Aug 17, 2025
Strange Illusion (1945)
My rating: 6/10
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seen from Japan
seen from Serbia
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seen from United States
seen from China
seen from Netherlands
seen from Germany
seen from Australia
Strange Illusion (1945)
My rating: 6/10
Christmas in Connecticut premiered in New York City on 27 July 1945, before wider release in August.
Aileen Hamilton sold her story idea to Warner Bros. in 1943, with Adele Comandini and Lionel Houser writing the screenplay. Bette Davis was announced to star in February 1944, but was replaced 2 months later by Barbara Stanwyck.
Released to mostly positive reviews (although one critic thought it was "quite unsound and dangerous to the morals of the American people"), Christmas in Connecticut was a box office success.
Supernatural fantasy romance from Hollywood’s golden age. Read my review of Beyond Tomorrow (1940) here:
Beyond Tomorrow aka Beyond Christmas (Dir: A Edward Sutherland, 1940) My quest for obscure vintage Christmas movies has arrived at
BEYOND TOMORROW aka BEYOND CHRISTMAS (Dir: A Edward Sutherland, 1940).
My quest for obscure vintage Christmas movies has arrived at Beyond Tomorrow, a curious little movie with a somewhat convoluted plot.
A trio of wealthy businessmen (Harry Carey, C Aubrey Smith and Charles Winninger) play matchmaker to a teacher (Jean Parker) and a misplaced cowboy (Richard Carlson). When the three are tragically killed in a plane crash they return as ghosts to watch over the couple whom they have left a significant inheritance.
Beyond Tomorrow is one of a handful of Hollywood movies of the era to deal with themes of spirituality and guardian angels; notable examples include Here Comes Mr Jordan (Alexander Hall, 1941) and It's a Wonderful Life (Frank Capra, 1946). Unfortunately this movie is nowhere near the caliber of those classics.
Although relatively short, at roughly 80 minutes, I found it a chore to watch. It's early scenes, centered around the holiday season are easily its best. However the film soon descends into hollow sentimentality and mawkishness, with Adele Comandini's screenplay lacking the dramatic strength to overcome the corny and frankly odd premise. The 'B' movie is also lacking star talent, although Richard Carlson later would make an impression in Universal's late period monster flick Creature from the Black Lagoon (Jack Arnold, 1954). A bigger name would certainly have lent the movie a little more cache but, to be honest, I think it would do little to help either the pedestrian script or A Edward Sutherland's workmanlike direction.
I also feel this movie was slightly miss sold, as only its first third is festive. In a shameless yuletide cash grab the movie has latterly been marketed as Beyond Christmas. Cynical though this may be, the title is actually more accurate as much of the feature does, indeed, take place after Christmas!
I am a sucker for a decent Christmas film and Golden Age Hollywood is my favourite era of filmmaking, but this turkey of a movie did nothing for me. By all means worth a watch for the curious. Just don't expect it to fill you with Christmas joy.
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