#aciddriver

[accidentalmelody]

We Play Acid (Record Label)

We Play Acid (Record Label) presents Accidental Melody - STELLAR MASS (EP) / COSMIC HIGHWAY by JOHNNY DEF ACID DRIVER / PURE RADIO AMSTERDAM / PODCAST (2015)

[accidentalmelody]

Debut EP was released in SEPTEMBER 29, 2014 on superfresh label "we play acid" by Johnny Def Acid Driver /  Phaselock Techniques (We Play Acid) (2014)

WPA#010 RELEASE DATE:

SEPTEMBER 29, 2014.

Acid House’s much more then just a Roland TB303 spanking our hears. Some embraced the xOx Box to deliver serious Acid sound. Ondra Sedmík, born in Prague and broadcasting from the city of Brno in the Czech Republic, highlights our magic number, WPA010. Shining by the name of ACCIDENTAL MELODY turns up with a pure sound from the late 80s / early 90s, heavily influenced by the raw UK acid sound brought by Spiral Tribe and all the ruckus around it, which got very deep under his skin and the atmosphere of which A.M. production reflects until this days. Fronted by incredible acid-ish maneuvers ranging from 120 to 128bpm, releasing most tension on vintage instruments instead of crazy beats. ACCIDENTAL MELODY sparks our minds with four original crates from this release. “1990” literally makes you travel into the early nineties. Chaotic,energetic, fat and filled. The 909 is there and so the 303 lines, but the emphasis is adjusted by accurate delay manipulation, frequency fluctuations and reverberations. “SPACE HERO” was inspired both by documentary Space Hero: China’s First Man in Space (2008) and a sampled pop remix single from the early eighties from his vinyl collection. Together with some other singles containing David Morales remixes inspired him so much that literally borrowed the bass line and some passages. Playing them on the keyboard, Space Hero got materialized. “PHASELOCK TECHNIQUES” emerges from a Roland ddr30 and its dynamic heavy kick drum, toms and snares from a classic 808 bank layered by rave sounds, a sexy feminine voice sample and a dub organ hit all sealed by acid basses and synth patterns. A deep tribute to Mr. Morales. The last crate, “DARK MATTER” comes closer into the most recent approach from this producer born in Prague. The pulsating rhythm in a dark night city environment dwelling in a background full of action and active transients, with superb acidified machinery programmed to inject a frenetic movement perception just like any good action movie. Dedicated to the field, long life to Acid People and Acid House.

CREDITS: Written, Arranged, Produced, Programmed and Mixed by Accidental Melody in Brno, Czech Republic. All tracks Mastered by Acid Driver @ We Play Acid Facilities, Oporto - Portugal.

[weplayacid]

This special delivery from Southampton UK, takes WPA009 to the surface. LONG LIVE ALL THINGS ACID VOL.1 introduces the man behind the machine. Nicholas Edwards is THE FOOT TAPPER. Having partied in the Acid/ Drum/ Bass/ Hip House era of the 80s, uses these sounds and combines them with all the textures that sparked his soul and spirit when growing up as a kid in London on a magic time frame where everyone lived and breathed for House Music. Having had hardly any experience with Computers or Music Software, he went on to teach himself how to produce and create sounds that have the ability to connect with brain cortexes and transmit these feelings in a reliable and faithful way. All tracks created have elements of the acid sound and beats using Roland drum machines. Listening to the Acid sound made by the great producers of that time, influenced him to make music and carry on the legacy of this great sound ensuring it is never forgotten. TAKE ME TO LONDON reinforces this statement with a vintage old-school sound that sounds more like a TESLA machine driving you to this city in the exact mid 80s. Acid Driver pushes a bit further this idea, with a Retweaked interpretation. This statement, this release is accompanied by two other original productions. THE LIAR (ORIGINAL MIX), one of those steady tracks that repeats itself, reinforcing its vibration throughout the floor, keeping things tight until the next track sneaks in to blow up the audience. Another interpretation from Mr BC, (a skilled producer based in Edinburgh), adds a magical depth that makes you fly high, as only he can do and, READ MY LIPS is the great surprise from this release. The Acid component is still there blowing our minds with bassie textures, voices and special effects, making the swing with constant break-beats over a clean and bright kick. Credits: Tracks 1,3 & 5 Written, Arranged, Produced, Programmed and Mixed by The Foot Tapper in Southampton, UK. Track 2 Remixed and Mixed by Acid Driver in Oporto - Portugal. Track 4 Remixed and Mixed by Mr BC in Edinburgh, UK All tracks Mastered by Acid Driver @ We Play Acid Facilities, Oporto - Portugal.

[weplayacid]

We Play Acid, tale 006 introduces Leandro Silva in a super unexpected format, thru Acid House fields probably never seen before, never heard before from this DJ and producer who's an unavoidable reference of Electronic Music in Angola. Debutant in 1997, professional DJ since 2001. It's true that there's not many cities in Southern Africa like Luanda, his hometown. With dozens of existent micro-cosmos it turns out to be a fertile field for many people, away from those emblematic cities like London, Tokyo, Berlin, New York, Chicago, Detroit, Barcelona, Hong-Kong, Viena or Lisbon. Leandro is the paradigm that, regardless of this context, looks for and values success with a strong belief that always comes from our own hard work and strong dedication, putting together magnetic and environmental dj sets, Leandro is a Deep master constructor delivering high quality original material. This EP was inspired by a 505 and a 303. Leandro got his ass kicked by those legendary boxes and made it happen from those bruises. Hung up Acid Driver with 'LEVELS CONTROL' and smacked him on both hears with a 505 extremely raw kick. Immediately got this track remixed frenetically in a nonstop straight up Chicago Cowboy Jack the floor style, to heal the 303 wounds because of a beautiful reverb placement in the original peace. Two more tracks by Leandro Silva came out of this mighty voluntary junction from 505 and the 303. 'ESFERA' and 'LIGHTER'. The last one was teamed up with Kulas, an hardware skilled programer, one of Luanda's finest electronic artists, using hardware to perform live on his own. Make no mistake, this is a strong release from our catalog to be found by the lucky ones because'll sound fresh forever. Press play and get hooked up :)

[weplayacid]

Acid88 broadcasts the WPA005 experience, turning up the bass straight from Northampton with two original tracks using an old feel for kick spicing. The main track 'ACID HOUSE CORRESPONDENT' tells a true story about the controversial times back in the late 80s when Acid House was banned from the UK sound-tracked by a awesome TB303 and surprising Hip Hop loop blows every now and then. Acid Driver appears with a balanced retweaked interpretation aimed for dance floor Jackers. The 2nd original motion picture 'MANDATORY BOWTIE' brings up a huge melting pot of influences in perfect harmony, conquering experienced listeners by tweaking supper cool melodies all over the place heavily influenced by the Rave scene and Hip-Hop drops. Going to Raves since the early age of 15, Acid88 started releasing 303 soaked acid tracks inspired by the likes of Luke Vibert, Ceephax Acid Crew, Aphex Twin and the original acid sound of 1988, plus a bit of everything. So far most of his work has been based inside the D.A.W but more recently started building up his collection of hardware synths and drum machines to take music out there and play live.