His insides constrict, and he wants — he wants so, so terribly, and there’s not enough room in this singular human body to contain it all. The hum crescendos like the buzzing of the cicadas outside, unfurling, threatening to peel back his skin and spill through the crevices.
Isn’t that what love is, though — a feeling in equal parts beautiful and terrible? An unbearable ache that writhes against the confines of the body, longing to tear open the ribs and spill out and hold and shelter and consume, to satiate and be satiated? Or maybe Hikaru has that all wrong, too. Maybe his love is not the right kind, and maybe he'll never love the right way in the same way he'll never be the real Hikaru — he's an intrusion, trying to emulate something that can never be his.
Maybe his love is something else entirely — something just as monstrous and empty and hungry as he is.
— an excerpt from my untitled hikaru character study that examines his monstrosity as an allegory for internalised aphobia











