Just curious, is Rio’s reaction to his professional/personal jealousy over Nick and Beth what you would’ve expected? Like if you were writing a fic with this plot line, would you have had him return her stuff, be supportive (I think he even did a little of that in the last ep with his trust in her ability to get and keep the club running), all this? I don’t think what’s happening on the show is out of character at all, I’m just so surprised (and delighted ofc) and am wondering if you are too!
Ooh, what an interesting question!
I'd say that up until 4.13/4.13, no, I wouldn't have written Rio making such a grand gesture like that, but that scene works because of what came before it, and I think it played perfectly because of how carefully it was built.
Now I think the development of those feelings stretch as far back as to 2.07, and I'm particularly obsessed with that because I think 4.14 is very much in conversation with it. Before 2.07, Rio was attracted to and interested in Beth, he'd already behaved irrationally in reaction to her, but I don't think those feelings were very deep, and I think that's supported by the end-of-season reveal that he'd been carefully setting her up with the storage unit, which started in 2.03.
The dubby gesture was significant because Rio so rarely does anything freely, and especially things that do not benefit him, but he went to that drug den and he retrieved that baby blanket and he was utterly incapable of looking at her in the eye when he handed it back to her. What's even better is that reaction from Rio was triggered by him feeling worried for her. In their alleyway fight, Rio is not gentle or kind despite the circumstances, but his anger isn't senseless—he tells her that if she messes up, "you go to jail or you die." Before this, Rio wasn't particularly concerned about consequences for Beth. He set her up in 1.09 at the risk of arrest and he offered her bare minimum advice for dealing with Turner in 1.05 despite her nerves. Here, he's agitated at the idea, and while that could be brushed off because of their stronger professional ties at this point in the series, it's not supported by his decision to go to the house (while pretending he's sure its not possible that they have Jane) and then collecting the dubby (which he could've left behind) simply because she cared about it. The whole scenario makes him consider what it would be like to lose her, and we see a new side of him as a result.
It's significant, too, that the dubby moment is a moment of connection that, at its root, is one parent understanding another parent. I think the show legitimized Rio as a love interest instead of merely a fling by giving him a son. Marcus's role is to reveal another side of Rio, one that Beth is curious about and wants to connect with, a side of Rio that she relates to and for which she admires him. The dubby shows that Rio understands Beth on this level, too, even if he judges her for going back into the house to retrieve it before he knows what it is.
Of course, these feelings were built on through 2.08 and 2.09 when they were at their best before Beth brutally dumped him, and from there, I think we got the sense that his feelings were masked, but that he knew about them, particularly in the 2.12 "work" conversation where he puts on a show of being once again indifferent to the idea of Beth getting arrested.
The big question, then, was how Rio would feel about Beth after she shot him, and I think the show deliberately and explicitly suggested that he was in love with her to explain his reactions to her behavior across season 3, to rationalize his inability to kill her after that initial rage wore down with the pregnancy lie. Although the insight came from an outsider POV that couldn't really know whether what he was saying was true, it was supported through Rio's actions: it's in decision to kill Lucy instead of touching Beth or her girls, it's in the way he sits beside Beth and is comparatively gentle when she's crying over Lucy, when he reluctantly checks her out in that dress because he can't stop himself, it's in the way he softens when she impresses him again when she shows off Boland Bubbles.
Frankly, Rio's feelings for Beth are the linchpin of season 3, and if you don't believe that Rio is in love with Beth, nothing he does makes much sense. Still, though, if season 3 Rio had pulled a 4.14 move, it wouldn't have landed for me. We knew we were supposed to believe he was in love with her, but we knew that didn't mean he wasn't still punishing her or willing to treat her harshly—as much as not touching Annie or Ruby was a signal, he did still force Beth to see Lucy executed to punish her, which they circled back to confirm in the conversation with Nick in 3.09.
And the introduction of Nick is absolutely crucial in further exploring Rio's feelings for Beth. We saw how quickly Rio re-established physical touch with Beth when he put his hand on her back after Nick's questioning and specifically the way Nick was trying to use Rio's name for Beth (that she tried to shut down), so we saw the way Rio was staking a claim from Nick's piqued interest in her. The flashbacks in 4.08 established the symbiotic relationship between Nick and Rio, but also the way Nick has used and abused Rio for the entirety of his life, and that gave us a good basis for a long-simmering resentment between them.
All of those episodes and events were kind of tentpole moments that build toward the believable culmination in 4.14, but the most crucial moment was in 4.13 when they gave us a Rio POV scene alone at the bar. Rio's isolation in this moment is important because there's no performance aspect to it. The bartender is there, but only to serve as a trigger to Rio reorienting himself and realizing where he is (he's been completely lost in his own thoughts before this) and for Rio to give a direction emphasizing his inability to handle the bottle himself. It's easier to come up with alternate theories and interpretations for characters' behaviors when they are interacting with another person because there may be conflicting motivations (for instance, Krebs discusses the Rio/Nick scene purely from a business standpoint, which is one of the layers in that scene, although not the only one) but Rio really has no reason to dramatize his reaction to the bourbon. In fact, I'd say that Rio's reaction is only as intense as it is because he's alone, and it'd be far more masked if he was in the presence of someone else that mattered. And Manny does a good job with that scene, too, because his voice sounds different than it usually does, there's a flash of glassiness to his eyes before he quickly looks away, and as someone else mentioned, his physicality is altered when he gets up and walks out of the bar.
In my head, I see it as sort of a marathon. The race kicks off with 2.07 and it's a strong start through 2.09, where those feelings really solidify and become something Rio recognizes. There's a handoff of the baton at 3.05 which carries us through a slow and steady portion, another handoff at 4.06, and Nick is a competing runner closing in that sparks a pick-up of the pace. The final handoff happens in 4.13 and it's a burst of energy that crosses over into the finish line of 4.14.
Essentially, 4.14 wouldn't work without all these careful puzzle pieces that came before it. It's a significant moment on its own, but the fact that Rio shows up at her door to give her the box in-person matters more because we know he couldn't do it in 2.07, and the fact that it's spurred by Rio fearing losing her matters more because that's exactly what prompted him to retrieve the dubby. Returning the furniture means more because we know he took it and kept it in the middle of their worst period. Returning it freely with no apparently strings attached? More significant because it calls back to him offering to retrieve the money from the baby hitmen, also without strings, from their best period. Rio's given Beth money before, but he's taken it back even when she earned it (1.08, 3.10) and when it was part of a test (2.04). So the fact that he takes it in 4.14 to give it back as proof that she didn't "need" Nick is also an extension of and growth from 2.04, when things were still a little more duplicitous between them.
That's why I love 4.14 so much. Everything means so! much! more! if you think about all the ways it calls back to these other touchstone moments between them. If it was a conspiracy board, 4.14 would be in the middle with a bunch of red strings leading back to nearly every significant Brio moment over the entire series. Imo, it's a pretty masterfully constructed moment in that way.











