Some squishy doodles with @xdeusxmachinax King, featuring two kinds of Jackie, lil lady, and fuckin winter blanket
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Some squishy doodles with @xdeusxmachinax King, featuring two kinds of Jackie, lil lady, and fuckin winter blanket
@ectoberhaunt day 4: these darn aliens, abducting people left and right.
Within the cosmic matrix are many false light constructs, each created by a demiurge, an impostor god.
Each false light construct can extend through eight dimensions, and also they are vast in size, each one of them could seem as large as a universe, and yet they are only a tiny fraction of the entire universe.
But when you are inside them, they seem all compassing. Just another illusory trick. Many of these false light realms extend upon our planet, through the programmed minds of people.
Sometime, long ago in prehistory, inter-dimensional demiurges came to our Earth to plunder her. They enslaved humanity and proclaimed themselves as almighty god, the creator.
The Gnostics called them the archons. They are the predators, who keep us as their herd, just as we keep farm animals. We are their food. We have been in their grip for thousands of years. The very gods that we pray to for hope and salvation, are the very culprits that prey on us.
A gift for my bud Xinophin
The Specimen
Mara woke to the weight of liquid pressing against her skin. She wasn’t drowning. The mask sealed over her mouth and nose kept her breathing, but the air was heavy, metallic, alien. She floated, restrained, in a cylinder of glass and steel.
Shadows moved beyond the chamber — tall, jointed figures with featureless faces. They didn’t speak. They didn’t need to. Their movements were coordinated, deliberate, as if each motion was part of a single mind.
The first procedure began with light. A probe extended from the ceiling and touched her abdomen. A pulse of energy rippled through her nervous system, making her arms snap rigid, her fingers curl into claws. Her legs thrashed against the chamber walls, toes hammering until the glass quivered. The fluid erupted in bubbles as her chest arched, back cracking in protest.
She gasped when it ended, body sagging limp — only for the current to strike again. Her limbs folded in on themselves this time, knees to chest, chin to sternum. Spasms wracked her muscles, jaw clenching hard enough to draw blood. She couldn’t even scream. The mask swallowed every sound.
They weren’t trying to kill her. They were recording. Each convulsion, every flinch, catalogued in alien glyphs that flickered across the monitors.
Then came the resuscitations.
A needle-like arm extended, hovered near her chest, and with a flicker of amber light — her heart stopped. The silence inside her was absolute. She drifted at the edge of nothingness until a violent shock tore her back. Her body convulsed so hard her head slammed into the mask, hair whipping through the green haze. She arched, gasped, drowned in her own bubbles — then drew breath again, lungs forced open by the mask’s pressure.
The cycle repeated. Longer silences. Stronger shocks. Each revival jerked her body in grotesque patterns — arms snapping outward, legs scissoring violently, spine bowing until tendons strained. By the sixth cycle she was thrashing in fragments, one limb jerking while the other hung slack. By the tenth, her convulsions followed patterns, mechanical, as if her nerves were being trained to respond.
When the shocks ceased, new machinery descended. Suction cups latched onto her arms, thighs, chest, neck. A low hiss filled the chamber. Pressure tugged at her flesh, pulling in steady rhythm. Transparent tubes carried streams of red, then pale yellow, then fluids that shimmered faintly in colors no human body should produce.
Her vitals faltered; the mask compensated, forcing thick oxygen into her. She realized with horror that the aliens weren’t just testing. They were harvesting.
The suction deepened, bruising her skin, making her body pulse in time with the rhythm of the pumps. She tried to resist, to pull away, but the harder she fought, the tighter the seals drew. Her body trembled, betraying her — her own systems yielding material she never meant to give.
Finally, the suction arms retracted. Replaced by probes finer than hair. They gathered around her abdomen, emitting a faint vibration that sank through her flesh. Not pain — pressure. A hollowing sensation deep inside, as if something essential was being coaxed away.
The monitor brightened with alien symbols. A milky thread curled through one of the tubes, rising toward a reservoir where it swirled in luminous coils.
Mara’s breath came fast, chest heaving. She knew what they were doing now. They had mapped her nerves. They had tested her limits. They had drained her fluids. And now, with clinical precision, they were dismantling her at the level of creation itself.
The figures beyond the glass didn’t look at her face, didn’t see her fear. Their focus remained fixed on the reservoirs filling with her essence. No cruelty. No hesitation. No recognition.
She wasn’t a prisoner. She wasn’t even a patient.
She was a resource.
Gretchen Palmer as Carrie in STARQUEST II – 1996