald, all mounted in gold, circa 1880, measuring approximately 11x3.5cm, gross weight 26.5 grams.
This Renaissance revival pendant comes from the collection of Bentley & Skinner, the London jewellers by appointment to both Her Majesty the Queen and His Royal Highness the Prince of Wales. This pendant features an upper section with a verdant and bright emerald, from which is suspended three chains set with lustrous pearls. Hanging from the chains is a spectacular framed cameo depicting the Ancient Greek poet Arion, who, in Greek folklore, was said to have been rescued by a dolphin while lost at sea. The cameo is carved from opal and is attributed to William Schmidt, who invented a new process for cutting opals in 1874. Opal cameos are rare due to the fragility of the stone, and Schmidt used blanks covered with a thin layer of opal. Surrounding the cameo is a frame of bright gold with wonderful and colourful enamel detail, and a single lustrous pearl drop. This piece incorporates both Renaissance and Ancient Greek styles to create a true masterpiece of late Victorian craftsmanship and design. Schmidt never signed his work but produced many carved opals which have been later attributed to him, some examples of which today can be found in the Natural History Museum, London, the British Museum, and the Fitzwilliam Museum, Cambridge.
Richard Tyler Couture vintage silk evening gown
Davide Medri