#alexanderroslin

[theunabashedepicurean]

The frill of it all! #art #artwork #artist #portrait #portraitpainting #portraits #details #artdetail #19thcenturyart #18thcenturyart #17thcenturyart #jeanranc #louisjeanfrançoislagrenée #alexanderroslin #jacobferdinandvoet #martinvanmeytens #frenchart #frenchartist #dutchart #dutchartist #flemishart #flemishartist #arthistory #bows #lace #camp #pomp #grand #royalpainting #royalportrait https://www.instagram.com/p/Co-U3ZqoRil/?igshid=NGJjMDIxMWI=

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

[defunctfashion]

Alexander Roslin | “Double Portrait” (detail) | c. 1751 • • • Roslin exquisitely executes the silver embroidered satin on this robe à la Française. The identity of the sitter is lost to history. • • • #whattheywore #historicalfashion #fashion #fashiondesign #fashionhistory #historyoffashion #vintagefashion #art #vintage #historicfashion #defunctfashion #historicalfashion #costume #costumedesign #couture #costumehistory #alexanderroslin

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

[defunctfashion]

Grand Duchess Maria Feodorovna | Alexander Roslin | c.1777 — The Grand Duchess if portrayed here in full court dress. By this time the mantua style had given way to the robe à la Française, which incorporated the cape like sack back that draped from the shoulders. #whattheywore #historicalfashion #fashion #fashiondesign #fashionhistory #historyoffashion #vintagefashion #art #vintage #historicfashion #defunctfashion #historicalfashion #costume #costumedesign #couture #costumehistory #18thcenturyfashion #alexanderroslin #mariafeodorovna #thehermitagemuseum