Dec 23, 2023
Amedeo Modigliani, Jeanne Hebuterne avec chapeau et collier, 1917.
seen from United States
seen from Netherlands
seen from Japan
seen from China
seen from Taiwan
seen from China
seen from Malaysia
seen from Germany
seen from China
seen from China
seen from Malaysia
seen from United States
seen from China
seen from Thailand
seen from Thailand
seen from China
seen from Netherlands
seen from India
seen from Netherlands
seen from United Arab Emirates
Amedeo Modigliani, Jeanne Hebuterne avec chapeau et collier, 1917.
A suffering nude, 1909, Amedeo Modigliani
Medium: oil,canvas
Self Portrait (1919) by Amedeo Modigliani (12 July 1884 – 24 January 1920)
Reclining Nude from the Back (Nu couché de dos) by Amedeo Modigliani, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 21, South Wall\n
In 1917 Leopold Zborowski, a Polish-born poet-turned-art dealer, provided the impoverished Amedeo Modigliani with a space in his apartment in which to work, as well as art supplies, models, and a daily stipend. While ensconced in Zborowski's home and at his request, Modigliani embarked on an ambitious series of just over two dozen female nudes.
Judith Dolkart, The Barnes Foundation: Masterworks
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/7924/
*evîna min ne xema te ye, serxweşê te me..
Without art, the crudeness of reality would make the world unbearable.
George Bernard Shaw
Little Servant Girl, Amedeo Modigliani, c. 1916, Minneapolis Institute of Art: Paintings
The first painting by Modigliani to enter the Institute's collection, The Little Servant Girl is typical of the genre portraits he produced during the years 1915 through 1920. Influenced by Cezanne's portraits, Modigliani developed a unique style characterized by exaggerated forms and elongated features. He used broad areas of color to great spatial effect and distorted features for the sake of aesthetic beauty. Preoccupied with line, he sought to create the abstract by rendering only a few necessary details realistically, emphasizing swift suggestion rather than precise definition. Through his eyes, prostitutes, servants, friends, and the children of the Montparnasse were treated with equal importance; indeed, he provided each of them with an elegant poise, exemplified here with the folded hands and dignified bearing of this otherwise anonymous Parisian girl. Size: 36 1/4 x 21 1/4 in. (92.08 x 53.98 cm) (canvas) 44 7/8 x 29 7/8 x 2 1/4 in. (113.98 x 75.88 x 5.72 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/10458/