Jan 17
Mrs pomp can u say "You there!! 🗣" pls
👠 "But of course!"
seen from Germany
seen from United States
seen from Australia
seen from United States
seen from United States
seen from Philippines
seen from United States
seen from United States
seen from Australia
seen from China
seen from United Kingdom
seen from United States
seen from Germany
seen from United States
seen from United States
seen from United States
seen from T1
seen from Germany
seen from United States
seen from United States
Mrs pomp can u say "You there!! 🗣" pls
👠 "But of course!"
Hooray for PomPom hugs
The Shape of the Potato, ai art 2024 after a prompt from ZZI
greasers and greasers
I've designed like 5-6 greasers for this little gang I have now each with their own design of pomp, I've not drawn and fully deigned all of them but here are some of the WIP designes, Dale(pink pomp) is sort of final in design tho.
For future reference when I’m drawing blanks on characters to put in prompts.
Who’s your favorite Kids pirate?
Kidd
Killer
Heat
Wire
Gig
Dive
UK
Pomp
Bubblegum
Reck
House
Other
Incredible realization of a 1950s street scene with the creation of a vast greased pompadour and laughing bystanders.
New Fursona!!! I'm really proud of this one. May commission someone to make a fursuit head of him for me.
I based him off of Fu Dogs/Chinese Guardian Lions.
The Two Crowns by Frank Bernard Dicksee
In The Two Crowns Dicksee portrays an English medieval prince returning home in triumph on a white horse decorated with three feathers. Wearing a golden crown, he gazes up at a crucifix, Christ's crown of thorns contrasting starkly with the jewelled headpiece and opulent armour of the prince. Although surrounded by admiring onlookers, the prince is transfixed by the sight of this representation of Christ, a vivid reminder of the lack of importance of temporal power and riches.
The Two Crowns is one of a number of paintings by Dicksee with a medieval theme, including The Redemption of Tannhäuser (1890) and The Passing of Arthur (1899). But in contrast to both these works The Two Crowns does not represent any particular historical event. Dicksee seizes the opportunity to create a scene brimming with pomp and ceremony. The jubilation of the crowds at the Prince's homecoming is represented with flying banners and coloured confetti thrown by the youthful maidens in the foreground and from the balcony above.