Interior art by Roy G. Scarfo, for Beyond Tomorrow, by Dandridge M. Cole, 1965
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Interior art by Roy G. Scarfo, for Beyond Tomorrow, by Dandridge M. Cole, 1965
So - uh - here's the thing. I've had a Yautja OC/Female OC story running rampant in my head. It wants out. I will still be working on my other story (eventually), but right now Beyond Tomorrow has become an obsession.
Am I up to date on all the Yautja lore? Fuck no. Is it canon compliant? I highly doubt it LOL!
This is a story, that is written for me, by me that I thought maybe someone else may want a boo at.
A thread of tweets from Enfys Book (AKA Lucky Annie) (@enfysbook) on Twitter, from 20 December 2020. [Note that I disabled my account in December 2022, so this tweet thread is no longer accessible on Twitter.] Text follows. You can watch the movie free on YouTube here (under its alternate title, “Beyond Tomorrow”).
Listen/purchase: Beyond Tomorrow (Original Soundtrack) by All India Radio
The Horror of Christmas By Jessica Pickens
“There'll be scary ghost stories and tales of the glories of Christmases long, long ago,” goes the song “It’s the Most Wonderful Time of the Year,” released in 1963. That Christmas song’s lyric may have left you scratching your head each time you hear it. Written by Edward Pola and George Wyle, the song looks back at old holiday traditions. Ghosts, goblins and creepy murderous tales are strictly relegated to Halloween, right? That’s how it stands today, at least. But in the Victorian era, telling ghost stories was part of the Christmas tradition.
The death and rebirth of a new year during the Winter Solstice seemed like an appropriate time for telling ghost stories. “Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories,” wrote author and humorist Jerome K. Jerome in Told After Supper (1891). “Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about specters. It is a genial, festive season, and we love to muse upon graves, and dead bodies, and murders, and blood.”
Even while we don’t tell ghost stories today at Christmas, one ghost story is still one of the most beloved Christmas tales, A Christmas Carol by Charles Dickens. But even when it was published in 1843, it was not the first, or last, paranormal story told about Christmas. While the tradition of sharing Christmas ghost stories died long before the dawn of film, it still found its way onto the screen:
A CHRISTMAS CAROL (’38 and ‘51)
Ebenezer Scrooge is a bitter and mean old man who has no patience for humanity or happiness. On Christmas Eve, a series of ghosts visit Scrooge and take him on a journey of self-exploration. Scrooge revisits his past, present and future and is warned to change his ways before it’s too late.
Since first appearing in a short film in 1901, A CHRISTMAS CAROL has been retold on film and television numerous times for over 100 years. The story has even been retold by The Muppets and Mickey Mouse for family-friendly audiences. It has also been modernized into various time periods, with Scrooge-like characters portrayed by Bill Murray, Henry Winkler, Cicely Tyson, Matthew McConaughey, Vanessa Williams and Susan Lucci.
But there are still several, more faithful retellings of the Dickens novel, including the 1938 version, starring Reginald Owen, and the 1951 version, starring Alastair Sim as the main character.
Released by Metro-Goldwyn-Mayer, the 1938 version has a lighter and more joyful vibe. Owen’s Scrooge is more of a grump rather than entirely mean-spirited. He is almost immediately remorseful and says he loves Christmas while he’s with the Ghost of Christmas Present. Gene Lockhart plays Bob Cratchit as a cheerful man, despite having to work for a tyrannical boss. The 1951 version, made in England and released by Renown Pictures Corporation, is a darker telling of the Dickens story. Alastair Sim’s Scrooge is more brutish, cruel and dismissive to Bob Cratchit, played by Mervyn Johns. Johns plays Cratchit as a meeker and more browbeaten character.
Regardless of the films’ differences, the message of both versions is the same. The ghosts in A CHRISTMAS CAROL aren’t meant to frighten the audience but to encourage self-reflection. Scrooge isn’t just haunted by Jacob Marley and the three ghosts; memories of his past haunt him — that’s why he’s so bitter.
BEYOND TOMORROW (’40)
On Christmas Eve, we meet three elderly businessmen: George Melton (Harry Carey), Allan Chadwick (C. Aubrey Smith) and Michael O’Brien (Charles Winninger). The three men live together and are old friends, but they all have very different pasts. George is a man of little faith and is business-focused with a dark past. Distinguished Allan has a military background and lost his only son in World War I. Michael is the most whimsical of the three.
On Christmas Eve, Michael has the idea that they throw three wallets out into the street to see if an honest person returns them. A young man and woman, Jean Lawrence (Jean Parker) and James Houston (Richard Carlson), return the wallets. Neither having a family to go to that night, they join the gentlemen — all becoming fast friends by the end of the night. As Jean and James fall in love, they become close friends with the three men. Tragedy strikes when all three men are killed in a plane crash, leaving money to the couple so they can marry. However, with the new wealth and publicity, James becomes a singing radio star, forgetting about Jean in favor of another woman. The three men's ghosts try to guide James away from the other woman and encourage Jean to fight for her love.
In this story, the past lives of the three men don’t affect them in life, but in death. Carey’s character, George, is sort of like Scrooge. It’s hinted that he has a dark past, which may involve another woman and murder. Also, in his old age, anything but money is foolish to him. In death, George’s friends warn him that all he has to do is feel sorry for his past, but George has no regrets, even if it means going “to the dark place.”
In contrast, the other two characters are rewarded in death. Smith’s character gets to see his son again, who comes to fetch him. His son tells him that heaven is anything he wants it to be. Charles Winninger’s character is reluctant to leave his friends on Earth because he wants to continue to help them. But before leaving for heaven, he is able to. Even in death, the ghosts have to do good deeds not only to help their friends who are still living but to allow them to rest in the great beyond.
While we may not still tell ghost stories around the fire, the holiday season closes another year, allowing us to reflect on past memories. Some memories may be good, and others may haunt us in a way. However, 2020 may haunt us forever.
In the grand scheme of classic holiday films, the 1940 drama “Beyond Tomorrow” remains largely forgotten. It’s rather a shame, because it’s quite a charming story, about three wealthy but lonely bu…
Today's holiday classics feature is the charming 1940 drama BEYOND TOMORROW, alternately released as BEYOND CHRISTMAS. You can find this one for free on Tubi TV! Read my review here.
Beyond Tomorrow
A. Edward Sutherland USA, 1940
Heavy Lift Reusable Space Vehicle Concept...
From the Book ‘Beyond Tomorrow - The Next 50 Years in Space’, 1965
Artwork by Roy Kerswill